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Color name
RGB 198 129 57

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 198 129 57 it is the complementary color RGB 57 126 198. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 198 129 57. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 198 129 57 shade: RGB 203 129 52, RGB 220 147 71, RGB 237 165 90, RGB 254 183 109 and RGB 255 201 128

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 198 129 57. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 198 129 57 shade: RGB 198 129 57, RGB 181 111 38, RGB 164 93 19, RGB 147 75 0 and RGB 130 57 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 198 129 57 shade: RGB 197 128 57, RGB 197 91 57 and RGB 197 57 57

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 198 129 57 shade: RGB 197 128 57, RGB 197 166 57, RGB 190 197 57, RGB 152 197 57 and RGB 114 197 57

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 198 129 57 shade matches the following richer shades: RGB 197 128 57, RGB 218 129 36 and RGB 238 129 16

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 198 129 57 shade: RGB 197 128 57, RGB 176 128 78, RGB 156 128 98, RGB 135 127 119 and RGB 115 127 139

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 198 129 57 shade: RGB 197 57 62, RGB 197 90 57, RGB 197 127 57, RGB 197 164 57 and RGB 192 197 57

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 198 129 57 shade: RGB 133 87 38, RGB 165 108 48, RGB 197 128 57, RGB 206 149 89 and RGB 216 169 121

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 198 129 57 shade: RGB 198 129 57, RGB 99 197 57 and RGB 71 57 197

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 198 129 57 shade: RGB 198 129 57, RGB 57 197 127 and RGB 127 57 197

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 198 129 57 shade: RGB 198 129 57, RGB 99 197 57, RGB 57 127 197 and RGB 155 57 197

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 198 129 57 shade: RGB 198 129 57, RGB 57 197 57, RGB 57 127 197 and RGB 197 57 197

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 35 / 71 / 22

HEX #C68139

RGB 198 129 57

HSL 30.64, 0.55%, 0.5%

LAB 59.89, 20.28, 48.51

 

Complementary color

CMYK 71 / 36 / 0 / 22

HEX #397EC6

RGB 57 126 198

HSL 210.64, 0.55%, 0.5%

LAB 51.69, 2.33, -43.77

 

CMYK 0 / 36 / 74 / 20

HEX #CB8134

RGB 203 129 52

HSL 30.6, 0.59%, 0.5%

LAB 60.47, 22.17, 51.59

 

CMYK 0 / 33 / 68 / 14

HEX #DC9347

RGB 220 147 71

HSL 30.6, 0.68%, 0.57%

LAB 66.93, 20.6, 50.26

 

CMYK 0 / 30 / 62 / 7

HEX #EDA55A

RGB 237 165 90

HSL 30.61, 0.8%, 0.64%

LAB 73.32, 19.23, 48.82

 

CMYK 0 / 28 / 57 / 0

HEX #FEB76D

RGB 254 183 109

HSL 30.62, 0.99%, 0.71%

LAB 79.64, 18.03, 47.37

 

CMYK 0 / 21 / 50 / 0

HEX #FFC980

RGB 255 201 128

HSL 34.49, 1%, 0.75%

LAB 84.27, 10.6, 43.6

 

CMYK 0 / 35 / 71 / 22

HEX #C68139

RGB 198 129 57

HSL 30.64, 0.55%, 0.5%

LAB 59.89, 20.28, 48.51

 

CMYK 0 / 39 / 79 / 29

HEX #B56F26

RGB 181 111 38

HSL 30.63, 0.65%, 0.43%

LAB 53.31, 21.99, 49.7

 

CMYK 0 / 43 / 88 / 36

HEX #A45D13

RGB 164 93 19

HSL 30.62, 0.79%, 0.36%

LAB 46.67, 23.97, 50.16

 

CMYK 0 / 49 / 100 / 42

HEX #934B00

RGB 147 75 0

HSL 30.61, 1%, 0.29%

LAB 39.97, 26.2, 49.63

 

CMYK 0 / 56 / 100 / 49

HEX #823900

RGB 130 57 0

HSL 26.31, 1%, 0.25%

LAB 33.29, 28.73, 44.26

 

CMYK 0 / 35 / 71 / 23

HEX #C58039

RGB 197 128 57

HSL 30.43, 0.55%, 0.5%

LAB 59.53, 20.4, 48.09

 

CMYK 0 / 54 / 71 / 23

HEX #C55B39

RGB 197 91 57

HSL 14.57, 0.55%, 0.5%

LAB 51.44, 40.05, 39.27

 

CMYK 0 / 71 / 71 / 23

HEX #C53939

RGB 197 57 57

HSL 0, 0.55%, 0.5%

LAB 45.76, 55.12, 32.76

 

CMYK 0 / 35 / 71 / 23

HEX #C58039

RGB 197 128 57

HSL 30.43, 0.55%, 0.5%

LAB 59.53, 20.4, 48.09

 

CMYK 0 / 16 / 71 / 23

HEX #C5A639

RGB 197 166 57

HSL 46.71, 0.55%, 0.5%

LAB 69.07, -0.27, 57.93

 

CMYK 4 / 0 / 71 / 23

HEX #BEC539

RGB 190 197 57

HSL 63, 0.55%, 0.5%

LAB 76.78, -19.28, 65.33

 

CMYK 23 / 0 / 71 / 23

HEX #98C539

RGB 152 197 57

HSL 79.29, 0.55%, 0.5%

LAB 74.13, -34.76, 61.82

 

CMYK 42 / 0 / 71 / 23

HEX #72C539

RGB 114 197 57

HSL 95.57, 0.55%, 0.5%

LAB 72.1, -48.46, 59.12

 

CMYK 0 / 35 / 71 / 23

HEX #C58039

RGB 197 128 57

HSL 30.43, 0.55%, 0.5%

LAB 59.53, 20.4, 48.09

 

CMYK 0 / 41 / 83 / 15

HEX #DA8124

RGB 218 129 36

HSL 30.66, 0.72%, 0.5%

LAB 62.28, 27.93, 60.39

 

CMYK 0 / 46 / 93 / 7

HEX #EE8110

RGB 238 129 16

HSL 30.54, 0.87%, 0.5%

LAB 64.9, 35.76, 69.02

 

CMYK 0 / 35 / 71 / 23

HEX #C58039

RGB 197 128 57

HSL 30.43, 0.55%, 0.5%

LAB 59.53, 20.4, 48.09

 

CMYK 0 / 27 / 56 / 31

HEX #B0804E

RGB 176 128 78

HSL 30.61, 0.39%, 0.5%

LAB 57.29, 12.78, 34.2

 

CMYK 0 / 18 / 37 / 39

HEX #9C8062

RGB 156 128 98

HSL 31.03, 0.23%, 0.5%

LAB 55.47, 6.36, 20.34

 

CMYK 0 / 6 / 12 / 47

HEX #877F77

RGB 135 127 119

HSL 30, 0.06%, 0.5%

LAB 53.67, 1.56, 5.43

 

CMYK 17 / 9 / 0 / 45

HEX #737F8B

RGB 115 127 139

HSL 210, 0.09%, 0.5%

LAB 52.61, -1.73, -7.98

 

CMYK 0 / 71 / 69 / 23

HEX #C5393E

RGB 197 57 62

HSL 357.86, 0.55%, 0.5%

LAB 45.83, 55.37, 29.89

 

CMYK 0 / 54 / 71 / 23

HEX #C55A39

RGB 197 90 57

HSL 14.14, 0.55%, 0.5%

LAB 51.24, 40.55, 39.05

 

CMYK 0 / 36 / 71 / 23

HEX #C57F39

RGB 197 127 57

HSL 30, 0.55%, 0.5%

LAB 59.29, 20.94, 47.84

 

CMYK 0 / 17 / 71 / 23

HEX #C5A439

RGB 197 164 57

HSL 45.86, 0.55%, 0.5%

LAB 68.55, 0.79, 57.4

 

CMYK 3 / 0 / 71 / 23

HEX #C0C539

RGB 192 197 57

HSL 62.14, 0.55%, 0.5%

LAB 76.94, -18.44, 65.54

 

CMYK 0 / 35 / 71 / 48

HEX #855726

RGB 133 87 38

HSL 30.95, 0.56%, 0.34%

LAB 41.13, 14.2, 35.32

 

CMYK 0 / 35 / 71 / 35

HEX #A56C30

RGB 165 108 48

HSL 30.77, 0.55%, 0.42%

LAB 50.61, 17.11, 41.72

 

CMYK 0 / 35 / 71 / 23

HEX #C58039

RGB 197 128 57

HSL 30.43, 0.55%, 0.5%

LAB 59.53, 20.4, 48.09

 

CMYK 0 / 28 / 57 / 19

HEX #CE9559

RGB 206 149 89

HSL 30.77, 0.54%, 0.58%

LAB 66.01, 14.86, 39.81

 

CMYK 0 / 22 / 44 / 15

HEX #D8A979

RGB 216 169 121

HSL 30.32, 0.55%, 0.66%

LAB 72.47, 11.13, 31.33

 

CMYK 0 / 35 / 71 / 22

HEX #C68139

RGB 198 129 57

HSL 30.64, 0.55%, 0.5%

LAB 59.89, 20.28, 48.51

 

CMYK 50 / 0 / 71 / 23

HEX #63C539

RGB 99 197 57

HSL 102, 0.55%, 0.5%

LAB 71.47, -53.09, 58.28

 

CMYK 64 / 71 / 0 / 23

HEX #4739C5

RGB 71 57 197

HSL 246, 0.55%, 0.5%

LAB 34.59, 46.86, -70.76

 

CMYK 0 / 35 / 71 / 22

HEX #C68139

RGB 198 129 57

HSL 30.64, 0.55%, 0.5%

LAB 59.89, 20.28, 48.51

 

CMYK 71 / 0 / 36 / 23

HEX #39C57F

RGB 57 197 127

HSL 150, 0.55%, 0.5%

LAB 71.1, -53.02, 24.67

 

CMYK 36 / 71 / 0 / 23

HEX #7F39C5

RGB 127 57 197

HSL 270, 0.55%, 0.5%

LAB 40.36, 55.91, -61.11

 

CMYK 0 / 35 / 71 / 22

HEX #C68139

RGB 198 129 57

HSL 30.64, 0.55%, 0.5%

LAB 59.89, 20.28, 48.51

 

CMYK 50 / 0 / 71 / 23

HEX #63C539

RGB 99 197 57

HSL 102, 0.55%, 0.5%

LAB 71.47, -53.09, 58.28

 

CMYK 71 / 36 / 0 / 23

HEX #397FC5

RGB 57 127 197

HSL 210, 0.55%, 0.5%

LAB 51.93, 1.37, -42.82

 

CMYK 21 / 71 / 0 / 23

HEX #9B39C5

RGB 155 57 197

HSL 282, 0.55%, 0.5%

LAB 44.13, 61.44, -54.83

 

CMYK 0 / 35 / 71 / 22

HEX #C68139

RGB 198 129 57

HSL 30.64, 0.55%, 0.5%

LAB 59.89, 20.28, 48.51

 

CMYK 71 / 0 / 71 / 23

HEX #39C539

RGB 57 197 57

HSL 120, 0.55%, 0.5%

LAB 70.24, -62.93, 56.62

 

CMYK 71 / 36 / 0 / 23

HEX #397FC5

RGB 57 127 197

HSL 210, 0.55%, 0.5%

LAB 51.93, 1.37, -42.82

 

CMYK 0 / 71 / 0 / 23

HEX #C539C5

RGB 197 57 197

HSL 300, 0.55%, 0.5%

LAB 50.49, 70.32, -44.3

 

Description

Color code: RGB 198 129 57 | qconv.com Color code: RGB 198 129 57 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 198 red, 129 green and 57 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
198 129 57 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 35 magenta, 71 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 35% 71% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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