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Color name
RGB 198 138 35

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 198 138 35 it is the complementary color RGB 57 117 220. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 198 138 35. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 198 138 35 shade: RGB 203 138 30, RGB 220 156 49, RGB 237 174 68, RGB 254 192 87 and RGB 255 210 106

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 198 138 35. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 198 138 35 shade: RGB 198 138 35, RGB 181 120 16, RGB 164 102 0, RGB 147 84 0 and RGB 130 66 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 198 138 35 shade: RGB 199 138 35, RGB 199 94 35, RGB 199 50 35 and RGB 199 35 35

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 198 138 35 shade: RGB 199 138 35, RGB 199 183 35, RGB 171 199 35, RGB 127 199 35 and RGB 82 199 35

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 198 138 35 shade matches the following richer shades: RGB 199 138 35 and RGB 218 143 16

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 198 138 35 shade: RGB 199 138 35, RGB 180 133 54, RGB 161 128 73, RGB 142 123 92 and RGB 123 118 111

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 198 138 35 shade: RGB 199 48 35, RGB 199 92 35, RGB 199 136 35, RGB 199 180 35 and RGB 174 199 35

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 198 138 35 shade: RGB 129 90 22, RGB 164 114 29, RGB 199 138 35, RGB 219 159 55 and RGB 226 176 91

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 198 138 35 shade: RGB 198 138 35, RGB 65 199 35 and RGB 70 35 199

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 198 138 35 shade: RGB 198 138 35, RGB 35 199 136 and RGB 136 35 199

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 198 138 35 shade: RGB 198 138 35, RGB 65 199 35, RGB 35 98 199 and RGB 169 35 199

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 198 138 35 shade: RGB 198 138 35, RGB 35 199 54, RGB 35 98 199 and RGB 199 35 180

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 30 / 82 / 22

HEX #C68A23

RGB 198 138 35

HSL 37.91, 0.7%, 0.46%

LAB 61.92, 14.44, 59.45

 

Complementary color

CMYK 74 / 47 / 0 / 14

HEX #3975DC

RGB 57 117 220

HSL 217.91, 0.7%, 0.54%

LAB 50.4, 15.88, -58.31

 

CMYK 0 / 32 / 85 / 20

HEX #CB8A1E

RGB 203 138 30

HSL 37.46, 0.74%, 0.46%

LAB 62.48, 16.49, 61.76

 

CMYK 0 / 29 / 78 / 14

HEX #DC9C31

RGB 220 156 49

HSL 37.54, 0.71%, 0.53%

LAB 68.91, 14.74, 61.71

 

CMYK 0 / 27 / 71 / 7

HEX #EDAE44

RGB 237 174 68

HSL 37.63, 0.82%, 0.6%

LAB 75.26, 13.21, 60.99

 

CMYK 0 / 24 / 66 / 0

HEX #FEC057

RGB 254 192 87

HSL 37.72, 0.99%, 0.67%

LAB 81.54, 11.89, 59.95

 

CMYK 0 / 18 / 58 / 0

HEX #FFD26A

RGB 255 210 106

HSL 41.88, 1%, 0.71%

LAB 86.2, 4.21, 56.57

 

CMYK 0 / 30 / 82 / 22

HEX #C68A23

RGB 198 138 35

HSL 37.91, 0.7%, 0.46%

LAB 61.92, 14.44, 59.45

 

CMYK 0 / 34 / 91 / 29

HEX #B57810

RGB 181 120 16

HSL 37.82, 0.84%, 0.39%

LAB 55.37, 16.37, 58.73

 

CMYK 0 / 38 / 100 / 36

HEX #A46600

RGB 164 102 0

HSL 37.32, 1%, 0.32%

LAB 48.75, 18.59, 56.36

 

CMYK 0 / 43 / 100 / 42

HEX #935400

RGB 147 84 0

HSL 34.29, 1%, 0.29%

LAB 42.07, 21.12, 50.93

 

CMYK 0 / 49 / 100 / 49

HEX #824200

RGB 130 66 0

HSL 30.46, 1%, 0.25%

LAB 35.29, 23.73, 45.45

 

CMYK 0 / 31 / 82 / 22

HEX #C78A23

RGB 199 138 35

HSL 37.68, 0.7%, 0.46%

LAB 62.03, 14.88, 59.59

 

CMYK 0 / 53 / 82 / 22

HEX #C75E23

RGB 199 94 35

HSL 21.59, 0.7%, 0.46%

LAB 52.14, 38.43, 50.81

 

CMYK 0 / 75 / 82 / 22

HEX #C73223

RGB 199 50 35

HSL 5.49, 0.7%, 0.46%

LAB 45, 57.4, 44.24

 

CMYK 0 / 82 / 82 / 22

HEX #C72323

RGB 199 35 35

HSL 0, 0.7%, 0.46%

LAB 43.46, 61.75, 42.78

 

CMYK 0 / 31 / 82 / 22

HEX #C78A23

RGB 199 138 35

HSL 37.68, 0.7%, 0.46%

LAB 62.03, 14.88, 59.59

 

CMYK 0 / 8 / 82 / 22

HEX #C7B723

RGB 199 183 35

HSL 54.15, 0.7%, 0.46%

LAB 73.63, -9.19, 69.58

 

CMYK 14 / 0 / 82 / 22

HEX #ABC723

RGB 171 199 35

HSL 70.24, 0.7%, 0.46%

LAB 75.84, -29.07, 70.61

 

CMYK 36 / 0 / 82 / 22

HEX #7FC723

RGB 127 199 35

HSL 86.34, 0.7%, 0.46%

LAB 73.21, -46.06, 67.29

 

CMYK 59 / 0 / 82 / 22

HEX #52C723

RGB 82 199 35

HSL 102.8, 0.7%, 0.46%

LAB 71.39, -59.76, 64.97

 

CMYK 0 / 31 / 82 / 22

HEX #C78A23

RGB 199 138 35

HSL 37.68, 0.7%, 0.46%

LAB 62.03, 14.88, 59.59

 

CMYK 0 / 34 / 93 / 15

HEX #DA8F10

RGB 218 143 16

HSL 37.72, 0.86%, 0.46%

LAB 65.43, 20.03, 68.2

 

CMYK 0 / 31 / 82 / 22

HEX #C78A23

RGB 199 138 35

HSL 37.68, 0.7%, 0.46%

LAB 62.03, 14.88, 59.59

 

CMYK 0 / 26 / 70 / 29

HEX #B48536

RGB 180 133 54

HSL 37.62, 0.54%, 0.46%

LAB 58.74, 10.06, 48.04

 

CMYK 0 / 20 / 55 / 37

HEX #A18049

RGB 161 128 73

HSL 37.5, 0.38%, 0.46%

LAB 55.58, 5.82, 34.42

 

CMYK 0 / 13 / 35 / 44

HEX #8E7B5C

RGB 142 123 92

HSL 37.2, 0.21%, 0.46%

LAB 52.61, 2.51, 19.67

 

CMYK 0 / 4 / 10 / 52

HEX #7B766F

RGB 123 118 111

HSL 35, 0.05%, 0.46%

LAB 49.88, 0.58, 4.53

 

CMYK 0 / 76 / 82 / 22

HEX #C73023

RGB 199 48 35

HSL 4.76, 0.7%, 0.46%

LAB 44.77, 58.05, 44.02

 

CMYK 0 / 54 / 82 / 22

HEX #C75C23

RGB 199 92 35

HSL 20.85, 0.7%, 0.46%

LAB 51.74, 39.43, 50.45

 

CMYK 0 / 32 / 82 / 22

HEX #C78823

RGB 199 136 35

HSL 36.95, 0.7%, 0.46%

LAB 61.54, 15.97, 59.17

 

CMYK 0 / 10 / 82 / 22

HEX #C7B423

RGB 199 180 35

HSL 53.05, 0.7%, 0.46%

LAB 72.83, -7.64, 68.9

 

CMYK 13 / 0 / 82 / 22

HEX #AEC723

RGB 174 199 35

HSL 69.15, 0.7%, 0.46%

LAB 76.05, -27.83, 70.87

 

CMYK 0 / 30 / 83 / 49

HEX #815A16

RGB 129 90 22

HSL 38.13, 0.71%, 0.3%

LAB 41.28, 9.77, 42.64

 

CMYK 0 / 30 / 82 / 36

HEX #A4721D

RGB 164 114 29

HSL 37.78, 0.7%, 0.38%

LAB 51.86, 12.4, 51.12

 

CMYK 0 / 31 / 82 / 22

HEX #C78A23

RGB 199 138 35

HSL 37.68, 0.7%, 0.46%

LAB 62.03, 14.88, 59.59

 

CMYK 0 / 27 / 75 / 14

HEX #DB9F37

RGB 219 159 55

HSL 38.05, 0.69%, 0.54%

LAB 69.56, 12.94, 59.98

 

CMYK 0 / 22 / 60 / 11

HEX #E2B05B

RGB 226 176 91

HSL 37.78, 0.7%, 0.62%

LAB 74.81, 8.89, 49.75

 

CMYK 0 / 30 / 82 / 22

HEX #C68A23

RGB 198 138 35

HSL 37.91, 0.7%, 0.46%

LAB 61.92, 14.44, 59.45

 

CMYK 67 / 0 / 82 / 22

HEX #41C723

RGB 65 199 35

HSL 109.02, 0.7%, 0.46%

LAB 70.93, -63.56, 64.38

 

CMYK 65 / 82 / 0 / 22

HEX #4623C7

RGB 70 35 199

HSL 252.8, 0.7%, 0.46%

LAB 30.94, 58.12, -77.96

 

CMYK 0 / 30 / 82 / 22

HEX #C68A23

RGB 198 138 35

HSL 37.91, 0.7%, 0.46%

LAB 61.92, 14.44, 59.45

 

CMYK 82 / 0 / 32 / 22

HEX #23C788

RGB 35 199 136

HSL 156.95, 0.7%, 0.46%

LAB 71.54, -54.6, 20.45

 

CMYK 32 / 82 / 0 / 22

HEX #8823C7

RGB 136 35 199

HSL 276.95, 0.7%, 0.46%

LAB 38.83, 66.24, -64.71

 

CMYK 0 / 30 / 82 / 22

HEX #C68A23

RGB 198 138 35

HSL 37.91, 0.7%, 0.46%

LAB 61.92, 14.44, 59.45

 

CMYK 67 / 0 / 82 / 22

HEX #41C723

RGB 65 199 35

HSL 109.02, 0.7%, 0.46%

LAB 70.93, -63.56, 64.38

 

CMYK 82 / 51 / 0 / 22

HEX #2362C7

RGB 35 98 199

HSL 216.95, 0.7%, 0.46%

LAB 43.09, 17.72, -58.15

 

CMYK 15 / 82 / 0 / 22

HEX #A923C7

RGB 169 35 199

HSL 289.02, 0.7%, 0.46%

LAB 43.89, 71.65, -56.27

 

CMYK 0 / 30 / 82 / 22

HEX #C68A23

RGB 198 138 35

HSL 37.91, 0.7%, 0.46%

LAB 61.92, 14.44, 59.45

 

CMYK 82 / 0 / 73 / 22

HEX #23C736

RGB 35 199 54

HSL 126.95, 0.7%, 0.46%

LAB 70.5, -66.88, 57.88

 

CMYK 82 / 51 / 0 / 22

HEX #2362C7

RGB 35 98 199

HSL 216.95, 0.7%, 0.46%

LAB 43.09, 17.72, -58.15

 

CMYK 0 / 82 / 10 / 22

HEX #C723B4

RGB 199 35 180

HSL 306.95, 0.7%, 0.46%

LAB 47.8, 74.24, -38.62

 

Description

Color code: RGB 198 138 35 | qconv.com Color code: RGB 198 138 35 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 198 red, 138 green and 35 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
198 138 35 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 30 magenta, 82 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 30% 82% 22% C M Y K

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Provide designers and agencies with accurate color values.

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