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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 197 103 22 it is the complementary color RGB 58 152 233. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 197 103 22. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 197 103 22 shade: RGB 202 103 17, RGB 219 121 36, RGB 236 139 55, RGB 253 157 74 and RGB 255 175 93

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 197 103 22. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 197 103 22 shade: RGB 197 103 22, RGB 180 85 3, RGB 163 67 0, RGB 146 49 0 and RGB 129 31 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 197 103 22 shade: RGB 197 103 21, RGB 197 55 21 and RGB 197 21 21

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 197 103 22 shade: RGB 197 103 21, RGB 197 150 21, RGB 196 197 21, RGB 149 197 21 and RGB 102 197 21

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 197 103 22 shade matches the following richer shades: RGB 197 103 21 and RGB 215 101 4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 197 103 22 shade: RGB 197 103 21, RGB 179 104 39, RGB 161 105 57, RGB 144 107 75 and RGB 126 108 92

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 197 103 22 shade: RGB 197 21 36, RGB 197 54 21, RGB 197 100 21, RGB 197 147 21 and RGB 197 194 21

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 197 103 22 shade: RGB 123 64 13, RGB 160 83 17, RGB 197 103 21, RGB 230 122 30 and RGB 234 144 67

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 197 103 22 shade: RGB 197 103 22, RGB 83 197 21 and RGB 30 21 197

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 197 103 22 shade: RGB 197 103 22, RGB 21 197 100 and RGB 100 21 197

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 197 103 22 shade: RGB 197 103 22, RGB 83 197 21, RGB 21 118 197 and RGB 135 21 197

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 197 103 22 shade: RGB 197 103 22, RGB 30 197 21, RGB 21 118 197 and RGB 188 21 197

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 48 / 89 / 23

HEX #C56716

RGB 197 103 22

HSL 27.77, 0.8%, 0.43%

LAB 53.63, 32.64, 56.72

 

Complementary color

CMYK 75 / 35 / 0 / 9

HEX #3A98E9

RGB 58 152 233

HSL 207.77, 0.8%, 0.57%

LAB 60.99, -0.44, -48.68

 

CMYK 0 / 49 / 92 / 21

HEX #CA6711

RGB 202 103 17

HSL 27.89, 0.84%, 0.43%

LAB 54.34, 34.6, 58.99

 

CMYK 0 / 45 / 84 / 14

HEX #DB7924

RGB 219 121 36

HSL 27.87, 0.72%, 0.5%

LAB 60.66, 32.57, 59.04

 

CMYK 0 / 41 / 77 / 7

HEX #EC8B37

RGB 236 139 55

HSL 27.85, 0.83%, 0.57%

LAB 66.96, 30.72, 58.13

 

CMYK 0 / 38 / 71 / 1

HEX #FD9D4A

RGB 253 157 74

HSL 27.82, 0.98%, 0.64%

LAB 73.21, 29.06, 56.81

 

CMYK 0 / 31 / 64 / 0

HEX #FFAF5D

RGB 255 175 93

HSL 30.37, 1%, 0.68%

LAB 77.7, 21.53, 52.93

 

CMYK 0 / 48 / 89 / 23

HEX #C56716

RGB 197 103 22

HSL 27.77, 0.8%, 0.43%

LAB 53.63, 32.64, 56.72

 

CMYK 0 / 53 / 98 / 29

HEX #B45503

RGB 180 85 3

HSL 27.8, 0.97%, 0.36%

LAB 47.24, 34.79, 55.83

 

CMYK 0 / 59 / 100 / 36

HEX #A34300

RGB 163 67 0

HSL 24.66, 1%, 0.32%

LAB 40.9, 37.08, 51.52

 

CMYK 0 / 66 / 100 / 43

HEX #923100

RGB 146 49 0

HSL 20.14, 1%, 0.29%

LAB 34.62, 39.13, 46.51

 

CMYK 0 / 76 / 100 / 49

HEX #811F00

RGB 129 31 0

HSL 14.42, 1%, 0.25%

LAB 28.5, 40.56, 40.75

 

CMYK 0 / 48 / 89 / 23

HEX #C56715

RGB 197 103 21

HSL 27.95, 0.81%, 0.43%

LAB 53.63, 32.62, 57.02

 

CMYK 0 / 72 / 89 / 23

HEX #C53715

RGB 197 55 21

HSL 11.59, 0.81%, 0.43%

LAB 45.16, 54.71, 50.6

 

CMYK 0 / 89 / 89 / 23

HEX #C51515

RGB 197 21 21

HSL 0, 0.81%, 0.43%

LAB 41.94, 63.77, 48.2

 

CMYK 0 / 48 / 89 / 23

HEX #C56715

RGB 197 103 21

HSL 27.95, 0.81%, 0.43%

LAB 53.63, 32.62, 57.02

 

CMYK 0 / 24 / 89 / 23

HEX #C59615

RGB 197 150 21

HSL 43.98, 0.81%, 0.43%

LAB 64.75, 7.1, 65.63

 

CMYK 1 / 0 / 89 / 23

HEX #C4C515

RGB 196 197 21

HSL 60.34, 0.81%, 0.43%

LAB 77.11, -17.92, 75.29

 

CMYK 24 / 0 / 89 / 23

HEX #95C515

RGB 149 197 21

HSL 76.36, 0.81%, 0.43%

LAB 73.79, -37.4, 71.22

 

CMYK 48 / 0 / 89 / 23

HEX #66C515

RGB 102 197 21

HSL 92.39, 0.81%, 0.43%

LAB 71.43, -54.02, 68.3

 

CMYK 0 / 48 / 89 / 23

HEX #C56715

RGB 197 103 21

HSL 27.95, 0.81%, 0.43%

LAB 53.63, 32.62, 57.02

 

CMYK 0 / 53 / 98 / 16

HEX #D76504

RGB 215 101 4

HSL 27.58, 0.96%, 0.43%

LAB 55.85, 40.66, 63.62

 

CMYK 0 / 48 / 89 / 23

HEX #C56715

RGB 197 103 21

HSL 27.95, 0.81%, 0.43%

LAB 53.63, 32.62, 57.02

 

CMYK 0 / 42 / 78 / 30

HEX #B36827

RGB 179 104 39

HSL 27.86, 0.64%, 0.43%

LAB 51.42, 25.03, 47.35

 

CMYK 0 / 35 / 65 / 37

HEX #A16939

RGB 161 105 57

HSL 27.69, 0.48%, 0.43%

LAB 49.47, 17.61, 35.68

 

CMYK 0 / 26 / 48 / 44

HEX #906B4B

RGB 144 107 75

HSL 27.83, 0.32%, 0.43%

LAB 48.2, 10.56, 23.64

 

CMYK 0 / 14 / 27 / 51

HEX #7E6C5C

RGB 126 108 92

HSL 28.24, 0.16%, 0.43%

LAB 46.89, 4.43, 11.58

 

CMYK 0 / 89 / 82 / 23

HEX #C51524

RGB 197 21 36

HSL 354.89, 0.81%, 0.43%

LAB 42.05, 64.09, 40.75

 

CMYK 0 / 73 / 89 / 23

HEX #C53615

RGB 197 54 21

HSL 11.25, 0.81%, 0.43%

LAB 45.03, 55.07, 50.5

 

CMYK 0 / 49 / 89 / 23

HEX #C56415

RGB 197 100 21

HSL 26.93, 0.81%, 0.43%

LAB 52.99, 34.19, 56.54

 

CMYK 0 / 25 / 89 / 23

HEX #C59315

RGB 197 147 21

HSL 42.95, 0.81%, 0.43%

LAB 63.99, 8.73, 65.04

 

CMYK 0 / 2 / 89 / 23

HEX #C5C215

RGB 197 194 21

HSL 58.98, 0.81%, 0.43%

LAB 76.38, -15.99, 74.74

 

CMYK 0 / 48 / 89 / 52

HEX #7B400D

RGB 123 64 13

HSL 27.82, 0.81%, 0.27%

LAB 33.79, 22.02, 39.26

 

CMYK 0 / 48 / 89 / 37

HEX #A05311

RGB 160 83 17

HSL 27.69, 0.81%, 0.35%

LAB 43.8, 27.72, 48.28

 

CMYK 0 / 48 / 89 / 23

HEX #C56715

RGB 197 103 21

HSL 27.95, 0.81%, 0.43%

LAB 53.63, 32.62, 57.02

 

CMYK 0 / 47 / 87 / 10

HEX #E67A1E

RGB 230 122 30

HSL 27.6, 0.8%, 0.51%

LAB 62.37, 36.36, 63.11

 

CMYK 0 / 38 / 71 / 8

HEX #EA9043

RGB 234 144 67

HSL 27.66, 0.8%, 0.59%

LAB 67.91, 27.8, 53.69

 

CMYK 0 / 48 / 89 / 23

HEX #C56716

RGB 197 103 22

HSL 27.77, 0.8%, 0.43%

LAB 53.63, 32.64, 56.72

 

CMYK 58 / 0 / 89 / 23

HEX #53C515

RGB 83 197 21

HSL 98.86, 0.81%, 0.43%

LAB 70.75, -59.36, 67.46

 

CMYK 85 / 89 / 0 / 23

HEX #1E15C5

RGB 30 21 197

HSL 243.07, 0.81%, 0.43%

LAB 26.28, 60.52, -84.6

 

CMYK 0 / 48 / 89 / 23

HEX #C56716

RGB 197 103 22

HSL 27.77, 0.8%, 0.43%

LAB 53.63, 32.64, 56.72

 

CMYK 89 / 0 / 49 / 23

HEX #15C564

RGB 21 197 100

HSL 146.93, 0.81%, 0.43%

LAB 70.18, -61.83, 37.26

 

CMYK 49 / 89 / 0 / 23

HEX #6415C5

RGB 100 21 197

HSL 266.93, 0.81%, 0.43%

LAB 32.43, 65.02, -74.23

 

CMYK 0 / 48 / 89 / 23

HEX #C56716

RGB 197 103 22

HSL 27.77, 0.8%, 0.43%

LAB 53.63, 32.64, 56.72

 

CMYK 58 / 0 / 89 / 23

HEX #53C515

RGB 83 197 21

HSL 98.86, 0.81%, 0.43%

LAB 70.75, -59.36, 67.46

 

CMYK 89 / 40 / 0 / 23

HEX #1576C5

RGB 21 118 197

HSL 206.93, 0.81%, 0.43%

LAB 48.45, 3.19, -48.4

 

CMYK 31 / 89 / 0 / 23

HEX #8715C5

RGB 135 21 197

HSL 278.86, 0.81%, 0.43%

LAB 37.33, 69.18, -65.99

 

CMYK 0 / 48 / 89 / 23

HEX #C56716

RGB 197 103 22

HSL 27.77, 0.8%, 0.43%

LAB 53.63, 32.64, 56.72

 

CMYK 85 / 0 / 89 / 23

HEX #1EC515

RGB 30 197 21

HSL 116.93, 0.81%, 0.43%

LAB 69.66, -68.69, 66.09

 

CMYK 89 / 40 / 0 / 23

HEX #1576C5

RGB 21 118 197

HSL 206.93, 0.81%, 0.43%

LAB 48.45, 3.19, -48.4

 

CMYK 5 / 89 / 0 / 23

HEX #BC15C5

RGB 188 21 197

HSL 296.93, 0.81%, 0.43%

LAB 45.99, 77.3, -51.56

 

Description

Color code: RGB 197 103 22 | qconv.com Color code: RGB 197 103 22 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 197 red, 103 green and 22 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
197 103 22 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 48 magenta, 89 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 48% 89% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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