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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 197 166 47 it is the complementary color RGB 58 89 208. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 197 166 47. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 197 166 47 shade: RGB 202 166 42, RGB 219 184 61, RGB 236 202 80, RGB 253 220 99 and RGB 255 238 118

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 197 166 47. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 197 166 47 shade: RGB 197 166 47, RGB 180 148 28, RGB 163 130 9, RGB 146 112 0 and RGB 129 94 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 197 166 47 shade: RGB 197 166 47, RGB 197 125 47, RGB 197 85 47 and RGB 197 47 47

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 197 166 47 shade: RGB 197 166 47, RGB 187 197 47, RGB 147 197 47, RGB 107 197 47 and RGB 66 197 47

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 197 166 47 shade matches the following richer shades: RGB 197 166 47, RGB 216 177 27 and RGB 236 189 8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 197 166 47 shade: RGB 197 166 47, RGB 177 154 67, RGB 157 142 87, RGB 137 131 107 and RGB 117 119 126

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 197 166 47 shade: RGB 197 85 47, RGB 197 124 47, RGB 197 164 47, RGB 189 197 47 and RGB 149 197 47

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 197 166 47 shade: RGB 130 110 31, RGB 163 138 39, RGB 197 166 47, RGB 211 183 74 and RGB 219 196 107

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 197 166 47 shade: RGB 197 166 47, RGB 50 197 47 and RGB 104 47 197

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 197 166 47 shade: RGB 197 166 47, RGB 47 197 164 and RGB 164 47 197

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 197 166 47 shade: RGB 197 166 47, RGB 50 197 47, RGB 47 80 197 and RGB 194 47 197

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 197 166 47 shade: RGB 197 166 47, RGB 47 197 90, RGB 47 80 197 and RGB 197 47 154

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 16 / 76 / 23

HEX #C5A62F

RGB 197 166 47

HSL 47.6, 0.61%, 0.48%

LAB 69, -0.73, 61.67

 

Complementary color

CMYK 72 / 57 / 0 / 18

HEX #3A59D0

RGB 58 89 208

HSL 227.6, 0.61%, 0.52%

LAB 42.15, 29.41, -64.82

 

CMYK 0 / 18 / 79 / 21

HEX #CAA62A

RGB 202 166 42

HSL 46.5, 0.66%, 0.48%

LAB 69.47, 1.28, 63.99

 

CMYK 0 / 16 / 72 / 14

HEX #DBB83D

RGB 219 184 61

HSL 46.71, 0.69%, 0.55%

LAB 75.87, -0.06, 63.82

 

CMYK 0 / 14 / 66 / 7

HEX #ECCA50

RGB 236 202 80

HSL 46.92, 0.8%, 0.62%

LAB 82.19, -1.2, 63.14

 

CMYK 0 / 13 / 61 / 1

HEX #FDDC63

RGB 253 220 99

HSL 47.14, 0.97%, 0.69%

LAB 88.43, -2.18, 62.19

 

CMYK 0 / 7 / 54 / 0

HEX #FFEE76

RGB 255 238 118

HSL 52.55, 1%, 0.73%

LAB 93.33, -9.03, 59.31

 

CMYK 0 / 16 / 76 / 23

HEX #C5A62F

RGB 197 166 47

HSL 47.6, 0.61%, 0.48%

LAB 69, -0.73, 61.67

 

CMYK 0 / 18 / 84 / 29

HEX #B4941C

RGB 180 148 28

HSL 47.37, 0.73%, 0.41%

LAB 62.48, 0.72, 61.31

 

CMYK 0 / 20 / 94 / 36

HEX #A38209

RGB 163 130 9

HSL 47.14, 0.9%, 0.34%

LAB 55.86, 2.46, 59.54

 

CMYK 0 / 23 / 100 / 43

HEX #927000

RGB 146 112 0

HSL 46.03, 1%, 0.29%

LAB 49.13, 4.52, 55.55

 

CMYK 0 / 27 / 100 / 49

HEX #815E00

RGB 129 94 0

HSL 43.72, 1%, 0.25%

LAB 42.27, 6.84, 49.91

 

CMYK 0 / 16 / 76 / 23

HEX #C5A62F

RGB 197 166 47

HSL 47.6, 0.61%, 0.48%

LAB 69, -0.73, 61.67

 

CMYK 0 / 37 / 76 / 23

HEX #C57D2F

RGB 197 125 47

HSL 31.2, 0.61%, 0.48%

LAB 58.74, 21.57, 51.81

 

CMYK 0 / 57 / 76 / 23

HEX #C5552F

RGB 197 85 47

HSL 15.2, 0.61%, 0.48%

LAB 50.18, 42.55, 43.15

 

CMYK 0 / 76 / 76 / 23

HEX #C52F2F

RGB 197 47 47

HSL 0, 0.61%, 0.48%

LAB 44.39, 58.16, 36.98

 

CMYK 0 / 16 / 76 / 23

HEX #C5A62F

RGB 197 166 47

HSL 47.6, 0.61%, 0.48%

LAB 69, -0.73, 61.67

 

CMYK 5 / 0 / 76 / 23

HEX #BBC52F

RGB 187 197 47

HSL 64, 0.61%, 0.48%

LAB 76.5, -20.99, 68.3

 

CMYK 25 / 0 / 76 / 23

HEX #93C52F

RGB 147 197 47

HSL 80, 0.61%, 0.48%

LAB 73.77, -37.24, 64.77

 

CMYK 46 / 0 / 76 / 23

HEX #6BC52F

RGB 107 197 47

HSL 96, 0.61%, 0.48%

LAB 71.73, -51.34, 62.12

 

CMYK 66 / 0 / 76 / 23

HEX #42C52F

RGB 66 197 47

HSL 112.4, 0.61%, 0.48%

LAB 70.38, -62, 60.35

 

CMYK 0 / 16 / 76 / 23

HEX #C5A62F

RGB 197 166 47

HSL 47.6, 0.61%, 0.48%

LAB 69, -0.73, 61.67

 

CMYK 0 / 18 / 88 / 15

HEX #D8B11B

RGB 216 177 27

HSL 47.62, 0.78%, 0.48%

LAB 73.62, 1.17, 72.15

 

CMYK 0 / 20 / 97 / 7

HEX #ECBD08

RGB 236 189 8

HSL 47.63, 0.93%, 0.48%

LAB 78.6, 3.33, 79.64

 

CMYK 0 / 16 / 76 / 23

HEX #C5A62F

RGB 197 166 47

HSL 47.6, 0.61%, 0.48%

LAB 69, -0.73, 61.67

 

CMYK 0 / 13 / 62 / 31

HEX #B19A43

RGB 177 154 67

HSL 47.45, 0.45%, 0.48%

LAB 64.05, -1.98, 47.68

 

CMYK 0 / 10 / 45 / 38

HEX #9D8E57

RGB 157 142 87

HSL 47.14, 0.29%, 0.48%

LAB 59.16, -2.34, 31.27

 

CMYK 0 / 4 / 22 / 46

HEX #89836B

RGB 137 131 107

HSL 48, 0.12%, 0.48%

LAB 54.67, -1.93, 13.81

 

CMYK 7 / 6 / 0 / 51

HEX #75777E

RGB 117 119 126

HSL 226.67, 0.04%, 0.48%

LAB 50.08, 0.71, -4.1

 

CMYK 0 / 57 / 76 / 23

HEX #C5552F

RGB 197 85 47

HSL 15.2, 0.61%, 0.48%

LAB 50.18, 42.55, 43.15

 

CMYK 0 / 37 / 76 / 23

HEX #C57C2F

RGB 197 124 47

HSL 30.8, 0.61%, 0.48%

LAB 58.5, 22.11, 51.58

 

CMYK 0 / 17 / 76 / 23

HEX #C5A42F

RGB 197 164 47

HSL 46.8, 0.61%, 0.48%

LAB 68.48, 0.33, 61.18

 

CMYK 4 / 0 / 76 / 23

HEX #BDC52F

RGB 189 197 47

HSL 63.2, 0.61%, 0.48%

LAB 76.65, -20.15, 68.5

 

CMYK 24 / 0 / 76 / 23

HEX #95C52F

RGB 149 197 47

HSL 79.2, 0.61%, 0.48%

LAB 73.89, -36.47, 64.93

 

CMYK 0 / 15 / 76 / 49

HEX #826E1F

RGB 130 110 31

HSL 47.88, 0.61%, 0.32%

LAB 46.97, -1.05, 44.43

 

CMYK 0 / 15 / 76 / 36

HEX #A38A27

RGB 163 138 39

HSL 47.9, 0.61%, 0.4%

LAB 58.14, -1.11, 53.17

 

CMYK 0 / 16 / 76 / 23

HEX #C5A62F

RGB 197 166 47

HSL 47.6, 0.61%, 0.48%

LAB 69, -0.73, 61.67

 

CMYK 0 / 13 / 65 / 17

HEX #D3B74A

RGB 211 183 74

HSL 47.74, 0.61%, 0.56%

LAB 74.96, -2.26, 57.31

 

CMYK 0 / 11 / 51 / 14

HEX #DBC46B

RGB 219 196 107

HSL 47.68, 0.61%, 0.64%

LAB 79.39, -3.24, 47.24

 

CMYK 0 / 16 / 76 / 23

HEX #C5A62F

RGB 197 166 47

HSL 47.6, 0.61%, 0.48%

LAB 69, -0.73, 61.67

 

CMYK 75 / 0 / 76 / 23

HEX #32C52F

RGB 50 197 47

HSL 118.8, 0.61%, 0.48%

LAB 70.05, -64.85, 59.9

 

CMYK 47 / 76 / 0 / 23

HEX #682FC5

RGB 104 47 197

HSL 262.8, 0.61%, 0.48%

LAB 36, 56.49, -68.34

 

CMYK 0 / 16 / 76 / 23

HEX #C5A62F

RGB 197 166 47

HSL 47.6, 0.61%, 0.48%

LAB 69, -0.73, 61.67

 

CMYK 76 / 0 / 17 / 23

HEX #2FC5A4

RGB 47 197 164

HSL 166.8, 0.61%, 0.48%

LAB 71.7, -45.97, 5.63

 

CMYK 17 / 76 / 0 / 23

HEX #A42FC5

RGB 164 47 197

HSL 286.8, 0.61%, 0.48%

LAB 44.17, 66.89, -54.69

 

CMYK 0 / 16 / 76 / 23

HEX #C5A62F

RGB 197 166 47

HSL 47.6, 0.61%, 0.48%

LAB 69, -0.73, 61.67

 

CMYK 75 / 0 / 76 / 23

HEX #32C52F

RGB 50 197 47

HSL 118.8, 0.61%, 0.48%

LAB 70.05, -64.85, 59.9

 

CMYK 76 / 59 / 0 / 23

HEX #2F50C5

RGB 47 80 197

HSL 226.8, 0.61%, 0.48%

LAB 38.5, 29.88, -64.42

 

CMYK 2 / 76 / 0 / 23

HEX #C22FC5

RGB 194 47 197

HSL 298.8, 0.61%, 0.48%

LAB 48.93, 72.78, -46.81

 

CMYK 0 / 16 / 76 / 23

HEX #C5A62F

RGB 197 166 47

HSL 47.6, 0.61%, 0.48%

LAB 69, -0.73, 61.67

 

CMYK 76 / 0 / 54 / 23

HEX #2FC55A

RGB 47 197 90

HSL 137.2, 0.61%, 0.48%

LAB 70.37, -60.77, 42.44

 

CMYK 76 / 59 / 0 / 23

HEX #2F50C5

RGB 47 80 197

HSL 226.8, 0.61%, 0.48%

LAB 38.5, 29.88, -64.42

 

CMYK 0 / 76 / 22 / 23

HEX #C52F9A

RGB 197 47 154

HSL 317.2, 0.61%, 0.48%

LAB 47.28, 67.19, -24.04

 

Description

Color code: RGB 197 166 47 | qconv.com Color code: RGB 197 166 47 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 197 red, 166 green and 47 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
197 166 47 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 16 magenta, 76 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 16% 76% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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