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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 197 246 217 it is the complementary color RGB 58 9 38. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 197 246 217. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 197 246 217 shade: RGB 202 246 212, RGB 219 255 231, RGB 236 255 250 and RGB 253 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 197 246 217. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 197 246 217 shade: RGB 197 246 217, RGB 180 228 198, RGB 163 210 179, RGB 146 192 160 and RGB 129 174 141

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 197 246 217 shade: RGB 197 246 217, RGB 197 246 204, RGB 203 246 197, RGB 217 246 197 and RGB 230 246 197

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 197 246 217 shade: RGB 197 246 217, RGB 197 246 230, RGB 197 246 243, RGB 197 235 246 and RGB 197 222 246

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 197 246 217 shade matches the following richer shades: RGB 197 246 217 and RGB 192 251 216

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 197 246 217 shade: RGB 197 246 217, RGB 203 240 218, RGB 208 235 219, RGB 213 229 220 and RGB 219 224 221

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 197 246 217 shade: RGB 204 246 197, RGB 197 246 204, RGB 197 246 217, RGB 197 246 229 and RGB 197 246 242

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 197 246 217 shade: RGB 126 234 170, RGB 161 240 194, RGB 197 246 217 and RGB 233 251 240

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 197 246 217 shade: RGB 197 246 217, RGB 197 217 246 and RGB 246 197 197

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 197 246 217 shade: RGB 197 246 217, RGB 217 197 246 and RGB 246 217 197

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 197 246 217 shade: RGB 197 246 217, RGB 197 217 246, RGB 246 197 226 and RGB 246 226 197

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 197 246 217 shade: RGB 197 246 217, RGB 197 202 246, RGB 246 197 226 and RGB 246 241 197

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 20 / 0 / 12 / 4

HEX #C5F6D9

RGB 197 246 217

HSL 144.49, 0.73%, 0.87%

LAB 92.92, -21.2, 8.83

 

Complementary color

CMYK 0 / 84 / 34 / 77

HEX #3A0926

RGB 58 9 38

HSL 324.49, 0.73%, 0.13%

LAB 10.81, 26.76, -6.16

 

CMYK 18 / 0 / 14 / 4

HEX #CAF6D4

RGB 202 246 212

HSL 133.64, 0.71%, 0.88%

LAB 93.11, -20.51, 11.73

 

CMYK 14 / 0 / 9 / 0

HEX #DBFFE7

RGB 219 255 231

HSL 140, 1%, 0.93%

LAB 96.96, -16.01, 7.6

 

CMYK 7 / 0 / 2 / 0

HEX #ECFFFA

RGB 236 255 250

HSL 164.21, 1%, 0.96%

LAB 98.53, -7.08, 0.25

 

CMYK 1 / 0 / 0 / 0

HEX #FDFFFF

RGB 253 255 255

HSL 180, 1%, 1%

LAB 99.85, -0.65, -0.24

 

CMYK 20 / 0 / 12 / 4

HEX #C5F6D9

RGB 197 246 217

HSL 144.49, 0.73%, 0.87%

LAB 92.92, -21.2, 8.83

 

CMYK 21 / 0 / 13 / 11

HEX #B4E4C6

RGB 180 228 198

HSL 142.5, 0.47%, 0.8%

LAB 86.64, -21.35, 9.6

 

CMYK 22 / 0 / 15 / 18

HEX #A3D2B3

RGB 163 210 179

HSL 140.43, 0.34%, 0.73%

LAB 80.26, -21.51, 10.4

 

CMYK 24 / 0 / 17 / 25

HEX #92C0A0

RGB 146 192 160

HSL 138.26, 0.27%, 0.66%

LAB 73.77, -21.7, 11.24

 

CMYK 26 / 0 / 19 / 32

HEX #81AE8D

RGB 129 174 141

HSL 136, 0.22%, 0.59%

LAB 67.17, -21.91, 12.13

 

CMYK 20 / 0 / 12 / 4

HEX #C5F6D9

RGB 197 246 217

HSL 144.49, 0.73%, 0.87%

LAB 92.92, -21.2, 8.83

 

CMYK 20 / 0 / 17 / 4

HEX #C5F6CC

RGB 197 246 204

HSL 128.57, 0.73%, 0.87%

LAB 92.64, -23.54, 15.14

 

CMYK 17 / 0 / 20 / 4

HEX #CBF6C5

RGB 203 246 197

HSL 112.65, 0.73%, 0.87%

LAB 92.86, -22.76, 19.1

 

CMYK 12 / 0 / 20 / 4

HEX #D9F6C5

RGB 217 246 197

HSL 95.51, 0.73%, 0.87%

LAB 93.75, -18.01, 20.48

 

CMYK 7 / 0 / 20 / 4

HEX #E6F6C5

RGB 230 246 197

HSL 79.59, 0.73%, 0.87%

LAB 94.64, -13.49, 21.85

 

CMYK 20 / 0 / 12 / 4

HEX #C5F6D9

RGB 197 246 217

HSL 144.49, 0.73%, 0.87%

LAB 92.92, -21.2, 8.83

 

CMYK 20 / 0 / 7 / 4

HEX #C5F6E6

RGB 197 246 230

HSL 160.41, 0.73%, 0.87%

LAB 93.23, -18.72, 2.55

 

CMYK 20 / 0 / 1 / 4

HEX #C5F6F3

RGB 197 246 243

HSL 176.33, 0.73%, 0.87%

LAB 93.56, -16.11, -3.71

 

CMYK 20 / 4 / 0 / 4

HEX #C5EBF6

RGB 197 235 246

HSL 193.47, 0.73%, 0.87%

LAB 90.75, -9.97, -9.42

 

CMYK 20 / 10 / 0 / 4

HEX #C5DEF6

RGB 197 222 246

HSL 209.39, 0.73%, 0.87%

LAB 87.37, -3.29, -14.47

 

CMYK 20 / 0 / 12 / 4

HEX #C5F6D9

RGB 197 246 217

HSL 144.49, 0.73%, 0.87%

LAB 92.92, -21.2, 8.83

 

CMYK 24 / 0 / 14 / 2

HEX #C0FBD8

RGB 192 251 216

HSL 144.41, 0.88%, 0.87%

LAB 93.95, -25.36, 10.78

 

CMYK 20 / 0 / 12 / 4

HEX #C5F6D9

RGB 197 246 217

HSL 144.49, 0.73%, 0.87%

LAB 92.92, -21.2, 8.83

 

CMYK 15 / 0 / 9 / 6

HEX #CBF0DA

RGB 203 240 218

HSL 144.32, 0.55%, 0.87%

LAB 91.72, -16.15, 6.63

 

CMYK 11 / 0 / 7 / 8

HEX #D0EBDB

RGB 208 235 219

HSL 144.44, 0.4%, 0.87%

LAB 90.75, -11.84, 4.76

 

CMYK 7 / 0 / 4 / 10

HEX #D5E5DC

RGB 213 229 220

HSL 146.25, 0.24%, 0.87%

LAB 89.56, -6.97, 2.55

 

CMYK 2 / 0 / 1 / 12

HEX #DBE0DD

RGB 219 224 221

HSL 144, 0.07%, 0.87%

LAB 88.73, -2.22, 0.87

 

CMYK 17 / 0 / 20 / 4

HEX #CCF6C5

RGB 204 246 197

HSL 111.43, 0.73%, 0.87%

LAB 92.92, -22.42, 19.2

 

CMYK 20 / 0 / 17 / 4

HEX #C5F6CC

RGB 197 246 204

HSL 128.57, 0.73%, 0.87%

LAB 92.64, -23.54, 15.14

 

CMYK 20 / 0 / 12 / 4

HEX #C5F6D9

RGB 197 246 217

HSL 144.49, 0.73%, 0.87%

LAB 92.92, -21.2, 8.83

 

CMYK 20 / 0 / 7 / 4

HEX #C5F6E5

RGB 197 246 229

HSL 159.18, 0.73%, 0.87%

LAB 93.21, -18.92, 3.03

 

CMYK 20 / 0 / 2 / 4

HEX #C5F6F2

RGB 197 246 242

HSL 175.1, 0.73%, 0.87%

LAB 93.53, -16.32, -3.23

 

CMYK 46 / 0 / 27 / 8

HEX #7EEAAA

RGB 126 234 170

HSL 144.44, 0.72%, 0.71%

LAB 85.09, -45.22, 21.64

 

CMYK 33 / 0 / 19 / 6

HEX #A1F0C2

RGB 161 240 194

HSL 145.06, 0.72%, 0.79%

LAB 88.82, -33.67, 14.65

 

CMYK 20 / 0 / 12 / 4

HEX #C5F6D9

RGB 197 246 217

HSL 144.49, 0.73%, 0.87%

LAB 92.92, -21.2, 8.83

 

CMYK 7 / 0 / 4 / 2

HEX #E9FBF0

RGB 233 251 240

HSL 143.33, 0.69%, 0.95%

LAB 97.07, -7.86, 3.24

 

CMYK 20 / 0 / 12 / 4

HEX #C5F6D9

RGB 197 246 217

HSL 144.49, 0.73%, 0.87%

LAB 92.92, -21.2, 8.83

 

CMYK 20 / 12 / 0 / 4

HEX #C5D9F6

RGB 197 217 246

HSL 215.51, 0.73%, 0.87%

LAB 86.08, -0.68, -16.4

 

CMYK 0 / 20 / 20 / 4

HEX #F6C5C5

RGB 246 197 197

HSL 0, 0.73%, 0.87%

LAB 83.73, 17.41, 6.63

 

CMYK 20 / 0 / 12 / 4

HEX #C5F6D9

RGB 197 246 217

HSL 144.49, 0.73%, 0.87%

LAB 92.92, -21.2, 8.83

 

CMYK 12 / 20 / 0 / 4

HEX #D9C5F6

RGB 217 197 246

HSL 264.49, 0.73%, 0.87%

LAB 82.56, 16.18, -21.57

 

CMYK 0 / 12 / 20 / 4

HEX #F6D9C5

RGB 246 217 197

HSL 24.49, 0.73%, 0.87%

LAB 88.57, 6.96, 13.52

 

CMYK 20 / 0 / 12 / 4

HEX #C5F6D9

RGB 197 246 217

HSL 144.49, 0.73%, 0.87%

LAB 92.92, -21.2, 8.83

 

CMYK 20 / 12 / 0 / 4

HEX #C5D9F6

RGB 197 217 246

HSL 215.51, 0.73%, 0.87%

LAB 86.08, -0.68, -16.4

 

CMYK 0 / 20 / 8 / 4

HEX #F6C5E2

RGB 246 197 226

HSL 324.49, 0.73%, 0.87%

LAB 84.49, 22, -7.75

 

CMYK 0 / 8 / 20 / 4

HEX #F6E2C5

RGB 246 226 197

HSL 35.51, 0.73%, 0.87%

LAB 90.79, 2.32, 16.66

 

CMYK 20 / 0 / 12 / 4

HEX #C5F6D9

RGB 197 246 217

HSL 144.49, 0.73%, 0.87%

LAB 92.92, -21.2, 8.83

 

CMYK 20 / 18 / 0 / 4

HEX #C5CAF6

RGB 197 202 246

HSL 233.88, 0.73%, 0.87%

LAB 82.25, 7.27, -22.19

 

CMYK 0 / 20 / 8 / 4

HEX #F6C5E2

RGB 246 197 226

HSL 324.49, 0.73%, 0.87%

LAB 84.49, 22, -7.75

 

CMYK 0 / 2 / 20 / 4

HEX #F6F1C5

RGB 246 241 197

HSL 53.88, 0.73%, 0.87%

LAB 94.54, -5.29, 21.9

 

Description

Color code: RGB 197 246 217 | qconv.com Color code: RGB 197 246 217 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 197 red, 246 green and 217 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
197 246 217 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 20 cyan, none magenta, 12 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
20% 0% 12% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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