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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 198 139 159 it is the complementary color RGB 57 116 96. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 198 139 159. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 198 139 159 shade: RGB 203 139 154, RGB 220 157 173, RGB 237 175 192, RGB 254 193 211 and RGB 255 211 230

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 198 139 159. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 198 139 159 shade: RGB 198 139 159, RGB 181 121 140, RGB 164 103 121, RGB 147 85 102 and RGB 130 67 83

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 198 139 159 shade: RGB 197 138 158, RGB 197 138 142 and RGB 197 138 138

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 198 139 159 shade: RGB 197 138 158, RGB 197 138 174, RGB 197 138 190, RGB 189 138 197 and RGB 173 138 197

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 198 139 159 shade matches the following richer shades: RGB 197 138 158, RGB 211 124 154, RGB 225 110 149, RGB 239 96 145 and RGB 253 82 140

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 198 139 159 shade: RGB 197 138 158, RGB 183 152 163, RGB 169 166 167, RGB 155 180 172 and RGB 141 194 176

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 198 139 159 shade: RGB 197 138 190, RGB 197 138 175, RGB 197 138 159, RGB 197 138 143 and RGB 197 149 138

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 198 139 159 shade: RGB 170 83 113, RGB 184 111 135, RGB 197 138 158, RGB 211 166 181 and RGB 225 194 204

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 198 139 159 shade: RGB 198 139 159, RGB 197 188 138 and RGB 138 183 197

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 198 139 159 shade: RGB 198 139 159, RGB 159 197 138 and RGB 138 159 197

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 198 139 159 shade: RGB 198 139 159, RGB 197 188 138, RGB 138 197 177 and RGB 138 147 197

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 198 139 159 shade: RGB 198 139 159, RGB 188 197 138, RGB 138 197 177 and RGB 147 138 197

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 30 / 20 / 22

HEX #C68B9F

RGB 198 139 159

HSL 339.66, 0.34%, 0.66%

LAB 64.14, 25.41, -1.55

 

Complementary color

CMYK 51 / 0 / 17 / 55

HEX #397460

RGB 57 116 96

HSL 159.66, 0.34%, 0.34%

LAB 44.53, -24.5, 5.17

 

CMYK 0 / 32 / 24 / 20

HEX #CB8B9A

RGB 203 139 154

HSL 345.94, 0.38%, 0.67%

LAB 64.56, 26.5, 1.96

 

CMYK 0 / 29 / 21 / 14

HEX #DC9DAD

RGB 220 157 173

HSL 344.76, 0.47%, 0.74%

LAB 71.11, 25.76, 1.08

 

CMYK 0 / 26 / 19 / 7

HEX #EDAFC0

RGB 237 175 192

HSL 343.55, 0.63%, 0.81%

LAB 77.56, 25.09, 0.27

 

CMYK 0 / 24 / 17 / 0

HEX #FEC1D3

RGB 254 193 211

HSL 342.3, 0.97%, 0.88%

LAB 83.92, 24.47, -0.49

 

CMYK 0 / 17 / 10 / 0

HEX #FFD3E6

RGB 255 211 230

HSL 334.09, 1%, 0.91%

LAB 88.71, 18.39, -3.55

 

CMYK 0 / 30 / 20 / 22

HEX #C68B9F

RGB 198 139 159

HSL 339.66, 0.34%, 0.66%

LAB 64.14, 25.41, -1.55

 

CMYK 0 / 33 / 23 / 29

HEX #B5798C

RGB 181 121 140

HSL 341, 0.29%, 0.59%

LAB 57.46, 26.17, -0.68

 

CMYK 0 / 37 / 26 / 36

HEX #A46779

RGB 164 103 121

HSL 342.3, 0.25%, 0.52%

LAB 50.66, 27, 0.28

 

CMYK 0 / 42 / 31 / 42

HEX #935566

RGB 147 85 102

HSL 343.55, 0.27%, 0.45%

LAB 43.74, 27.92, 1.4

 

CMYK 0 / 48 / 36 / 49

HEX #824353

RGB 130 67 83

HSL 344.76, 0.32%, 0.39%

LAB 36.71, 28.9, 2.74

 

CMYK 0 / 30 / 20 / 23

HEX #C58A9E

RGB 197 138 158

HSL 339.66, 0.34%, 0.66%

LAB 63.77, 25.44, -1.54

 

CMYK 0 / 30 / 28 / 23

HEX #C58A8E

RGB 197 138 142

HSL 355.93, 0.34%, 0.66%

LAB 63.34, 23.08, 6.92

 

CMYK 0 / 30 / 30 / 23

HEX #C58A8A

RGB 197 138 138

HSL 0, 0.34%, 0.66%

LAB 63.25, 22.52, 9.05

 

CMYK 0 / 30 / 20 / 23

HEX #C58A9E

RGB 197 138 158

HSL 339.66, 0.34%, 0.66%

LAB 63.77, 25.44, -1.54

 

CMYK 0 / 30 / 12 / 23

HEX #C58AAE

RGB 197 138 174

HSL 323.39, 0.34%, 0.66%

LAB 64.24, 28.04, -9.89

 

CMYK 0 / 30 / 4 / 23

HEX #C58ABE

RGB 197 138 190

HSL 307.12, 0.34%, 0.66%

LAB 64.78, 30.87, -18.11

 

CMYK 4 / 30 / 0 / 23

HEX #BD8AC5

RGB 189 138 197

HSL 291.86, 0.34%, 0.66%

LAB 64.18, 29.56, -23.02

 

CMYK 12 / 30 / 0 / 23

HEX #AD8AC5

RGB 173 138 197

HSL 275.59, 0.34%, 0.66%

LAB 62.59, 24.37, -25.61

 

CMYK 0 / 30 / 20 / 23

HEX #C58A9E

RGB 197 138 158

HSL 339.66, 0.34%, 0.66%

LAB 63.77, 25.44, -1.54

 

CMYK 0 / 41 / 27 / 17

HEX #D37C9A

RGB 211 124 154

HSL 339.31, 0.5%, 0.66%

LAB 62.17, 37.47, -1.41

 

CMYK 0 / 51 / 34 / 12

HEX #E16E95

RGB 225 110 149

HSL 339.65, 0.66%, 0.66%

LAB 61.07, 48.79, 0.08

 

CMYK 0 / 60 / 39 / 6

HEX #EF6091

RGB 239 96 145

HSL 339.44, 0.82%, 0.66%

LAB 60.57, 59.34, 1.91

 

CMYK 0 / 68 / 45 / 1

HEX #FD528C

RGB 253 82 140

HSL 339.65, 0.98%, 0.66%

LAB 60.61, 68.65, 5.17

 

CMYK 0 / 30 / 20 / 23

HEX #C58A9E

RGB 197 138 158

HSL 339.66, 0.34%, 0.66%

LAB 63.77, 25.44, -1.54

 

CMYK 0 / 17 / 11 / 28

HEX #B798A3

RGB 183 152 163

HSL 338.71, 0.18%, 0.66%

LAB 65.88, 13.36, -1.43

 

CMYK 0 / 2 / 1 / 34

HEX #A9A6A7

RGB 169 166 167

HSL 340, 0.02%, 0.66%

LAB 68.39, 1.26, -0.14

 

CMYK 14 / 0 / 4 / 29

HEX #9BB4AC

RGB 155 180 172

HSL 160.8, 0.14%, 0.66%

LAB 71.28, -10.17, 1.19

 

CMYK 27 / 0 / 9 / 24

HEX #8DC2B0

RGB 141 194 176

HSL 159.62, 0.3%, 0.66%

LAB 74.43, -21.09, 3.48

 

CMYK 0 / 30 / 4 / 23

HEX #C58ABE

RGB 197 138 190

HSL 307.12, 0.34%, 0.66%

LAB 64.78, 30.87, -18.11

 

CMYK 0 / 30 / 11 / 23

HEX #C58AAF

RGB 197 138 175

HSL 322.37, 0.34%, 0.66%

LAB 64.28, 28.22, -10.41

 

CMYK 0 / 30 / 19 / 23

HEX #C58A9F

RGB 197 138 159

HSL 338.64, 0.34%, 0.66%

LAB 63.8, 25.6, -2.06

 

CMYK 0 / 30 / 27 / 23

HEX #C58A8F

RGB 197 138 143

HSL 354.92, 0.34%, 0.66%

LAB 63.37, 23.22, 6.39

 

CMYK 0 / 24 / 30 / 23

HEX #C5958A

RGB 197 149 138

HSL 11.19, 0.34%, 0.66%

LAB 65.9, 16.47, 12.81

 

CMYK 0 / 51 / 34 / 33

HEX #AA5371

RGB 170 83 113

HSL 339.31, 0.34%, 0.5%

LAB 46.88, 38.98, -0.34

 

CMYK 0 / 40 / 27 / 28

HEX #B86F87

RGB 184 111 135

HSL 340.27, 0.34%, 0.58%

LAB 55.39, 32.06, -0.75

 

CMYK 0 / 30 / 20 / 23

HEX #C58A9E

RGB 197 138 158

HSL 339.66, 0.34%, 0.66%

LAB 63.77, 25.44, -1.54

 

CMYK 0 / 21 / 14 / 17

HEX #D3A6B5

RGB 211 166 181

HSL 340, 0.34%, 0.74%

LAB 72.53, 18.87, -1.37

 

CMYK 0 / 14 / 9 / 12

HEX #E1C2CC

RGB 225 194 204

HSL 340.65, 0.34%, 0.82%

LAB 81.26, 12.61, -0.94

 

CMYK 0 / 30 / 20 / 22

HEX #C68B9F

RGB 198 139 159

HSL 339.66, 0.34%, 0.66%

LAB 64.14, 25.41, -1.55

 

CMYK 0 / 5 / 30 / 23

HEX #C5BC8A

RGB 197 188 138

HSL 50.85, 0.34%, 0.66%

LAB 75.87, -4.57, 26.5

 

CMYK 30 / 7 / 0 / 23

HEX #8AB7C5

RGB 138 183 197

HSL 194.24, 0.34%, 0.66%

LAB 71.76, -11.58, -11.93

 

CMYK 0 / 30 / 20 / 22

HEX #C68B9F

RGB 198 139 159

HSL 339.66, 0.34%, 0.66%

LAB 64.14, 25.41, -1.55

 

CMYK 19 / 0 / 30 / 23

HEX #9FC58A

RGB 159 197 138

HSL 98.64, 0.34%, 0.66%

LAB 75.54, -23.48, 25.57

 

CMYK 30 / 19 / 0 / 23

HEX #8A9FC5

RGB 138 159 197

HSL 218.64, 0.34%, 0.66%

LAB 65.15, 1.51, -21.93

 

CMYK 0 / 30 / 20 / 22

HEX #C68B9F

RGB 198 139 159

HSL 339.66, 0.34%, 0.66%

LAB 64.14, 25.41, -1.55

 

CMYK 0 / 5 / 30 / 23

HEX #C5BC8A

RGB 197 188 138

HSL 50.85, 0.34%, 0.66%

LAB 75.87, -4.57, 26.5

 

CMYK 30 / 0 / 10 / 23

HEX #8AC5B1

RGB 138 197 177

HSL 159.66, 0.34%, 0.66%

LAB 75.15, -23.29, 3.95

 

CMYK 30 / 25 / 0 / 23

HEX #8A93C5

RGB 138 147 197

HSL 230.85, 0.34%, 0.66%

LAB 61.91, 8.31, -26.89

 

CMYK 0 / 30 / 20 / 22

HEX #C68B9F

RGB 198 139 159

HSL 339.66, 0.34%, 0.66%

LAB 64.14, 25.41, -1.55

 

CMYK 5 / 0 / 30 / 23

HEX #BCC58A

RGB 188 197 138

HSL 69.15, 0.34%, 0.66%

LAB 77.55, -12.71, 28.63

 

CMYK 30 / 0 / 10 / 23

HEX #8AC5B1

RGB 138 197 177

HSL 159.66, 0.34%, 0.66%

LAB 75.15, -23.29, 3.95

 

CMYK 25 / 30 / 0 / 23

HEX #938AC5

RGB 147 138 197

HSL 249.15, 0.34%, 0.66%

LAB 60.26, 16.21, -29.39

 

Description

Color code: RGB 198 139 159 | qconv.com Color code: RGB 198 139 159 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 198 red, 139 green and 159 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
198 139 159 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 30 magenta, 20 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 30% 20% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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