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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 196 92 6 it is the complementary color RGB 59 163 249. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 196 92 6. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 196 92 6 shade: RGB 201 92 1, RGB 218 110 20, RGB 235 128 39, RGB 252 146 58 and RGB 255 164 77

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 196 92 6. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 196 92 6 shade: RGB 196 92 6, RGB 179 74 0, RGB 162 56 0, RGB 145 38 0 and RGB 128 20 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 196 92 6 shade: RGB 197 92 6, RGB 197 41 6 and RGB 197 6 6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 196 92 6 shade: RGB 197 92 6, RGB 197 144 6, RGB 197 196 6, RGB 147 197 6 and RGB 95 197 6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 196 92 6 shade matches the following richer shades: RGB 197 92 6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 196 92 6 shade: RGB 197 92 6, RGB 181 94 22, RGB 164 96 39, RGB 148 97 55 and RGB 131 99 72

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 196 92 6 shade: RGB 197 6 22, RGB 197 41 6, RGB 197 92 6, RGB 197 143 6 and RGB 197 194 6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 196 92 6 shade: RGB 117 55 3, RGB 157 74 4, RGB 197 92 6, RGB 237 111 7 and RGB 248 133 38

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 196 92 6 shade: RGB 196 92 6, RGB 73 197 6 and RGB 15 6 197

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 196 92 6 shade: RGB 196 92 6, RGB 6 197 92 and RGB 92 6 197

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 196 92 6 shade: RGB 196 92 6, RGB 73 197 6, RGB 6 111 197 and RGB 130 6 197

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 196 92 6 shade: RGB 196 92 6, RGB 15 197 6, RGB 6 111 197 and RGB 188 6 197

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 53 / 97 / 23

HEX #C45C06

RGB 196 92 6

HSL 27.16, 0.94%, 0.4%

LAB 51.16, 37.69, 58.83

 

Complementary color

CMYK 76 / 35 / 0 / 2

HEX #3BA3F9

RGB 59 163 249

HSL 207.16, 0.94%, 0.6%

LAB 64.93, -1.02, -51.23

 

CMYK 0 / 54 / 100 / 21

HEX #C95C01

RGB 201 92 1

HSL 27.3, 0.99%, 0.4%

LAB 51.92, 39.61, 60.78

 

CMYK 0 / 50 / 91 / 15

HEX #DA6E14

RGB 218 110 20

HSL 27.27, 0.83%, 0.47%

LAB 58.14, 37.5, 62.03

 

CMYK 0 / 46 / 83 / 8

HEX #EB8027

RGB 235 128 39

HSL 27.24, 0.83%, 0.54%

LAB 64.36, 35.5, 62

 

CMYK 0 / 42 / 77 / 1

HEX #FC923A

RGB 252 146 58

HSL 27.22, 0.97%, 0.61%

LAB 70.57, 33.67, 61.09

 

CMYK 0 / 36 / 70 / 0

HEX #FFA44D

RGB 255 164 77

HSL 29.33, 1%, 0.65%

LAB 75.04, 26.38, 57.47

 

CMYK 0 / 53 / 97 / 23

HEX #C45C06

RGB 196 92 6

HSL 27.16, 0.94%, 0.4%

LAB 51.16, 37.69, 58.83

 

CMYK 0 / 59 / 100 / 30

HEX #B34A00

RGB 179 74 0

HSL 24.8, 1%, 0.35%

LAB 44.92, 39.89, 55.17

 

CMYK 0 / 65 / 100 / 36

HEX #A23800

RGB 162 56 0

HSL 20.74, 1%, 0.32%

LAB 38.74, 41.92, 50.27

 

CMYK 0 / 74 / 100 / 43

HEX #912600

RGB 145 38 0

HSL 15.72, 1%, 0.28%

LAB 32.71, 43.41, 45.28

 

CMYK 0 / 84 / 100 / 50

HEX #801400

RGB 128 20 0

HSL 9.38, 1%, 0.25%

LAB 26.99, 43.88, 39.38

 

CMYK 0 / 53 / 97 / 23

HEX #C55C06

RGB 197 92 6

HSL 27.02, 0.94%, 0.4%

LAB 51.31, 38.09, 59.01

 

CMYK 0 / 79 / 97 / 23

HEX #C52906

RGB 197 41 6

HSL 10.99, 0.94%, 0.4%

LAB 43.46, 59.08, 54.42

 

CMYK 0 / 97 / 97 / 23

HEX #C50606

RGB 197 6 6

HSL 0, 0.94%, 0.4%

LAB 41.24, 65.42, 53.3

 

CMYK 0 / 53 / 97 / 23

HEX #C55C06

RGB 197 92 6

HSL 27.02, 0.94%, 0.4%

LAB 51.31, 38.09, 59.01

 

CMYK 0 / 27 / 97 / 23

HEX #C59006

RGB 197 144 6

HSL 43.35, 0.94%, 0.4%

LAB 63.2, 10.15, 67.02

 

CMYK 0 / 1 / 97 / 23

HEX #C5C406

RGB 197 196 6

HSL 59.69, 0.94%, 0.4%

LAB 76.9, -17.19, 77

 

CMYK 25 / 0 / 97 / 23

HEX #93C506

RGB 147 197 6

HSL 75.71, 0.94%, 0.4%

LAB 73.64, -38.44, 72.97

 

CMYK 52 / 0 / 97 / 23

HEX #5FC506

RGB 95 197 6

HSL 92.04, 0.94%, 0.4%

LAB 71.13, -56.41, 69.92

 

CMYK 0 / 53 / 97 / 23

HEX #C55C06

RGB 197 92 6

HSL 27.02, 0.94%, 0.4%

LAB 51.31, 38.09, 59.01

 

CMYK 0 / 53 / 97 / 23

HEX #C55C06

RGB 197 92 6

HSL 27.02, 0.94%, 0.4%

LAB 51.31, 38.09, 59.01

 

CMYK 0 / 48 / 88 / 29

HEX #B55E16

RGB 181 94 22

HSL 27.17, 0.78%, 0.4%

LAB 49.36, 30.78, 52.36

 

CMYK 0 / 41 / 76 / 36

HEX #A46027

RGB 164 96 39

HSL 27.36, 0.62%, 0.4%

LAB 47.5, 22.98, 42.78

 

CMYK 0 / 34 / 63 / 42

HEX #946137

RGB 148 97 55

HSL 27.1, 0.46%, 0.4%

LAB 45.8, 16.31, 32.05

 

CMYK 0 / 24 / 45 / 49

HEX #836348

RGB 131 99 72

HSL 27.46, 0.29%, 0.4%

LAB 44.54, 9.19, 20.32

 

CMYK 0 / 97 / 89 / 23

HEX #C50616

RGB 197 6 22

HSL 354.97, 0.94%, 0.4%

LAB 41.31, 65.62, 47.28

 

CMYK 0 / 79 / 97 / 23

HEX #C52906

RGB 197 41 6

HSL 10.99, 0.94%, 0.4%

LAB 43.46, 59.08, 54.42

 

CMYK 0 / 53 / 97 / 23

HEX #C55C06

RGB 197 92 6

HSL 27.02, 0.94%, 0.4%

LAB 51.31, 38.09, 59.01

 

CMYK 0 / 27 / 97 / 23

HEX #C58F06

RGB 197 143 6

HSL 43.04, 0.94%, 0.4%

LAB 62.95, 10.69, 66.85

 

CMYK 0 / 2 / 97 / 23

HEX #C5C206

RGB 197 194 6

HSL 59.06, 0.94%, 0.4%

LAB 76.36, -16.19, 76.59

 

CMYK 0 / 53 / 97 / 54

HEX #753703

RGB 117 55 3

HSL 27.37, 0.95%, 0.24%

LAB 30.69, 24.25, 40.25

 

CMYK 0 / 53 / 97 / 38

HEX #9D4A04

RGB 157 74 4

HSL 27.45, 0.95%, 0.32%

LAB 41.33, 31.09, 50.05

 

CMYK 0 / 53 / 97 / 23

HEX #C55C06

RGB 197 92 6

HSL 27.02, 0.94%, 0.4%

LAB 51.31, 38.09, 59.01

 

CMYK 0 / 53 / 97 / 7

HEX #ED6F07

RGB 237 111 7

HSL 27.13, 0.94%, 0.48%

LAB 61.12, 44.28, 68.01

 

CMYK 0 / 46 / 85 / 3

HEX #F88526

RGB 248 133 38

HSL 27.14, 0.94%, 0.56%

LAB 67.18, 38.11, 65.45

 

CMYK 0 / 53 / 97 / 23

HEX #C45C06

RGB 196 92 6

HSL 27.16, 0.94%, 0.4%

LAB 51.16, 37.69, 58.83

 

CMYK 63 / 0 / 97 / 23

HEX #49C506

RGB 73 197 6

HSL 98.95, 0.94%, 0.4%

LAB 70.43, -62.11, 69.06

 

CMYK 92 / 97 / 0 / 23

HEX #0F06C5

RGB 15 6 197

HSL 242.83, 0.94%, 0.4%

LAB 24.52, 64.02, -87.56

 

CMYK 0 / 53 / 97 / 23

HEX #C45C06

RGB 196 92 6

HSL 27.16, 0.94%, 0.4%

LAB 51.16, 37.69, 58.83

 

CMYK 97 / 0 / 53 / 23

HEX #06C55C

RGB 6 197 92

HSL 147.02, 0.94%, 0.4%

LAB 70, -63.8, 40.93

 

CMYK 53 / 97 / 0 / 23

HEX #5C06C5

RGB 92 6 197

HSL 267.02, 0.94%, 0.4%

LAB 30.49, 67.13, -77.47

 

CMYK 0 / 53 / 97 / 23

HEX #C45C06

RGB 196 92 6

HSL 27.16, 0.94%, 0.4%

LAB 51.16, 37.69, 58.83

 

CMYK 63 / 0 / 97 / 23

HEX #49C506

RGB 73 197 6

HSL 98.95, 0.94%, 0.4%

LAB 70.43, -62.11, 69.06

 

CMYK 97 / 44 / 0 / 23

HEX #066FC5

RGB 6 111 197

HSL 207.02, 0.94%, 0.4%

LAB 46.23, 6.91, -51.96

 

CMYK 34 / 97 / 0 / 23

HEX #8206C5

RGB 130 6 197

HSL 278.95, 0.94%, 0.4%

LAB 35.81, 70.83, -68.52

 

CMYK 0 / 53 / 97 / 23

HEX #C45C06

RGB 196 92 6

HSL 27.16, 0.94%, 0.4%

LAB 51.16, 37.69, 58.83

 

CMYK 92 / 0 / 97 / 23

HEX #0FC506

RGB 15 197 6

HSL 117.17, 0.94%, 0.4%

LAB 69.5, -70.18, 67.92

 

CMYK 97 / 44 / 0 / 23

HEX #066FC5

RGB 6 111 197

HSL 207.02, 0.94%, 0.4%

LAB 46.23, 6.91, -51.96

 

CMYK 5 / 97 / 0 / 23

HEX #BC06C5

RGB 188 6 197

HSL 297.17, 0.94%, 0.4%

LAB 45.43, 78.94, -52.45

 

Description

Color code: RGB 196 92 6 | qconv.com Color code: RGB 196 92 6 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 196 red, 92 green and 6 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
196 92 6 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 53 magenta, 97 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 53% 97% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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