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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 196 93 48 it is the complementary color RGB 59 162 207. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 196 93 48. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 196 93 48 shade: RGB 201 93 43, RGB 218 111 62, RGB 235 129 81, RGB 252 147 100 and RGB 255 165 119

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 196 93 48. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 196 93 48 shade: RGB 196 93 48, RGB 179 75 29, RGB 162 57 10, RGB 145 39 0 and RGB 128 21 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 196 93 48 shade: RGB 197 93 47, RGB 197 52 47 and RGB 197 47 47

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 196 93 48 shade: RGB 197 93 47, RGB 197 133 47, RGB 197 173 47, RGB 180 197 47 and RGB 139 197 47

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 196 93 48 shade matches the following richer shades: RGB 197 93 47, RGB 216 85 27 and RGB 236 77 8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 196 93 48 shade: RGB 197 93 47, RGB 177 100 67, RGB 157 108 87, RGB 137 116 107 and RGB 117 124 126

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 196 93 48 shade: RGB 197 47 82, RGB 197 52 47, RGB 197 92 47, RGB 197 132 47 and RGB 197 172 47

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 196 93 48 shade: RGB 130 61 31, RGB 163 77 39, RGB 197 93 47, RGB 211 116 74 and RGB 219 141 107

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 196 93 48 shade: RGB 196 93 48, RGB 122 197 47 and RGB 47 62 197

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 196 93 48 shade: RGB 196 93 48, RGB 47 197 92 and RGB 92 47 197

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 196 93 48 shade: RGB 196 93 48, RGB 122 197 47, RGB 47 152 197 and RGB 122 47 197

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 196 93 48 shade: RGB 196 93 48, RGB 77 197 47, RGB 47 152 197 and RGB 167 47 197

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 53 / 76 / 23

HEX #C45D30

RGB 196 93 48

HSL 18.24, 0.61%, 0.48%

LAB 51.59, 38.23, 44.06

 

Complementary color

CMYK 71 / 22 / 0 / 19

HEX #3BA2CF

RGB 59 162 207

HSL 198.24, 0.61%, 0.52%

LAB 62.74, -14.88, -31.51

 

CMYK 0 / 54 / 79 / 21

HEX #C95D2B

RGB 201 93 43

HSL 18.99, 0.65%, 0.48%

LAB 52.31, 39.98, 47.48

 

CMYK 0 / 49 / 72 / 15

HEX #DA6F3E

RGB 218 111 62

HSL 18.85, 0.68%, 0.55%

LAB 58.62, 38.32, 45.5

 

CMYK 0 / 45 / 66 / 8

HEX #EB8151

RGB 235 129 81

HSL 18.7, 0.79%, 0.62%

LAB 64.93, 36.77, 43.53

 

CMYK 0 / 42 / 60 / 1

HEX #FC9364

RGB 252 147 100

HSL 18.55, 0.96%, 0.69%

LAB 71.2, 35.36, 41.67

 

CMYK 0 / 35 / 53 / 0

HEX #FFA577

RGB 255 165 119

HSL 20.29, 1%, 0.73%

LAB 75.76, 28.63, 37.48

 

CMYK 0 / 53 / 76 / 23

HEX #C45D30

RGB 196 93 48

HSL 18.24, 0.61%, 0.48%

LAB 51.59, 38.23, 44.06

 

CMYK 0 / 58 / 84 / 30

HEX #B34B1D

RGB 179 75 29

HSL 18.4, 0.72%, 0.41%

LAB 45.23, 39.93, 46

 

CMYK 0 / 65 / 94 / 36

HEX #A2390A

RGB 162 57 10

HSL 18.55, 0.88%, 0.34%

LAB 38.95, 41.61, 47.08

 

CMYK 0 / 73 / 100 / 43

HEX #912700

RGB 145 39 0

HSL 16.14, 1%, 0.28%

LAB 32.86, 43.02, 45.37

 

CMYK 0 / 84 / 100 / 50

HEX #801500

RGB 128 21 0

HSL 9.84, 1%, 0.25%

LAB 27.09, 43.59, 39.47

 

CMYK 0 / 53 / 76 / 23

HEX #C55D2F

RGB 197 93 47

HSL 18.4, 0.61%, 0.48%

LAB 51.73, 38.58, 44.75

 

CMYK 0 / 74 / 76 / 23

HEX #C5342F

RGB 197 52 47

HSL 2, 0.61%, 0.48%

LAB 44.99, 56.49, 37.63

 

CMYK 0 / 76 / 76 / 23

HEX #C52F2F

RGB 197 47 47

HSL 0, 0.61%, 0.48%

LAB 44.39, 58.16, 36.98

 

CMYK 0 / 53 / 76 / 23

HEX #C55D2F

RGB 197 93 47

HSL 18.4, 0.61%, 0.48%

LAB 51.73, 38.58, 44.75

 

CMYK 0 / 32 / 76 / 23

HEX #C5852F

RGB 197 133 47

HSL 34.4, 0.61%, 0.48%

LAB 60.65, 17.18, 53.69

 

CMYK 0 / 12 / 76 / 23

HEX #C5AD2F

RGB 197 173 47

HSL 50.4, 0.61%, 0.48%

LAB 70.85, -4.44, 63.39

 

CMYK 9 / 0 / 76 / 23

HEX #B4C52F

RGB 180 197 47

HSL 66.8, 0.61%, 0.48%

LAB 75.97, -23.93, 67.63

 

CMYK 29 / 0 / 76 / 23

HEX #8BC52F

RGB 139 197 47

HSL 83.2, 0.61%, 0.48%

LAB 73.3, -40.28, 64.17

 

CMYK 0 / 53 / 76 / 23

HEX #C55D2F

RGB 197 93 47

HSL 18.4, 0.61%, 0.48%

LAB 51.73, 38.58, 44.75

 

CMYK 0 / 61 / 88 / 15

HEX #D8551B

RGB 216 85 27

HSL 18.41, 0.78%, 0.48%

LAB 53.14, 48.96, 55.92

 

CMYK 0 / 67 / 97 / 7

HEX #EC4D08

RGB 236 77 8

HSL 18.16, 0.93%, 0.48%

LAB 55.23, 58.99, 64.25

 

CMYK 0 / 53 / 76 / 23

HEX #C55D2F

RGB 197 93 47

HSL 18.4, 0.61%, 0.48%

LAB 51.73, 38.58, 44.75

 

CMYK 0 / 44 / 62 / 31

HEX #B16443

RGB 177 100 67

HSL 18, 0.45%, 0.48%

LAB 50.53, 27.94, 31.99

 

CMYK 0 / 31 / 45 / 38

HEX #9D6C57

RGB 157 108 87

HSL 18, 0.29%, 0.48%

LAB 50.19, 16.89, 19.6

 

CMYK 0 / 15 / 22 / 46

HEX #89746B

RGB 137 116 107

HSL 18, 0.12%, 0.48%

LAB 50.54, 6.66, 8

 

CMYK 7 / 2 / 0 / 51

HEX #757C7E

RGB 117 124 126

HSL 193.33, 0.04%, 0.48%

LAB 51.5, -2.18, -2

 

CMYK 0 / 76 / 58 / 23

HEX #C52F52

RGB 197 47 82

HSL 346, 0.61%, 0.48%

LAB 44.96, 60, 16.59

 

CMYK 0 / 74 / 76 / 23

HEX #C5342F

RGB 197 52 47

HSL 2, 0.61%, 0.48%

LAB 44.99, 56.49, 37.63

 

CMYK 0 / 53 / 76 / 23

HEX #C55C2F

RGB 197 92 47

HSL 18, 0.61%, 0.48%

LAB 51.53, 39.08, 44.55

 

CMYK 0 / 33 / 76 / 23

HEX #C5842F

RGB 197 132 47

HSL 34, 0.61%, 0.48%

LAB 60.41, 17.73, 53.45

 

CMYK 0 / 13 / 76 / 23

HEX #C5AC2F

RGB 197 172 47

HSL 50, 0.61%, 0.48%

LAB 70.58, -3.91, 63.14

 

CMYK 0 / 53 / 76 / 49

HEX #823D1F

RGB 130 61 31

HSL 18.18, 0.61%, 0.32%

LAB 34.36, 27.49, 31.62

 

CMYK 0 / 53 / 76 / 36

HEX #A34D27

RGB 163 77 39

HSL 18.39, 0.61%, 0.4%

LAB 43.12, 32.95, 38.23

 

CMYK 0 / 53 / 76 / 23

HEX #C55D2F

RGB 197 93 47

HSL 18.4, 0.61%, 0.48%

LAB 51.73, 38.58, 44.75

 

CMYK 0 / 45 / 65 / 17

HEX #D3744A

RGB 211 116 74

HSL 18.39, 0.61%, 0.56%

LAB 58.82, 33.63, 39.23

 

CMYK 0 / 36 / 51 / 14

HEX #DB8D6B

RGB 219 141 107

HSL 18.21, 0.61%, 0.64%

LAB 65.88, 26.05, 30.37

 

CMYK 0 / 53 / 76 / 23

HEX #C45D30

RGB 196 93 48

HSL 18.24, 0.61%, 0.48%

LAB 51.59, 38.23, 44.06

 

CMYK 38 / 0 / 76 / 23

HEX #7AC52F

RGB 122 197 47

HSL 90, 0.61%, 0.48%

LAB 72.41, -46.4, 63.01

 

CMYK 76 / 69 / 0 / 23

HEX #2F3EC5

RGB 47 62 197

HSL 234, 0.61%, 0.48%

LAB 34.15, 41.27, -71.55

 

CMYK 0 / 53 / 76 / 23

HEX #C45D30

RGB 196 93 48

HSL 18.24, 0.61%, 0.48%

LAB 51.59, 38.23, 44.06

 

CMYK 76 / 0 / 53 / 23

HEX #2FC55C

RGB 47 197 92

HSL 138, 0.61%, 0.48%

LAB 70.39, -60.49, 41.51

 

CMYK 53 / 76 / 0 / 23

HEX #5C2FC5

RGB 92 47 197

HSL 258, 0.61%, 0.48%

LAB 34.68, 54.77, -70.55

 

CMYK 0 / 53 / 76 / 23

HEX #C45D30

RGB 196 93 48

HSL 18.24, 0.61%, 0.48%

LAB 51.59, 38.23, 44.06

 

CMYK 38 / 0 / 76 / 23

HEX #7AC52F

RGB 122 197 47

HSL 90, 0.61%, 0.48%

LAB 72.41, -46.4, 63.01

 

CMYK 76 / 23 / 0 / 23

HEX #2F98C5

RGB 47 152 197

HSL 198, 0.61%, 0.48%

LAB 59.06, -14.33, -31.65

 

CMYK 38 / 76 / 0 / 23

HEX #7A2FC5

RGB 122 47 197

HSL 270, 0.61%, 0.48%

LAB 38.2, 59.34, -64.65

 

CMYK 0 / 53 / 76 / 23

HEX #C45D30

RGB 196 93 48

HSL 18.24, 0.61%, 0.48%

LAB 51.59, 38.23, 44.06

 

CMYK 61 / 0 / 76 / 23

HEX #4DC52F

RGB 77 197 47

HSL 108, 0.61%, 0.48%

LAB 70.67, -59.6, 60.73

 

CMYK 76 / 23 / 0 / 23

HEX #2F98C5

RGB 47 152 197

HSL 198, 0.61%, 0.48%

LAB 59.06, -14.33, -31.65

 

CMYK 15 / 76 / 0 / 23

HEX #A72FC5

RGB 167 47 197

HSL 288, 0.61%, 0.48%

LAB 44.63, 67.47, -53.92

 

Description

Color code: RGB 196 93 48 | qconv.com Color code: RGB 196 93 48 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 196 red, 93 green and 48 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
196 93 48 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 53 magenta, 76 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 53% 76% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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