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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 197 219 216 it is the complementary color RGB 58 36 39. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 197 219 216. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 197 219 216 shade: RGB 202 219 211, RGB 219 237 230, RGB 236 255 249 and RGB 253 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 197 219 216. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 197 219 216 shade: RGB 197 219 216, RGB 180 201 197, RGB 163 183 178, RGB 146 165 159 and RGB 129 147 140

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 197 219 216 shade: RGB 198 219 216, RGB 198 219 211, RGB 198 219 205, RGB 198 219 199 and RGB 203 219 198

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 197 219 216 shade: RGB 198 219 216, RGB 198 216 219, RGB 198 211 219, RGB 198 205 219 and RGB 198 199 219

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 197 219 216 shade matches the following richer shades: RGB 198 219 216, RGB 191 227 222, RGB 183 234 227, RGB 176 241 232 and RGB 168 249 238

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 197 219 216 shade: RGB 198 219 216, RGB 205 212 211, RGB 213 204 205, RGB 220 197 200 and RGB 228 189 195

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 197 219 216 shade: RGB 198 219 205, RGB 198 219 210, RGB 198 219 216, RGB 198 217 219 and RGB 198 211 219

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 197 219 216 shade: RGB 147 187 182, RGB 173 203 199, RGB 198 219 216, RGB 223 235 233 and RGB 249 251 251

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 197 219 216 shade: RGB 197 219 216, RGB 199 198 219 and RGB 219 208 198

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 197 219 216 shade: RGB 197 219 216, RGB 216 198 219 and RGB 219 216 198

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 197 219 216 shade: RGB 197 219 216, RGB 199 198 219, RGB 219 198 201 and RGB 218 219 198

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 197 219 216 shade: RGB 197 219 216, RGB 205 198 219, RGB 219 198 201 and RGB 212 219 198

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 10 / 0 / 1 / 14

HEX #C5DBD8

RGB 197 219 216

HSL 171.82, 0.23%, 0.82%

LAB 85.75, -7.88, -1.03

 

Complementary color

CMYK 0 / 38 / 33 / 77

HEX #3A2427

RGB 58 36 39

HSL 351.82, 0.23%, 0.18%

LAB 17.03, 11, 2.3

 

CMYK 8 / 0 / 4 / 14

HEX #CADBD3

RGB 202 219 211

HSL 151.76, 0.19%, 0.83%

LAB 85.97, -7.18, 1.97

 

CMYK 8 / 0 / 3 / 7

HEX #DBEDE6

RGB 219 237 230

HSL 156.67, 0.33%, 0.89%

LAB 92.28, -7.22, 1.34

 

CMYK 7 / 0 / 2 / 0

HEX #ECFFF9

RGB 236 255 249

HSL 161.05, 1%, 0.96%

LAB 98.51, -7.26, 0.73

 

CMYK 1 / 0 / 0 / 0

HEX #FDFFFF

RGB 253 255 255

HSL 180, 1%, 1%

LAB 99.85, -0.65, -0.24

 

CMYK 10 / 0 / 1 / 14

HEX #C5DBD8

RGB 197 219 216

HSL 171.82, 0.23%, 0.82%

LAB 85.75, -7.88, -1.03

 

CMYK 10 / 0 / 2 / 21

HEX #B4C9C5

RGB 180 201 197

HSL 168.57, 0.16%, 0.75%

LAB 79.33, -7.86, -0.43

 

CMYK 11 / 0 / 3 / 28

HEX #A3B7B2

RGB 163 183 178

HSL 165, 0.12%, 0.68%

LAB 72.8, -7.86, 0.19

 

CMYK 12 / 0 / 4 / 35

HEX #92A59F

RGB 146 165 159

HSL 161.05, 0.1%, 0.61%

LAB 66.15, -7.86, 0.84

 

CMYK 12 / 0 / 5 / 42

HEX #81938C

RGB 129 147 140

HSL 156.67, 0.08%, 0.54%

LAB 59.37, -7.87, 1.52

 

CMYK 10 / 0 / 1 / 14

HEX #C6DBD8

RGB 198 219 216

HSL 171.43, 0.23%, 0.82%

LAB 85.82, -7.55, -0.92

 

CMYK 10 / 0 / 4 / 14

HEX #C6DBD3

RGB 198 219 211

HSL 157.14, 0.23%, 0.82%

LAB 85.69, -8.51, 1.53

 

CMYK 10 / 0 / 6 / 14

HEX #C6DBCD

RGB 198 219 205

HSL 140, 0.23%, 0.82%

LAB 85.54, -9.63, 4.49

 

CMYK 10 / 0 / 9 / 14

HEX #C6DBC7

RGB 198 219 199

HSL 122.86, 0.23%, 0.82%

LAB 85.4, -10.71, 7.45

 

CMYK 7 / 0 / 10 / 14

HEX #CBDBC6

RGB 203 219 198

HSL 105.71, 0.23%, 0.82%

LAB 85.72, -9.18, 8.49

 

CMYK 10 / 0 / 1 / 14

HEX #C6DBD8

RGB 198 219 216

HSL 171.43, 0.23%, 0.82%

LAB 85.82, -7.55, -0.92

 

CMYK 10 / 1 / 0 / 14

HEX #C6D8DB

RGB 198 216 219

HSL 188.57, 0.23%, 0.82%

LAB 85.11, -5.42, -3.55

 

CMYK 10 / 4 / 0 / 14

HEX #C6D3DB

RGB 198 211 219

HSL 202.86, 0.23%, 0.82%

LAB 83.81, -2.82, -5.46

 

CMYK 10 / 6 / 0 / 14

HEX #C6CDDB

RGB 198 205 219

HSL 220, 0.23%, 0.82%

LAB 82.26, 0.33, -7.76

 

CMYK 10 / 9 / 0 / 14

HEX #C6C7DB

RGB 198 199 219

HSL 237.14, 0.23%, 0.82%

LAB 80.72, 3.51, -10.05

 

CMYK 10 / 0 / 1 / 14

HEX #C6DBD8

RGB 198 219 216

HSL 171.43, 0.23%, 0.82%

LAB 85.82, -7.55, -0.92

 

CMYK 16 / 0 / 2 / 11

HEX #BFE3DE

RGB 191 227 222

HSL 171.67, 0.39%, 0.82%

LAB 87.62, -12.7, -1.5

 

CMYK 22 / 0 / 3 / 8

HEX #B7EAE3

RGB 183 234 227

HSL 171.76, 0.55%, 0.82%

LAB 89.14, -17.66, -1.96

 

CMYK 27 / 0 / 4 / 5

HEX #B0F1E8

RGB 176 241 232

HSL 171.69, 0.7%, 0.82%

LAB 90.76, -22.12, -2.24

 

CMYK 33 / 0 / 4 / 2

HEX #A8F9EE

RGB 168 249 238

HSL 171.85, 0.87%, 0.82%

LAB 92.68, -26.92, -2.59

 

CMYK 10 / 0 / 1 / 14

HEX #C6DBD8

RGB 198 219 216

HSL 171.43, 0.23%, 0.82%

LAB 85.82, -7.55, -0.92

 

CMYK 3 / 0 / 0 / 17

HEX #CDD4D3

RGB 205 212 211

HSL 171.43, 0.08%, 0.82%

LAB 84.36, -2.55, -0.34

 

CMYK 0 / 4 / 4 / 16

HEX #D5CCCD

RGB 213 204 205

HSL 353.33, 0.1%, 0.82%

LAB 82.77, 3.29, 0.61

 

CMYK 0 / 10 / 9 / 14

HEX #DCC5C8

RGB 220 197 200

HSL 352.17, 0.25%, 0.82%

LAB 81.47, 8.58, 1.44

 

CMYK 0 / 17 / 14 / 11

HEX #E4BDC3

RGB 228 189 195

HSL 350.77, 0.42%, 0.82%

LAB 80.08, 14.87, 2.21

 

CMYK 10 / 0 / 6 / 14

HEX #C6DBCD

RGB 198 219 205

HSL 140, 0.23%, 0.82%

LAB 85.54, -9.63, 4.49

 

CMYK 10 / 0 / 4 / 14

HEX #C6DBD2

RGB 198 219 210

HSL 154.29, 0.23%, 0.82%

LAB 85.67, -8.7, 2.02

 

CMYK 10 / 0 / 1 / 14

HEX #C6DBD8

RGB 198 219 216

HSL 171.43, 0.23%, 0.82%

LAB 85.82, -7.55, -0.92

 

CMYK 10 / 1 / 0 / 14

HEX #C6D9DB

RGB 198 217 219

HSL 185.71, 0.23%, 0.82%

LAB 85.38, -5.94, -3.16

 

CMYK 10 / 4 / 0 / 14

HEX #C6D3DB

RGB 198 211 219

HSL 202.86, 0.23%, 0.82%

LAB 83.81, -2.82, -5.46

 

CMYK 21 / 0 / 3 / 27

HEX #93BBB6

RGB 147 187 182

HSL 172.5, 0.23%, 0.65%

LAB 72.97, -14.36, -1.87

 

CMYK 15 / 0 / 2 / 20

HEX #ADCBC7

RGB 173 203 199

HSL 172, 0.22%, 0.74%

LAB 79.45, -10.8, -1.38

 

CMYK 10 / 0 / 1 / 14

HEX #C6DBD8

RGB 198 219 216

HSL 171.43, 0.23%, 0.82%

LAB 85.82, -7.55, -0.92

 

CMYK 5 / 0 / 1 / 8

HEX #DFEBE9

RGB 223 235 233

HSL 170, 0.23%, 0.9%

LAB 92.13, -4.34, -0.42

 

CMYK 1 / 0 / 0 / 2

HEX #F9FBFB

RGB 249 251 251

HSL 180, 0.2%, 0.98%

LAB 98.47, -0.65, -0.24

 

CMYK 10 / 0 / 1 / 14

HEX #C5DBD8

RGB 197 219 216

HSL 171.82, 0.23%, 0.82%

LAB 85.75, -7.88, -1.03

 

CMYK 9 / 10 / 0 / 14

HEX #C7C6DB

RGB 199 198 219

HSL 242.86, 0.23%, 0.82%

LAB 80.54, 4.37, -10.31

 

CMYK 0 / 5 / 10 / 14

HEX #DBD0C6

RGB 219 208 198

HSL 28.57, 0.23%, 0.82%

LAB 84.1, 2.1, 6.31

 

CMYK 10 / 0 / 1 / 14

HEX #C5DBD8

RGB 197 219 216

HSL 171.82, 0.23%, 0.82%

LAB 85.75, -7.88, -1.03

 

CMYK 1 / 10 / 0 / 14

HEX #D8C6DB

RGB 216 198 219

HSL 291.43, 0.23%, 0.82%

LAB 81.89, 10.04, -8.15

 

CMYK 0 / 1 / 10 / 14

HEX #DBD8C6

RGB 219 216 198

HSL 51.43, 0.23%, 0.82%

LAB 86.13, -2.06, 9.23

 

CMYK 10 / 0 / 1 / 14

HEX #C5DBD8

RGB 197 219 216

HSL 171.82, 0.23%, 0.82%

LAB 85.75, -7.88, -1.03

 

CMYK 9 / 10 / 0 / 14

HEX #C7C6DB

RGB 199 198 219

HSL 242.86, 0.23%, 0.82%

LAB 80.54, 4.37, -10.31

 

CMYK 0 / 10 / 8 / 14

HEX #DBC6C9

RGB 219 198 201

HSL 351.43, 0.23%, 0.82%

LAB 81.66, 7.87, 1.17

 

CMYK 0 / 0 / 10 / 14

HEX #DADBC6

RGB 218 219 198

HSL 62.86, 0.23%, 0.82%

LAB 86.82, -3.96, 10.21

 

CMYK 10 / 0 / 1 / 14

HEX #C5DBD8

RGB 197 219 216

HSL 171.82, 0.23%, 0.82%

LAB 85.75, -7.88, -1.03

 

CMYK 6 / 10 / 0 / 14

HEX #CDC6DB

RGB 205 198 219

HSL 260, 0.23%, 0.82%

LAB 81.01, 6.35, -9.57

 

CMYK 0 / 10 / 8 / 14

HEX #DBC6C9

RGB 219 198 201

HSL 351.43, 0.23%, 0.82%

LAB 81.66, 7.87, 1.17

 

CMYK 3 / 0 / 10 / 14

HEX #D4DBC6

RGB 212 219 198

HSL 80, 0.23%, 0.82%

LAB 86.37, -6.06, 9.51

 

Description

Color code: RGB 197 219 216 | qconv.com Color code: RGB 197 219 216 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 197 red, 219 green and 216 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
197 219 216 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 10 cyan, none magenta, 1 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
10% 0% 1% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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