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Color name
RGB 197 21 34

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 197 21 34 it is the complementary color RGB 58 234 221. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 197 21 34. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 197 21 34 shade: RGB 202 21 29, RGB 219 39 48, RGB 236 57 67, RGB 253 75 86 and RGB 255 93 105

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 197 21 34. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 197 21 34 shade: RGB 197 21 34, RGB 180 3 15, RGB 163 0 0, RGB 146 0 0 and RGB 129 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 197 21 34 shade: RGB 198 20 33 and RGB 198 20 20

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 197 21 34 shade: RGB 198 20 33, RGB 198 20 81, RGB 198 20 129, RGB 198 20 177 and RGB 171 20 198

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 197 21 34 shade matches the following richer shades: RGB 198 20 33 and RGB 216 3 18

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 197 21 34 shade: RGB 198 20 33, RGB 180 38 49, RGB 162 56 64, RGB 145 74 79 and RGB 127 91 94

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 197 21 34 shade: RGB 198 20 130, RGB 198 20 83, RGB 198 20 35, RGB 198 53 20 and RGB 198 100 20

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 197 21 34 shade: RGB 123 12 21, RGB 161 16 27, RGB 198 20 33, RGB 231 29 44 and RGB 235 66 79

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 197 21 34 shade: RGB 197 21 34, RGB 177 198 20 and RGB 20 106 198

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 197 21 34 shade: RGB 197 21 34, RGB 35 198 20 and RGB 20 35 198

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 197 21 34 shade: RGB 197 21 34, RGB 177 198 20, RGB 20 198 183 and RGB 41 20 198

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 197 21 34 shade: RGB 197 21 34, RGB 124 198 20, RGB 20 198 183 and RGB 94 20 198

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 89 / 83 / 23

HEX #C51522

RGB 197 21 34

HSL 355.57, 0.81%, 0.43%

LAB 42.03, 64.04, 41.83

 

Complementary color

CMYK 75 / 0 / 6 / 8

HEX #3AEADD

RGB 58 234 221

HSL 175.57, 0.81%, 0.57%

LAB 84.47, -45.61, -6.21

 

CMYK 0 / 90 / 86 / 21

HEX #CA151D

RGB 202 21 29

HSL 357.35, 0.81%, 0.44%

LAB 43.04, 65.24, 45.73

 

CMYK 0 / 82 / 78 / 14

HEX #DB2730

RGB 219 39 48

HSL 357, 0.71%, 0.51%

LAB 47.91, 66.73, 41.46

 

CMYK 0 / 76 / 72 / 7

HEX #EC3943

RGB 236 57 67

HSL 356.65, 0.82%, 0.57%

LAB 53.13, 67.34, 37.42

 

CMYK 0 / 70 / 66 / 1

HEX #FD4B56

RGB 253 75 86

HSL 356.29, 0.98%, 0.64%

LAB 58.59, 67.33, 33.85

 

CMYK 0 / 64 / 59 / 0

HEX #FF5D69

RGB 255 93 105

HSL 355.56, 1%, 0.68%

LAB 61.75, 62.23, 27.07

 

CMYK 0 / 89 / 83 / 23

HEX #C51522

RGB 197 21 34

HSL 355.57, 0.81%, 0.43%

LAB 42.03, 64.04, 41.83

 

CMYK 0 / 98 / 92 / 29

HEX #B4030F

RGB 180 3 15

HSL 355.93, 0.97%, 0.36%

LAB 37.49, 61.51, 45.98

 

CMYK 0 / 100 / 100 / 36

HEX #A30000

RGB 163 0 0

HSL 0, 1%, 0.32%

LAB 33.53, 57.32, 47.71

 

CMYK 0 / 100 / 100 / 43

HEX #920000

RGB 146 0 0

HSL 0, 1%, 0.29%

LAB 29.69, 52.87, 43.26

 

CMYK 0 / 100 / 100 / 49

HEX #810000

RGB 129 0 0

HSL 0, 1%, 0.25%

LAB 25.76, 48.33, 38.36

 

CMYK 0 / 90 / 83 / 22

HEX #C61421

RGB 198 20 33

HSL 355.62, 0.82%, 0.43%

LAB 42.18, 64.44, 42.58

 

CMYK 0 / 90 / 90 / 22

HEX #C61414

RGB 198 20 20

HSL 0, 0.82%, 0.43%

LAB 42.09, 64.18, 48.84

 

CMYK 0 / 90 / 83 / 22

HEX #C61421

RGB 198 20 33

HSL 355.62, 0.82%, 0.43%

LAB 42.18, 64.44, 42.58

 

CMYK 0 / 90 / 59 / 22

HEX #C61451

RGB 198 20 81

HSL 339.44, 0.82%, 0.43%

LAB 42.91, 66.52, 14.47

 

CMYK 0 / 90 / 35 / 22

HEX #C61481

RGB 198 20 129

HSL 323.26, 0.82%, 0.43%

LAB 44.36, 70.52, -13.35

 

CMYK 0 / 90 / 11 / 22

HEX #C614B1

RGB 198 20 177

HSL 307.08, 0.82%, 0.43%

LAB 46.55, 76.3, -38.84

 

CMYK 14 / 90 / 0 / 22

HEX #AB14C6

RGB 171 20 198

HSL 290.9, 0.82%, 0.43%

LAB 43.12, 74.84, -56.92

 

CMYK 0 / 90 / 83 / 22

HEX #C61421

RGB 198 20 33

HSL 355.62, 0.82%, 0.43%

LAB 42.18, 64.44, 42.58

 

CMYK 0 / 99 / 92 / 15

HEX #D80312

RGB 216 3 18

HSL 355.77, 0.97%, 0.43%

LAB 45.23, 70.58, 53.59

 

CMYK 0 / 90 / 83 / 22

HEX #C61421

RGB 198 20 33

HSL 355.62, 0.82%, 0.43%

LAB 42.18, 64.44, 42.58

 

CMYK 0 / 79 / 73 / 29

HEX #B42631

RGB 180 38 49

HSL 355.35, 0.65%, 0.43%

LAB 40.1, 55.93, 30.07

 

CMYK 0 / 65 / 60 / 36

HEX #A23840

RGB 162 56 64

HSL 355.47, 0.49%, 0.43%

LAB 39.38, 44.34, 19.19

 

CMYK 0 / 49 / 46 / 43

HEX #914A4F

RGB 145 74 79

HSL 355.77, 0.32%, 0.43%

LAB 40.38, 30.37, 10.75

 

CMYK 0 / 28 / 26 / 50

HEX #7F5B5E

RGB 127 91 94

HSL 355, 0.17%, 0.43%

LAB 42.46, 15.25, 4.13

 

CMYK 0 / 90 / 34 / 22

HEX #C61482

RGB 198 20 130

HSL 322.92, 0.82%, 0.43%

LAB 44.4, 70.62, -13.91

 

CMYK 0 / 90 / 58 / 22

HEX #C61453

RGB 198 20 83

HSL 338.76, 0.82%, 0.43%

LAB 42.96, 66.65, 13.28

 

CMYK 0 / 90 / 82 / 22

HEX #C61423

RGB 198 20 35

HSL 354.94, 0.82%, 0.43%

LAB 42.2, 64.49, 41.51

 

CMYK 0 / 73 / 90 / 22

HEX #C63514

RGB 198 53 20

HSL 11.12, 0.82%, 0.43%

LAB 45.08, 55.72, 51.02

 

CMYK 0 / 49 / 90 / 22

HEX #C66414

RGB 198 100 20

HSL 26.97, 0.82%, 0.43%

LAB 53.14, 34.58, 57.01

 

CMYK 0 / 90 / 83 / 52

HEX #7B0C15

RGB 123 12 21

HSL 355.14, 0.82%, 0.26%

LAB 25.35, 44.81, 27.55

 

CMYK 0 / 90 / 83 / 37

HEX #A1101B

RGB 161 16 27

HSL 355.45, 0.82%, 0.35%

LAB 34.04, 55, 35.41

 

CMYK 0 / 90 / 83 / 22

HEX #C61421

RGB 198 20 33

HSL 355.62, 0.82%, 0.43%

LAB 42.18, 64.44, 42.58

 

CMYK 0 / 87 / 81 / 9

HEX #E71D2C

RGB 231 29 44

HSL 355.54, 0.81%, 0.51%

LAB 49.56, 71.84, 46.09

 

CMYK 0 / 72 / 66 / 8

HEX #EB424F

RGB 235 66 79

HSL 355.38, 0.81%, 0.59%

LAB 54.16, 64.71, 31.68

 

CMYK 0 / 89 / 83 / 23

HEX #C51522

RGB 197 21 34

HSL 355.57, 0.81%, 0.43%

LAB 42.03, 64.04, 41.83

 

CMYK 11 / 0 / 90 / 22

HEX #B1C614

RGB 177 198 20

HSL 67.08, 0.82%, 0.43%

LAB 75.94, -26.49, 73.9

 

CMYK 90 / 46 / 0 / 22

HEX #146AC6

RGB 20 106 198

HSL 211.01, 0.82%, 0.43%

LAB 44.99, 11.08, -54.52

 

CMYK 0 / 89 / 83 / 23

HEX #C51522

RGB 197 21 34

HSL 355.57, 0.81%, 0.43%

LAB 42.03, 64.04, 41.83

 

CMYK 82 / 0 / 90 / 22

HEX #23C614

RGB 35 198 20

HSL 114.94, 0.82%, 0.43%

LAB 70.03, -68.49, 66.61

 

CMYK 90 / 82 / 0 / 22

HEX #1423C6

RGB 20 35 198

HSL 234.94, 0.82%, 0.43%

LAB 27.92, 54.96, -82.48

 

CMYK 0 / 89 / 83 / 23

HEX #C51522

RGB 197 21 34

HSL 355.57, 0.81%, 0.43%

LAB 42.03, 64.04, 41.83

 

CMYK 11 / 0 / 90 / 22

HEX #B1C614

RGB 177 198 20

HSL 67.08, 0.82%, 0.43%

LAB 75.94, -26.49, 73.9

 

CMYK 90 / 0 / 8 / 22

HEX #14C6B7

RGB 20 198 183

HSL 174.94, 0.82%, 0.43%

LAB 72.2, -43.45, -4.02

 

CMYK 79 / 90 / 0 / 22

HEX #2914C6

RGB 41 20 198

HSL 247.08, 0.82%, 0.43%

LAB 26.87, 61.47, -84.2

 

CMYK 0 / 89 / 83 / 23

HEX #C51522

RGB 197 21 34

HSL 355.57, 0.81%, 0.43%

LAB 42.03, 64.04, 41.83

 

CMYK 37 / 0 / 90 / 22

HEX #7CC614

RGB 124 198 20

HSL 84.94, 0.82%, 0.43%

LAB 72.71, -47.19, 69.94

 

CMYK 90 / 0 / 8 / 22

HEX #14C6B7

RGB 20 198 183

HSL 174.94, 0.82%, 0.43%

LAB 72.2, -43.45, -4.02

 

CMYK 53 / 90 / 0 / 22

HEX #5E14C6

RGB 94 20 198

HSL 264.94, 0.82%, 0.43%

LAB 31.71, 64.91, -76.03

 

Description

Color code: RGB 197 21 34 | qconv.com Color code: RGB 197 21 34 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 197 red, 21 green and 34 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
197 21 34 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 89 magenta, 83 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 89% 83% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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