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Color name
RGB 197 20 108

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 197 20 108 it is the complementary color RGB 58 235 147. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 197 20 108. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 197 20 108 shade: RGB 202 20 103, RGB 219 38 122, RGB 236 56 141, RGB 253 74 160 and RGB 255 92 179

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 197 20 108. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 197 20 108 shade: RGB 197 20 108, RGB 180 2 89, RGB 163 0 70, RGB 146 0 51 and RGB 129 0 32

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 197 20 108 shade: RGB 199 19 109, RGB 199 19 60 and RGB 199 19 19

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 197 20 108 shade: RGB 199 19 109, RGB 199 19 157, RGB 192 19 199, RGB 144 19 199 and RGB 96 19 199

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 197 20 108 shade matches the following richer shades: RGB 199 19 109 and RGB 217 1 109

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 197 20 108 shade: RGB 199 19 109, RGB 181 37 109, RGB 164 55 109, RGB 146 72 109 and RGB 128 90 109

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 197 20 108 shade: RGB 193 19 199, RGB 199 19 157, RGB 199 19 109, RGB 199 19 61 and RGB 199 25 19

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 197 20 108 shade: RGB 124 12 68, RGB 162 16 88, RGB 199 19 109, RGB 232 28 129 and RGB 236 65 150

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 197 20 108 shade: RGB 197 20 108, RGB 199 145 19 and RGB 19 181 199

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 197 20 108 shade: RGB 197 20 108, RGB 109 199 19 and RGB 19 109 199

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 197 20 108 shade: RGB 197 20 108, RGB 199 145 19, RGB 19 199 109 and RGB 19 73 199

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 197 20 108 shade: RGB 197 20 108, RGB 199 199 19, RGB 19 199 109 and RGB 19 19 199

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 90 / 45 / 23

HEX #C5146C

RGB 197 20 108

HSL 330.17, 0.82%, 0.43%

LAB 43.44, 68.3, -1.76

 

Complementary color

CMYK 75 / 0 / 37 / 8

HEX #3AEB93

RGB 58 235 147

HSL 150.17, 0.82%, 0.57%

LAB 83.14, -63.16, 30.47

 

CMYK 0 / 90 / 49 / 21

HEX #CA1467

RGB 202 20 103

HSL 332.64, 0.82%, 0.44%

LAB 44.28, 69.06, 2.72

 

CMYK 0 / 83 / 44 / 14

HEX #DB267A

RGB 219 38 122

HSL 332.15, 0.72%, 0.5%

LAB 49.32, 71.37, -1.26

 

CMYK 0 / 76 / 40 / 7

HEX #EC388D

RGB 236 56 141

HSL 331.67, 0.83%, 0.57%

LAB 54.64, 72.73, -4.48

 

CMYK 0 / 71 / 37 / 1

HEX #FD4AA0

RGB 253 74 160

HSL 331.17, 0.98%, 0.64%

LAB 60.18, 73.4, -7.12

 

CMYK 0 / 64 / 30 / 0

HEX #FF5CB3

RGB 255 92 179

HSL 327.98, 1%, 0.68%

LAB 63.48, 69.47, -13.09

 

CMYK 0 / 90 / 45 / 23

HEX #C5146C

RGB 197 20 108

HSL 330.17, 0.82%, 0.43%

LAB 43.44, 68.3, -1.76

 

CMYK 0 / 99 / 51 / 29

HEX #B40259

RGB 180 2 89

HSL 330.67, 0.98%, 0.36%

LAB 38.67, 64.92, 2.88

 

CMYK 0 / 100 / 57 / 36

HEX #A30046

RGB 163 0 70

HSL 334.23, 1%, 0.32%

LAB 34.45, 59.8, 8.71

 

CMYK 0 / 100 / 65 / 43

HEX #920033

RGB 146 0 51

HSL 339.04, 1%, 0.29%

LAB 30.28, 54.46, 15

 

CMYK 0 / 100 / 75 / 49

HEX #810020

RGB 129 0 32

HSL 345.12, 1%, 0.25%

LAB 26.07, 49.17, 21.62

 

CMYK 0 / 90 / 45 / 22

HEX #C7136D

RGB 199 19 109

HSL 330, 0.83%, 0.43%

LAB 43.82, 69, -1.78

 

CMYK 0 / 90 / 70 / 22

HEX #C7133C

RGB 199 19 60

HSL 346.33, 0.83%, 0.43%

LAB 42.66, 65.79, 27.33

 

CMYK 0 / 90 / 90 / 22

HEX #C71313

RGB 199 19 19

HSL 0, 0.83%, 0.43%

LAB 42.24, 64.58, 49.47

 

CMYK 0 / 90 / 45 / 22

HEX #C7136D

RGB 199 19 109

HSL 330, 0.83%, 0.43%

LAB 43.82, 69, -1.78

 

CMYK 0 / 90 / 21 / 22

HEX #C7139D

RGB 199 19 157

HSL 314, 0.83%, 0.43%

LAB 45.69, 74.03, -28.29

 

CMYK 4 / 90 / 0 / 22

HEX #C013C7

RGB 192 19 199

HSL 297.67, 0.83%, 0.43%

LAB 46.71, 78.57, -51.53

 

CMYK 28 / 90 / 0 / 22

HEX #9013C7

RGB 144 19 199

HSL 281.67, 0.83%, 0.43%

LAB 38.76, 71.17, -64.78

 

CMYK 52 / 90 / 0 / 22

HEX #6013C7

RGB 96 19 199

HSL 265.67, 0.83%, 0.43%

LAB 31.98, 65.57, -76.16

 

CMYK 0 / 90 / 45 / 22

HEX #C7136D

RGB 199 19 109

HSL 330, 0.83%, 0.43%

LAB 43.82, 69, -1.78

 

CMYK 0 / 100 / 50 / 15

HEX #D9016D

RGB 217 1 109

HSL 330, 0.99%, 0.43%

LAB 46.81, 74.85, 3.03

 

CMYK 0 / 90 / 45 / 22

HEX #C7136D

RGB 199 19 109

HSL 330, 0.83%, 0.43%

LAB 43.82, 69, -1.78

 

CMYK 0 / 80 / 40 / 29

HEX #B5256D

RGB 181 37 109

HSL 330, 0.66%, 0.43%

LAB 41.61, 60.87, -5.43

 

CMYK 0 / 66 / 34 / 36

HEX #A4376D

RGB 164 55 109

HSL 330.28, 0.5%, 0.43%

LAB 40.78, 49.82, -6.99

 

CMYK 0 / 51 / 25 / 43

HEX #92486D

RGB 146 72 109

HSL 330, 0.34%, 0.43%

LAB 40.98, 35.75, -7

 

CMYK 0 / 30 / 15 / 50

HEX #805A6D

RGB 128 90 109

HSL 330, 0.17%, 0.43%

LAB 42.77, 18.77, -4.58

 

CMYK 3 / 90 / 0 / 22

HEX #C113C7

RGB 193 19 199

HSL 298, 0.83%, 0.43%

LAB 46.88, 78.73, -51.25

 

CMYK 0 / 90 / 21 / 22

HEX #C7139D

RGB 199 19 157

HSL 314, 0.83%, 0.43%

LAB 45.69, 74.03, -28.29

 

CMYK 0 / 90 / 45 / 22

HEX #C7136D

RGB 199 19 109

HSL 330, 0.83%, 0.43%

LAB 43.82, 69, -1.78

 

CMYK 0 / 90 / 69 / 22

HEX #C7133D

RGB 199 19 61

HSL 346, 0.83%, 0.43%

LAB 42.68, 65.83, 26.73

 

CMYK 0 / 87 / 90 / 22

HEX #C71913

RGB 199 25 19

HSL 2, 0.83%, 0.43%

LAB 42.59, 63.57, 49.72

 

CMYK 0 / 90 / 45 / 51

HEX #7C0C44

RGB 124 12 68

HSL 330, 0.82%, 0.27%

LAB 26.64, 48.16, -2.29

 

CMYK 0 / 90 / 46 / 36

HEX #A21058

RGB 162 16 88

HSL 330.41, 0.82%, 0.35%

LAB 35.51, 58.83, -1.53

 

CMYK 0 / 90 / 45 / 22

HEX #C7136D

RGB 199 19 109

HSL 330, 0.83%, 0.43%

LAB 43.82, 69, -1.78

 

CMYK 0 / 88 / 44 / 9

HEX #E81C81

RGB 232 28 129

HSL 330.29, 0.82%, 0.51%

LAB 51.35, 76.93, -2.23

 

CMYK 0 / 72 / 36 / 7

HEX #EC4196

RGB 236 65 150

HSL 330.18, 0.82%, 0.59%

LAB 55.9, 70.88, -7.94

 

CMYK 0 / 90 / 45 / 23

HEX #C5146C

RGB 197 20 108

HSL 330.17, 0.82%, 0.43%

LAB 43.44, 68.3, -1.76

 

CMYK 0 / 27 / 90 / 22

HEX #C79113

RGB 199 145 19

HSL 42, 0.83%, 0.43%

LAB 63.7, 10.67, 65.35

 

CMYK 90 / 9 / 0 / 22

HEX #13B5C7

RGB 19 181 199

HSL 186, 0.83%, 0.43%

LAB 67.51, -30.86, -19.81

 

CMYK 0 / 90 / 45 / 23

HEX #C5146C

RGB 197 20 108

HSL 330.17, 0.82%, 0.43%

LAB 43.44, 68.3, -1.76

 

CMYK 45 / 0 / 90 / 22

HEX #6DC713

RGB 109 199 19

HSL 90, 0.83%, 0.43%

LAB 72.33, -52.65, 69.5

 

CMYK 90 / 45 / 0 / 22

HEX #136DC7

RGB 19 109 199

HSL 210, 0.83%, 0.43%

LAB 45.91, 9.51, -53.62

 

CMYK 0 / 90 / 45 / 23

HEX #C5146C

RGB 197 20 108

HSL 330.17, 0.82%, 0.43%

LAB 43.44, 68.3, -1.76

 

CMYK 0 / 27 / 90 / 22

HEX #C79113

RGB 199 145 19

HSL 42, 0.83%, 0.43%

LAB 63.7, 10.67, 65.35

 

CMYK 90 / 0 / 45 / 22

HEX #13C76D

RGB 19 199 109

HSL 150, 0.83%, 0.43%

LAB 70.93, -61.1, 33.68

 

CMYK 90 / 63 / 0 / 22

HEX #1349C7

RGB 19 73 199

HSL 222, 0.83%, 0.43%

LAB 36.04, 33.06, -69.65

 

CMYK 0 / 90 / 45 / 23

HEX #C5146C

RGB 197 20 108

HSL 330.17, 0.82%, 0.43%

LAB 43.44, 68.3, -1.76

 

CMYK 0 / 0 / 90 / 22

HEX #C7C713

RGB 199 199 19

HSL 60, 0.83%, 0.43%

LAB 77.9, -17.66, 76.32

 

CMYK 90 / 0 / 45 / 22

HEX #13C76D

RGB 19 199 109

HSL 150, 0.83%, 0.43%

LAB 70.93, -61.1, 33.68

 

CMYK 90 / 90 / 0 / 22

HEX #1313C7

RGB 19 19 199

HSL 240, 0.83%, 0.43%

LAB 25.94, 61.46, -86.36

 

Description

Color code: RGB 197 20 108 | qconv.com Color code: RGB 197 20 108 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 197 red, 20 green and 108 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
197 20 108 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 90 magenta, 45 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 90% 45% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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