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Color name
RGB 196 59 151

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 196 59 151 it is the complementary color RGB 59 196 104. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 196 59 151. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 196 59 151 shade: RGB 201 59 146, RGB 218 77 165, RGB 235 95 184, RGB 252 113 203 and RGB 255 131 222

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 196 59 151. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 196 59 151 shade: RGB 196 59 151, RGB 179 41 132, RGB 162 23 113, RGB 145 5 94 and RGB 128 0 75

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 196 59 151 shade: RGB 196 58 151, RGB 196 58 113, RGB 196 58 76 and RGB 196 58 58

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 196 59 151 shade: RGB 196 58 151, RGB 196 58 188, RGB 167 58 196, RGB 130 58 196 and RGB 93 58 196

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 196 59 151 shade matches the following richer shades: RGB 196 58 151, RGB 216 38 158 and RGB 237 17 165

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 196 59 151 shade: RGB 196 58 151, RGB 175 79 144, RGB 155 99 136, RGB 134 120 129 and RGB 113 141 122

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 196 59 151 shade: RGB 166 58 196, RGB 196 58 189, RGB 196 58 152, RGB 196 58 116 and RGB 196 58 79

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 196 59 151 shade: RGB 132 39 102, RGB 164 49 126, RGB 196 58 151, RGB 205 90 167 and RGB 215 122 184

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 196 59 151 shade: RGB 196 59 151, RGB 196 129 58 and RGB 58 196 184

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 196 59 151 shade: RGB 196 59 151, RGB 152 196 58 and RGB 58 152 196

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 196 59 151 shade: RGB 196 59 151, RGB 196 129 58, RGB 58 196 102 and RGB 58 125 196

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 196 59 151 shade: RGB 196 59 151, RGB 196 171 58, RGB 58 196 102 and RGB 58 83 196

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 70 / 23 / 23

HEX #C43B97

RGB 196 59 151

HSL 319.71, 0.54%, 0.5%

LAB 48.38, 62.6, -20.57

 

Complementary color

CMYK 70 / 0 / 47 / 23

HEX #3BC468

RGB 59 196 104

HSL 139.71, 0.54%, 0.5%

LAB 70.46, -56.46, 35.72

 

CMYK 0 / 71 / 27 / 21

HEX #C93B92

RGB 201 59 146

HSL 323.24, 0.57%, 0.51%

LAB 49.03, 63.27, -16.51

 

CMYK 0 / 65 / 24 / 15

HEX #DA4DA5

RGB 218 77 165

HSL 322.55, 0.66%, 0.58%

LAB 55, 63.46, -18.4

 

CMYK 0 / 60 / 22 / 8

HEX #EB5FB8

RGB 235 95 184

HSL 321.86, 0.78%, 0.65%

LAB 61.05, 63.28, -19.92

 

CMYK 0 / 55 / 19 / 1

HEX #FC71CB

RGB 252 113 203

HSL 321.15, 0.96%, 0.72%

LAB 67.14, 62.86, -21.18

 

CMYK 0 / 49 / 13 / 0

HEX #FF83DE

RGB 255 131 222

HSL 315.97, 1%, 0.76%

LAB 71.4, 58.18, -25.21

 

CMYK 0 / 70 / 23 / 23

HEX #C43B97

RGB 196 59 151

HSL 319.71, 0.54%, 0.5%

LAB 48.38, 62.6, -20.57

 

CMYK 0 / 77 / 26 / 30

HEX #B32984

RGB 179 41 132

HSL 320.43, 0.63%, 0.43%

LAB 42.51, 61.82, -18.34

 

CMYK 0 / 86 / 30 / 36

HEX #A21771

RGB 162 23 113

HSL 321.15, 0.75%, 0.36%

LAB 36.9, 60.09, -15.4

 

CMYK 0 / 97 / 35 / 43

HEX #91055E

RGB 145 5 94

HSL 321.86, 0.93%, 0.29%

LAB 31.66, 57.05, -11.54

 

CMYK 0 / 100 / 41 / 50

HEX #80004B

RGB 128 0 75

HSL 324.84, 1%, 0.25%

LAB 27.01, 52, -6.36

 

CMYK 0 / 70 / 23 / 23

HEX #C43A97

RGB 196 58 151

HSL 319.57, 0.54%, 0.5%

LAB 48.26, 62.95, -20.77

 

CMYK 0 / 70 / 42 / 23

HEX #C43A71

RGB 196 58 113

HSL 336.09, 0.54%, 0.5%

LAB 46.91, 58.55, 0.22

 

CMYK 0 / 70 / 61 / 23

HEX #C43A4C

RGB 196 58 76

HSL 352.17, 0.54%, 0.5%

LAB 46.02, 55.5, 21.66

 

CMYK 0 / 70 / 70 / 23

HEX #C43A3A

RGB 196 58 58

HSL 0, 0.54%, 0.5%

LAB 45.73, 54.48, 32.09

 

CMYK 0 / 70 / 23 / 23

HEX #C43A97

RGB 196 58 151

HSL 319.57, 0.54%, 0.5%

LAB 48.26, 62.95, -20.77

 

CMYK 0 / 70 / 4 / 23

HEX #C43ABC

RGB 196 58 188

HSL 303.48, 0.54%, 0.5%

LAB 49.97, 68.33, -39.91

 

CMYK 15 / 70 / 0 / 23

HEX #A73AC4

RGB 167 58 196

HSL 287.39, 0.54%, 0.5%

LAB 45.94, 63.35, -51.24

 

CMYK 34 / 70 / 0 / 23

HEX #823AC4

RGB 130 58 196

HSL 271.3, 0.54%, 0.5%

LAB 40.83, 55.79, -59.75

 

CMYK 53 / 70 / 0 / 23

HEX #5D3AC4

RGB 93 58 196

HSL 255.22, 0.54%, 0.5%

LAB 36.63, 49.18, -66.77

 

CMYK 0 / 70 / 23 / 23

HEX #C43A97

RGB 196 58 151

HSL 319.57, 0.54%, 0.5%

LAB 48.26, 62.95, -20.77

 

CMYK 0 / 82 / 27 / 15

HEX #D8269E

RGB 216 38 158

HSL 319.55, 0.7%, 0.5%

LAB 50.04, 74.34, -21.89

 

CMYK 0 / 93 / 30 / 7

HEX #ED11A5

RGB 237 17 165

HSL 319.64, 0.87%, 0.5%

LAB 53.08, 82.82, -21.04

 

CMYK 0 / 70 / 23 / 23

HEX #C43A97

RGB 196 58 151

HSL 319.57, 0.54%, 0.5%

LAB 48.26, 62.95, -20.77

 

CMYK 0 / 55 / 18 / 31

HEX #AF4F90

RGB 175 79 144

HSL 319.38, 0.38%, 0.5%

LAB 47.9, 47.07, -17.41

 

CMYK 0 / 36 / 12 / 39

HEX #9B6388

RGB 155 99 136

HSL 320.36, 0.22%, 0.5%

LAB 49.09, 28.38, -11.08

 

CMYK 0 / 10 / 4 / 47

HEX #867881

RGB 134 120 129

HSL 321.43, 0.06%, 0.5%

LAB 51.93, 7.08, -2.95

 

CMYK 20 / 0 / 13 / 45

HEX #718D7A

RGB 113 141 122

HSL 139.29, 0.11%, 0.5%

LAB 56.05, -13.94, 6.88

 

CMYK 15 / 70 / 0 / 23

HEX #A63AC4

RGB 166 58 196

HSL 286.96, 0.54%, 0.5%

LAB 45.8, 63.14, -51.48

 

CMYK 0 / 70 / 4 / 23

HEX #C43ABD

RGB 196 58 189

HSL 303.04, 0.54%, 0.5%

LAB 50.02, 68.49, -40.41

 

CMYK 0 / 70 / 22 / 23

HEX #C43A98

RGB 196 58 152

HSL 319.13, 0.54%, 0.5%

LAB 48.3, 63.09, -21.3

 

CMYK 0 / 70 / 41 / 23

HEX #C43A74

RGB 196 58 116

HSL 334.78, 0.54%, 0.5%

LAB 47, 58.85, -1.48

 

CMYK 0 / 70 / 60 / 23

HEX #C43A4F

RGB 196 58 79

HSL 350.87, 0.54%, 0.5%

LAB 46.08, 55.7, 19.91

 

CMYK 0 / 70 / 23 / 48

HEX #842766

RGB 132 39 102

HSL 319.35, 0.54%, 0.34%

LAB 32.52, 46.09, -15.63

 

CMYK 0 / 70 / 23 / 36

HEX #A4317E

RGB 164 49 126

HSL 319.83, 0.54%, 0.42%

LAB 40.57, 54.44, -17.87

 

CMYK 0 / 70 / 23 / 23

HEX #C43A97

RGB 196 58 151

HSL 319.57, 0.54%, 0.5%

LAB 48.26, 62.95, -20.77

 

CMYK 0 / 56 / 19 / 20

HEX #CD5AA7

RGB 205 90 167

HSL 319.83, 0.53%, 0.58%

LAB 55.16, 54.41, -19.51

 

CMYK 0 / 43 / 14 / 16

HEX #D77AB8

RGB 215 122 184

HSL 320, 0.54%, 0.66%

LAB 63.2, 44.34, -16.91

 

CMYK 0 / 70 / 23 / 23

HEX #C43B97

RGB 196 59 151

HSL 319.71, 0.54%, 0.5%

LAB 48.38, 62.6, -20.57

 

CMYK 0 / 34 / 70 / 23

HEX #C4813A

RGB 196 129 58

HSL 30.87, 0.54%, 0.5%

LAB 59.65, 19.47, 47.72

 

CMYK 70 / 0 / 6 / 23

HEX #3AC4B8

RGB 58 196 184

HSL 174.78, 0.54%, 0.5%

LAB 72.12, -38.89, -4.62

 

CMYK 0 / 70 / 23 / 23

HEX #C43B97

RGB 196 59 151

HSL 319.71, 0.54%, 0.5%

LAB 48.38, 62.6, -20.57

 

CMYK 22 / 0 / 70 / 23

HEX #98C43A

RGB 152 196 58

HSL 79.13, 0.54%, 0.5%

LAB 73.84, -34.24, 61.17

 

CMYK 70 / 22 / 0 / 23

HEX #3A98C4

RGB 58 152 196

HSL 199.13, 0.54%, 0.5%

LAB 59.29, -13.23, -30.71

 

CMYK 0 / 70 / 23 / 23

HEX #C43B97

RGB 196 59 151

HSL 319.71, 0.54%, 0.5%

LAB 48.38, 62.6, -20.57

 

CMYK 0 / 34 / 70 / 23

HEX #C4813A

RGB 196 129 58

HSL 30.87, 0.54%, 0.5%

LAB 59.65, 19.47, 47.72

 

CMYK 70 / 0 / 48 / 23

HEX #3AC466

RGB 58 196 102

HSL 139.13, 0.54%, 0.5%

LAB 70.41, -56.95, 36.66

 

CMYK 70 / 36 / 0 / 23

HEX #3A7DC4

RGB 58 125 196

HSL 210.87, 0.54%, 0.5%

LAB 51.33, 2.37, -43.19

 

CMYK 0 / 70 / 23 / 23

HEX #C43B97

RGB 196 59 151

HSL 319.71, 0.54%, 0.5%

LAB 48.38, 62.6, -20.57

 

CMYK 0 / 13 / 70 / 23

HEX #C4AB3A

RGB 196 171 58

HSL 49.13, 0.54%, 0.5%

LAB 70.29, -3.31, 58.72

 

CMYK 70 / 0 / 48 / 23

HEX #3AC466

RGB 58 196 102

HSL 139.13, 0.54%, 0.5%

LAB 70.41, -56.95, 36.66

 

CMYK 70 / 58 / 0 / 23

HEX #3A53C4

RGB 58 83 196

HSL 229.13, 0.54%, 0.5%

LAB 39.7, 28.92, -61.86

 

Description

Color code: RGB 196 59 151 | qconv.com Color code: RGB 196 59 151 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 196 red, 59 green and 151 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
196 59 151 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 70 magenta, 23 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 70% 23% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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