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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 197 69 63 it is the complementary color RGB 58 186 192. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 197 69 63. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 197 69 63 shade: RGB 202 69 58, RGB 219 87 77, RGB 236 105 96, RGB 253 123 115 and RGB 255 141 134

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 197 69 63. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 197 69 63 shade: RGB 197 69 63, RGB 180 51 44, RGB 163 33 25, RGB 146 15 6 and RGB 129 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 197 69 63 shade: RGB 197 68 62 and RGB 197 62 62

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 197 69 63 shade: RGB 197 68 62, RGB 197 105 62, RGB 197 141 62, RGB 197 177 62 and RGB 180 197 62

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 197 69 63 shade matches the following richer shades: RGB 197 68 62, RGB 217 50 42 and RGB 237 31 22

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 197 69 63 shade: RGB 197 68 62, RGB 177 87 82, RGB 157 105 103, RGB 136 123 123 and RGB 116 142 143

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 197 69 63 shade: RGB 197 62 130, RGB 197 62 94, RGB 197 67 62, RGB 197 103 62 and RGB 197 139 62

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 197 69 63 shade: RGB 136 45 40, RGB 168 55 50, RGB 197 68 62, RGB 207 99 94 and RGB 216 130 126

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 197 69 63 shade: RGB 197 69 63, RGB 166 197 62 and RGB 62 112 197

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 197 69 63 shade: RGB 197 69 63, RGB 62 197 67 and RGB 67 62 197

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 197 69 63 shade: RGB 197 69 63, RGB 166 197 62, RGB 62 193 197 and RGB 94 62 197

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 197 69 63 shade: RGB 197 69 63, RGB 125 197 62, RGB 62 193 197 and RGB 134 62 197

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 65 / 68 / 23

HEX #C5453F

RGB 197 69 63

HSL 2.69, 0.54%, 0.51%

LAB 47.61, 50.63, 31.45

 

Complementary color

CMYK 70 / 3 / 0 / 25

HEX #3ABAC0

RGB 58 186 192

HSL 182.69, 0.54%, 0.49%

LAB 69.34, -31.96, -13.13

 

CMYK 0 / 66 / 71 / 21

HEX #CA453A

RGB 202 69 58

HSL 4.58, 0.58%, 0.51%

LAB 48.41, 52.07, 35.49

 

CMYK 0 / 60 / 65 / 14

HEX #DB574D

RGB 219 87 77

HSL 4.23, 0.66%, 0.58%

LAB 54.46, 51.09, 32.6

 

CMYK 0 / 56 / 59 / 7

HEX #EC6960

RGB 236 105 96

HSL 3.86, 0.79%, 0.65%

LAB 60.59, 49.98, 30.1

 

CMYK 0 / 51 / 55 / 1

HEX #FD7B73

RGB 253 123 115

HSL 3.48, 0.97%, 0.72%

LAB 66.74, 48.83, 27.93

 

CMYK 0 / 45 / 47 / 0

HEX #FF8D86

RGB 255 141 134

HSL 3.47, 1%, 0.76%

LAB 70.89, 42.29, 22.99

 

CMYK 0 / 65 / 68 / 23

HEX #C5453F

RGB 197 69 63

HSL 2.69, 0.54%, 0.51%

LAB 47.61, 50.63, 31.45

 

CMYK 0 / 72 / 76 / 29

HEX #B4332C

RGB 180 51 44

HSL 3.09, 0.61%, 0.44%

LAB 41.62, 51.32, 34.73

 

CMYK 0 / 80 / 85 / 36

HEX #A32119

RGB 163 33 25

HSL 3.48, 0.73%, 0.37%

LAB 35.88, 51.45, 38.38

 

CMYK 0 / 90 / 96 / 43

HEX #920F06

RGB 146 15 6

HSL 3.86, 0.92%, 0.3%

LAB 30.56, 50.55, 41.46

 

CMYK 0 / 100 / 100 / 49

HEX #810000

RGB 129 0 0

HSL 0, 1%, 0.25%

LAB 25.76, 48.33, 38.36

 

CMYK 0 / 65 / 69 / 23

HEX #C5443E

RGB 197 68 62

HSL 2.67, 0.54%, 0.51%

LAB 47.43, 51, 31.83

 

CMYK 0 / 69 / 69 / 23

HEX #C53E3E

RGB 197 62 62

HSL 0, 0.54%, 0.51%

LAB 46.53, 53.45, 30.74

 

CMYK 0 / 65 / 69 / 23

HEX #C5443E

RGB 197 68 62

HSL 2.67, 0.54%, 0.51%

LAB 47.43, 51, 31.83

 

CMYK 0 / 47 / 69 / 23

HEX #C5693E

RGB 197 105 62

HSL 19.11, 0.54%, 0.51%

LAB 54.37, 33.1, 39.92

 

CMYK 0 / 28 / 69 / 23

HEX #C58D3E

RGB 197 141 62

HSL 35.11, 0.54%, 0.51%

LAB 62.73, 13.54, 49.17

 

CMYK 0 / 10 / 69 / 23

HEX #C5B13E

RGB 197 177 62

HSL 51.11, 0.54%, 0.51%

LAB 72, -5.82, 58.87

 

CMYK 9 / 0 / 69 / 23

HEX #B4C53E

RGB 180 197 62

HSL 67.56, 0.54%, 0.51%

LAB 76.06, -23.18, 62.53

 

CMYK 0 / 65 / 69 / 23

HEX #C5443E

RGB 197 68 62

HSL 2.67, 0.54%, 0.51%

LAB 47.43, 51, 31.83

 

CMYK 0 / 77 / 81 / 15

HEX #D9322A

RGB 217 50 42

HSL 2.74, 0.7%, 0.51%

LAB 48.51, 63.02, 45.19

 

CMYK 0 / 87 / 91 / 7

HEX #ED1F16

RGB 237 31 22

HSL 2.51, 0.86%, 0.51%

LAB 50.74, 72.62, 57.76

 

CMYK 0 / 65 / 69 / 23

HEX #C5443E

RGB 197 68 62

HSL 2.67, 0.54%, 0.51%

LAB 47.43, 51, 31.83

 

CMYK 0 / 51 / 54 / 31

HEX #B15752

RGB 177 87 82

HSL 3.16, 0.38%, 0.51%

LAB 47.97, 36.12, 20.05

 

CMYK 0 / 33 / 34 / 38

HEX #9D6967

RGB 157 105 103

HSL 2.22, 0.22%, 0.51%

LAB 49.8, 20.58, 9.63

 

CMYK 0 / 10 / 10 / 47

HEX #887B7B

RGB 136 123 123

HSL 0, 0.05%, 0.51%

LAB 52.76, 4.97, 1.8

 

CMYK 19 / 1 / 0 / 44

HEX #748E8F

RGB 116 142 143

HSL 182.22, 0.11%, 0.51%

LAB 57.12, -8.94, -3.6

 

CMYK 0 / 69 / 34 / 23

HEX #C53E82

RGB 197 62 130

HSL 329.78, 0.54%, 0.51%

LAB 48.17, 59.16, -8.25

 

CMYK 0 / 69 / 52 / 23

HEX #C53E5E

RGB 197 62 94

HSL 345.78, 0.54%, 0.51%

LAB 47.14, 55.6, 12.2

 

CMYK 0 / 66 / 69 / 23

HEX #C5433E

RGB 197 67 62

HSL 2.22, 0.54%, 0.51%

LAB 47.28, 51.42, 31.64

 

CMYK 0 / 48 / 69 / 23

HEX #C5673E

RGB 197 103 62

HSL 18.22, 0.54%, 0.51%

LAB 53.94, 34.15, 39.44

 

CMYK 0 / 29 / 69 / 23

HEX #C58B3E

RGB 197 139 62

HSL 34.22, 0.54%, 0.51%

LAB 62.24, 14.64, 48.64

 

CMYK 0 / 67 / 71 / 47

HEX #882D28

RGB 136 45 40

HSL 3.13, 0.55%, 0.35%

LAB 32.4, 38.49, 24.38

 

CMYK 0 / 67 / 70 / 34

HEX #A83732

RGB 168 55 50

HSL 2.54, 0.54%, 0.43%

LAB 40.06, 45.97, 28.85

 

CMYK 0 / 65 / 69 / 23

HEX #C5443E

RGB 197 68 62

HSL 2.67, 0.54%, 0.51%

LAB 47.43, 51, 31.83

 

CMYK 0 / 52 / 55 / 19

HEX #CF635E

RGB 207 99 94

HSL 2.65, 0.54%, 0.59%

LAB 55.07, 42.28, 23.22

 

CMYK 0 / 40 / 42 / 15

HEX #D8827E

RGB 216 130 126

HSL 2.67, 0.54%, 0.67%

LAB 63.4, 32.66, 16.39

 

CMYK 0 / 65 / 68 / 23

HEX #C5453F

RGB 197 69 63

HSL 2.69, 0.54%, 0.51%

LAB 47.61, 50.63, 31.45

 

CMYK 16 / 0 / 69 / 23

HEX #A6C53E

RGB 166 197 62

HSL 73.78, 0.54%, 0.51%

LAB 75.07, -28.9, 61.21

 

CMYK 69 / 43 / 0 / 23

HEX #3E70C5

RGB 62 112 197

HSL 217.78, 0.54%, 0.51%

LAB 47.81, 11.35, -49.36

 

CMYK 0 / 65 / 68 / 23

HEX #C5453F

RGB 197 69 63

HSL 2.69, 0.54%, 0.51%

LAB 47.61, 50.63, 31.45

 

CMYK 69 / 0 / 66 / 23

HEX #3EC543

RGB 62 197 67

HSL 122.22, 0.54%, 0.51%

LAB 70.43, -61.11, 52.9

 

CMYK 66 / 69 / 0 / 23

HEX #433EC5

RGB 67 62 197

HSL 242.22, 0.54%, 0.51%

LAB 35.34, 43.49, -69.55

 

CMYK 0 / 65 / 68 / 23

HEX #C5453F

RGB 197 69 63

HSL 2.69, 0.54%, 0.51%

LAB 47.61, 50.63, 31.45

 

CMYK 16 / 0 / 69 / 23

HEX #A6C53E

RGB 166 197 62

HSL 73.78, 0.54%, 0.51%

LAB 75.07, -28.9, 61.21

 

CMYK 69 / 2 / 0 / 23

HEX #3EC1C5

RGB 62 193 197

HSL 181.78, 0.54%, 0.51%

LAB 71.69, -33.29, -12.34

 

CMYK 52 / 69 / 0 / 23

HEX #5E3EC5

RGB 94 62 197

HSL 254.22, 0.54%, 0.51%

LAB 37.58, 47.49, -65.79

 

CMYK 0 / 65 / 68 / 23

HEX #C5453F

RGB 197 69 63

HSL 2.69, 0.54%, 0.51%

LAB 47.61, 50.63, 31.45

 

CMYK 37 / 0 / 69 / 23

HEX #7DC53E

RGB 125 197 62

HSL 92, 0.54%, 0.51%

LAB 72.65, -44.39, 57.96

 

CMYK 69 / 2 / 0 / 23

HEX #3EC1C5

RGB 62 193 197

HSL 181.78, 0.54%, 0.51%

LAB 71.69, -33.29, -12.34

 

CMYK 32 / 69 / 0 / 23

HEX #863EC5

RGB 134 62 197

HSL 272, 0.54%, 0.51%

LAB 42.07, 54.98, -58.29

 

Description

Color code: RGB 197 69 63 | qconv.com Color code: RGB 197 69 63 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 197 red, 69 green and 63 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
197 69 63 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 65 magenta, 68 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 65% 68% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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