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Color name
RGB 197 120 36

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 197 120 36 it is the complementary color RGB 58 135 219. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 197 120 36. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 197 120 36 shade: RGB 202 120 31, RGB 219 138 50, RGB 236 156 69, RGB 253 174 88 and RGB 255 192 107

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 197 120 36. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 197 120 36 shade: RGB 197 120 36, RGB 180 102 17, RGB 163 84 0, RGB 146 66 0 and RGB 129 48 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 197 120 36 shade: RGB 198 120 36, RGB 198 77 36 and RGB 198 36 36

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 197 120 36 shade: RGB 198 120 36, RGB 198 164 36, RGB 188 198 36, RGB 144 198 36 and RGB 101 198 36

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 197 120 36 shade matches the following richer shades: RGB 198 120 36 and RGB 217 121 17

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 197 120 36 shade: RGB 198 120 36, RGB 179 119 55, RGB 160 119 74, RGB 141 118 93 and RGB 122 117 112

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 197 120 36 shade: RGB 198 36 39, RGB 198 76 36, RGB 198 119 36, RGB 198 163 36 and RGB 190 198 36

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 197 120 36 shade: RGB 128 78 23, RGB 163 99 29, RGB 198 120 36, RGB 218 141 57 and RGB 225 161 92

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 197 120 36 shade: RGB 197 120 36, RGB 82 198 36 and RGB 55 36 198

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 197 120 36 shade: RGB 197 120 36, RGB 36 198 119 and RGB 119 36 198

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 197 120 36 shade: RGB 197 120 36, RGB 82 198 36, RGB 36 114 198 and RGB 152 36 198

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 197 120 36 shade: RGB 197 120 36, RGB 36 198 39, RGB 36 114 198 and RGB 198 36 195

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 39 / 82 / 23

HEX #C57824

RGB 197 120 36

HSL 31.3, 0.69%, 0.46%

LAB 57.49, 23.88, 55.12

 

Complementary color

CMYK 74 / 38 / 0 / 14

HEX #3A87DB

RGB 58 135 219

HSL 211.3, 0.69%, 0.54%

LAB 55.42, 4.6, -49.72

 

CMYK 0 / 41 / 85 / 21

HEX #CA781F

RGB 202 120 31

HSL 31.23, 0.73%, 0.46%

LAB 58.12, 25.87, 57.73

 

CMYK 0 / 37 / 77 / 14

HEX #DB8A32

RGB 219 138 50

HSL 31.24, 0.7%, 0.53%

LAB 64.54, 24.01, 57.14

 

CMYK 0 / 34 / 71 / 7

HEX #EC9C45

RGB 236 156 69

HSL 31.26, 0.81%, 0.6%

LAB 70.9, 22.38, 56.01

 

CMYK 0 / 31 / 65 / 1

HEX #FDAE58

RGB 253 174 88

HSL 31.27, 0.98%, 0.67%

LAB 77.2, 20.93, 54.67

 

CMYK 0 / 25 / 58 / 0

HEX #FFC06B

RGB 255 192 107

HSL 34.46, 1%, 0.71%

LAB 81.85, 13.59, 51.01

 

CMYK 0 / 39 / 82 / 23

HEX #C57824

RGB 197 120 36

HSL 31.3, 0.69%, 0.46%

LAB 57.49, 23.88, 55.12

 

CMYK 0 / 43 / 91 / 29

HEX #B46611

RGB 180 102 17

HSL 31.29, 0.83%, 0.39%

LAB 50.97, 25.91, 55.08

 

CMYK 0 / 48 / 100 / 36

HEX #A35400

RGB 163 84 0

HSL 30.92, 1%, 0.32%

LAB 44.41, 28.18, 53.56

 

CMYK 0 / 55 / 100 / 43

HEX #924200

RGB 146 66 0

HSL 27.12, 1%, 0.29%

LAB 37.86, 30.67, 48.3

 

CMYK 0 / 63 / 100 / 49

HEX #813000

RGB 129 48 0

HSL 22.33, 1%, 0.25%

LAB 31.3, 33.01, 42.87

 

CMYK 0 / 39 / 82 / 22

HEX #C67824

RGB 198 120 36

HSL 31.11, 0.69%, 0.46%

LAB 57.62, 24.31, 55.29

 

CMYK 0 / 61 / 82 / 22

HEX #C64D24

RGB 198 77 36

HSL 15.19, 0.69%, 0.46%

LAB 48.81, 46.3, 47.25

 

CMYK 0 / 82 / 82 / 22

HEX #C62424

RGB 198 36 36

HSL 0, 0.69%, 0.46%

LAB 43.35, 61.24, 42.08

 

CMYK 0 / 39 / 82 / 22

HEX #C67824

RGB 198 120 36

HSL 31.11, 0.69%, 0.46%

LAB 57.62, 24.31, 55.29

 

CMYK 0 / 17 / 82 / 22

HEX #C6A424

RGB 198 164 36

HSL 47.41, 0.69%, 0.46%

LAB 68.52, 0.38, 64.88

 

CMYK 5 / 0 / 82 / 22

HEX #BCC624

RGB 188 198 36

HSL 63.7, 0.69%, 0.46%

LAB 76.8, -21.46, 71.68

 

CMYK 27 / 0 / 82 / 22

HEX #90C624

RGB 144 198 36

HSL 80, 0.69%, 0.46%

LAB 73.83, -39.33, 67.94

 

CMYK 49 / 0 / 82 / 22

HEX #65C624

RGB 101 198 36

HSL 95.93, 0.69%, 0.46%

LAB 71.75, -54.14, 65.28

 

CMYK 0 / 39 / 82 / 22

HEX #C67824

RGB 198 120 36

HSL 31.11, 0.69%, 0.46%

LAB 57.62, 24.31, 55.29

 

CMYK 0 / 44 / 92 / 15

HEX #D97911

RGB 217 121 17

HSL 31.2, 0.85%, 0.46%

LAB 60.31, 31.35, 64.25

 

CMYK 0 / 39 / 82 / 22

HEX #C67824

RGB 198 120 36

HSL 31.11, 0.69%, 0.46%

LAB 57.62, 24.31, 55.29

 

CMYK 0 / 34 / 69 / 30

HEX #B37737

RGB 179 119 55

HSL 30.97, 0.53%, 0.46%

LAB 55.13, 17.48, 43.67

 

CMYK 0 / 26 / 54 / 37

HEX #A0774A

RGB 160 119 74

HSL 31.4, 0.37%, 0.46%

LAB 53.13, 10.57, 30.83

 

CMYK 0 / 16 / 34 / 45

HEX #8D765D

RGB 141 118 93

HSL 31.25, 0.21%, 0.46%

LAB 51.16, 5.09, 17.12

 

CMYK 0 / 4 / 8 / 52

HEX #7A7570

RGB 122 117 112

HSL 30, 0.04%, 0.46%

LAB 49.53, 0.96, 3.43

 

CMYK 0 / 82 / 80 / 22

HEX #C62427

RGB 198 36 39

HSL 358.89, 0.69%, 0.46%

LAB 43.38, 61.33, 40.48

 

CMYK 0 / 62 / 82 / 22

HEX #C64C24

RGB 198 76 36

HSL 14.81, 0.69%, 0.46%

LAB 48.64, 46.76, 47.09

 

CMYK 0 / 40 / 82 / 22

HEX #C67724

RGB 198 119 36

HSL 30.74, 0.69%, 0.46%

LAB 57.39, 24.86, 55.08

 

CMYK 0 / 18 / 82 / 22

HEX #C6A324

RGB 198 163 36

HSL 47.04, 0.69%, 0.46%

LAB 68.26, 0.91, 64.66

 

CMYK 4 / 0 / 82 / 22

HEX #BEC624

RGB 190 198 36

HSL 62.96, 0.69%, 0.46%

LAB 76.96, -20.61, 71.87

 

CMYK 0 / 39 / 82 / 50

HEX #804E17

RGB 128 78 23

HSL 31.43, 0.7%, 0.3%

LAB 38.02, 16.45, 39.17

 

CMYK 0 / 39 / 82 / 36

HEX #A3631D

RGB 163 99 29

HSL 31.34, 0.7%, 0.38%

LAB 48.01, 20.45, 47.61

 

CMYK 0 / 39 / 82 / 22

HEX #C67824

RGB 198 120 36

HSL 31.11, 0.69%, 0.46%

LAB 57.62, 24.31, 55.29

 

CMYK 0 / 35 / 74 / 15

HEX #DA8D39

RGB 218 141 57

HSL 31.3, 0.69%, 0.54%

LAB 65.16, 22.27, 54.73

 

CMYK 0 / 28 / 59 / 12

HEX #E1A15C

RGB 225 161 92

HSL 31.13, 0.69%, 0.62%

LAB 71.06, 16.54, 44.84

 

CMYK 0 / 39 / 82 / 23

HEX #C57824

RGB 197 120 36

HSL 31.3, 0.69%, 0.46%

LAB 57.49, 23.88, 55.12

 

CMYK 59 / 0 / 82 / 22

HEX #52C624

RGB 82 198 36

HSL 102.96, 0.69%, 0.46%

LAB 71.08, -59.37, 64.43

 

CMYK 72 / 82 / 0 / 22

HEX #3724C6

RGB 55 36 198

HSL 247.04, 0.69%, 0.46%

LAB 29.79, 56.21, -79.32

 

CMYK 0 / 39 / 82 / 23

HEX #C57824

RGB 197 120 36

HSL 31.3, 0.69%, 0.46%

LAB 57.49, 23.88, 55.12

 

CMYK 82 / 0 / 40 / 22

HEX #24C677

RGB 36 198 119

HSL 150.74, 0.69%, 0.46%

LAB 70.94, -57.6, 28.58

 

CMYK 40 / 82 / 0 / 22

HEX #7724C6

RGB 119 36 198

HSL 270.74, 0.69%, 0.46%

LAB 36.48, 63.19, -68.06

 

CMYK 0 / 39 / 82 / 23

HEX #C57824

RGB 197 120 36

HSL 31.3, 0.69%, 0.46%

LAB 57.49, 23.88, 55.12

 

CMYK 59 / 0 / 82 / 22

HEX #52C624

RGB 82 198 36

HSL 102.96, 0.69%, 0.46%

LAB 71.08, -59.37, 64.43

 

CMYK 82 / 42 / 0 / 22

HEX #2472C6

RGB 36 114 198

HSL 211.11, 0.69%, 0.46%

LAB 47.61, 7.2, -50.3

 

CMYK 23 / 82 / 0 / 22

HEX #9824C6

RGB 152 36 198

HSL 282.96, 0.69%, 0.46%

LAB 41.24, 68.31, -60.1

 

CMYK 0 / 39 / 82 / 23

HEX #C57824

RGB 197 120 36

HSL 31.3, 0.69%, 0.46%

LAB 57.49, 23.88, 55.12

 

CMYK 82 / 0 / 80 / 22

HEX #24C627

RGB 36 198 39

HSL 121.11, 0.69%, 0.46%

LAB 70.11, -67.53, 62.35

 

CMYK 82 / 42 / 0 / 22

HEX #2472C6

RGB 36 114 198

HSL 211.11, 0.69%, 0.46%

LAB 47.61, 7.2, -50.3

 

CMYK 0 / 82 / 2 / 22

HEX #C624C3

RGB 198 36 195

HSL 301.11, 0.69%, 0.46%

LAB 48.52, 76.03, -46.25

 

Description

Color code: RGB 197 120 36 | qconv.com Color code: RGB 197 120 36 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 197 red, 120 green and 36 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
197 120 36 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 39 magenta, 82 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 39% 82% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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