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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 197 6 36 it is the complementary color RGB 58 249 219. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 197 6 36. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 197 6 36 shade: RGB 202 6 31, RGB 219 24 50, RGB 236 42 69, RGB 253 60 88 and RGB 255 78 107

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 197 6 36. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 197 6 36 shade: RGB 197 6 36, RGB 180 0 17, RGB 163 0 0, RGB 146 0 0 and RGB 129 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 197 6 36 shade: RGB 197 6 36 and RGB 197 6 6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 197 6 36 shade: RGB 197 6 36, RGB 197 6 87, RGB 197 6 139, RGB 197 6 191 and RGB 152 6 197

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 197 6 36 shade matches the following richer shades: RGB 197 6 36

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 197 6 36 shade: RGB 197 6 36, RGB 181 22 47, RGB 164 39 58, RGB 148 55 70 and RGB 131 72 81

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 197 6 36 shade: RGB 197 6 140, RGB 197 6 89, RGB 197 6 38, RGB 197 25 6 and RGB 197 76 6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 197 6 36 shade: RGB 117 3 21, RGB 157 4 28, RGB 197 6 36, RGB 237 7 43 and RGB 248 38 71

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 197 6 36 shade: RGB 197 6 36, RGB 191 197 6 and RGB 6 114 197

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 197 6 36 shade: RGB 197 6 36, RGB 38 197 6 and RGB 6 38 197

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 197 6 36 shade: RGB 197 6 36, RGB 191 197 6, RGB 6 197 165 and RGB 12 6 197

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 197 6 36 shade: RGB 197 6 36, RGB 133 197 6, RGB 6 197 165 and RGB 70 6 197

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 97 / 82 / 23

HEX #C50624

RGB 197 6 36

HSL 350.58, 0.94%, 0.4%

LAB 41.42, 65.92, 40.13

 

Complementary color

CMYK 77 / 0 / 12 / 2

HEX #3AF9DB

RGB 58 249 219

HSL 170.58, 0.94%, 0.6%

LAB 88.81, -52.48, 1.22

 

CMYK 0 / 97 / 85 / 21

HEX #CA061F

RGB 202 6 31

HSL 352.35, 0.94%, 0.41%

LAB 42.44, 67.05, 44.19

 

CMYK 0 / 89 / 77 / 14

HEX #DB1832

RGB 219 24 50

HSL 352, 0.8%, 0.48%

LAB 46.9, 69.75, 39.26

 

CMYK 0 / 82 / 71 / 7

HEX #EC2A45

RGB 236 42 69

HSL 351.65, 0.84%, 0.55%

LAB 51.74, 71.41, 34.63

 

CMYK 0 / 76 / 65 / 1

HEX #FD3C58

RGB 253 60 88

HSL 351.3, 0.98%, 0.61%

LAB 56.9, 72.24, 30.58

 

CMYK 0 / 69 / 58 / 0

HEX #FF4E6B

RGB 255 78 107

HSL 350.17, 1%, 0.65%

LAB 59.68, 68.1, 23.19

 

CMYK 0 / 97 / 82 / 23

HEX #C50624

RGB 197 6 36

HSL 350.58, 0.94%, 0.4%

LAB 41.42, 65.92, 40.13

 

CMYK 0 / 100 / 91 / 29

HEX #B40011

RGB 180 0 17

HSL 354.33, 1%, 0.35%

LAB 37.38, 61.88, 45.03

 

CMYK 0 / 100 / 100 / 36

HEX #A30000

RGB 163 0 0

HSL 0, 1%, 0.32%

LAB 33.53, 57.32, 47.71

 

CMYK 0 / 100 / 100 / 43

HEX #920000

RGB 146 0 0

HSL 0, 1%, 0.29%

LAB 29.69, 52.87, 43.26

 

CMYK 0 / 100 / 100 / 49

HEX #810000

RGB 129 0 0

HSL 0, 1%, 0.25%

LAB 25.76, 48.33, 38.36

 

CMYK 0 / 97 / 82 / 23

HEX #C50624

RGB 197 6 36

HSL 350.58, 0.94%, 0.4%

LAB 41.42, 65.92, 40.13

 

CMYK 0 / 97 / 97 / 23

HEX #C50606

RGB 197 6 6

HSL 0, 0.94%, 0.4%

LAB 41.24, 65.42, 53.3

 

CMYK 0 / 97 / 82 / 23

HEX #C50624

RGB 197 6 36

HSL 350.58, 0.94%, 0.4%

LAB 41.42, 65.92, 40.13

 

CMYK 0 / 97 / 56 / 23

HEX #C50657

RGB 197 6 87

HSL 334.55, 0.94%, 0.4%

LAB 42.29, 68.3, 9.79

 

CMYK 0 / 97 / 29 / 23

HEX #C5068B

RGB 197 6 139

HSL 318.22, 0.94%, 0.4%

LAB 44.04, 72.92, -19.99

 

CMYK 0 / 97 / 3 / 23

HEX #C506BF

RGB 197 6 191

HSL 301.88, 0.94%, 0.4%

LAB 46.66, 79.53, -46.9

 

CMYK 23 / 97 / 0 / 23

HEX #9806C5

RGB 152 6 197

HSL 285.86, 0.94%, 0.4%

LAB 39.3, 73.61, -62.66

 

CMYK 0 / 97 / 82 / 23

HEX #C50624

RGB 197 6 36

HSL 350.58, 0.94%, 0.4%

LAB 41.42, 65.92, 40.13

 

CMYK 0 / 97 / 82 / 23

HEX #C50624

RGB 197 6 36

HSL 350.58, 0.94%, 0.4%

LAB 41.42, 65.92, 40.13

 

CMYK 0 / 88 / 74 / 29

HEX #B5162F

RGB 181 22 47

HSL 350.57, 0.78%, 0.4%

LAB 38.9, 60.03, 29.94

 

CMYK 0 / 76 / 65 / 36

HEX #A4273A

RGB 164 39 58

HSL 350.88, 0.62%, 0.4%

LAB 37.21, 51.27, 20.21

 

CMYK 0 / 63 / 53 / 42

HEX #943746

RGB 148 55 70

HSL 350.32, 0.46%, 0.4%

LAB 36.87, 40.38, 11.63

 

CMYK 0 / 45 / 38 / 49

HEX #834851

RGB 131 72 81

HSL 350.85, 0.29%, 0.4%

LAB 37.94, 26.19, 5.78

 

CMYK 0 / 97 / 29 / 23

HEX #C5068C

RGB 197 6 140

HSL 317.91, 0.94%, 0.4%

LAB 44.08, 73.03, -20.53

 

CMYK 0 / 97 / 55 / 23

HEX #C50659

RGB 197 6 89

HSL 333.93, 0.94%, 0.4%

LAB 42.34, 68.44, 8.6

 

CMYK 0 / 97 / 81 / 23

HEX #C50626

RGB 197 6 38

HSL 349.95, 0.94%, 0.4%

LAB 41.44, 65.98, 39.02

 

CMYK 0 / 87 / 97 / 23

HEX #C51906

RGB 197 25 6

HSL 5.97, 0.94%, 0.4%

LAB 42.12, 62.88, 53.73

 

CMYK 0 / 61 / 97 / 23

HEX #C54C06

RGB 197 76 6

HSL 21.99, 0.94%, 0.4%

LAB 48.33, 45.82, 57.17

 

CMYK 0 / 97 / 82 / 54

HEX #750315

RGB 117 3 21

HSL 350.53, 0.95%, 0.24%

LAB 23.34, 44.92, 25.03

 

CMYK 0 / 97 / 82 / 38

HEX #9D041C

RGB 157 4 28

HSL 350.59, 0.95%, 0.32%

LAB 32.57, 55.71, 33.08

 

CMYK 0 / 97 / 82 / 23

HEX #C50624

RGB 197 6 36

HSL 350.58, 0.94%, 0.4%

LAB 41.42, 65.92, 40.13

 

CMYK 0 / 97 / 82 / 7

HEX #ED072B

RGB 237 7 43

HSL 350.61, 0.94%, 0.48%

LAB 49.9, 75.84, 47.37

 

CMYK 0 / 85 / 71 / 3

HEX #F82647

RGB 248 38 71

HSL 350.57, 0.94%, 0.56%

LAB 53.81, 75.47, 36.49

 

CMYK 0 / 97 / 82 / 23

HEX #C50624

RGB 197 6 36

HSL 350.58, 0.94%, 0.4%

LAB 41.42, 65.92, 40.13

 

CMYK 3 / 0 / 97 / 23

HEX #BFC506

RGB 191 197 6

HSL 61.88, 0.94%, 0.4%

LAB 76.69, -20.26, 76.63

 

CMYK 97 / 42 / 0 / 23

HEX #0672C5

RGB 6 114 197

HSL 206.07, 0.94%, 0.4%

LAB 47.11, 5.02, -50.55

 

CMYK 0 / 97 / 82 / 23

HEX #C50624

RGB 197 6 36

HSL 350.58, 0.94%, 0.4%

LAB 41.42, 65.92, 40.13

 

CMYK 81 / 0 / 97 / 23

HEX #26C506

RGB 38 197 6

HSL 109.95, 0.94%, 0.4%

LAB 69.72, -68.2, 68.19

 

CMYK 97 / 81 / 0 / 23

HEX #0626C5

RGB 6 38 197

HSL 229.95, 0.94%, 0.4%

LAB 28, 52.88, -81.77

 

CMYK 0 / 97 / 82 / 23

HEX #C50624

RGB 197 6 36

HSL 350.58, 0.94%, 0.4%

LAB 41.42, 65.92, 40.13

 

CMYK 3 / 0 / 97 / 23

HEX #BFC506

RGB 191 197 6

HSL 61.88, 0.94%, 0.4%

LAB 76.69, -20.26, 76.63

 

CMYK 97 / 0 / 16 / 23

HEX #06C5A5

RGB 6 197 165

HSL 169.95, 0.94%, 0.4%

LAB 71.34, -48.47, 4.52

 

CMYK 94 / 97 / 0 / 23

HEX #0C06C5

RGB 12 6 197

HSL 241.88, 0.94%, 0.4%

LAB 24.45, 63.99, -87.69

 

CMYK 0 / 97 / 82 / 23

HEX #C50624

RGB 197 6 36

HSL 350.58, 0.94%, 0.4%

LAB 41.42, 65.92, 40.13

 

CMYK 32 / 0 / 97 / 23

HEX #85C506

RGB 133 197 6

HSL 80.1, 0.94%, 0.4%

LAB 72.85, -43.78, 72.01

 

CMYK 97 / 0 / 16 / 23

HEX #06C5A5

RGB 6 197 165

HSL 169.95, 0.94%, 0.4%

LAB 71.34, -48.47, 4.52

 

CMYK 64 / 97 / 0 / 23

HEX #4606C5

RGB 70 6 197

HSL 260.1, 0.94%, 0.4%

LAB 28.02, 65.68, -81.64

 

Description

Color code: RGB 197 6 36 | qconv.com Color code: RGB 197 6 36 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 197 red, 6 green and 36 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
197 6 36 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 97 magenta, 82 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 97% 82% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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