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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 198 112 15 it is the complementary color RGB 57 143 240. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 198 112 15. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 198 112 15 shade: RGB 203 112 10, RGB 220 130 29, RGB 237 148 48, RGB 254 166 67 and RGB 255 184 86

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 198 112 15. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 198 112 15 shade: RGB 198 112 15, RGB 181 94 0, RGB 164 76 0, RGB 147 58 0 and RGB 130 40 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 198 112 15 shade: RGB 199 112 14, RGB 199 62 14 and RGB 199 14 14

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 198 112 15 shade: RGB 199 112 14, RGB 199 162 14, RGB 186 199 14, RGB 136 199 14 and RGB 87 199 14

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 198 112 15 shade matches the following richer shades: RGB 199 112 14

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 198 112 15 shade: RGB 199 112 14, RGB 181 111 32, RGB 164 110 49, RGB 147 109 66 and RGB 129 108 84

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 198 112 15 shade: RGB 199 14 18, RGB 199 61 14, RGB 199 110 14, RGB 199 159 14 and RGB 189 199 14

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 198 112 15 shade: RGB 122 69 9, RGB 160 90 12, RGB 199 112 14, RGB 237 134 18 and RGB 240 153 56

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 198 112 15 shade: RGB 198 112 15, RGB 67 199 14 and RGB 36 14 199

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 198 112 15 shade: RGB 198 112 15, RGB 14 199 110 and RGB 110 14 199

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 198 112 15 shade: RGB 198 112 15, RGB 67 199 14, RGB 14 104 199 and RGB 147 14 199

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 198 112 15 shade: RGB 198 112 15, RGB 14 199 18, RGB 14 104 199 and RGB 199 14 196

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 43 / 92 / 22

HEX #C6700F

RGB 198 112 15

HSL 31.8, 0.86%, 0.42%

LAB 55.71, 28.15, 60.2

 

Complementary color

CMYK 76 / 40 / 0 / 6

HEX #398FF0

RGB 57 143 240

HSL 211.8, 0.86%, 0.58%

LAB 58.79, 7.26, -56.04

 

CMYK 0 / 45 / 95 / 20

HEX #CB700A

RGB 203 112 10

HSL 31.71, 0.91%, 0.42%

LAB 56.39, 30.19, 62.01

 

CMYK 0 / 41 / 87 / 14

HEX #DC821D

RGB 220 130 29

HSL 31.73, 0.77%, 0.49%

LAB 62.73, 28.06, 63.14

 

CMYK 0 / 38 / 80 / 7

HEX #ED9430

RGB 237 148 48

HSL 31.75, 0.84%, 0.56%

LAB 69.04, 26.16, 62.94

 

CMYK 0 / 35 / 74 / 0

HEX #FEA643

RGB 254 166 67

HSL 31.76, 0.99%, 0.63%

LAB 75.29, 24.46, 62.07

 

CMYK 0 / 28 / 66 / 0

HEX #FFB856

RGB 255 184 86

HSL 34.79, 1%, 0.67%

LAB 79.73, 16.41, 58.46

 

CMYK 0 / 43 / 92 / 22

HEX #C6700F

RGB 198 112 15

HSL 31.8, 0.86%, 0.42%

LAB 55.71, 28.15, 60.2

 

CMYK 0 / 48 / 100 / 29

HEX #B55E00

RGB 181 94 0

HSL 31.16, 1%, 0.35%

LAB 49.29, 30.43, 57.88

 

CMYK 0 / 54 / 100 / 36

HEX #A44C00

RGB 164 76 0

HSL 27.8, 1%, 0.32%

LAB 42.86, 32.88, 52.71

 

CMYK 0 / 61 / 100 / 42

HEX #933A00

RGB 147 58 0

HSL 23.67, 1%, 0.29%

LAB 36.42, 35.21, 47.58

 

CMYK 0 / 69 / 100 / 49

HEX #822800

RGB 130 40 0

HSL 18.46, 1%, 0.25%

LAB 30.07, 37.2, 42.06

 

CMYK 0 / 44 / 93 / 22

HEX #C7700E

RGB 199 112 14

HSL 31.78, 0.87%, 0.42%

LAB 55.85, 28.56, 60.58

 

CMYK 0 / 69 / 93 / 22

HEX #C73E0E

RGB 199 62 14

HSL 15.57, 0.87%, 0.42%

LAB 46.47, 52.6, 54.13

 

CMYK 0 / 93 / 93 / 22

HEX #C70E0E

RGB 199 14 14

HSL 0, 0.87%, 0.42%

LAB 41.98, 65.18, 51.27

 

CMYK 0 / 44 / 93 / 22

HEX #C7700E

RGB 199 112 14

HSL 31.78, 0.87%, 0.42%

LAB 55.85, 28.56, 60.58

 

CMYK 0 / 19 / 93 / 22

HEX #C7A20E

RGB 199 162 14

HSL 48, 0.87%, 0.42%

LAB 68.03, 1.4, 69.52

 

CMYK 7 / 0 / 93 / 22

HEX #BAC70E

RGB 186 199 14

HSL 64.22, 0.87%, 0.42%

LAB 76.87, -23.28, 75.76

 

CMYK 32 / 0 / 93 / 22

HEX #88C70E

RGB 136 199 14

HSL 80.43, 0.87%, 0.42%

LAB 73.62, -43.39, 71.81

 

CMYK 56 / 0 / 93 / 22

HEX #57C70E

RGB 87 199 14

HSL 96.32, 0.87%, 0.42%

LAB 71.49, -59.19, 69.19

 

CMYK 0 / 44 / 93 / 22

HEX #C7700E

RGB 199 112 14

HSL 31.78, 0.87%, 0.42%

LAB 55.85, 28.56, 60.58

 

CMYK 0 / 44 / 93 / 22

HEX #C7700E

RGB 199 112 14

HSL 31.78, 0.87%, 0.42%

LAB 55.85, 28.56, 60.58

 

CMYK 0 / 39 / 82 / 29

HEX #B56F20

RGB 181 111 32

HSL 31.81, 0.7%, 0.42%

LAB 53.27, 21.77, 52.08

 

CMYK 0 / 33 / 70 / 36

HEX #A46E31

RGB 164 110 49

HSL 31.83, 0.54%, 0.42%

LAB 51, 15.59, 41.61

 

CMYK 0 / 26 / 55 / 42

HEX #936D42

RGB 147 109 66

HSL 31.85, 0.38%, 0.42%

LAB 48.93, 9.83, 29.72

 

CMYK 0 / 16 / 35 / 49

HEX #816C54

RGB 129 108 84

HSL 32, 0.21%, 0.42%

LAB 47.02, 4.54, 16.54

 

CMYK 0 / 93 / 91 / 22

HEX #C70E12

RGB 199 14 18

HSL 358.7, 0.87%, 0.42%

LAB 42, 65.24, 49.72

 

CMYK 0 / 69 / 93 / 22

HEX #C73D0E

RGB 199 61 14

HSL 15.24, 0.87%, 0.42%

LAB 46.33, 52.99, 54.03

 

CMYK 0 / 45 / 93 / 22

HEX #C76E0E

RGB 199 110 14

HSL 31.14, 0.87%, 0.42%

LAB 55.41, 29.63, 60.27

 

CMYK 0 / 20 / 93 / 22

HEX #C79F0E

RGB 199 159 14

HSL 47.03, 0.87%, 0.42%

LAB 67.25, 3.01, 68.93

 

CMYK 5 / 0 / 93 / 22

HEX #BDC70E

RGB 189 199 14

HSL 63.24, 0.87%, 0.42%

LAB 77.1, -22, 76.03

 

CMYK 0 / 43 / 93 / 52

HEX #7A4509

RGB 122 69 9

HSL 31.86, 0.86%, 0.26%

LAB 34.83, 18.54, 41.41

 

CMYK 0 / 44 / 93 / 37

HEX #A05A0C

RGB 160 90 12

HSL 31.62, 0.86%, 0.34%

LAB 45.38, 23.74, 50.97

 

CMYK 0 / 44 / 93 / 22

HEX #C7700E

RGB 199 112 14

HSL 31.78, 0.87%, 0.42%

LAB 55.85, 28.56, 60.58

 

CMYK 0 / 43 / 92 / 7

HEX #ED8612

RGB 237 134 18

HSL 31.78, 0.86%, 0.5%

LAB 65.83, 32.8, 69.21

 

CMYK 0 / 36 / 77 / 6

HEX #F09938

RGB 240 153 56

HSL 31.63, 0.86%, 0.58%

LAB 70.59, 25.05, 61.41

 

CMYK 0 / 43 / 92 / 22

HEX #C6700F

RGB 198 112 15

HSL 31.8, 0.86%, 0.42%

LAB 55.71, 28.15, 60.2

 

CMYK 66 / 0 / 93 / 22

HEX #43C70E

RGB 67 199 14

HSL 102.81, 0.87%, 0.42%

LAB 70.92, -63.91, 68.49

 

CMYK 82 / 93 / 0 / 22

HEX #240EC7

RGB 36 14 199

HSL 247.14, 0.87%, 0.42%

LAB 26.19, 63.21, -85.92

 

CMYK 0 / 43 / 92 / 22

HEX #C6700F

RGB 198 112 15

HSL 31.8, 0.86%, 0.42%

LAB 55.71, 28.15, 60.2

 

CMYK 93 / 0 / 45 / 22

HEX #0EC76E

RGB 14 199 110

HSL 151.14, 0.87%, 0.42%

LAB 70.92, -61.18, 33.15

 

CMYK 45 / 93 / 0 / 22

HEX #6E0EC7

RGB 110 14 199

HSL 271.14, 0.87%, 0.42%

LAB 33.46, 67.94, -73.65

 

CMYK 0 / 43 / 92 / 22

HEX #C6700F

RGB 198 112 15

HSL 31.8, 0.86%, 0.42%

LAB 55.71, 28.15, 60.2

 

CMYK 66 / 0 / 93 / 22

HEX #43C70E

RGB 67 199 14

HSL 102.81, 0.87%, 0.42%

LAB 70.92, -63.91, 68.49

 

CMYK 93 / 48 / 0 / 22

HEX #0E68C7

RGB 14 104 199

HSL 210.81, 0.87%, 0.42%

LAB 44.4, 12.47, -56.05

 

CMYK 26 / 93 / 0 / 22

HEX #930EC7

RGB 147 14 199

HSL 283.14, 0.87%, 0.42%

LAB 38.97, 72.36, -64.41

 

CMYK 0 / 43 / 92 / 22

HEX #C6700F

RGB 198 112 15

HSL 31.8, 0.86%, 0.42%

LAB 55.71, 28.15, 60.2

 

CMYK 93 / 0 / 91 / 22

HEX #0EC712

RGB 14 199 18

HSL 121.3, 0.87%, 0.42%

LAB 70.16, -70.51, 66.97

 

CMYK 93 / 48 / 0 / 22

HEX #0E68C7

RGB 14 104 199

HSL 210.81, 0.87%, 0.42%

LAB 44.4, 12.47, -56.05

 

CMYK 0 / 93 / 2 / 22

HEX #C70EC4

RGB 199 14 196

HSL 300.97, 0.87%, 0.42%

LAB 47.55, 79.88, -48.37

 

Description

Color code: RGB 198 112 15 | qconv.com Color code: RGB 198 112 15 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 198 red, 112 green and 15 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
198 112 15 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 43 magenta, 92 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 43% 92% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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