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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 197 244 87 it is the complementary color RGB 58 11 168. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 197 244 87. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 197 244 87 shade: RGB 202 244 82, RGB 219 255 101, RGB 236 255 120, RGB 253 255 139 and RGB 255 255 158

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 197 244 87. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 197 244 87 shade: RGB 197 244 87, RGB 180 226 68, RGB 163 208 49, RGB 146 190 30 and RGB 129 172 11

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 197 244 87 shade: RGB 197 244 87, RGB 239 244 87, RGB 244 206 87, RGB 244 164 87 and RGB 244 121 87

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 197 244 87 shade: RGB 197 244 87, RGB 154 244 87, RGB 112 244 87, RGB 87 244 104 and RGB 87 244 146

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 197 244 87 shade matches the following richer shades: RGB 197 244 87

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 197 244 87 shade: RGB 197 244 87, RGB 191 229 101, RGB 185 215 116, RGB 179 200 130 and RGB 174 186 144

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 197 244 87 shade: RGB 244 205 87, RGB 241 244 87, RGB 199 244 87, RGB 157 244 87 and RGB 116 244 87

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 197 244 87 shade: RGB 168 234 14, RGB 183 241 48, RGB 197 244 87, RGB 210 246 125 and RGB 223 249 164

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 197 244 87 shade: RGB 197 244 87, RGB 87 244 163 and RGB 225 87 244

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 197 244 87 shade: RGB 197 244 87, RGB 87 199 244 and RGB 244 87 199

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 197 244 87 shade: RGB 197 244 87, RGB 87 244 163, RGB 131 87 244 and RGB 244 87 168

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 197 244 87 shade: RGB 197 244 87, RGB 87 244 210, RGB 131 87 244 and RGB 244 87 121

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 0 / 64 / 4

HEX #C5F457

RGB 197 244 87

HSL 77.96, 0.88%, 0.65%

LAB 90.44, -36.91, 68.11

 

Complementary color

CMYK 65 / 93 / 0 / 34

HEX #3A0BA8

RGB 58 11 168

HSL 257.96, 0.88%, 0.35%

LAB 23.56, 56.81, -71.79

 

CMYK 17 / 0 / 66 / 4

HEX #CAF452

RGB 202 244 82

HSL 75.56, 0.88%, 0.64%

LAB 90.72, -35.34, 70.42

 

CMYK 14 / 0 / 60 / 0

HEX #DBFF65

RGB 219 255 101

HSL 74.03, 1%, 0.7%

LAB 94.96, -32.57, 67.78

 

CMYK 7 / 0 / 53 / 0

HEX #ECFF78

RGB 236 255 120

HSL 68.44, 1%, 0.74%

LAB 96.29, -24.57, 61.48

 

CMYK 1 / 0 / 45 / 0

HEX #FDFF8B

RGB 253 255 139

HSL 61.03, 1%, 0.77%

LAB 97.74, -16.35, 54.85

 

CMYK 0 / 0 / 38 / 0

HEX #FFFF9E

RGB 255 255 158

HSL 60, 1%, 0.81%

LAB 98.13, -13.71, 46.33

 

CMYK 19 / 0 / 64 / 4

HEX #C5F457

RGB 197 244 87

HSL 77.96, 0.88%, 0.65%

LAB 90.44, -36.91, 68.11

 

CMYK 20 / 0 / 70 / 11

HEX #B4E244

RGB 180 226 68

HSL 77.47, 0.73%, 0.58%

LAB 84.23, -36.47, 68.52

 

CMYK 22 / 0 / 76 / 18

HEX #A3D031

RGB 163 208 49

HSL 76.98, 0.63%, 0.5%

LAB 77.95, -35.9, 68.42

 

CMYK 23 / 0 / 84 / 25

HEX #92BE1E

RGB 146 190 30

HSL 76.5, 0.73%, 0.43%

LAB 71.58, -35.16, 67.48

 

CMYK 25 / 0 / 94 / 33

HEX #81AC0B

RGB 129 172 11

HSL 76.02, 0.88%, 0.36%

LAB 65.12, -34.21, 65.22

 

CMYK 19 / 0 / 64 / 4

HEX #C5F457

RGB 197 244 87

HSL 77.96, 0.88%, 0.65%

LAB 90.44, -36.91, 68.11

 

CMYK 2 / 0 / 64 / 4

HEX #EFF457

RGB 239 244 87

HSL 61.91, 0.88%, 0.65%

LAB 93.34, -20.47, 72.03

 

CMYK 0 / 16 / 64 / 4

HEX #F4CE57

RGB 244 206 87

HSL 45.48, 0.88%, 0.65%

LAB 84, 0.49, 62.32

 

CMYK 0 / 33 / 64 / 4

HEX #F4A457

RGB 244 164 87

HSL 29.43, 0.88%, 0.65%

LAB 73.85, 22.45, 51.1

 

CMYK 0 / 50 / 64 / 4

HEX #F47957

RGB 244 121 87

HSL 12.99, 0.88%, 0.65%

LAB 64.64, 44.59, 40.34

 

CMYK 19 / 0 / 64 / 4

HEX #C5F457

RGB 197 244 87

HSL 77.96, 0.88%, 0.65%

LAB 90.44, -36.91, 68.11

 

CMYK 37 / 0 / 64 / 4

HEX #9AF457

RGB 154 244 87

HSL 94.39, 0.88%, 0.65%

LAB 88.09, -52.18, 64.91

 

CMYK 54 / 0 / 64 / 4

HEX #70F457

RGB 112 244 87

HSL 110.45, 0.88%, 0.65%

LAB 86.42, -64.44, 62.61

 

CMYK 64 / 0 / 57 / 4

HEX #57F468

RGB 87 244 104

HSL 126.5, 0.88%, 0.65%

LAB 85.87, -68.25, 54.61

 

CMYK 64 / 0 / 40 / 4

HEX #57F492

RGB 87 244 146

HSL 142.55, 0.88%, 0.65%

LAB 86.41, -62.18, 35.4

 

CMYK 19 / 0 / 64 / 4

HEX #C5F457

RGB 197 244 87

HSL 77.96, 0.88%, 0.65%

LAB 90.44, -36.91, 68.11

 

CMYK 19 / 0 / 64 / 4

HEX #C5F457

RGB 197 244 87

HSL 77.96, 0.88%, 0.65%

LAB 90.44, -36.91, 68.11

 

CMYK 17 / 0 / 56 / 10

HEX #BFE565

RGB 191 229 101

HSL 77.81, 0.71%, 0.65%

LAB 86.03, -31.24, 57.3

 

CMYK 14 / 0 / 46 / 16

HEX #B9D774

RGB 185 215 116

HSL 78.18, 0.55%, 0.65%

LAB 81.93, -25.45, 45.35

 

CMYK 11 / 0 / 35 / 22

HEX #B3C882

RGB 179 200 130

HSL 78, 0.39%, 0.65%

LAB 77.58, -18.72, 32.71

 

CMYK 6 / 0 / 23 / 27

HEX #AEBA90

RGB 174 186 144

HSL 77.14, 0.23%, 0.65%

LAB 73.63, -11.49, 19.95

 

CMYK 0 / 16 / 64 / 4

HEX #F4CD57

RGB 244 205 87

HSL 45.1, 0.88%, 0.65%

LAB 83.75, 1.01, 62.05

 

CMYK 1 / 0 / 64 / 4

HEX #F1F457

RGB 241 244 87

HSL 61.15, 0.88%, 0.65%

LAB 93.49, -19.66, 72.24

 

CMYK 18 / 0 / 64 / 4

HEX #C7F457

RGB 199 244 87

HSL 77.2, 0.88%, 0.65%

LAB 90.57, -36.15, 68.28

 

CMYK 36 / 0 / 64 / 4

HEX #9DF457

RGB 157 244 87

HSL 93.25, 0.88%, 0.65%

LAB 88.24, -51.19, 65.1

 

CMYK 52 / 0 / 64 / 4

HEX #74F457

RGB 116 244 87

HSL 108.92, 0.88%, 0.65%

LAB 86.55, -63.42, 62.79

 

CMYK 28 / 0 / 94 / 8

HEX #A8EA0E

RGB 168 234 14

HSL 78, 0.89%, 0.49%

LAB 85.61, -46.39, 82.09

 

CMYK 24 / 0 / 80 / 5

HEX #B7F130

RGB 183 241 48

HSL 78.03, 0.87%, 0.57%

LAB 88.54, -42.93, 78.8

 

CMYK 19 / 0 / 64 / 4

HEX #C5F457

RGB 197 244 87

HSL 77.96, 0.88%, 0.65%

LAB 90.44, -36.91, 68.11

 

CMYK 15 / 0 / 49 / 4

HEX #D2F67D

RGB 210 246 125

HSL 77.85, 0.87%, 0.73%

LAB 92.17, -29.77, 53.92

 

CMYK 10 / 0 / 34 / 2

HEX #DFF9A4

RGB 223 249 164

HSL 78.35, 0.88%, 0.81%

LAB 94.36, -22.01, 38.06

 

CMYK 19 / 0 / 64 / 4

HEX #C5F457

RGB 197 244 87

HSL 77.96, 0.88%, 0.65%

LAB 90.44, -36.91, 68.11

 

CMYK 64 / 0 / 33 / 4

HEX #57F4A3

RGB 87 244 163

HSL 149.04, 0.88%, 0.65%

LAB 86.69, -59.1, 27.22

 

CMYK 8 / 64 / 0 / 4

HEX #E157F4

RGB 225 87 244

HSL 292.74, 0.88%, 0.65%

LAB 61.09, 73.44, -53.78

 

CMYK 19 / 0 / 64 / 4

HEX #C5F457

RGB 197 244 87

HSL 77.96, 0.88%, 0.65%

LAB 90.44, -36.91, 68.11

 

CMYK 64 / 18 / 0 / 4

HEX #57C7F4

RGB 87 199 244

HSL 197.2, 0.88%, 0.65%

LAB 75.7, -18.45, -31.64

 

CMYK 0 / 64 / 18 / 4

HEX #F457C7

RGB 244 87 199

HSL 317.2, 0.88%, 0.65%

LAB 61.8, 71.01, -27.2

 

CMYK 19 / 0 / 64 / 4

HEX #C5F457

RGB 197 244 87

HSL 77.96, 0.88%, 0.65%

LAB 90.44, -36.91, 68.11

 

CMYK 64 / 0 / 33 / 4

HEX #57F4A3

RGB 87 244 163

HSL 149.04, 0.88%, 0.65%

LAB 86.69, -59.1, 27.22

 

CMYK 46 / 64 / 0 / 4

HEX #8357F4

RGB 131 87 244

HSL 256.82, 0.88%, 0.65%

LAB 49.71, 53.77, -72.7

 

CMYK 0 / 64 / 31 / 4

HEX #F457A8

RGB 244 87 168

HSL 329.04, 0.88%, 0.65%

LAB 60.67, 67.09, -11.17

 

CMYK 19 / 0 / 64 / 4

HEX #C5F457

RGB 197 244 87

HSL 77.96, 0.88%, 0.65%

LAB 90.44, -36.91, 68.11

 

CMYK 64 / 0 / 14 / 4

HEX #57F4D2

RGB 87 244 210

HSL 167.01, 0.88%, 0.65%

LAB 87.67, -48.92, 4.32

 

CMYK 46 / 64 / 0 / 4

HEX #8357F4

RGB 131 87 244

HSL 256.82, 0.88%, 0.65%

LAB 49.71, 53.77, -72.7

 

CMYK 0 / 64 / 50 / 4

HEX #F45779

RGB 244 87 121

HSL 347.01, 0.88%, 0.65%

LAB 59.37, 62.41, 14.29

 

Description

Color code: RGB 197 244 87 | qconv.com Color code: RGB 197 244 87 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 197 red, 244 green and 87 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
197 244 87 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, none magenta, 64 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 0% 64% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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