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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 198 117 133 it is the complementary color RGB 57 138 122. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 198 117 133. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 198 117 133 shade: RGB 203 117 128, RGB 220 135 147, RGB 237 153 166, RGB 254 171 185 and RGB 255 189 204

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 198 117 133. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 198 117 133 shade: RGB 198 117 133, RGB 181 99 114, RGB 164 81 95, RGB 147 63 76 and RGB 130 45 57

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 198 117 133 shade: RGB 198 117 133 and RGB 198 117 117

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 198 117 133 shade: RGB 198 117 133, RGB 198 117 155, RGB 198 117 177, RGB 198 117 198 and RGB 176 117 198

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 198 117 133 shade matches the following richer shades: RGB 198 117 133, RGB 214 101 123, RGB 230 86 114 and RGB 245 70 105

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 198 117 133 shade: RGB 198 117 133, RGB 183 133 142, RGB 167 148 152, RGB 151 164 161 and RGB 136 180 171

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 198 117 133 shade: RGB 198 117 177, RGB 198 117 155, RGB 198 117 133, RGB 198 122 117 and RGB 198 144 117

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 198 117 133 shade: RGB 165 67 87, RGB 186 88 107, RGB 198 117 133, RGB 210 146 159 and RGB 222 175 185

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 198 117 133 shade: RGB 198 117 133, RGB 198 198 117 and RGB 117 166 198

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 198 117 133 shade: RGB 198 117 133, RGB 133 198 117 and RGB 117 133 198

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 198 117 133 shade: RGB 198 117 133, RGB 198 198 117, RGB 117 198 182 and RGB 117 117 198

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 198 117 133 shade: RGB 198 117 133, RGB 174 198 117, RGB 117 198 182 and RGB 141 117 198

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 41 / 33 / 22

HEX #C67585

RGB 198 117 133

HSL 348.15, 0.42%, 0.62%

LAB 58.44, 33.69, 5.05

 

Complementary color

CMYK 59 / 0 / 12 / 46

HEX #398A7A

RGB 57 138 122

HSL 168.15, 0.42%, 0.38%

LAB 52.34, -28.73, 1.18

 

CMYK 0 / 42 / 37 / 20

HEX #CB7580

RGB 203 117 128

HSL 352.33, 0.45%, 0.63%

LAB 58.95, 34.92, 8.77

 

CMYK 0 / 39 / 33 / 14

HEX #DC8793

RGB 220 135 147

HSL 351.53, 0.55%, 0.7%

LAB 65.48, 33.97, 7.5

 

CMYK 0 / 35 / 30 / 7

HEX #ED99A6

RGB 237 153 166

HSL 350.71, 0.7%, 0.76%

LAB 71.92, 33.09, 6.37

 

CMYK 0 / 33 / 27 / 0

HEX #FEABB9

RGB 254 171 185

HSL 349.88, 0.98%, 0.83%

LAB 78.29, 32.28, 5.35

 

CMYK 0 / 26 / 20 / 0

HEX #FFBDCC

RGB 255 189 204

HSL 346.36, 1%, 0.87%

LAB 82.92, 25.87, 1.82

 

CMYK 0 / 41 / 33 / 22

HEX #C67585

RGB 198 117 133

HSL 348.15, 0.42%, 0.62%

LAB 58.44, 33.69, 5.05

 

CMYK 0 / 45 / 37 / 29

HEX #B56372

RGB 181 99 114

HSL 349.02, 0.36%, 0.55%

LAB 51.79, 34.65, 6.37

 

CMYK 0 / 51 / 42 / 36

HEX #A4515F

RGB 164 81 95

HSL 349.88, 0.34%, 0.48%

LAB 45.09, 35.66, 7.93

 

CMYK 0 / 57 / 48 / 42

HEX #933F4C

RGB 147 63 76

HSL 350.71, 0.4%, 0.41%

LAB 38.34, 36.66, 9.84

 

CMYK 0 / 65 / 56 / 49

HEX #822D39

RGB 130 45 57

HSL 351.53, 0.49%, 0.34%

LAB 31.62, 37.54, 12.28

 

CMYK 0 / 41 / 33 / 22

HEX #C67585

RGB 198 117 133

HSL 348.15, 0.42%, 0.62%

LAB 58.44, 33.69, 5.05

 

CMYK 0 / 41 / 41 / 22

HEX #C67575

RGB 198 117 117

HSL 0, 0.42%, 0.62%

LAB 58.05, 31.75, 13.76

 

CMYK 0 / 41 / 33 / 22

HEX #C67585

RGB 198 117 133

HSL 348.15, 0.42%, 0.62%

LAB 58.44, 33.69, 5.05

 

CMYK 0 / 41 / 22 / 22

HEX #C6759B

RGB 198 117 155

HSL 331.85, 0.42%, 0.62%

LAB 59.06, 36.76, -6.75

 

CMYK 0 / 41 / 11 / 22

HEX #C675B1

RGB 198 117 177

HSL 315.56, 0.42%, 0.62%

LAB 59.8, 40.27, -18.28

 

CMYK 0 / 41 / 0 / 22

HEX #C675C6

RGB 198 117 198

HSL 300, 0.42%, 0.62%

LAB 60.61, 43.99, -29

 

CMYK 11 / 41 / 0 / 22

HEX #B075C6

RGB 176 117 198

HSL 283.7, 0.42%, 0.62%

LAB 58.07, 37.28, -33.14

 

CMYK 0 / 41 / 33 / 22

HEX #C67585

RGB 198 117 133

HSL 348.15, 0.42%, 0.62%

LAB 58.44, 33.69, 5.05

 

CMYK 0 / 53 / 43 / 16

HEX #D6657B

RGB 214 101 123

HSL 348.32, 0.58%, 0.62%

LAB 57.11, 46.51, 9.27

 

CMYK 0 / 63 / 50 / 10

HEX #E65672

RGB 230 86 114

HSL 348.33, 0.74%, 0.62%

LAB 56.78, 57.85, 14.44

 

CMYK 0 / 71 / 57 / 4

HEX #F54669

RGB 245 70 105

HSL 348, 0.9%, 0.62%

LAB 56.89, 67.84, 20.31

 

CMYK 0 / 41 / 33 / 22

HEX #C67585

RGB 198 117 133

HSL 348.15, 0.42%, 0.62%

LAB 58.44, 33.69, 5.05

 

CMYK 0 / 27 / 22 / 28

HEX #B7858E

RGB 183 133 142

HSL 349.2, 0.26%, 0.62%

LAB 60.6, 20.53, 2.77

 

CMYK 0 / 11 / 9 / 35

HEX #A79498

RGB 167 148 152

HSL 347.37, 0.1%, 0.62%

LAB 63.06, 7.75, 0.47

 

CMYK 8 / 0 / 2 / 36

HEX #97A4A1

RGB 151 164 161

HSL 166.15, 0.07%, 0.62%

LAB 66.29, -5.18, -0.03

 

CMYK 24 / 0 / 5 / 29

HEX #88B4AB

RGB 136 180 171

HSL 167.73, 0.23%, 0.62%

LAB 70.05, -16.57, -0.2

 

CMYK 0 / 41 / 11 / 22

HEX #C675B1

RGB 198 117 177

HSL 315.56, 0.42%, 0.62%

LAB 59.8, 40.27, -18.28

 

CMYK 0 / 41 / 22 / 22

HEX #C6759B

RGB 198 117 155

HSL 331.85, 0.42%, 0.62%

LAB 59.06, 36.76, -6.75

 

CMYK 0 / 41 / 33 / 22

HEX #C67585

RGB 198 117 133

HSL 348.15, 0.42%, 0.62%

LAB 58.44, 33.69, 5.05

 

CMYK 0 / 38 / 41 / 22

HEX #C67A75

RGB 198 122 117

HSL 3.7, 0.42%, 0.62%

LAB 59.17, 29.05, 15.31

 

CMYK 0 / 27 / 41 / 22

HEX #C69075

RGB 198 144 117

HSL 20, 0.42%, 0.62%

LAB 64.35, 17, 22.4

 

CMYK 0 / 59 / 47 / 35

HEX #A54357

RGB 165 67 87

HSL 347.76, 0.42%, 0.45%

LAB 42.31, 42.26, 8.95

 

CMYK 0 / 53 / 42 / 27

HEX #BA586B

RGB 186 88 107

HSL 348.37, 0.42%, 0.54%

LAB 50.07, 41.4, 8.19

 

CMYK 0 / 41 / 33 / 22

HEX #C67585

RGB 198 117 133

HSL 348.15, 0.42%, 0.62%

LAB 58.44, 33.69, 5.05

 

CMYK 0 / 30 / 24 / 18

HEX #D2929F

RGB 210 146 159

HSL 347.81, 0.42%, 0.7%

LAB 67.1, 26, 2.93

 

CMYK 0 / 21 / 17 / 13

HEX #DEAFB9

RGB 222 175 185

HSL 347.23, 0.42%, 0.78%

LAB 75.88, 18.62, 1.45

 

CMYK 0 / 41 / 33 / 22

HEX #C67585

RGB 198 117 133

HSL 348.15, 0.42%, 0.62%

LAB 58.44, 33.69, 5.05

 

CMYK 0 / 0 / 41 / 22

HEX #C6C675

RGB 198 198 117

HSL 60, 0.42%, 0.62%

LAB 78.27, -11.83, 40.52

 

CMYK 41 / 16 / 0 / 22

HEX #75A6C6

RGB 117 166 198

HSL 203.7, 0.42%, 0.62%

LAB 65.85, -8.02, -21.53

 

CMYK 0 / 41 / 33 / 22

HEX #C67585

RGB 198 117 133

HSL 348.15, 0.42%, 0.62%

LAB 58.44, 33.69, 5.05

 

CMYK 33 / 0 / 41 / 22

HEX #85C675

RGB 133 198 117

HSL 108.15, 0.42%, 0.62%

LAB 73.97, -36.11, 34.15

 

CMYK 41 / 33 / 0 / 22

HEX #7585C6

RGB 117 133 198

HSL 228.15, 0.42%, 0.62%

LAB 56.72, 10.79, -35.64

 

CMYK 0 / 41 / 33 / 22

HEX #C67585

RGB 198 117 133

HSL 348.15, 0.42%, 0.62%

LAB 58.44, 33.69, 5.05

 

CMYK 0 / 0 / 41 / 22

HEX #C6C675

RGB 198 198 117

HSL 60, 0.42%, 0.62%

LAB 78.27, -11.83, 40.52

 

CMYK 41 / 0 / 8 / 22

HEX #75C6B6

RGB 117 198 182

HSL 168.15, 0.42%, 0.62%

LAB 74.54, -28.58, 0.24

 

CMYK 41 / 41 / 0 / 22

HEX #7575C6

RGB 117 117 198

HSL 240, 0.42%, 0.62%

LAB 52.49, 20.34, -42.29

 

CMYK 0 / 41 / 33 / 22

HEX #C67585

RGB 198 117 133

HSL 348.15, 0.42%, 0.62%

LAB 58.44, 33.69, 5.05

 

CMYK 12 / 0 / 41 / 22

HEX #AEC675

RGB 174 198 117

HSL 77.78, 0.42%, 0.62%

LAB 76.48, -21.26, 37.87

 

CMYK 41 / 0 / 8 / 22

HEX #75C6B6

RGB 117 198 182

HSL 168.15, 0.42%, 0.62%

LAB 74.54, -28.58, 0.24

 

CMYK 29 / 41 / 0 / 22

HEX #8D75C6

RGB 141 117 198

HSL 257.78, 0.42%, 0.62%

LAB 54.51, 26.91, -38.96

 

Description

Color code: RGB 198 117 133 | qconv.com Color code: RGB 198 117 133 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 198 red, 117 green and 133 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
198 117 133 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 41 magenta, 33 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 41% 33% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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