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Color name
RGB 198 157 21

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 198 157 21 it is the complementary color RGB 57 98 234. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 198 157 21. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 198 157 21 shade: RGB 203 157 16, RGB 220 175 35, RGB 237 193 54, RGB 254 211 73 and RGB 255 229 92

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 198 157 21. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 198 157 21 shade: RGB 198 157 21, RGB 181 139 2, RGB 164 121 0, RGB 147 103 0 and RGB 130 85 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 198 157 21 shade: RGB 198 157 20, RGB 198 109 20, RGB 198 61 20 and RGB 198 20 20

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 198 157 21 shade: RGB 198 157 20, RGB 191 198 20, RGB 143 198 20, RGB 95 198 20 and RGB 48 198 20

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 198 157 21 shade matches the following richer shades: RGB 198 157 20 and RGB 216 166 3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 198 157 21 shade: RGB 198 157 20, RGB 180 147 38, RGB 162 138 56, RGB 145 128 74 and RGB 127 119 91

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 198 157 21 shade: RGB 198 62 20, RGB 198 109 20, RGB 198 157 20, RGB 192 198 20 and RGB 145 198 20

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 198 157 21 shade: RGB 123 98 12, RGB 161 127 16, RGB 198 157 20, RGB 231 184 29 and RGB 235 196 66

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 198 157 21 shade: RGB 198 157 21, RGB 26 198 20 and RGB 85 20 198

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 198 157 21 shade: RGB 198 157 21, RGB 20 198 157 and RGB 157 20 198

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 198 157 21 shade: RGB 198 157 21, RGB 26 198 20, RGB 20 62 198 and RGB 192 20 198

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 198 157 21 shade: RGB 198 157 21, RGB 20 198 68, RGB 20 62 198 and RGB 198 20 151

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 21 / 89 / 22

HEX #C69D15

RGB 198 157 21

HSL 46.1, 0.81%, 0.43%

LAB 66.65, 3.76, 67.16

 

Complementary color

CMYK 76 / 58 / 0 / 8

HEX #3962EA

RGB 57 98 234

HSL 226.1, 0.81%, 0.57%

LAB 46.37, 32.97, -72.74

 

CMYK 0 / 23 / 92 / 20

HEX #CB9D10

RGB 203 157 16

HSL 45.24, 0.85%, 0.43%

LAB 67.16, 5.89, 68.72

 

CMYK 0 / 20 / 84 / 14

HEX #DCAF23

RGB 220 175 35

HSL 45.41, 0.73%, 0.5%

LAB 73.54, 4.16, 70.31

 

CMYK 0 / 19 / 77 / 7

HEX #EDC136

RGB 237 193 54

HSL 45.57, 0.84%, 0.57%

LAB 79.85, 2.66, 70.72

 

CMYK 0 / 17 / 71 / 0

HEX #FED349

RGB 254 211 73

HSL 45.75, 0.99%, 0.64%

LAB 86.08, 1.36, 70.43

 

CMYK 0 / 10 / 64 / 0

HEX #FFE55C

RGB 255 229 92

HSL 50.43, 1%, 0.68%

LAB 90.81, -6.32, 67.8

 

CMYK 0 / 21 / 89 / 22

HEX #C69D15

RGB 198 157 21

HSL 46.1, 0.81%, 0.43%

LAB 66.65, 3.76, 67.16

 

CMYK 0 / 23 / 99 / 29

HEX #B58B02

RGB 181 139 2

HSL 45.92, 0.98%, 0.36%

LAB 60.15, 5.63, 64.66

 

CMYK 0 / 26 / 100 / 36

HEX #A47900

RGB 164 121 0

HSL 44.27, 1%, 0.32%

LAB 53.56, 7.83, 59.56

 

CMYK 0 / 30 / 100 / 42

HEX #936700

RGB 147 103 0

HSL 42.04, 1%, 0.29%

LAB 46.85, 10.17, 54.05

 

CMYK 0 / 35 / 100 / 49

HEX #825500

RGB 130 85 0

HSL 39.23, 1%, 0.25%

LAB 39.99, 12.64, 48.44

 

CMYK 0 / 21 / 90 / 22

HEX #C69D14

RGB 198 157 20

HSL 46.18, 0.82%, 0.43%

LAB 66.65, 3.74, 67.36

 

CMYK 0 / 45 / 90 / 22

HEX #C66D14

RGB 198 109 20

HSL 30, 0.82%, 0.43%

LAB 55.07, 29.84, 58.47

 

CMYK 0 / 69 / 90 / 22

HEX #C63D14

RGB 198 61 20

HSL 13.82, 0.82%, 0.43%

LAB 46.17, 52.75, 51.81

 

CMYK 0 / 90 / 90 / 22

HEX #C61414

RGB 198 20 20

HSL 0, 0.82%, 0.43%

LAB 42.09, 64.18, 48.84

 

CMYK 0 / 21 / 90 / 22

HEX #C69D14

RGB 198 157 20

HSL 46.18, 0.82%, 0.43%

LAB 66.65, 3.74, 67.36

 

CMYK 4 / 0 / 90 / 22

HEX #BFC614

RGB 191 198 20

HSL 62.36, 0.82%, 0.43%

LAB 76.99, -20.57, 75.18

 

CMYK 28 / 0 / 90 / 22

HEX #8FC614

RGB 143 198 20

HSL 78.54, 0.82%, 0.43%

LAB 73.73, -40.19, 71.19

 

CMYK 52 / 0 / 90 / 22

HEX #5FC614

RGB 95 198 20

HSL 94.72, 0.82%, 0.43%

LAB 71.47, -56.49, 68.4

 

CMYK 76 / 0 / 90 / 22

HEX #30C614

RGB 48 198 20

HSL 110.56, 0.82%, 0.43%

LAB 70.22, -66.81, 66.85

 

CMYK 0 / 21 / 90 / 22

HEX #C69D14

RGB 198 157 20

HSL 46.18, 0.82%, 0.43%

LAB 66.65, 3.74, 67.36

 

CMYK 0 / 23 / 99 / 15

HEX #D8A603

RGB 216 166 3

HSL 45.92, 0.97%, 0.43%

LAB 70.79, 6.67, 73.71

 

CMYK 0 / 21 / 90 / 22

HEX #C69D14

RGB 198 157 20

HSL 46.18, 0.82%, 0.43%

LAB 66.65, 3.74, 67.36

 

CMYK 0 / 18 / 79 / 29

HEX #B49326

RGB 180 147 38

HSL 46.06, 0.65%, 0.43%

LAB 62.26, 1.6, 57.99

 

CMYK 0 / 15 / 65 / 36

HEX #A28A38

RGB 162 138 56

HSL 46.42, 0.49%, 0.43%

LAB 58.17, -0.63, 45.95

 

CMYK 0 / 12 / 49 / 43

HEX #91804A

RGB 145 128 74

HSL 45.63, 0.32%, 0.43%

LAB 53.98, -1.13, 31.55

 

CMYK 0 / 6 / 28 / 50

HEX #7F775B

RGB 127 119 91

HSL 46.67, 0.17%, 0.43%

LAB 50.05, -1.68, 16.54

 

CMYK 0 / 69 / 90 / 22

HEX #C63E14

RGB 198 62 20

HSL 14.16, 0.82%, 0.43%

LAB 46.31, 52.35, 51.92

 

CMYK 0 / 45 / 90 / 22

HEX #C66D14

RGB 198 109 20

HSL 30, 0.82%, 0.43%

LAB 55.07, 29.84, 58.47

 

CMYK 0 / 21 / 90 / 22

HEX #C69D14

RGB 198 157 20

HSL 46.18, 0.82%, 0.43%

LAB 66.65, 3.74, 67.36

 

CMYK 3 / 0 / 90 / 22

HEX #C0C614

RGB 192 198 20

HSL 62.02, 0.82%, 0.43%

LAB 77.07, -20.14, 75.28

 

CMYK 27 / 0 / 90 / 22

HEX #91C614

RGB 145 198 20

HSL 77.87, 0.82%, 0.43%

LAB 73.84, -39.42, 71.33

 

CMYK 0 / 20 / 90 / 52

HEX #7B620C

RGB 123 98 12

HSL 46.49, 0.82%, 0.26%

LAB 42.72, 1.85, 46.87

 

CMYK 0 / 21 / 90 / 37

HEX #A17F10

RGB 161 127 16

HSL 45.93, 0.82%, 0.35%

LAB 54.86, 3.33, 57.33

 

CMYK 0 / 21 / 90 / 22

HEX #C69D14

RGB 198 157 20

HSL 46.18, 0.82%, 0.43%

LAB 66.65, 3.74, 67.36

 

CMYK 0 / 20 / 87 / 9

HEX #E7B81D

RGB 231 184 29

HSL 46.04, 0.81%, 0.51%

LAB 76.9, 4.07, 74.94

 

CMYK 0 / 17 / 72 / 8

HEX #EBC442

RGB 235 196 66

HSL 46.15, 0.81%, 0.59%

LAB 80.48, 0.76, 66.96

 

CMYK 0 / 21 / 89 / 22

HEX #C69D15

RGB 198 157 21

HSL 46.1, 0.81%, 0.43%

LAB 66.65, 3.76, 67.16

 

CMYK 87 / 0 / 90 / 22

HEX #1AC614

RGB 26 198 20

HSL 117.98, 0.82%, 0.43%

LAB 69.94, -69.36, 66.49

 

CMYK 57 / 90 / 0 / 22

HEX #5514C6

RGB 85 20 198

HSL 261.91, 0.82%, 0.43%

LAB 30.66, 64.12, -77.79

 

CMYK 0 / 21 / 89 / 22

HEX #C69D15

RGB 198 157 21

HSL 46.1, 0.81%, 0.43%

LAB 66.65, 3.76, 67.16

 

CMYK 90 / 0 / 21 / 22

HEX #14C69D

RGB 20 198 157

HSL 166.18, 0.82%, 0.43%

LAB 71.54, -50.38, 9.14

 

CMYK 21 / 90 / 0 / 22

HEX #9D14C6

RGB 157 20 198

HSL 286.18, 0.82%, 0.43%

LAB 40.81, 72.68, -60.76

 

CMYK 0 / 21 / 89 / 22

HEX #C69D15

RGB 198 157 21

HSL 46.1, 0.81%, 0.43%

LAB 66.65, 3.76, 67.16

 

CMYK 87 / 0 / 90 / 22

HEX #1AC614

RGB 26 198 20

HSL 117.98, 0.82%, 0.43%

LAB 69.94, -69.36, 66.49

 

CMYK 90 / 69 / 0 / 22

HEX #143EC6

RGB 20 62 198

HSL 225.84, 0.82%, 0.43%

LAB 33.29, 39.8, -73.59

 

CMYK 3 / 90 / 0 / 22

HEX #C014C6

RGB 192 20 198

HSL 297.98, 0.82%, 0.43%

LAB 46.69, 78.28, -50.98

 

CMYK 0 / 21 / 89 / 22

HEX #C69D15

RGB 198 157 21

HSL 46.1, 0.81%, 0.43%

LAB 66.65, 3.76, 67.16

 

CMYK 90 / 0 / 66 / 22

HEX #14C644

RGB 20 198 68

HSL 136.18, 0.82%, 0.43%

LAB 70.14, -66.54, 52

 

CMYK 90 / 69 / 0 / 22

HEX #143EC6

RGB 20 62 198

HSL 225.84, 0.82%, 0.43%

LAB 33.29, 39.8, -73.59

 

CMYK 0 / 90 / 24 / 22

HEX #C61497

RGB 198 20 151

HSL 315.84, 0.82%, 0.43%

LAB 45.28, 72.97, -25.34

 

Description

Color code: RGB 198 157 21 | qconv.com Color code: RGB 198 157 21 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 198 red, 157 green and 21 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
198 157 21 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 21 magenta, 89 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 21% 89% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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