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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 197 189 200 it is the complementary color RGB 58 66 55. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 197 189 200. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 197 189 200 shade: RGB 202 189 195, RGB 219 207 214, RGB 236 225 233 and RGB 253 243 252

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 197 189 200. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 197 189 200 shade: RGB 197 189 200, RGB 180 171 181, RGB 163 153 162, RGB 146 135 143 and RGB 129 117 124

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 197 189 200 shade: RGB 196 188 199, RGB 199 188 199, RGB 199 188 196, RGB 199 188 193 and RGB 199 188 190

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 197 189 200 shade: RGB 196 188 199, RGB 193 188 199, RGB 190 188 199 and RGB 188 188 199

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 197 189 200 shade matches the following richer shades: RGB 196 188 199, RGB 200 178 209, RGB 205 168 219, RGB 209 158 229 and RGB 214 148 238

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 197 189 200 shade: RGB 196 188 199, RGB 191 198 189, RGB 187 208 179, RGB 182 217 169 and RGB 178 227 159

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 197 189 200 shade: RGB 190 188 199, RGB 193 188 199, RGB 196 188 199, RGB 199 188 199 and RGB 199 188 196

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 197 189 200 shade: RGB 156 143 161, RGB 176 165 180, RGB 196 188 199, RGB 216 210 218 and RGB 235 233 236

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 197 189 200 shade: RGB 197 189 200, RGB 199 188 189 and RGB 188 199 191

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 197 189 200 shade: RGB 197 189 200, RGB 199 196 188 and RGB 188 199 196

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 197 189 200 shade: RGB 197 189 200, RGB 199 188 189, RGB 191 199 188 and RGB 188 199 198

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 197 189 200 shade: RGB 197 189 200, RGB 199 190 188, RGB 191 199 188 and RGB 188 196 199

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 1 / 5 / 0 / 22

HEX #C5BDC8

RGB 197 189 200

HSL 283.64, 0.09%, 0.76%

LAB 77.54, 4.82, -4.53

 

Complementary color

CMYK 12 / 0 / 17 / 74

HEX #3A4237

RGB 58 66 55

HSL 103.64, 0.09%, 0.24%

LAB 26.94, -5.78, 5.6

 

CMYK 0 / 6 / 3 / 21

HEX #CABDC3

RGB 202 189 195

HSL 332.31, 0.11%, 0.77%

LAB 77.81, 5.64, -1.38

 

CMYK 0 / 5 / 2 / 14

HEX #DBCFD6

RGB 219 207 214

HSL 325, 0.14%, 0.84%

LAB 84.25, 5.38, -1.98

 

CMYK 0 / 5 / 1 / 7

HEX #ECE1E9

RGB 236 225 233

HSL 316.36, 0.22%, 0.9%

LAB 90.58, 5.14, -2.57

 

CMYK 0 / 4 / 0 / 1

HEX #FDF3FC

RGB 253 243 252

HSL 306, 0.71%, 0.97%

LAB 96.83, 4.91, -3.13

 

CMYK 1 / 5 / 0 / 22

HEX #C5BDC8

RGB 197 189 200

HSL 283.64, 0.09%, 0.76%

LAB 77.54, 4.82, -4.53

 

CMYK 1 / 6 / 0 / 29

HEX #B4ABB5

RGB 180 171 181

HSL 294, 0.06%, 0.69%

LAB 70.98, 5.07, -3.97

 

CMYK 0 / 6 / 1 / 36

HEX #A399A2

RGB 163 153 162

HSL 306, 0.05%, 0.62%

LAB 64.3, 5.34, -3.39

 

CMYK 0 / 8 / 2 / 43

HEX #92878F

RGB 146 135 143

HSL 316.36, 0.05%, 0.55%

LAB 57.48, 5.64, -2.79

 

CMYK 0 / 9 / 4 / 49

HEX #81757C

RGB 129 117 124

HSL 325, 0.05%, 0.48%

LAB 50.51, 5.96, -2.16

 

CMYK 2 / 6 / 0 / 22

HEX #C4BCC7

RGB 196 188 199

HSL 283.64, 0.09%, 0.76%

LAB 77.18, 4.83, -4.54

 

CMYK 0 / 6 / 0 / 22

HEX #C7BCC7

RGB 199 188 199

HSL 300, 0.09%, 0.76%

LAB 77.42, 5.86, -4.15

 

CMYK 0 / 6 / 2 / 22

HEX #C7BCC4

RGB 199 188 196

HSL 316.36, 0.09%, 0.76%

LAB 77.34, 5.31, -2.65

 

CMYK 0 / 6 / 3 / 22

HEX #C7BCC1

RGB 199 188 193

HSL 332.73, 0.09%, 0.76%

LAB 77.26, 4.76, -1.14

 

CMYK 0 / 6 / 5 / 22

HEX #C7BCBE

RGB 199 188 190

HSL 349.09, 0.09%, 0.76%

LAB 77.18, 4.23, 0.37

 

CMYK 2 / 6 / 0 / 22

HEX #C4BCC7

RGB 196 188 199

HSL 283.64, 0.09%, 0.76%

LAB 77.18, 4.83, -4.54

 

CMYK 3 / 6 / 0 / 22

HEX #C1BCC7

RGB 193 188 199

HSL 267.27, 0.09%, 0.76%

LAB 76.94, 3.8, -4.92

 

CMYK 5 / 6 / 0 / 22

HEX #BEBCC7

RGB 190 188 199

HSL 250.91, 0.09%, 0.76%

LAB 76.7, 2.78, -5.29

 

CMYK 6 / 6 / 0 / 22

HEX #BCBCC7

RGB 188 188 199

HSL 240, 0.09%, 0.76%

LAB 76.55, 2.1, -5.54

 

CMYK 2 / 6 / 0 / 22

HEX #C4BCC7

RGB 196 188 199

HSL 283.64, 0.09%, 0.76%

LAB 77.18, 4.83, -4.54

 

CMYK 4 / 15 / 0 / 18

HEX #C8B2D1

RGB 200 178 209

HSL 282.58, 0.25%, 0.76%

LAB 75.28, 13.51, -12.76

 

CMYK 6 / 23 / 0 / 14

HEX #CDA8DB

RGB 205 168 219

HSL 283.53, 0.41%, 0.76%

LAB 73.61, 22.6, -20.69

 

CMYK 9 / 31 / 0 / 10

HEX #D19EE5

RGB 209 158 229

HSL 283.1, 0.58%, 0.76%

LAB 72, 31.34, -28.57

 

CMYK 10 / 38 / 0 / 7

HEX #D694EE

RGB 214 148 238

HSL 284, 0.73%, 0.76%

LAB 70.63, 40.09, -35.58

 

CMYK 2 / 6 / 0 / 22

HEX #C4BCC7

RGB 196 188 199

HSL 283.64, 0.09%, 0.76%

LAB 77.18, 4.83, -4.54

 

CMYK 4 / 0 / 5 / 22

HEX #BFC6BD

RGB 191 198 189

HSL 106.67, 0.07%, 0.76%

LAB 79.12, -4.06, 3.66

 

CMYK 10 / 0 / 14 / 18

HEX #BBD0B3

RGB 187 208 179

HSL 103.45, 0.24%, 0.76%

LAB 81.25, -12.4, 12.03

 

CMYK 16 / 0 / 22 / 15

HEX #B6D9A9

RGB 182 217 169

HSL 103.75, 0.39%, 0.76%

LAB 83.14, -20.34, 19.91

 

CMYK 22 / 0 / 30 / 11

HEX #B2E39F

RGB 178 227 159

HSL 103.24, 0.55%, 0.76%

LAB 85.46, -28.15, 28.22

 

CMYK 5 / 6 / 0 / 22

HEX #BEBCC7

RGB 190 188 199

HSL 250.91, 0.09%, 0.76%

LAB 76.7, 2.78, -5.29

 

CMYK 3 / 6 / 0 / 22

HEX #C1BCC7

RGB 193 188 199

HSL 267.27, 0.09%, 0.76%

LAB 76.94, 3.8, -4.92

 

CMYK 2 / 6 / 0 / 22

HEX #C4BCC7

RGB 196 188 199

HSL 283.64, 0.09%, 0.76%

LAB 77.18, 4.83, -4.54

 

CMYK 0 / 6 / 0 / 22

HEX #C7BCC7

RGB 199 188 199

HSL 300, 0.09%, 0.76%

LAB 77.42, 5.86, -4.15

 

CMYK 0 / 6 / 2 / 22

HEX #C7BCC4

RGB 199 188 196

HSL 316.36, 0.09%, 0.76%

LAB 77.34, 5.31, -2.65

 

CMYK 3 / 11 / 0 / 37

HEX #9C8FA1

RGB 156 143 161

HSL 283.33, 0.09%, 0.6%

LAB 61.03, 8.26, -7.74

 

CMYK 2 / 8 / 0 / 29

HEX #B0A5B4

RGB 176 165 180

HSL 284, 0.09%, 0.68%

LAB 69.07, 6.77, -6.29

 

CMYK 2 / 6 / 0 / 22

HEX #C4BCC7

RGB 196 188 199

HSL 283.64, 0.09%, 0.76%

LAB 77.18, 4.83, -4.54

 

CMYK 1 / 4 / 0 / 15

HEX #D8D2DA

RGB 216 210 218

HSL 285, 0.1%, 0.84%

LAB 84.87, 3.5, -3.22

 

CMYK 0 / 1 / 0 / 7

HEX #EBE9EC

RGB 235 233 236

HSL 280, 0.07%, 0.92%

LAB 92.57, 1.21, -1.23

 

CMYK 1 / 5 / 0 / 22

HEX #C5BDC8

RGB 197 189 200

HSL 283.64, 0.09%, 0.76%

LAB 77.54, 4.82, -4.53

 

CMYK 0 / 6 / 5 / 22

HEX #C7BCBD

RGB 199 188 189

HSL 354.55, 0.09%, 0.76%

LAB 77.15, 4.05, 0.88

 

CMYK 6 / 0 / 4 / 22

HEX #BCC7BF

RGB 188 199 191

HSL 136.36, 0.09%, 0.76%

LAB 79.21, -5.26, 2.69

 

CMYK 1 / 5 / 0 / 22

HEX #C5BDC8

RGB 197 189 200

HSL 283.64, 0.09%, 0.76%

LAB 77.54, 4.82, -4.53

 

CMYK 0 / 2 / 6 / 22

HEX #C7C4BC

RGB 199 196 188

HSL 43.64, 0.09%, 0.76%

LAB 79.19, -0.38, 4.37

 

CMYK 6 / 0 / 2 / 22

HEX #BCC7C4

RGB 188 199 196

HSL 163.64, 0.09%, 0.76%

LAB 79.34, -4.32, 0.19

 

CMYK 1 / 5 / 0 / 22

HEX #C5BDC8

RGB 197 189 200

HSL 283.64, 0.09%, 0.76%

LAB 77.54, 4.82, -4.53

 

CMYK 0 / 6 / 5 / 22

HEX #C7BCBD

RGB 199 188 189

HSL 354.55, 0.09%, 0.76%

LAB 77.15, 4.05, 0.88

 

CMYK 4 / 0 / 6 / 22

HEX #BFC7BC

RGB 191 199 188

HSL 103.64, 0.09%, 0.76%

LAB 79.36, -4.77, 4.54

 

CMYK 6 / 0 / 1 / 22

HEX #BCC7C6

RGB 188 199 198

HSL 174.55, 0.09%, 0.76%

LAB 79.39, -3.94, -0.81

 

CMYK 1 / 5 / 0 / 22

HEX #C5BDC8

RGB 197 189 200

HSL 283.64, 0.09%, 0.76%

LAB 77.54, 4.82, -4.53

 

CMYK 0 / 5 / 6 / 22

HEX #C7BEBC

RGB 199 190 188

HSL 10.91, 0.09%, 0.76%

LAB 77.64, 2.8, 2.13

 

CMYK 4 / 0 / 6 / 22

HEX #BFC7BC

RGB 191 199 188

HSL 103.64, 0.09%, 0.76%

LAB 79.36, -4.77, 4.54

 

CMYK 6 / 2 / 0 / 22

HEX #BCC4C7

RGB 188 196 199

HSL 196.36, 0.09%, 0.76%

LAB 78.63, -2.17, -2.46

 

Description

Color code: RGB 197 189 200 | qconv.com Color code: RGB 197 189 200 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 197 red, 189 green and 200 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
197 189 200 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 1 cyan, 5 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
1% 5% 0% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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