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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 196 80 236 it is the complementary color RGB 59 175 19. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 196 80 236. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 196 80 236 shade: RGB 201 80 231, RGB 218 98 250, RGB 235 116 255, RGB 252 134 255 and RGB 255 152 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 196 80 236. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 196 80 236 shade: RGB 196 80 236, RGB 179 62 217, RGB 162 44 198, RGB 145 26 179 and RGB 128 8 160

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 196 80 236 shade: RGB 195 80 235, RGB 235 80 233, RGB 235 80 191, RGB 235 80 149 and RGB 235 80 108

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 196 80 236 shade: RGB 195 80 235, RGB 154 80 235, RGB 112 80 235 and RGB 80 80 235

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 196 80 236 shade matches the following richer shades: RGB 195 80 235 and RGB 203 64 251

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 196 80 236 shade: RGB 195 80 235, RGB 188 96 219, RGB 180 111 204, RGB 172 127 188 and RGB 165 143 172

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 196 80 236 shade: RGB 111 80 235, RGB 152 80 235, RGB 194 80 235, RGB 235 80 235 and RGB 235 80 194

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 196 80 236 shade: RGB 162 23 210, RGB 183 43 231, RGB 195 80 235, RGB 208 117 239 and RGB 221 154 243

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 196 80 236 shade: RGB 196 80 236, RGB 235 80 90 and RGB 80 235 132

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 196 80 236 shade: RGB 196 80 236, RGB 235 194 80 and RGB 80 235 194

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 196 80 236 shade: RGB 196 80 236, RGB 235 80 90, RGB 121 235 80 and RGB 80 235 225

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 196 80 236 shade: RGB 196 80 236, RGB 235 116 80, RGB 121 235 80 and RGB 80 199 235

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 17 / 66 / 0 / 7

HEX #C450EC

RGB 196 80 236

HSL 284.62, 0.8%, 0.62%

LAB 55.61, 68.42, -58.31

 

Complementary color

CMYK 66 / 0 / 89 / 31

HEX #3BAF13

RGB 59 175 19

HSL 104.62, 0.8%, 0.38%

LAB 63.04, -57.6, 60.97

 

CMYK 13 / 65 / 0 / 9

HEX #C950E7

RGB 201 80 231

HSL 288.08, 0.76%, 0.61%

LAB 56.01, 68.56, -54.82

 

CMYK 13 / 61 / 0 / 2

HEX #DA62FA

RGB 218 98 250

HSL 287.37, 0.94%, 0.68%

LAB 62.12, 68.34, -55.53

 

CMYK 8 / 55 / 0 / 0

HEX #EB74FF

RGB 235 116 255

HSL 291.37, 1%, 0.73%

LAB 67.56, 65.3, -49.52

 

CMYK 1 / 47 / 0 / 0

HEX #FC86FF

RGB 252 134 255

HSL 298.51, 1%, 0.76%

LAB 72.87, 61.31, -41.03

 

CMYK 0 / 40 / 0 / 0

HEX #FF98FF

RGB 255 152 255

HSL 300, 1%, 0.8%

LAB 76.64, 53.33, -35.15

 

CMYK 17 / 66 / 0 / 7

HEX #C450EC

RGB 196 80 236

HSL 284.62, 0.8%, 0.62%

LAB 55.61, 68.42, -58.31

 

CMYK 18 / 71 / 0 / 15

HEX #B33ED9

RGB 179 62 217

HSL 285.29, 0.67%, 0.55%

LAB 49.54, 68.33, -57.44

 

CMYK 18 / 78 / 0 / 22

HEX #A22CC6

RGB 162 44 198

HSL 285.97, 0.64%, 0.47%

LAB 43.6, 67.67, -56.21

 

CMYK 19 / 85 / 0 / 30

HEX #911AB3

RGB 145 26 179

HSL 286.67, 0.75%, 0.4%

LAB 37.87, 66.12, -54.45

 

CMYK 20 / 95 / 0 / 37

HEX #8008A0

RGB 128 8 160

HSL 287.37, 0.9%, 0.33%

LAB 32.48, 63.22, -51.91

 

CMYK 17 / 66 / 0 / 8

HEX #C350EB

RGB 195 80 235

HSL 284.52, 0.79%, 0.62%

LAB 55.42, 68.01, -58.07

 

CMYK 0 / 66 / 1 / 8

HEX #EB50E9

RGB 235 80 233

HSL 300.77, 0.79%, 0.62%

LAB 61.03, 76.49, -47.67

 

CMYK 0 / 66 / 19 / 8

HEX #EB50BF

RGB 235 80 191

HSL 317.03, 0.79%, 0.62%

LAB 59.12, 70.27, -26.89

 

CMYK 0 / 66 / 37 / 8

HEX #EB5095

RGB 235 80 149

HSL 333.29, 0.79%, 0.62%

LAB 57.63, 65.15, -4.81

 

CMYK 0 / 66 / 54 / 8

HEX #EB506C

RGB 235 80 108

HSL 349.16, 0.79%, 0.62%

LAB 56.57, 61.39, 17.82

 

CMYK 17 / 66 / 0 / 8

HEX #C350EB

RGB 195 80 235

HSL 284.52, 0.79%, 0.62%

LAB 55.42, 68.01, -58.07

 

CMYK 34 / 66 / 0 / 8

HEX #9A50EB

RGB 154 80 235

HSL 268.65, 0.79%, 0.62%

LAB 50.22, 59.44, -66.7

 

CMYK 52 / 66 / 0 / 8

HEX #7050EB

RGB 112 80 235

HSL 252.39, 0.79%, 0.62%

LAB 45.88, 51.68, -73.96

 

CMYK 66 / 66 / 0 / 8

HEX #5050EB

RGB 80 80 235

HSL 240, 0.79%, 0.62%

LAB 43.42, 46.97, -78.08

 

CMYK 17 / 66 / 0 / 8

HEX #C350EB

RGB 195 80 235

HSL 284.52, 0.79%, 0.62%

LAB 55.42, 68.01, -58.07

 

CMYK 19 / 75 / 0 / 2

HEX #CB40FB

RGB 203 64 251

HSL 284.6, 0.96%, 0.62%

LAB 55.41, 78.62, -66.95

 

CMYK 17 / 66 / 0 / 8

HEX #C350EB

RGB 195 80 235

HSL 284.52, 0.79%, 0.62%

LAB 55.42, 68.01, -58.07

 

CMYK 14 / 56 / 0 / 14

HEX #BC60DB

RGB 188 96 219

HSL 284.88, 0.63%, 0.62%

LAB 56.26, 55.93, -47.78

 

CMYK 12 / 46 / 0 / 20

HEX #B46FCC

RGB 180 111 204

HSL 284.52, 0.48%, 0.62%

LAB 57.49, 42.98, -37.41

 

CMYK 9 / 32 / 0 / 26

HEX #AC7FBC

RGB 172 127 188

HSL 284.26, 0.31%, 0.62%

LAB 59.51, 28.35, -25.26

 

CMYK 4 / 17 / 0 / 33

HEX #A58FAC

RGB 165 143 172

HSL 285.52, 0.15%, 0.62%

LAB 62.19, 13.64, -12.17

 

CMYK 53 / 66 / 0 / 8

HEX #6F50EB

RGB 111 80 235

HSL 252, 0.79%, 0.62%

LAB 45.79, 51.52, -74.11

 

CMYK 35 / 66 / 0 / 8

HEX #9850EB

RGB 152 80 235

HSL 267.87, 0.79%, 0.62%

LAB 49.99, 59.04, -67.09

 

CMYK 17 / 66 / 0 / 8

HEX #C250EB

RGB 194 80 235

HSL 284.13, 0.79%, 0.62%

LAB 55.28, 67.79, -58.29

 

CMYK 0 / 66 / 0 / 8

HEX #EB50EB

RGB 235 80 235

HSL 300, 0.79%, 0.62%

LAB 61.13, 76.81, -48.63

 

CMYK 0 / 66 / 17 / 8

HEX #EB50C2

RGB 235 80 194

HSL 315.87, 0.79%, 0.62%

LAB 59.25, 70.68, -28.42

 

CMYK 23 / 89 / 0 / 18

HEX #A217D2

RGB 162 23 210

HSL 284.6, 0.8%, 0.46%

LAB 42.68, 75.08, -64.64

 

CMYK 21 / 81 / 0 / 9

HEX #B72BE7

RGB 183 43 231

HSL 284.68, 0.8%, 0.54%

LAB 48.96, 77.74, -66.3

 

CMYK 17 / 66 / 0 / 8

HEX #C350EB

RGB 195 80 235

HSL 284.52, 0.79%, 0.62%

LAB 55.42, 68.01, -58.07

 

CMYK 13 / 51 / 0 / 6

HEX #D075EF

RGB 208 117 239

HSL 284.75, 0.79%, 0.7%

LAB 63.64, 54.76, -47.11

 

CMYK 9 / 37 / 0 / 5

HEX #DD9AF3

RGB 221 154 243

HSL 285.17, 0.79%, 0.78%

LAB 72.86, 39.98, -34.79

 

CMYK 17 / 66 / 0 / 7

HEX #C450EC

RGB 196 80 236

HSL 284.62, 0.8%, 0.62%

LAB 55.61, 68.42, -58.31

 

CMYK 0 / 66 / 62 / 8

HEX #EB505A

RGB 235 80 90

HSL 356.13, 0.79%, 0.62%

LAB 56.23, 60.15, 27.9

 

CMYK 66 / 0 / 44 / 8

HEX #50EB84

RGB 80 235 132

HSL 140.13, 0.79%, 0.62%

LAB 83.33, -62.47, 38.3

 

CMYK 17 / 66 / 0 / 7

HEX #C450EC

RGB 196 80 236

HSL 284.62, 0.8%, 0.62%

LAB 55.61, 68.42, -58.31

 

CMYK 0 / 17 / 66 / 8

HEX #EBC250

RGB 235 194 80

HSL 44.13, 0.79%, 0.62%

LAB 80.08, 2.52, 60.87

 

CMYK 66 / 0 / 17 / 8

HEX #50EBC2

RGB 80 235 194

HSL 164.13, 0.79%, 0.62%

LAB 84.49, -50.05, 8.09

 

CMYK 17 / 66 / 0 / 7

HEX #C450EC

RGB 196 80 236

HSL 284.62, 0.8%, 0.62%

LAB 55.61, 68.42, -58.31

 

CMYK 0 / 66 / 62 / 8

HEX #EB505A

RGB 235 80 90

HSL 356.13, 0.79%, 0.62%

LAB 56.23, 60.15, 27.9

 

CMYK 49 / 0 / 66 / 8

HEX #79EB50

RGB 121 235 80

HSL 104.13, 0.79%, 0.62%

LAB 84, -59.35, 62.85

 

CMYK 66 / 0 / 4 / 8

HEX #50EBE1

RGB 80 235 225

HSL 176.13, 0.79%, 0.62%

LAB 85.28, -42.27, -7.06

 

CMYK 17 / 66 / 0 / 7

HEX #C450EC

RGB 196 80 236

HSL 284.62, 0.8%, 0.62%

LAB 55.61, 68.42, -58.31

 

CMYK 0 / 51 / 66 / 8

HEX #EB7450

RGB 235 116 80

HSL 13.94, 0.79%, 0.62%

LAB 62.28, 43.28, 40.95

 

CMYK 49 / 0 / 66 / 8

HEX #79EB50

RGB 121 235 80

HSL 104.13, 0.79%, 0.62%

LAB 84, -59.35, 62.85

 

CMYK 66 / 15 / 0 / 8

HEX #50C7EB

RGB 80 199 235

HSL 193.94, 0.79%, 0.62%

LAB 75.17, -22.3, -27.63

 

Description

Color code: RGB 196 80 236 | qconv.com Color code: RGB 196 80 236 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 196 red, 80 green and 236 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
196 80 236 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 17 cyan, 66 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
17% 66% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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