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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 197 38 143 it is the complementary color RGB 58 217 112. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 197 38 143. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 197 38 143 shade: RGB 202 38 138, RGB 219 56 157, RGB 236 74 176, RGB 253 92 195 and RGB 255 110 214

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 197 38 143. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 197 38 143 shade: RGB 197 38 143, RGB 180 20 124, RGB 163 2 105, RGB 146 0 86 and RGB 129 0 67

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 197 38 143 shade: RGB 197 37 142, RGB 197 37 99, RGB 197 37 56 and RGB 197 37 37

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 197 38 143 shade: RGB 197 37 142, RGB 197 37 185, RGB 165 37 197, RGB 122 37 197 and RGB 79 37 197

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 197 38 143 shade matches the following richer shades: RGB 197 37 142 and RGB 216 18 148

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 197 38 143 shade: RGB 197 37 142, RGB 178 56 136, RGB 159 75 130, RGB 140 94 124 and RGB 121 113 118

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 197 38 143 shade: RGB 165 37 197, RGB 197 37 186, RGB 197 37 143, RGB 197 37 101 and RGB 197 37 58

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 197 38 143 shade: RGB 127 24 92, RGB 162 30 117, RGB 197 37 142, RGB 217 58 163 and RGB 224 92 179

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 197 38 143 shade: RGB 197 38 143, RGB 197 122 37 and RGB 37 197 186

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 197 38 143 shade: RGB 197 38 143, RGB 143 197 37 and RGB 37 143 197

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 197 38 143 shade: RGB 197 38 143, RGB 197 122 37, RGB 37 197 90 and RGB 37 111 197

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 197 38 143 shade: RGB 197 38 143, RGB 197 170 37, RGB 37 197 90 and RGB 37 64 197

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 81 / 27 / 23

HEX #C5268F

RGB 197 38 143

HSL 320.38, 0.68%, 0.46%

LAB 45.96, 68.28, -19.46

 

Complementary color

CMYK 73 / 0 / 48 / 15

HEX #3AD970

RGB 58 217 112

HSL 140.38, 0.68%, 0.54%

LAB 77.1, -62.82, 40.12

 

CMYK 0 / 81 / 32 / 21

HEX #CA268A

RGB 202 38 138

HSL 323.41, 0.68%, 0.47%

LAB 46.68, 68.88, -15.25

 

CMYK 0 / 74 / 28 / 14

HEX #DB389D

RGB 219 56 157

HSL 322.82, 0.69%, 0.54%

LAB 52.2, 70.17, -17.95

 

CMYK 0 / 69 / 25 / 7

HEX #EC4AB0

RGB 236 74 176

HSL 322.22, 0.81%, 0.61%

LAB 57.91, 70.77, -20.1

 

CMYK 0 / 64 / 23 / 1

HEX #FD5CC3

RGB 253 92 195

HSL 321.61, 0.98%, 0.68%

LAB 63.74, 70.9, -21.85

 

CMYK 0 / 57 / 16 / 0

HEX #FF6ED6

RGB 255 110 214

HSL 316.97, 1%, 0.72%

LAB 67.48, 66.6, -26.78

 

CMYK 0 / 81 / 27 / 23

HEX #C5268F

RGB 197 38 143

HSL 320.38, 0.68%, 0.46%

LAB 45.96, 68.28, -19.46

 

CMYK 0 / 89 / 31 / 29

HEX #B4147C

RGB 180 20 124

HSL 321, 0.8%, 0.39%

LAB 40.67, 66, -16.22

 

CMYK 0 / 99 / 36 / 36

HEX #A30269

RGB 163 2 105

HSL 321.61, 0.98%, 0.32%

LAB 35.69, 62.58, -12.16

 

CMYK 0 / 100 / 41 / 43

HEX #920056

RGB 146 0 86

HSL 324.66, 1%, 0.29%

LAB 31.31, 57.18, -6.83

 

CMYK 0 / 100 / 48 / 49

HEX #810043

RGB 129 0 67

HSL 328.84, 1%, 0.25%

LAB 26.94, 51.48, -1.04

 

CMYK 0 / 81 / 28 / 23

HEX #C5258E

RGB 197 37 142

HSL 320.63, 0.68%, 0.46%

LAB 45.83, 68.41, -19.05

 

CMYK 0 / 81 / 50 / 23

HEX #C52563

RGB 197 37 99

HSL 336.75, 0.68%, 0.46%

LAB 44.37, 64.12, 5.2

 

CMYK 0 / 81 / 72 / 23

HEX #C52538

RGB 197 37 56

HSL 352.88, 0.68%, 0.46%

LAB 43.48, 61.42, 30.65

 

CMYK 0 / 81 / 81 / 23

HEX #C52525

RGB 197 37 37

HSL 0, 0.68%, 0.46%

LAB 43.25, 60.73, 41.37

 

CMYK 0 / 81 / 28 / 23

HEX #C5258E

RGB 197 37 142

HSL 320.63, 0.68%, 0.46%

LAB 45.83, 68.41, -19.05

 

CMYK 0 / 81 / 6 / 23

HEX #C525B9

RGB 197 37 185

HSL 304.5, 0.68%, 0.46%

LAB 47.87, 74.12, -41.46

 

CMYK 16 / 81 / 0 / 23

HEX #A525C5

RGB 165 37 197

HSL 288, 0.68%, 0.46%

LAB 43.29, 70.07, -56.1

 

CMYK 38 / 81 / 0 / 23

HEX #7A25C5

RGB 122 37 197

HSL 271.88, 0.68%, 0.46%

LAB 36.91, 63.07, -66.75

 

CMYK 60 / 81 / 0 / 23

HEX #4F25C5

RGB 79 37 197

HSL 255.75, 0.68%, 0.46%

LAB 31.84, 57.6, -75.27

 

CMYK 0 / 81 / 28 / 23

HEX #C5258E

RGB 197 37 142

HSL 320.63, 0.68%, 0.46%

LAB 45.83, 68.41, -19.05

 

CMYK 0 / 92 / 31 / 15

HEX #D81294

RGB 216 18 148

HSL 320.61, 0.85%, 0.46%

LAB 48.47, 76.62, -18.32

 

CMYK 0 / 81 / 28 / 23

HEX #C5258E

RGB 197 37 142

HSL 320.63, 0.68%, 0.46%

LAB 45.83, 68.41, -19.05

 

CMYK 0 / 69 / 24 / 30

HEX #B23888

RGB 178 56 136

HSL 320.66, 0.52%, 0.46%

LAB 44.33, 56.92, -18

 

CMYK 0 / 53 / 18 / 38

HEX #9F4B82

RGB 159 75 130

HSL 320.71, 0.36%, 0.46%

LAB 44.25, 41.8, -14.75

 

CMYK 0 / 33 / 11 / 45

HEX #8C5E7C

RGB 140 94 124

HSL 320.87, 0.2%, 0.46%

LAB 45.68, 23.66, -9.2

 

CMYK 0 / 7 / 2 / 53

HEX #797176

RGB 121 113 118

HSL 322.5, 0.03%, 0.46%

LAB 48.49, 4.07, -1.65

 

CMYK 16 / 81 / 0 / 23

HEX #A525C5

RGB 165 37 197

HSL 288, 0.68%, 0.46%

LAB 43.29, 70.07, -56.1

 

CMYK 0 / 81 / 6 / 23

HEX #C525BA

RGB 197 37 186

HSL 304.13, 0.68%, 0.46%

LAB 47.93, 74.26, -41.96

 

CMYK 0 / 81 / 27 / 23

HEX #C5258F

RGB 197 37 143

HSL 320.25, 0.68%, 0.46%

LAB 45.88, 68.53, -19.6

 

CMYK 0 / 81 / 49 / 23

HEX #C52565

RGB 197 37 101

HSL 336, 0.68%, 0.46%

LAB 44.42, 64.28, 4.04

 

CMYK 0 / 81 / 71 / 23

HEX #C5253A

RGB 197 37 58

HSL 352.13, 0.68%, 0.46%

LAB 43.51, 61.51, 29.48

 

CMYK 0 / 81 / 28 / 50

HEX #7F185C

RGB 127 24 92

HSL 320.39, 0.68%, 0.3%

LAB 29.26, 48.68, -14.24

 

CMYK 0 / 81 / 28 / 36

HEX #A21E75

RGB 162 30 117

HSL 320.45, 0.69%, 0.38%

LAB 37.65, 58.9, -16.77

 

CMYK 0 / 81 / 28 / 23

HEX #C5258E

RGB 197 37 142

HSL 320.63, 0.68%, 0.46%

LAB 45.83, 68.41, -19.05

 

CMYK 0 / 73 / 25 / 15

HEX #D93AA3

RGB 217 58 163

HSL 320.38, 0.68%, 0.54%

LAB 52.31, 69.78, -21.35

 

CMYK 0 / 59 / 20 / 12

HEX #E05CB3

RGB 224 92 179

HSL 320.45, 0.68%, 0.62%

LAB 58.75, 60.77, -20.72

 

CMYK 0 / 81 / 27 / 23

HEX #C5268F

RGB 197 38 143

HSL 320.38, 0.68%, 0.46%

LAB 45.96, 68.28, -19.46

 

CMYK 0 / 38 / 81 / 23

HEX #C57A25

RGB 197 122 37

HSL 31.88, 0.68%, 0.46%

LAB 57.96, 22.83, 55.17

 

CMYK 81 / 0 / 6 / 23

HEX #25C5BA

RGB 37 197 186

HSL 175.88, 0.68%, 0.46%

LAB 72.14, -41.04, -5.72

 

CMYK 0 / 81 / 27 / 23

HEX #C5268F

RGB 197 38 143

HSL 320.38, 0.68%, 0.46%

LAB 45.96, 68.28, -19.46

 

CMYK 27 / 0 / 81 / 23

HEX #8FC525

RGB 143 197 37

HSL 80.25, 0.68%, 0.46%

LAB 73.48, -39.23, 67.34

 

CMYK 81 / 27 / 0 / 23

HEX #258FC5

RGB 37 143 197

HSL 200.25, 0.68%, 0.46%

LAB 56.16, -10.37, -36.19

 

CMYK 0 / 81 / 27 / 23

HEX #C5268F

RGB 197 38 143

HSL 320.38, 0.68%, 0.46%

LAB 45.96, 68.28, -19.46

 

CMYK 0 / 38 / 81 / 23

HEX #C57A25

RGB 197 122 37

HSL 31.88, 0.68%, 0.46%

LAB 57.96, 22.83, 55.17

 

CMYK 81 / 0 / 54 / 23

HEX #25C55A

RGB 37 197 90

HSL 139.88, 0.68%, 0.46%

LAB 70.22, -62, 42.22

 

CMYK 81 / 44 / 0 / 23

HEX #256FC5

RGB 37 111 197

HSL 212.25, 0.68%, 0.46%

LAB 46.7, 8.8, -51.17

 

CMYK 0 / 81 / 27 / 23

HEX #C5268F

RGB 197 38 143

HSL 320.38, 0.68%, 0.46%

LAB 45.96, 68.28, -19.46

 

CMYK 0 / 14 / 81 / 23

HEX #C5AA25

RGB 197 170 37

HSL 49.88, 0.68%, 0.46%

LAB 70, -3.22, 65.83

 

CMYK 81 / 0 / 54 / 23

HEX #25C55A

RGB 37 197 90

HSL 139.88, 0.68%, 0.46%

LAB 70.22, -62, 42.22

 

CMYK 81 / 68 / 0 / 23

HEX #2540C5

RGB 37 64 197

HSL 229.88, 0.68%, 0.46%

LAB 34.17, 39.19, -71.53

 

Description

Color code: RGB 197 38 143 | qconv.com Color code: RGB 197 38 143 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 197 red, 38 green and 143 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
197 38 143 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 81 magenta, 27 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 81% 27% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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