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Color name
RGB 196 88 178

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 196 88 178 it is the complementary color RGB 59 167 77. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 196 88 178. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 196 88 178 shade: RGB 201 88 173, RGB 218 106 192, RGB 235 124 211, RGB 252 142 230 and RGB 255 160 249

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 196 88 178. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 196 88 178 shade: RGB 196 88 178, RGB 179 70 159, RGB 162 52 140, RGB 145 34 121 and RGB 128 16 102

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 196 88 178 shade: RGB 196 88 178, RGB 196 88 149, RGB 196 88 120, RGB 196 88 91 and RGB 196 88 88

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 196 88 178 shade: RGB 196 88 178, RGB 185 88 196, RGB 156 88 196, RGB 127 88 196 and RGB 98 88 196

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 196 88 178 shade matches the following richer shades: RGB 196 88 178, RGB 214 70 190, RGB 232 52 202 and RGB 251 34 215

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 196 88 178 shade: RGB 196 88 178, RGB 178 107 166, RGB 160 125 154, RGB 142 143 142 and RGB 124 161 130

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 196 88 178 shade: RGB 157 88 196, RGB 185 88 196, RGB 196 88 178, RGB 196 88 149 and RGB 196 88 121

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 196 88 178 shade: RGB 150 52 134, RGB 180 63 161, RGB 196 88 178, RGB 207 119 192 and RGB 218 150 206

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 196 88 178 shade: RGB 196 88 178, RGB 196 128 88 and RGB 88 196 171

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 196 88 178 shade: RGB 196 88 178, RGB 178 196 88 and RGB 88 178 196

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 196 88 178 shade: RGB 196 88 178, RGB 196 128 88, RGB 88 196 106 and RGB 88 157 196

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 196 88 178 shade: RGB 196 88 178, RGB 196 160 88, RGB 88 196 106 and RGB 88 124 196

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 55 / 9 / 23

HEX #C458B2

RGB 196 88 178

HSL 310, 0.48%, 0.56%

LAB 53.95, 54.43, -27.86

 

Complementary color

CMYK 65 / 0 / 54 / 35

HEX #3BA74D

RGB 59 167 77

HSL 130, 0.48%, 0.44%

LAB 60.87, -49.84, 37.33

 

CMYK 0 / 56 / 14 / 21

HEX #C958AD

RGB 201 88 173

HSL 314.87, 0.51%, 0.57%

LAB 54.46, 55.07, -24.11

 

CMYK 0 / 51 / 12 / 15

HEX #DA6AC0

RGB 218 106 192

HSL 313.93, 0.6%, 0.64%

LAB 60.8, 54.53, -25.09

 

CMYK 0 / 47 / 10 / 8

HEX #EB7CD3

RGB 235 124 211

HSL 312.97, 0.74%, 0.7%

LAB 67.11, 53.89, -25.9

 

CMYK 0 / 44 / 9 / 1

HEX #FC8EE6

RGB 252 142 230

HSL 312, 0.95%, 0.77%

LAB 73.39, 53.19, -26.59

 

CMYK 0 / 37 / 2 / 0

HEX #FFA0F9

RGB 255 160 249

HSL 303.79, 1%, 0.81%

LAB 78.02, 48.23, -29.79

 

CMYK 0 / 55 / 9 / 23

HEX #C458B2

RGB 196 88 178

HSL 310, 0.48%, 0.56%

LAB 53.95, 54.43, -27.86

 

CMYK 0 / 61 / 11 / 30

HEX #B3469F

RGB 179 70 159

HSL 311.01, 0.44%, 0.49%

LAB 47.58, 54.78, -26.8

 

CMYK 0 / 68 / 14 / 36

HEX #A2348C

RGB 162 52 140

HSL 312, 0.51%, 0.42%

LAB 41.27, 54.78, -25.4

 

CMYK 0 / 77 / 17 / 43

HEX #912279

RGB 145 34 121

HSL 312.97, 0.62%, 0.35%

LAB 35.09, 54.12, -23.5

 

CMYK 0 / 88 / 20 / 50

HEX #801066

RGB 128 16 102

HSL 313.93, 0.78%, 0.28%

LAB 29.21, 52.34, -20.81

 

CMYK 0 / 55 / 9 / 23

HEX #C458B2

RGB 196 88 178

HSL 310, 0.48%, 0.56%

LAB 53.95, 54.43, -27.86

 

CMYK 0 / 55 / 24 / 23

HEX #C45895

RGB 196 88 149

HSL 326.11, 0.48%, 0.56%

LAB 52.82, 50.02, -12.62

 

CMYK 0 / 55 / 39 / 23

HEX #C45878

RGB 196 88 120

HSL 342.22, 0.48%, 0.56%

LAB 51.92, 46.33, 3.26

 

CMYK 0 / 55 / 54 / 23

HEX #C4585B

RGB 196 88 91

HSL 358.33, 0.48%, 0.56%

LAB 51.23, 43.46, 19.57

 

CMYK 0 / 55 / 55 / 23

HEX #C45858

RGB 196 88 88

HSL 0, 0.48%, 0.56%

LAB 51.17, 43.21, 21.27

 

CMYK 0 / 55 / 9 / 23

HEX #C458B2

RGB 196 88 178

HSL 310, 0.48%, 0.56%

LAB 53.95, 54.43, -27.86

 

CMYK 6 / 55 / 0 / 23

HEX #B958C4

RGB 185 88 196

HSL 293.89, 0.48%, 0.56%

LAB 53.25, 54.54, -39.46

 

CMYK 20 / 55 / 0 / 23

HEX #9C58C4

RGB 156 88 196

HSL 277.78, 0.48%, 0.56%

LAB 49.54, 46.86, -45.58

 

CMYK 35 / 55 / 0 / 23

HEX #7F58C4

RGB 127 88 196

HSL 261.67, 0.48%, 0.56%

LAB 46.28, 39.5, -50.97

 

CMYK 50 / 55 / 0 / 23

HEX #6258C4

RGB 98 88 196

HSL 245.56, 0.48%, 0.56%

LAB 43.6, 32.83, -55.43

 

CMYK 0 / 55 / 9 / 23

HEX #C458B2

RGB 196 88 178

HSL 310, 0.48%, 0.56%

LAB 53.95, 54.43, -27.86

 

CMYK 0 / 67 / 11 / 16

HEX #D646BE

RGB 214 70 190

HSL 310, 0.64%, 0.56%

LAB 54.44, 68.6, -33.84

 

CMYK 0 / 78 / 13 / 9

HEX #E834CA

RGB 232 52 202

HSL 310, 0.8%, 0.56%

LAB 55.96, 79.99, -38.15

 

CMYK 0 / 86 / 14 / 2

HEX #FB22D7

RGB 251 34 215

HSL 309.95, 0.96%, 0.56%

LAB 58.56, 89.16, -41.25

 

CMYK 0 / 55 / 9 / 23

HEX #C458B2

RGB 196 88 178

HSL 310, 0.48%, 0.56%

LAB 53.95, 54.43, -27.86

 

CMYK 0 / 40 / 7 / 30

HEX #B26BA6

RGB 178 107 166

HSL 310.14, 0.32%, 0.56%

LAB 54.8, 37.16, -19.8

 

CMYK 0 / 22 / 4 / 37

HEX #A07D9A

RGB 160 125 154

HSL 310.29, 0.16%, 0.56%

LAB 56.56, 18.6, -10.37

 

CMYK 1 / 0 / 1 / 44

HEX #8E8F8E

RGB 142 143 142

HSL 120, 0%, 0.56%

LAB 59.3, -0.56, 0.4

 

CMYK 23 / 0 / 19 / 37

HEX #7CA182

RGB 124 161 130

HSL 129.73, 0.16%, 0.56%

LAB 62.83, -19.07, 12.07

 

CMYK 20 / 55 / 0 / 23

HEX #9D58C4

RGB 157 88 196

HSL 278.33, 0.48%, 0.56%

LAB 49.66, 47.13, -45.38

 

CMYK 6 / 55 / 0 / 23

HEX #B958C4

RGB 185 88 196

HSL 293.89, 0.48%, 0.56%

LAB 53.25, 54.54, -39.46

 

CMYK 0 / 55 / 9 / 23

HEX #C458B2

RGB 196 88 178

HSL 310, 0.48%, 0.56%

LAB 53.95, 54.43, -27.86

 

CMYK 0 / 55 / 24 / 23

HEX #C45895

RGB 196 88 149

HSL 326.11, 0.48%, 0.56%

LAB 52.82, 50.02, -12.62

 

CMYK 0 / 55 / 38 / 23

HEX #C45879

RGB 196 88 121

HSL 341.67, 0.48%, 0.56%

LAB 51.95, 46.45, 2.7

 

CMYK 0 / 65 / 11 / 41

HEX #963486

RGB 150 52 134

HSL 309.8, 0.49%, 0.4%

LAB 39, 50.62, -25.4

 

CMYK 0 / 65 / 11 / 29

HEX #B43FA1

RGB 180 63 161

HSL 309.74, 0.48%, 0.48%

LAB 46.75, 58.33, -29.26

 

CMYK 0 / 55 / 9 / 23

HEX #C458B2

RGB 196 88 178

HSL 310, 0.48%, 0.56%

LAB 53.95, 54.43, -27.86

 

CMYK 0 / 43 / 7 / 19

HEX #CF77C0

RGB 207 119 192

HSL 310.23, 0.48%, 0.64%

LAB 61.88, 44.67, -23.55

 

CMYK 0 / 31 / 6 / 15

HEX #DA96CE

RGB 218 150 206

HSL 310.59, 0.48%, 0.72%

LAB 70.3, 34.22, -18.44

 

CMYK 0 / 55 / 9 / 23

HEX #C458B2

RGB 196 88 178

HSL 310, 0.48%, 0.56%

LAB 53.95, 54.43, -27.86

 

CMYK 0 / 35 / 55 / 23

HEX #C48058

RGB 196 128 88

HSL 22.22, 0.48%, 0.56%

LAB 59.78, 22.09, 32.39

 

CMYK 55 / 0 / 13 / 23

HEX #58C4AB

RGB 88 196 171

HSL 166.11, 0.48%, 0.56%

LAB 72.56, -37.12, 3.19

 

CMYK 0 / 55 / 9 / 23

HEX #C458B2

RGB 196 88 178

HSL 310, 0.48%, 0.56%

LAB 53.95, 54.43, -27.86

 

CMYK 9 / 0 / 55 / 23

HEX #B2C458

RGB 178 196 88

HSL 70, 0.48%, 0.56%

LAB 75.85, -21.66, 51.28

 

CMYK 55 / 9 / 0 / 23

HEX #58B2C4

RGB 88 178 196

HSL 190, 0.48%, 0.56%

LAB 67.95, -21.76, -17.36

 

CMYK 0 / 55 / 9 / 23

HEX #C458B2

RGB 196 88 178

HSL 310, 0.48%, 0.56%

LAB 53.95, 54.43, -27.86

 

CMYK 0 / 35 / 55 / 23

HEX #C48058

RGB 196 128 88

HSL 22.22, 0.48%, 0.56%

LAB 59.78, 22.09, 32.39

 

CMYK 55 / 0 / 46 / 23

HEX #58C46A

RGB 88 196 106

HSL 130, 0.48%, 0.56%

LAB 71.28, -50.11, 35.91

 

CMYK 55 / 20 / 0 / 23

HEX #589DC4

RGB 88 157 196

HSL 201.67, 0.48%, 0.56%

LAB 61.8, -10.6, -26.74

 

CMYK 0 / 55 / 9 / 23

HEX #C458B2

RGB 196 88 178

HSL 310, 0.48%, 0.56%

LAB 53.95, 54.43, -27.86

 

CMYK 0 / 18 / 55 / 23

HEX #C4A058

RGB 196 160 88

HSL 40, 0.48%, 0.56%

LAB 67.71, 4.58, 42.12

 

CMYK 55 / 0 / 46 / 23

HEX #58C46A

RGB 88 196 106

HSL 130, 0.48%, 0.56%

LAB 71.28, -50.11, 35.91

 

CMYK 55 / 37 / 0 / 23

HEX #587CC4

RGB 88 124 196

HSL 220, 0.48%, 0.56%

LAB 52.37, 8.51, -41.46

 

Description

Color code: RGB 196 88 178 | qconv.com Color code: RGB 196 88 178 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 196 red, 88 green and 178 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
196 88 178 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 55 magenta, 9 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 55% 9% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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