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Color name
RGB 196 88 180

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 196 88 180 it is the complementary color RGB 59 167 75. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 196 88 180. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 196 88 180 shade: RGB 201 88 175, RGB 218 106 194, RGB 235 124 213, RGB 252 142 232 and RGB 255 160 251

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 196 88 180. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 196 88 180 shade: RGB 196 88 180, RGB 179 70 161, RGB 162 52 142, RGB 145 34 123 and RGB 128 16 104

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 196 88 180 shade: RGB 196 88 180, RGB 196 88 151, RGB 196 88 122, RGB 196 88 93 and RGB 196 88 88

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 196 88 180 shade: RGB 196 88 180, RGB 183 88 196, RGB 154 88 196, RGB 125 88 196 and RGB 96 88 196

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 196 88 180 shade matches the following richer shades: RGB 196 88 180, RGB 214 70 193, RGB 232 52 206 and RGB 251 34 219

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 196 88 180 shade: RGB 196 88 180, RGB 178 107 167, RGB 160 125 155, RGB 142 143 142 and RGB 124 161 129

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 196 88 180 shade: RGB 153 88 196, RGB 182 88 196, RGB 196 88 182, RGB 196 88 153 and RGB 196 88 124

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 196 88 180 shade: RGB 150 52 135, RGB 180 63 163, RGB 196 88 180, RGB 207 119 194 and RGB 218 150 208

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 196 88 180 shade: RGB 196 88 180, RGB 196 124 88 and RGB 88 196 167

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 196 88 180 shade: RGB 196 88 180, RGB 182 196 88 and RGB 88 182 196

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 196 88 180 shade: RGB 196 88 180, RGB 196 124 88, RGB 88 196 103 and RGB 88 160 196

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 196 88 180 shade: RGB 196 88 180, RGB 196 157 88, RGB 88 196 103 and RGB 88 128 196

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 55 / 8 / 23

HEX #C458B4

RGB 196 88 180

HSL 308.89, 0.48%, 0.56%

LAB 54.04, 54.75, -28.89

 

Complementary color

CMYK 65 / 0 / 55 / 35

HEX #3BA74B

RGB 59 167 75

HSL 128.89, 0.48%, 0.44%

LAB 60.85, -50.12, 38.29

 

CMYK 0 / 56 / 13 / 21

HEX #C958AF

RGB 201 88 175

HSL 313.81, 0.51%, 0.57%

LAB 54.55, 55.38, -25.15

 

CMYK 0 / 51 / 11 / 15

HEX #DA6AC2

RGB 218 106 194

HSL 312.86, 0.6%, 0.64%

LAB 60.88, 54.85, -26.1

 

CMYK 0 / 47 / 9 / 8

HEX #EB7CD5

RGB 235 124 213

HSL 311.89, 0.74%, 0.7%

LAB 67.19, 54.21, -26.9

 

CMYK 0 / 44 / 8 / 1

HEX #FC8EE8

RGB 252 142 232

HSL 310.91, 0.95%, 0.77%

LAB 73.46, 53.52, -27.58

 

CMYK 0 / 37 / 2 / 0

HEX #FFA0FB

RGB 255 160 251

HSL 302.53, 1%, 0.81%

LAB 78.09, 48.58, -30.75

 

CMYK 0 / 55 / 8 / 23

HEX #C458B4

RGB 196 88 180

HSL 308.89, 0.48%, 0.56%

LAB 54.04, 54.75, -28.89

 

CMYK 0 / 61 / 10 / 30

HEX #B346A1

RGB 179 70 161

HSL 309.91, 0.44%, 0.49%

LAB 47.67, 55.1, -27.84

 

CMYK 0 / 68 / 12 / 36

HEX #A2348E

RGB 162 52 142

HSL 310.91, 0.51%, 0.42%

LAB 41.36, 55.08, -26.47

 

CMYK 0 / 77 / 15 / 43

HEX #91227B

RGB 145 34 123

HSL 311.89, 0.62%, 0.35%

LAB 35.19, 54.41, -24.6

 

CMYK 0 / 88 / 19 / 50

HEX #801068

RGB 128 16 104

HSL 312.86, 0.78%, 0.28%

LAB 29.31, 52.62, -21.94

 

CMYK 0 / 55 / 8 / 23

HEX #C458B4

RGB 196 88 180

HSL 308.89, 0.48%, 0.56%

LAB 54.04, 54.75, -28.89

 

CMYK 0 / 55 / 23 / 23

HEX #C45897

RGB 196 88 151

HSL 325, 0.48%, 0.56%

LAB 52.89, 50.3, -13.69

 

CMYK 0 / 55 / 38 / 23

HEX #C4587A

RGB 196 88 122

HSL 341.11, 0.48%, 0.56%

LAB 51.97, 46.56, 2.14

 

CMYK 0 / 55 / 53 / 23

HEX #C4585D

RGB 196 88 93

HSL 357.22, 0.48%, 0.56%

LAB 51.27, 43.63, 18.44

 

CMYK 0 / 55 / 55 / 23

HEX #C45858

RGB 196 88 88

HSL 0, 0.48%, 0.56%

LAB 51.17, 43.21, 21.27

 

CMYK 0 / 55 / 8 / 23

HEX #C458B4

RGB 196 88 180

HSL 308.89, 0.48%, 0.56%

LAB 54.04, 54.75, -28.89

 

CMYK 7 / 55 / 0 / 23

HEX #B758C4

RGB 183 88 196

HSL 292.78, 0.48%, 0.56%

LAB 52.98, 54.01, -39.9

 

CMYK 21 / 55 / 0 / 23

HEX #9A58C4

RGB 154 88 196

HSL 276.67, 0.48%, 0.56%

LAB 49.3, 46.34, -45.98

 

CMYK 36 / 55 / 0 / 23

HEX #7D58C4

RGB 125 88 196

HSL 260.56, 0.48%, 0.56%

LAB 46.08, 39.01, -51.31

 

CMYK 51 / 55 / 0 / 23

HEX #6058C4

RGB 96 88 196

HSL 244.44, 0.48%, 0.56%

LAB 43.44, 32.41, -55.69

 

CMYK 0 / 55 / 8 / 23

HEX #C458B4

RGB 196 88 180

HSL 308.89, 0.48%, 0.56%

LAB 54.04, 54.75, -28.89

 

CMYK 0 / 67 / 10 / 16

HEX #D646C1

RGB 214 70 193

HSL 308.75, 0.64%, 0.56%

LAB 54.58, 69.05, -35.35

 

CMYK 0 / 78 / 11 / 9

HEX #E834CE

RGB 232 52 206

HSL 308.67, 0.8%, 0.56%

LAB 56.16, 80.54, -40.14

 

CMYK 0 / 86 / 13 / 2

HEX #FB22DB

RGB 251 34 219

HSL 308.85, 0.96%, 0.56%

LAB 58.76, 89.67, -43.21

 

CMYK 0 / 55 / 8 / 23

HEX #C458B4

RGB 196 88 180

HSL 308.89, 0.48%, 0.56%

LAB 54.04, 54.75, -28.89

 

CMYK 0 / 40 / 6 / 30

HEX #B26BA7

RGB 178 107 167

HSL 309.3, 0.32%, 0.56%

LAB 54.84, 37.34, -20.32

 

CMYK 0 / 22 / 3 / 37

HEX #A07D9B

RGB 160 125 155

HSL 308.57, 0.16%, 0.56%

LAB 56.59, 18.79, -10.9

 

CMYK 1 / 0 / 1 / 44

HEX #8E8F8E

RGB 142 143 142

HSL 120, 0%, 0.56%

LAB 59.3, -0.56, 0.4

 

CMYK 23 / 0 / 20 / 37

HEX #7CA181

RGB 124 161 129

HSL 128.11, 0.16%, 0.56%

LAB 62.81, -19.26, 12.6

 

CMYK 22 / 55 / 0 / 23

HEX #9958C4

RGB 153 88 196

HSL 276.11, 0.48%, 0.56%

LAB 49.18, 46.08, -46.18

 

CMYK 7 / 55 / 0 / 23

HEX #B658C4

RGB 182 88 196

HSL 292.22, 0.48%, 0.56%

LAB 52.85, 53.74, -40.12

 

CMYK 0 / 55 / 7 / 23

HEX #C458B6

RGB 196 88 182

HSL 307.78, 0.48%, 0.56%

LAB 54.13, 55.09, -29.91

 

CMYK 0 / 55 / 22 / 23

HEX #C45899

RGB 196 88 153

HSL 323.89, 0.48%, 0.56%

LAB 52.97, 50.58, -14.76

 

CMYK 0 / 55 / 37 / 23

HEX #C4587C

RGB 196 88 124

HSL 340, 0.48%, 0.56%

LAB 52.03, 46.8, 1.03

 

CMYK 0 / 65 / 10 / 41

HEX #963487

RGB 150 52 135

HSL 309.18, 0.49%, 0.4%

LAB 39.05, 50.79, -25.94

 

CMYK 0 / 65 / 9 / 29

HEX #B43FA3

RGB 180 63 163

HSL 308.72, 0.48%, 0.48%

LAB 46.85, 58.65, -30.31

 

CMYK 0 / 55 / 8 / 23

HEX #C458B4

RGB 196 88 180

HSL 308.89, 0.48%, 0.56%

LAB 54.04, 54.75, -28.89

 

CMYK 0 / 43 / 6 / 19

HEX #CF77C2

RGB 207 119 194

HSL 308.86, 0.48%, 0.64%

LAB 61.96, 45.01, -24.56

 

CMYK 0 / 31 / 5 / 15

HEX #DA96D0

RGB 218 150 208

HSL 308.82, 0.48%, 0.72%

LAB 70.37, 34.58, -19.44

 

CMYK 0 / 55 / 8 / 23

HEX #C458B4

RGB 196 88 180

HSL 308.89, 0.48%, 0.56%

LAB 54.04, 54.75, -28.89

 

CMYK 0 / 37 / 55 / 23

HEX #C47C58

RGB 196 124 88

HSL 20, 0.48%, 0.56%

LAB 58.84, 24.28, 31.2

 

CMYK 55 / 0 / 15 / 23

HEX #58C4A7

RGB 88 196 167

HSL 163.89, 0.48%, 0.56%

LAB 72.46, -38.08, 5.21

 

CMYK 0 / 55 / 8 / 23

HEX #C458B4

RGB 196 88 180

HSL 308.89, 0.48%, 0.56%

LAB 54.04, 54.75, -28.89

 

CMYK 7 / 0 / 55 / 23

HEX #B6C458

RGB 182 196 88

HSL 67.78, 0.48%, 0.56%

LAB 76.15, -20.04, 51.7

 

CMYK 55 / 7 / 0 / 23

HEX #58B6C4

RGB 88 182 196

HSL 187.78, 0.48%, 0.56%

LAB 69.12, -23.79, -15.58

 

CMYK 0 / 55 / 8 / 23

HEX #C458B4

RGB 196 88 180

HSL 308.89, 0.48%, 0.56%

LAB 54.04, 54.75, -28.89

 

CMYK 0 / 37 / 55 / 23

HEX #C47C58

RGB 196 124 88

HSL 20, 0.48%, 0.56%

LAB 58.84, 24.28, 31.2

 

CMYK 55 / 0 / 47 / 23

HEX #58C467

RGB 88 196 103

HSL 128.33, 0.48%, 0.56%

LAB 71.24, -50.57, 37.37

 

CMYK 55 / 18 / 0 / 23

HEX #58A0C4

RGB 88 160 196

HSL 200, 0.48%, 0.56%

LAB 62.68, -12.24, -25.39

 

CMYK 0 / 55 / 8 / 23

HEX #C458B4

RGB 196 88 180

HSL 308.89, 0.48%, 0.56%

LAB 54.04, 54.75, -28.89

 

CMYK 0 / 20 / 55 / 23

HEX #C49D58

RGB 196 157 88

HSL 38.33, 0.48%, 0.56%

LAB 66.94, 6.2, 41.2

 

CMYK 55 / 0 / 47 / 23

HEX #58C467

RGB 88 196 103

HSL 128.33, 0.48%, 0.56%

LAB 71.24, -50.57, 37.37

 

CMYK 55 / 35 / 0 / 23

HEX #5880C4

RGB 88 128 196

HSL 217.78, 0.48%, 0.56%

LAB 53.49, 6.1, -39.69

 

Description

Color code: RGB 196 88 180 | qconv.com Color code: RGB 196 88 180 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 196 red, 88 green and 180 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
196 88 180 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 55 magenta, 8 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 55% 8% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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