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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 197 250 137 it is the complementary color RGB 58 5 118. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 197 250 137. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 197 250 137 shade: RGB 202 250 132, RGB 219 255 151, RGB 236 255 170, RGB 253 255 189 and RGB 255 255 208

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 197 250 137. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 197 250 137 shade: RGB 197 250 137, RGB 180 232 118, RGB 163 214 99, RGB 146 196 80 and RGB 129 178 61

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 197 250 137 shade: RGB 197 250 137, RGB 227 250 137, RGB 250 242 137, RGB 250 211 137 and RGB 250 181 137

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 197 250 137 shade: RGB 197 250 137, RGB 166 250 137, RGB 137 250 138, RGB 137 250 168 and RGB 137 250 199

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 197 250 137 shade matches the following richer shades: RGB 197 250 137

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 197 250 137 shade: RGB 197 250 137, RGB 196 240 147, RGB 196 230 157, RGB 195 220 167 and RGB 194 210 177

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 197 250 137 shade: RGB 250 242 137, RGB 227 250 137, RGB 197 250 137, RGB 167 250 137 and RGB 137 250 137

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 197 250 137 shade: RGB 158 246 58, RGB 177 248 97, RGB 197 250 137, RGB 216 251 177 and RGB 236 253 216

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 197 250 137 shade: RGB 197 250 137, RGB 137 250 212 and RGB 250 137 242

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 197 250 137 shade: RGB 197 250 137, RGB 137 197 250 and RGB 250 137 197

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 197 250 137 shade: RGB 197 250 137, RGB 137 250 212, RGB 190 137 250 and RGB 250 137 175

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 197 250 137 shade: RGB 197 250 137, RGB 137 250 246, RGB 190 137 250 and RGB 250 137 141

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 0 / 45 / 2

HEX #C5FA89

RGB 197 250 137

HSL 88.14, 0.92%, 0.76%

LAB 92.6, -35.09, 48.62

 

Complementary color

CMYK 51 / 96 / 0 / 54

HEX #3A0576

RGB 58 5 118

HSL 268.14, 0.92%, 0.24%

LAB 17.07, 45.68, -51.36

 

CMYK 19 / 0 / 47 / 2

HEX #CAFA84

RGB 202 250 132

HSL 84.41, 0.92%, 0.75%

LAB 92.84, -33.85, 51.34

 

CMYK 14 / 0 / 41 / 0

HEX #DBFF97

RGB 219 255 151

HSL 80.77, 1%, 0.8%

LAB 95.5, -27.88, 45.85

 

CMYK 7 / 0 / 33 / 0

HEX #ECFFAA

RGB 236 255 170

HSL 73.41, 1%, 0.83%

LAB 96.92, -19.41, 38.62

 

CMYK 1 / 0 / 26 / 0

HEX #FDFFBD

RGB 253 255 189

HSL 61.82, 1%, 0.87%

LAB 98.46, -10.8, 31.41

 

CMYK 0 / 0 / 18 / 0

HEX #FFFFD0

RGB 255 255 208

HSL 60, 1%, 0.91%

LAB 98.96, -7.48, 22.52

 

CMYK 21 / 0 / 45 / 2

HEX #C5FA89

RGB 197 250 137

HSL 88.14, 0.92%, 0.76%

LAB 92.6, -35.09, 48.62

 

CMYK 22 / 0 / 49 / 9

HEX #B4E876

RGB 180 232 118

HSL 87.37, 0.71%, 0.69%

LAB 86.37, -35.07, 49.74

 

CMYK 24 / 0 / 54 / 16

HEX #A3D663

RGB 163 214 99

HSL 86.61, 0.58%, 0.61%

LAB 80.06, -35.01, 50.83

 

CMYK 26 / 0 / 59 / 23

HEX #92C450

RGB 146 196 80

HSL 85.86, 0.5%, 0.54%

LAB 73.66, -34.88, 51.84

 

CMYK 28 / 0 / 66 / 30

HEX #81B23D

RGB 129 178 61

HSL 85.13, 0.49%, 0.47%

LAB 67.16, -34.64, 52.65

 

CMYK 21 / 0 / 45 / 2

HEX #C5FA89

RGB 197 250 137

HSL 88.14, 0.92%, 0.76%

LAB 92.6, -35.09, 48.62

 

CMYK 9 / 0 / 45 / 2

HEX #E3FA89

RGB 227 250 137

HSL 72.21, 0.92%, 0.76%

LAB 94.53, -24.07, 51.44

 

CMYK 0 / 3 / 45 / 2

HEX #FAF289

RGB 250 242 137

HSL 55.75, 0.92%, 0.76%

LAB 94.16, -11.36, 51.36

 

CMYK 0 / 16 / 45 / 2

HEX #FAD389

RGB 250 211 137

HSL 39.29, 0.92%, 0.76%

LAB 86.36, 4.28, 41.62

 

CMYK 0 / 28 / 45 / 2

HEX #FAB589

RGB 250 181 137

HSL 23.36, 0.92%, 0.76%

LAB 79.14, 19.92, 32.28

 

CMYK 21 / 0 / 45 / 2

HEX #C5FA89

RGB 197 250 137

HSL 88.14, 0.92%, 0.76%

LAB 92.6, -35.09, 48.62

 

CMYK 34 / 0 / 45 / 2

HEX #A6FA89

RGB 166 250 137

HSL 104.6, 0.92%, 0.76%

LAB 90.91, -45.61, 46.15

 

CMYK 45 / 0 / 45 / 2

HEX #89FA8A

RGB 137 250 138

HSL 120.53, 0.92%, 0.76%

LAB 89.64, -54.17, 43.79

 

CMYK 45 / 0 / 33 / 2

HEX #89FAA8

RGB 137 250 168

HSL 136.46, 0.92%, 0.76%

LAB 90.1, -49.51, 29.56

 

CMYK 45 / 0 / 20 / 2

HEX #89FAC7

RGB 137 250 199

HSL 152.92, 0.92%, 0.76%

LAB 90.69, -43.71, 14.56

 

CMYK 21 / 0 / 45 / 2

HEX #C5FA89

RGB 197 250 137

HSL 88.14, 0.92%, 0.76%

LAB 92.6, -35.09, 48.62

 

CMYK 21 / 0 / 45 / 2

HEX #C5FA89

RGB 197 250 137

HSL 88.14, 0.92%, 0.76%

LAB 92.6, -35.09, 48.62

 

CMYK 18 / 0 / 39 / 6

HEX #C4F093

RGB 196 240 147

HSL 88.39, 0.76%, 0.76%

LAB 89.93, -29.63, 40.39

 

CMYK 15 / 0 / 32 / 10

HEX #C4E69D

RGB 196 230 157

HSL 87.95, 0.59%, 0.76%

LAB 87.37, -23.55, 32.01

 

CMYK 11 / 0 / 24 / 14

HEX #C3DCA7

RGB 195 220 167

HSL 88.3, 0.43%, 0.76%

LAB 84.78, -17.56, 23.35

 

CMYK 8 / 0 / 16 / 18

HEX #C2D2B1

RGB 194 210 177

HSL 89.09, 0.27%, 0.76%

LAB 82.24, -11.3, 14.55

 

CMYK 0 / 3 / 45 / 2

HEX #FAF289

RGB 250 242 137

HSL 55.75, 0.92%, 0.76%

LAB 94.16, -11.36, 51.36

 

CMYK 9 / 0 / 45 / 2

HEX #E3FA89

RGB 227 250 137

HSL 72.21, 0.92%, 0.76%

LAB 94.53, -24.07, 51.44

 

CMYK 21 / 0 / 45 / 2

HEX #C5FA89

RGB 197 250 137

HSL 88.14, 0.92%, 0.76%

LAB 92.6, -35.09, 48.62

 

CMYK 33 / 0 / 45 / 2

HEX #A7FA89

RGB 167 250 137

HSL 104.07, 0.92%, 0.76%

LAB 90.96, -45.29, 46.22

 

CMYK 45 / 0 / 45 / 2

HEX #89FA89

RGB 137 250 137

HSL 120, 0.92%, 0.76%

LAB 89.62, -54.31, 44.26

 

CMYK 36 / 0 / 76 / 4

HEX #9EF63A

RGB 158 246 58

HSL 88.09, 0.91%, 0.6%

LAB 88.68, -53.53, 75.68

 

CMYK 29 / 0 / 61 / 3

HEX #B1F861

RGB 177 248 97

HSL 88.21, 0.92%, 0.68%

LAB 90.48, -45.22, 63.79

 

CMYK 21 / 0 / 45 / 2

HEX #C5FA89

RGB 197 250 137

HSL 88.14, 0.92%, 0.76%

LAB 92.6, -35.09, 48.62

 

CMYK 14 / 0 / 29 / 2

HEX #D8FBB1

RGB 216 251 177

HSL 88.38, 0.9%, 0.84%

LAB 94.64, -23.75, 31.85

 

CMYK 7 / 0 / 15 / 1

HEX #ECFDD8

RGB 236 253 216

HSL 87.57, 0.9%, 0.92%

LAB 97.24, -11.92, 15.84

 

CMYK 21 / 0 / 45 / 2

HEX #C5FA89

RGB 197 250 137

HSL 88.14, 0.92%, 0.76%

LAB 92.6, -35.09, 48.62

 

CMYK 45 / 0 / 15 / 2

HEX #89FAD4

RGB 137 250 212

HSL 159.82, 0.92%, 0.76%

LAB 90.98, -41, 8.25

 

CMYK 0 / 45 / 3 / 2

HEX #FA89F2

RGB 250 137 242

HSL 304.25, 0.92%, 0.76%

LAB 72.65, 57.06, -34.32

 

CMYK 21 / 0 / 45 / 2

HEX #C5FA89

RGB 197 250 137

HSL 88.14, 0.92%, 0.76%

LAB 92.6, -35.09, 48.62

 

CMYK 45 / 21 / 0 / 2

HEX #89C5FA

RGB 137 197 250

HSL 208.14, 0.92%, 0.76%

LAB 77.37, -5.58, -32.12

 

CMYK 0 / 45 / 21 / 2

HEX #FA89C5

RGB 250 137 197

HSL 328.14, 0.92%, 0.76%

LAB 71.04, 50.01, -11.96

 

CMYK 21 / 0 / 45 / 2

HEX #C5FA89

RGB 197 250 137

HSL 88.14, 0.92%, 0.76%

LAB 92.6, -35.09, 48.62

 

CMYK 45 / 0 / 15 / 2

HEX #89FAD4

RGB 137 250 212

HSL 159.82, 0.92%, 0.76%

LAB 90.98, -41, 8.25

 

CMYK 24 / 45 / 0 / 2

HEX #BE89FA

RGB 190 137 250

HSL 268.14, 0.92%, 0.76%

LAB 66.32, 41.77, -49.07

 

CMYK 0 / 45 / 30 / 2

HEX #FA89AF

RGB 250 137 175

HSL 339.82, 0.92%, 0.76%

LAB 70.39, 47.05, -0.65

 

CMYK 21 / 0 / 45 / 2

HEX #C5FA89

RGB 197 250 137

HSL 88.14, 0.92%, 0.76%

LAB 92.6, -35.09, 48.62

 

CMYK 45 / 0 / 2 / 2

HEX #89FAF6

RGB 137 250 246

HSL 177.88, 0.92%, 0.76%

LAB 91.84, -33.21, -8.14

 

CMYK 24 / 45 / 0 / 2

HEX #BE89FA

RGB 190 137 250

HSL 268.14, 0.92%, 0.76%

LAB 66.32, 41.77, -49.07

 

CMYK 0 / 45 / 44 / 2

HEX #FA898D

RGB 250 137 141

HSL 357.88, 0.92%, 0.76%

LAB 69.57, 43.18, 17.18

 

Description

Color code: RGB 197 250 137 | qconv.com Color code: RGB 197 250 137 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 197 red, 250 green and 137 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
197 250 137 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, none magenta, 45 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 0% 45% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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