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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 198 156 83 it is the complementary color RGB 57 99 172. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 198 156 83. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 198 156 83 shade: RGB 203 156 78, RGB 220 174 97, RGB 237 192 116, RGB 254 210 135 and RGB 255 228 154

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 198 156 83. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 198 156 83 shade: RGB 198 156 83, RGB 181 138 64, RGB 164 120 45, RGB 147 102 26 and RGB 130 84 7

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 198 156 83 shade: RGB 197 155 82, RGB 197 124 82, RGB 197 93 82 and RGB 197 82 82

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 198 156 83 shade: RGB 197 155 82, RGB 197 186 82, RGB 177 197 82, RGB 146 197 82 and RGB 115 197 82

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 198 156 83 shade matches the following richer shades: RGB 197 155 82, RGB 216 160 64, RGB 234 165 45 and RGB 253 170 27

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 198 156 83 shade: RGB 197 155 82, RGB 179 150 101, RGB 160 145 120, RGB 141 140 138 and RGB 123 135 157

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 198 156 83 shade: RGB 197 94 82, RGB 197 124 82, RGB 197 155 82, RGB 197 186 82 and RGB 178 197 82

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 198 156 83 shade: RGB 148 112 49, RGB 179 135 59, RGB 197 155 82, RGB 207 173 113 and RGB 218 191 144

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 198 156 83 shade: RGB 198 156 83, RGB 102 197 82 and RGB 109 82 197

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 198 156 83 shade: RGB 198 156 83, RGB 82 197 155 and RGB 155 82 197

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 198 156 83 shade: RGB 198 156 83, RGB 102 197 82, RGB 82 124 197 and RGB 178 82 197

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 198 156 83 shade: RGB 198 156 83, RGB 82 197 98, RGB 82 124 197 and RGB 197 82 182

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 21 / 58 / 22

HEX #C69C53

RGB 198 156 83

HSL 38.09, 0.5%, 0.55%

LAB 66.83, 7.19, 43.64

 

Complementary color

CMYK 67 / 42 / 0 / 33

HEX #3963AC

RGB 57 99 172

HSL 218.09, 0.5%, 0.45%

LAB 42.42, 9.69, -43.44

 

CMYK 0 / 23 / 62 / 20

HEX #CB9C4E

RGB 203 156 78

HSL 37.44, 0.55%, 0.55%

LAB 67.29, 8.97, 46.78

 

CMYK 0 / 21 / 56 / 14

HEX #DCAE61

RGB 220 174 97

HSL 37.56, 0.64%, 0.62%

LAB 73.77, 7.9, 45.45

 

CMYK 0 / 19 / 51 / 7

HEX #EDC074

RGB 237 192 116

HSL 37.69, 0.77%, 0.69%

LAB 80.16, 6.99, 44.12

 

CMYK 0 / 17 / 47 / 0

HEX #FED287

RGB 254 210 135

HSL 37.82, 0.98%, 0.76%

LAB 86.46, 6.19, 42.83

 

CMYK 0 / 11 / 40 / 0

HEX #FFE49A

RGB 255 228 154

HSL 43.96, 1%, 0.8%

LAB 91.27, -0.71, 39.48

 

CMYK 0 / 21 / 58 / 22

HEX #C69C53

RGB 198 156 83

HSL 38.09, 0.5%, 0.55%

LAB 66.83, 7.19, 43.64

 

CMYK 0 / 24 / 65 / 29

HEX #B58A40

RGB 181 138 64

HSL 37.95, 0.48%, 0.48%

LAB 60.22, 8.33, 44.96

 

CMYK 0 / 27 / 73 / 36

HEX #A4782D

RGB 164 120 45

HSL 37.82, 0.57%, 0.41%

LAB 53.51, 9.7, 46.14

 

CMYK 0 / 31 / 82 / 42

HEX #93661A

RGB 147 102 26

HSL 37.69, 0.7%, 0.34%

LAB 46.69, 11.36, 46.82

 

CMYK 0 / 35 / 95 / 49

HEX #825407

RGB 130 84 7

HSL 37.56, 0.9%, 0.27%

LAB 39.75, 13.38, 46.24

 

CMYK 0 / 21 / 58 / 23

HEX #C59B52

RGB 197 155 82

HSL 38.09, 0.5%, 0.55%

LAB 66.46, 7.23, 43.68

 

CMYK 0 / 37 / 58 / 23

HEX #C57C52

RGB 197 124 82

HSL 21.91, 0.5%, 0.55%

LAB 58.88, 24.21, 34.56

 

CMYK 0 / 53 / 58 / 23

HEX #C55D52

RGB 197 93 82

HSL 5.74, 0.5%, 0.55%

LAB 52.18, 40.62, 26.13

 

CMYK 0 / 58 / 58 / 23

HEX #C55252

RGB 197 82 82

HSL 0, 0.5%, 0.55%

LAB 50.11, 45.99, 23.44

 

CMYK 0 / 21 / 58 / 23

HEX #C59B52

RGB 197 155 82

HSL 38.09, 0.5%, 0.55%

LAB 66.46, 7.23, 43.68

 

CMYK 0 / 6 / 58 / 23

HEX #C5BA52

RGB 197 186 82

HSL 54.26, 0.5%, 0.55%

LAB 74.57, -9.23, 52.98

 

CMYK 10 / 0 / 58 / 23

HEX #B1C552

RGB 177 197 82

HSL 70.43, 0.5%, 0.55%

LAB 76, -23.05, 54.14

 

CMYK 26 / 0 / 58 / 23

HEX #92C552

RGB 146 197 82

HSL 86.61, 0.5%, 0.55%

LAB 73.97, -35.15, 51.3

 

CMYK 42 / 0 / 58 / 23

HEX #73C552

RGB 115 197 82

HSL 102.78, 0.5%, 0.55%

LAB 72.35, -45.94, 49.02

 

CMYK 0 / 21 / 58 / 23

HEX #C59B52

RGB 197 155 82

HSL 38.09, 0.5%, 0.55%

LAB 66.46, 7.23, 43.68

 

CMYK 0 / 26 / 70 / 15

HEX #D8A040

RGB 216 160 64

HSL 37.89, 0.66%, 0.55%

LAB 69.55, 11.54, 56.11

 

CMYK 0 / 29 / 81 / 8

HEX #EAA52D

RGB 234 165 45

HSL 38.1, 0.82%, 0.55%

LAB 72.62, 15.79, 67.1

 

CMYK 0 / 33 / 89 / 1

HEX #FDAA1B

RGB 253 170 27

HSL 37.96, 0.98%, 0.55%

LAB 75.89, 20.77, 75.62

 

CMYK 0 / 21 / 58 / 23

HEX #C59B52

RGB 197 155 82

HSL 38.09, 0.5%, 0.55%

LAB 66.46, 7.23, 43.68

 

CMYK 0 / 16 / 44 / 30

HEX #B39665

RGB 179 150 101

HSL 37.69, 0.34%, 0.55%

LAB 63.62, 4.09, 29.85

 

CMYK 0 / 9 / 25 / 37

HEX #A09178

RGB 160 145 120

HSL 37.5, 0.17%, 0.55%

LAB 60.85, 1.48, 15.31

 

CMYK 0 / 1 / 2 / 45

HEX #8D8C8A

RGB 141 140 138

HSL 40, 0.01%, 0.55%

LAB 58.28, -0.01, 1.19

 

CMYK 22 / 14 / 0 / 38

HEX #7B879D

RGB 123 135 157

HSL 218.82, 0.15%, 0.55%

LAB 56.06, 0.6, -13.17

 

CMYK 0 / 52 / 58 / 23

HEX #C55E52

RGB 197 94 82

HSL 6.26, 0.5%, 0.55%

LAB 52.38, 40.12, 26.38

 

CMYK 0 / 37 / 58 / 23

HEX #C57C52

RGB 197 124 82

HSL 21.91, 0.5%, 0.55%

LAB 58.88, 24.21, 34.56

 

CMYK 0 / 21 / 58 / 23

HEX #C59B52

RGB 197 155 82

HSL 38.09, 0.5%, 0.55%

LAB 66.46, 7.23, 43.68

 

CMYK 0 / 6 / 58 / 23

HEX #C5BA52

RGB 197 186 82

HSL 54.26, 0.5%, 0.55%

LAB 74.57, -9.23, 52.98

 

CMYK 10 / 0 / 58 / 23

HEX #B2C552

RGB 178 197 82

HSL 69.91, 0.5%, 0.55%

LAB 76.07, -22.64, 54.24

 

CMYK 0 / 24 / 67 / 42

HEX #947031

RGB 148 112 49

HSL 38.18, 0.5%, 0.39%

LAB 49.62, 7.22, 39.56

 

CMYK 0 / 25 / 67 / 30

HEX #B3873B

RGB 179 135 59

HSL 38, 0.5%, 0.47%

LAB 59.18, 8.8, 46.16

 

CMYK 0 / 21 / 58 / 23

HEX #C59B52

RGB 197 155 82

HSL 38.09, 0.5%, 0.55%

LAB 66.46, 7.23, 43.68

 

CMYK 0 / 16 / 45 / 19

HEX #CFAD71

RGB 207 173 113

HSL 38.3, 0.49%, 0.63%

LAB 72.46, 4.49, 35.37

 

CMYK 0 / 12 / 34 / 15

HEX #DABF90

RGB 218 191 144

HSL 38.11, 0.5%, 0.71%

LAB 78.57, 2.83, 27.26

 

CMYK 0 / 21 / 58 / 22

HEX #C69C53

RGB 198 156 83

HSL 38.09, 0.5%, 0.55%

LAB 66.83, 7.19, 43.64

 

CMYK 48 / 0 / 58 / 23

HEX #66C552

RGB 102 197 82

HSL 109.57, 0.5%, 0.55%

LAB 71.8, -49.9, 48.25

 

CMYK 45 / 58 / 0 / 23

HEX #6D52C5

RGB 109 82 197

HSL 254.09, 0.5%, 0.55%

LAB 43.24, 39.07, -56.54

 

CMYK 0 / 21 / 58 / 22

HEX #C69C53

RGB 198 156 83

HSL 38.09, 0.5%, 0.55%

LAB 66.83, 7.19, 43.64

 

CMYK 58 / 0 / 21 / 23

HEX #52C59B

RGB 82 197 155

HSL 158.09, 0.5%, 0.55%

LAB 72.29, -42.56, 11.45

 

CMYK 21 / 58 / 0 / 23

HEX #9B52C5

RGB 155 82 197

HSL 278.09, 0.5%, 0.55%

LAB 48.3, 49.94, -48.13

 

CMYK 0 / 21 / 58 / 22

HEX #C69C53

RGB 198 156 83

HSL 38.09, 0.5%, 0.55%

LAB 66.83, 7.19, 43.64

 

CMYK 48 / 0 / 58 / 23

HEX #66C552

RGB 102 197 82

HSL 109.57, 0.5%, 0.55%

LAB 71.8, -49.9, 48.25

 

CMYK 58 / 37 / 0 / 23

HEX #527CC5

RGB 82 124 197

HSL 218.09, 0.5%, 0.55%

LAB 52.11, 7.57, -42.46

 

CMYK 10 / 58 / 0 / 23

HEX #B252C5

RGB 178 82 197

HSL 290.09, 0.5%, 0.55%

LAB 51.3, 55.75, -43.18

 

CMYK 0 / 21 / 58 / 22

HEX #C69C53

RGB 198 156 83

HSL 38.09, 0.5%, 0.55%

LAB 66.83, 7.19, 43.64

 

CMYK 58 / 0 / 50 / 23

HEX #52C562

RGB 82 197 98

HSL 128.35, 0.5%, 0.55%

LAB 71.29, -53.13, 39.87

 

CMYK 58 / 37 / 0 / 23

HEX #527CC5

RGB 82 124 197

HSL 218.09, 0.5%, 0.55%

LAB 52.11, 7.57, -42.46

 

CMYK 0 / 58 / 8 / 23

HEX #C552B6

RGB 197 82 182

HSL 307.83, 0.5%, 0.55%

LAB 53.26, 58.1, -31.25

 

Description

Color code: RGB 198 156 83 | qconv.com Color code: RGB 198 156 83 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 198 red, 156 green and 83 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
198 156 83 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 21 magenta, 58 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 21% 58% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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