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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 197 85 156 it is the complementary color RGB 58 170 99. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 197 85 156. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 197 85 156 shade: RGB 202 85 151, RGB 219 103 170, RGB 236 121 189, RGB 253 139 208 and RGB 255 157 227

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 197 85 156. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 197 85 156 shade: RGB 197 85 156, RGB 180 67 137, RGB 163 49 118, RGB 146 31 99 and RGB 129 13 80

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 197 85 156 shade: RGB 196 84 155, RGB 196 84 124, RGB 196 84 94 and RGB 196 84 84

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 197 85 156 shade: RGB 196 84 155, RGB 196 84 185, RGB 176 84 196, RGB 146 84 196 and RGB 116 84 196

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 197 85 156 shade matches the following richer shades: RGB 196 84 155, RGB 215 65 160, RGB 233 46 165 and RGB 252 28 170

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 197 85 156 shade: RGB 196 84 155, RGB 177 102 150, RGB 159 121 145, RGB 140 139 140 and RGB 122 158 135

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 197 85 156 shade: RGB 175 84 196, RGB 196 84 187, RGB 196 84 157, RGB 196 84 127 and RGB 196 84 97

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 197 85 156 shade: RGB 147 50 111, RGB 178 61 135, RGB 196 84 155, RGB 206 114 173 and RGB 217 145 191

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 197 85 156 shade: RGB 197 85 156, RGB 196 145 84 and RGB 84 196 190

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 197 85 156 shade: RGB 197 85 156, RGB 157 196 84 and RGB 84 157 196

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 197 85 156 shade: RGB 197 85 156, RGB 196 145 84, RGB 84 196 123 and RGB 84 134 196

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 197 85 156 shade: RGB 197 85 156, RGB 196 179 84, RGB 84 196 123 and RGB 84 100 196

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 57 / 21 / 23

HEX #C5559C

RGB 197 85 156

HSL 321.96, 0.49%, 0.55%

LAB 52.69, 52.73, -16.93

 

Complementary color

CMYK 66 / 0 / 42 / 33

HEX #3AAA63

RGB 58 170 99

HSL 141.96, 0.49%, 0.45%

LAB 62.13, -47.65, 27.57

 

CMYK 0 / 58 / 25 / 21

HEX #CA5597

RGB 202 85 151

HSL 326.15, 0.52%, 0.56%

LAB 53.26, 53.55, -13.05

 

CMYK 0 / 53 / 22 / 14

HEX #DB67AA

RGB 219 103 170

HSL 325.34, 0.62%, 0.63%

LAB 59.58, 52.98, -14.33

 

CMYK 0 / 49 / 20 / 7

HEX #EC79BD

RGB 236 121 189

HSL 324.52, 0.75%, 0.7%

LAB 65.89, 52.3, -15.41

 

CMYK 0 / 45 / 18 / 1

HEX #FD8BD0

RGB 253 139 208

HSL 323.68, 0.97%, 0.77%

LAB 72.16, 51.57, -16.33

 

CMYK 0 / 38 / 11 / 0

HEX #FF9DE3

RGB 255 157 227

HSL 317.14, 1%, 0.81%

LAB 76.63, 46.08, -19.98

 

CMYK 0 / 57 / 21 / 23

HEX #C5559C

RGB 197 85 156

HSL 321.96, 0.49%, 0.55%

LAB 52.69, 52.73, -16.93

 

CMYK 0 / 63 / 24 / 29

HEX #B44389

RGB 180 67 137

HSL 322.83, 0.46%, 0.48%

LAB 46.34, 53.1, -15.51

 

CMYK 0 / 70 / 28 / 36

HEX #A33176

RGB 163 49 118

HSL 323.68, 0.54%, 0.42%

LAB 40.07, 53.09, -13.69

 

CMYK 0 / 79 / 32 / 43

HEX #921F63

RGB 146 31 99

HSL 324.52, 0.65%, 0.35%

LAB 33.97, 52.38, -11.26

 

CMYK 0 / 90 / 38 / 49

HEX #810D50

RGB 129 13 80

HSL 325.34, 0.82%, 0.28%

LAB 28.21, 50.47, -7.89

 

CMYK 0 / 57 / 21 / 23

HEX #C4549B

RGB 196 84 155

HSL 321.96, 0.49%, 0.55%

LAB 52.33, 52.75, -16.9

 

CMYK 0 / 57 / 37 / 23

HEX #C4547C

RGB 196 84 124

HSL 338.57, 0.49%, 0.55%

LAB 51.3, 48.71, -0.02

 

CMYK 0 / 57 / 52 / 23

HEX #C4545E

RGB 196 84 94

HSL 354.64, 0.49%, 0.55%

LAB 50.55, 45.66, 16.87

 

CMYK 0 / 57 / 57 / 23

HEX #C45454

RGB 196 84 84

HSL 0, 0.49%, 0.55%

LAB 50.35, 44.83, 22.55

 

CMYK 0 / 57 / 21 / 23

HEX #C4549B

RGB 196 84 155

HSL 321.96, 0.49%, 0.55%

LAB 52.33, 52.75, -16.9

 

CMYK 0 / 57 / 6 / 23

HEX #C454B9

RGB 196 84 185

HSL 305.89, 0.49%, 0.55%

LAB 53.58, 57.43, -32.5

 

CMYK 10 / 57 / 0 / 23

HEX #B054C4

RGB 176 84 196

HSL 289.29, 0.49%, 0.55%

LAB 51.33, 54.09, -42.57

 

CMYK 26 / 57 / 0 / 23

HEX #9254C4

RGB 146 84 196

HSL 273.21, 0.49%, 0.55%

LAB 47.54, 46.42, -48.83

 

CMYK 41 / 57 / 0 / 23

HEX #7454C4

RGB 116 84 196

HSL 257.14, 0.49%, 0.55%

LAB 44.29, 39.19, -54.23

 

CMYK 0 / 57 / 21 / 23

HEX #C4549B

RGB 196 84 155

HSL 321.96, 0.49%, 0.55%

LAB 52.33, 52.75, -16.9

 

CMYK 0 / 70 / 26 / 16

HEX #D741A0

RGB 215 65 160

HSL 322, 0.65%, 0.55%

LAB 52.69, 66.54, -19.03

 

CMYK 0 / 80 / 29 / 9

HEX #E92EA5

RGB 233 46 165

HSL 321.82, 0.81%, 0.55%

LAB 54.02, 77.12, -19.67

 

CMYK 0 / 89 / 33 / 1

HEX #FC1CAA

RGB 252 28 170

HSL 321.96, 0.97%, 0.55%

LAB 56.51, 85.1, -18.48

 

CMYK 0 / 57 / 21 / 23

HEX #C4549B

RGB 196 84 155

HSL 321.96, 0.49%, 0.55%

LAB 52.33, 52.75, -16.9

 

CMYK 0 / 42 / 15 / 31

HEX #B16696

RGB 177 102 150

HSL 321.6, 0.32%, 0.55%

LAB 53.01, 36.78, -13.19

 

CMYK 0 / 24 / 9 / 38

HEX #9F7991

RGB 159 121 145

HSL 322.11, 0.17%, 0.55%

LAB 55.16, 18.85, -7.24

 

CMYK 0 / 1 / 0 / 45

HEX #8C8B8C

RGB 140 139 140

HSL 300, 0%, 0.55%

LAB 57.97, 0.57, -0.41

 

CMYK 23 / 0 / 15 / 38

HEX #7A9E87

RGB 122 158 135

HSL 141.67, 0.16%, 0.55%

LAB 61.95, -17.22, 8

 

CMYK 11 / 57 / 0 / 23

HEX #AF54C4

RGB 175 84 196

HSL 288.75, 0.49%, 0.55%

LAB 51.2, 53.83, -42.79

 

CMYK 0 / 57 / 5 / 23

HEX #C454BB

RGB 196 84 187

HSL 304.82, 0.49%, 0.55%

LAB 53.67, 57.76, -33.52

 

CMYK 0 / 57 / 20 / 23

HEX #C4549D

RGB 196 84 157

HSL 320.89, 0.49%, 0.55%

LAB 52.41, 53.04, -17.96

 

CMYK 0 / 57 / 35 / 23

HEX #C4547F

RGB 196 84 127

HSL 336.96, 0.49%, 0.55%

LAB 51.39, 49.06, -1.69

 

CMYK 0 / 57 / 51 / 23

HEX #C45461

RGB 196 84 97

HSL 353.04, 0.49%, 0.55%

LAB 50.62, 45.92, 15.17

 

CMYK 0 / 66 / 24 / 42

HEX #93326F

RGB 147 50 111

HSL 322.27, 0.49%, 0.39%

LAB 37.17, 47.12, -13.98

 

CMYK 0 / 66 / 24 / 30

HEX #B23D87

RGB 178 61 135

HSL 322.05, 0.49%, 0.47%

LAB 45.01, 54.79, -16.36

 

CMYK 0 / 57 / 21 / 23

HEX #C4549B

RGB 196 84 155

HSL 321.96, 0.49%, 0.55%

LAB 52.33, 52.75, -16.9

 

CMYK 0 / 45 / 16 / 19

HEX #CE72AD

RGB 206 114 173

HSL 321.52, 0.48%, 0.63%

LAB 60.05, 43.81, -15.53

 

CMYK 0 / 33 / 12 / 15

HEX #D991BF

RGB 217 145 191

HSL 321.67, 0.49%, 0.71%

LAB 68.58, 34, -12.71

 

CMYK 0 / 57 / 21 / 23

HEX #C5559C

RGB 197 85 156

HSL 321.96, 0.49%, 0.55%

LAB 52.69, 52.73, -16.93

 

CMYK 0 / 26 / 57 / 23

HEX #C49154

RGB 196 145 84

HSL 32.68, 0.49%, 0.55%

LAB 63.86, 12.42, 39.54

 

CMYK 57 / 0 / 3 / 23

HEX #54C4BE

RGB 84 196 190

HSL 176.79, 0.49%, 0.55%

LAB 72.95, -33.07, -6.59

 

CMYK 0 / 57 / 21 / 23

HEX #C5559C

RGB 197 85 156

HSL 321.96, 0.49%, 0.55%

LAB 52.69, 52.73, -16.93

 

CMYK 20 / 0 / 57 / 23

HEX #9DC454

RGB 157 196 84

HSL 80.89, 0.49%, 0.55%

LAB 74.37, -30.33, 51.04

 

CMYK 57 / 20 / 0 / 23

HEX #549DC4

RGB 84 157 196

HSL 200.89, 0.49%, 0.55%

LAB 61.64, -11.43, -27

 

CMYK 0 / 57 / 21 / 23

HEX #C5559C

RGB 197 85 156

HSL 321.96, 0.49%, 0.55%

LAB 52.69, 52.73, -16.93

 

CMYK 0 / 26 / 57 / 23

HEX #C49154

RGB 196 145 84

HSL 32.68, 0.49%, 0.55%

LAB 63.86, 12.42, 39.54

 

CMYK 57 / 0 / 37 / 23

HEX #54C47B

RGB 84 196 123

HSL 140.89, 0.49%, 0.55%

LAB 71.42, -48.22, 27.31

 

CMYK 57 / 32 / 0 / 23

HEX #5486C4

RGB 84 134 196

HSL 213.21, 0.49%, 0.55%

LAB 54.99, 1.68, -37.35

 

CMYK 0 / 57 / 21 / 23

HEX #C5559C

RGB 197 85 156

HSL 321.96, 0.49%, 0.55%

LAB 52.69, 52.73, -16.93

 

CMYK 0 / 9 / 57 / 23

HEX #C4B354

RGB 196 179 84

HSL 50.89, 0.49%, 0.55%

LAB 72.64, -5.86, 49.84

 

CMYK 57 / 0 / 37 / 23

HEX #54C47B

RGB 84 196 123

HSL 140.89, 0.49%, 0.55%

LAB 71.42, -48.22, 27.31

 

CMYK 57 / 49 / 0 / 23

HEX #5464C4

RGB 84 100 196

HSL 231.43, 0.49%, 0.55%

LAB 45.61, 22.5, -52.24

 

Description

Color code: RGB 197 85 156 | qconv.com Color code: RGB 197 85 156 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 197 red, 85 green and 156 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
197 85 156 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 57 magenta, 21 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 57% 21% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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