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Color name
RGB 196 68 114

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 196 68 114 it is the complementary color RGB 59 187 141. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 196 68 114. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 196 68 114 shade: RGB 201 68 109, RGB 218 86 128, RGB 235 104 147, RGB 252 122 166 and RGB 255 140 185

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 196 68 114. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 196 68 114 shade: RGB 196 68 114, RGB 179 50 95, RGB 162 32 76, RGB 145 14 57 and RGB 128 0 38

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 196 68 114 shade: RGB 196 68 114, RGB 196 68 80 and RGB 196 68 68

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 196 68 114 shade: RGB 196 68 114, RGB 196 68 149, RGB 196 68 183, RGB 174 68 196 and RGB 140 68 196

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 196 68 114 shade matches the following richer shades: RGB 196 68 114, RGB 216 49 109 and RGB 235 29 103

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 196 68 114 shade: RGB 196 68 114, RGB 176 88 120, RGB 156 108 125, RGB 136 128 131 and RGB 117 148 136

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 196 68 114 shade: RGB 196 68 183, RGB 196 68 149, RGB 196 68 115, RGB 196 68 81 and RGB 196 90 68

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 196 68 114 shade: RGB 138 43 77, RGB 170 53 95, RGB 196 68 114, RGB 206 100 138 and RGB 216 131 161

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 196 68 114 shade: RGB 196 68 114, RGB 196 175 68 and RGB 68 166 196

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 196 68 114 shade: RGB 196 68 114, RGB 115 196 68 and RGB 68 115 196

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 196 68 114 shade: RGB 196 68 114, RGB 196 175 68, RGB 68 196 149 and RGB 68 90 196

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 196 68 114 shade: RGB 196 68 114, RGB 179 196 68, RGB 68 196 149 and RGB 85 68 196

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 65 / 42 / 23

HEX #C44472

RGB 196 68 114

HSL 338.44, 0.52%, 0.52%

LAB 48.37, 54.73, 1.73

 

Complementary color

CMYK 68 / 0 / 25 / 27

HEX #3BBB8D

RGB 59 187 141

HSL 158.44, 0.52%, 0.48%

LAB 68.31, -45.71, 13.33

 

CMYK 0 / 66 / 46 / 21

HEX #C9446D

RGB 201 68 109

HSL 341.5, 0.55%, 0.53%

LAB 49.08, 55.78, 5.89

 

CMYK 0 / 61 / 41 / 15

HEX #DA5680

RGB 218 86 128

HSL 340.91, 0.64%, 0.6%

LAB 55.2, 55.35, 3.67

 

CMYK 0 / 56 / 37 / 8

HEX #EB6893

RGB 235 104 147

HSL 340.31, 0.77%, 0.66%

LAB 61.37, 54.7, 1.84

 

CMYK 0 / 52 / 34 / 1

HEX #FC7AA6

RGB 252 122 166

HSL 339.69, 0.96%, 0.73%

LAB 67.55, 53.95, 0.29

 

CMYK 0 / 45 / 27 / 0

HEX #FF8CB9

RGB 255 140 185

HSL 336.52, 1%, 0.77%

LAB 71.91, 48.52, -3.93

 

CMYK 0 / 65 / 42 / 23

HEX #C44472

RGB 196 68 114

HSL 338.44, 0.52%, 0.52%

LAB 48.37, 54.73, 1.73

 

CMYK 0 / 72 / 47 / 30

HEX #B3325F

RGB 179 50 95

HSL 339.07, 0.56%, 0.45%

LAB 42.29, 54.78, 4.28

 

CMYK 0 / 80 / 53 / 36

HEX #A2204C

RGB 162 32 76

HSL 339.69, 0.67%, 0.38%

LAB 36.44, 54.15, 7.56

 

CMYK 0 / 90 / 61 / 43

HEX #910E39

RGB 145 14 57

HSL 340.31, 0.82%, 0.31%

LAB 30.95, 52.4, 11.86

 

CMYK 0 / 100 / 70 / 50

HEX #800026

RGB 128 0 38

HSL 342.19, 1%, 0.25%

LAB 25.95, 49.19, 17.37

 

CMYK 0 / 65 / 42 / 23

HEX #C44472

RGB 196 68 114

HSL 338.44, 0.52%, 0.52%

LAB 48.37, 54.73, 1.73

 

CMYK 0 / 65 / 59 / 23

HEX #C44450

RGB 196 68 80

HSL 354.38, 0.52%, 0.52%

LAB 47.56, 51.78, 21.26

 

CMYK 0 / 65 / 65 / 23

HEX #C44444

RGB 196 68 68

HSL 0, 0.52%, 0.52%

LAB 47.35, 51, 28.16

 

CMYK 0 / 65 / 42 / 23

HEX #C44472

RGB 196 68 114

HSL 338.44, 0.52%, 0.52%

LAB 48.37, 54.73, 1.73

 

CMYK 0 / 65 / 24 / 23

HEX #C44495

RGB 196 68 149

HSL 322.03, 0.52%, 0.52%

LAB 49.54, 58.88, -17.6

 

CMYK 0 / 65 / 7 / 23

HEX #C444B7

RGB 196 68 183

HSL 306.09, 0.52%, 0.52%

LAB 51.02, 63.87, -35.34

 

CMYK 11 / 65 / 0 / 23

HEX #AE44C4

RGB 174 68 196

HSL 289.69, 0.52%, 0.52%

LAB 48.41, 60.85, -47.24

 

CMYK 29 / 65 / 0 / 23

HEX #8C44C4

RGB 140 68 196

HSL 273.75, 0.52%, 0.52%

LAB 43.79, 53.15, -54.89

 

CMYK 0 / 65 / 42 / 23

HEX #C44472

RGB 196 68 114

HSL 338.44, 0.52%, 0.52%

LAB 48.37, 54.73, 1.73

 

CMYK 0 / 77 / 50 / 15

HEX #D8316D

RGB 216 49 109

HSL 338.44, 0.68%, 0.52%

LAB 49.37, 66.69, 6.68

 

CMYK 0 / 88 / 56 / 8

HEX #EB1D67

RGB 235 29 103

HSL 338.45, 0.84%, 0.52%

LAB 51.29, 75.53, 13.55

 

CMYK 0 / 65 / 42 / 23

HEX #C44472

RGB 196 68 114

HSL 338.44, 0.52%, 0.52%

LAB 48.37, 54.73, 1.73

 

CMYK 0 / 50 / 32 / 31

HEX #B05878

RGB 176 88 120

HSL 338.18, 0.36%, 0.52%

LAB 48.96, 39.41, -1.4

 

CMYK 0 / 31 / 20 / 39

HEX #9C6C7D

RGB 156 108 125

HSL 338.75, 0.2%, 0.52%

LAB 51.01, 21.74, -1.69

 

CMYK 0 / 6 / 4 / 47

HEX #888083

RGB 136 128 131

HSL 337.5, 0.03%, 0.52%

LAB 54.36, 3.59, -0.54

 

CMYK 21 / 0 / 8 / 42

HEX #759488

RGB 117 148 136

HSL 156.77, 0.13%, 0.52%

LAB 58.73, -13.42, 2.77

 

CMYK 0 / 65 / 7 / 23

HEX #C444B7

RGB 196 68 183

HSL 306.09, 0.52%, 0.52%

LAB 51.02, 63.87, -35.34

 

CMYK 0 / 65 / 24 / 23

HEX #C44495

RGB 196 68 149

HSL 322.03, 0.52%, 0.52%

LAB 49.54, 58.88, -17.6

 

CMYK 0 / 65 / 41 / 23

HEX #C44473

RGB 196 68 115

HSL 337.97, 0.52%, 0.52%

LAB 48.4, 54.83, 1.16

 

CMYK 0 / 65 / 59 / 23

HEX #C44451

RGB 196 68 81

HSL 353.91, 0.52%, 0.52%

LAB 47.58, 51.85, 20.68

 

CMYK 0 / 54 / 65 / 23

HEX #C45A44

RGB 196 90 68

HSL 10.31, 0.52%, 0.52%

LAB 51.23, 40.78, 32.92

 

CMYK 0 / 69 / 44 / 46

HEX #8A2B4D

RGB 138 43 77

HSL 338.53, 0.52%, 0.35%

LAB 33.28, 43.1, 1.79

 

CMYK 0 / 69 / 44 / 33

HEX #AA355F

RGB 170 53 95

HSL 338.46, 0.52%, 0.44%

LAB 41.09, 50.92, 2.33

 

CMYK 0 / 65 / 42 / 23

HEX #C44472

RGB 196 68 114

HSL 338.44, 0.52%, 0.52%

LAB 48.37, 54.73, 1.73

 

CMYK 0 / 51 / 33 / 19

HEX #CE648A

RGB 206 100 138

HSL 338.49, 0.52%, 0.6%

LAB 56.16, 45.98, -1.03

 

CMYK 0 / 39 / 25 / 15

HEX #D883A1

RGB 216 131 161

HSL 338.82, 0.52%, 0.68%

LAB 64.49, 36.52, -1.92

 

CMYK 0 / 65 / 42 / 23

HEX #C44472

RGB 196 68 114

HSL 338.44, 0.52%, 0.52%

LAB 48.37, 54.73, 1.73

 

CMYK 0 / 11 / 65 / 23

HEX #C4AF44

RGB 196 175 68

HSL 50.16, 0.52%, 0.52%

LAB 71.43, -4.86, 55.74

 

CMYK 65 / 15 / 0 / 23

HEX #44A6C4

RGB 68 166 196

HSL 194.06, 0.52%, 0.52%

LAB 63.74, -19.21, -23.82

 

CMYK 0 / 65 / 42 / 23

HEX #C44472

RGB 196 68 114

HSL 338.44, 0.52%, 0.52%

LAB 48.37, 54.73, 1.73

 

CMYK 41 / 0 / 65 / 23

HEX #73C444

RGB 115 196 68

HSL 97.97, 0.52%, 0.52%

LAB 71.92, -46.86, 54.63

 

CMYK 65 / 41 / 0 / 23

HEX #4473C4

RGB 68 115 196

HSL 217.97, 0.52%, 0.52%

LAB 48.85, 10.11, -47.1

 

CMYK 0 / 65 / 42 / 23

HEX #C44472

RGB 196 68 114

HSL 338.44, 0.52%, 0.52%

LAB 48.37, 54.73, 1.73

 

CMYK 0 / 11 / 65 / 23

HEX #C4AF44

RGB 196 175 68

HSL 50.16, 0.52%, 0.52%

LAB 71.43, -4.86, 55.74

 

CMYK 65 / 0 / 24 / 23

HEX #44C495

RGB 68 196 149

HSL 157.97, 0.52%, 0.52%

LAB 71.47, -46.14, 13.47

 

CMYK 65 / 54 / 0 / 23

HEX #445AC4

RGB 68 90 196

HSL 229.69, 0.52%, 0.52%

LAB 42.04, 25.92, -58.04

 

CMYK 0 / 65 / 42 / 23

HEX #C44472

RGB 196 68 114

HSL 338.44, 0.52%, 0.52%

LAB 48.37, 54.73, 1.73

 

CMYK 9 / 0 / 65 / 23

HEX #B3C444

RGB 179 196 68

HSL 67.97, 0.52%, 0.52%

LAB 75.75, -22.74, 59.85

 

CMYK 65 / 0 / 24 / 23

HEX #44C495

RGB 68 196 149

HSL 157.97, 0.52%, 0.52%

LAB 71.47, -46.14, 13.47

 

CMYK 57 / 65 / 0 / 23

HEX #5544C4

RGB 85 68 196

HSL 247.97, 0.52%, 0.52%

LAB 37.93, 42.32, -64.67

 

Description

Color code: RGB 196 68 114 | qconv.com Color code: RGB 196 68 114 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 196 red, 68 green and 114 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
196 68 114 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 65 magenta, 42 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 65% 42% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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