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Color name
RGB 196 36 21

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 196 36 21 it is the complementary color RGB 59 219 234. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 196 36 21. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 196 36 21 shade: RGB 201 36 16, RGB 218 54 35, RGB 235 72 54, RGB 252 90 73 and RGB 255 108 92

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 196 36 21. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 196 36 21 shade: RGB 196 36 21, RGB 179 18 2, RGB 162 0 0, RGB 145 0 0 and RGB 128 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 196 36 21 shade: RGB 198 36 20 and RGB 198 20 20

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 196 36 21 shade: RGB 198 36 20, RGB 198 83 20, RGB 198 131 20, RGB 198 179 20 and RGB 169 198 20

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 196 36 21 shade matches the following richer shades: RGB 198 36 20 and RGB 216 21 3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 196 36 21 shade: RGB 198 36 20, RGB 180 50 38, RGB 162 65 56, RGB 145 80 74 and RGB 127 94 91

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 196 36 21 shade: RGB 198 20 100, RGB 198 20 53, RGB 198 35 20, RGB 198 83 20 and RGB 198 130 20

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 196 36 21 shade: RGB 123 22 12, RGB 161 29 16, RGB 198 36 20, RGB 231 46 29 and RGB 235 81 66

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 196 36 21 shade: RGB 196 36 21, RGB 148 198 20 and RGB 20 77 198

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 196 36 21 shade: RGB 196 36 21, RGB 20 198 35 and RGB 35 20 198

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 196 36 21 shade: RGB 196 36 21, RGB 148 198 20, RGB 20 183 198 and RGB 71 20 198

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 196 36 21 shade: RGB 196 36 21, RGB 94 198 20, RGB 20 183 198 and RGB 124 20 198

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 82 / 89 / 23

HEX #C42415

RGB 196 36 21

HSL 5.14, 0.81%, 0.43%

LAB 42.84, 60.33, 48.78

 

Complementary color

CMYK 75 / 6 / 0 / 8

HEX #3BDBEA

RGB 59 219 234

HSL 185.14, 0.81%, 0.57%

LAB 80.48, -35.06, -19.06

 

CMYK 0 / 82 / 92 / 21

HEX #C92410

RGB 201 36 16

HSL 6.49, 0.85%, 0.43%

LAB 43.82, 61.69, 51.91

 

CMYK 0 / 75 / 84 / 15

HEX #DA3623

RGB 218 54 35

HSL 6.23, 0.72%, 0.5%

LAB 49.09, 61.9, 49.3

 

CMYK 0 / 69 / 77 / 8

HEX #EB4836

RGB 235 72 54

HSL 5.97, 0.82%, 0.57%

LAB 54.62, 61.49, 46.15

 

CMYK 0 / 64 / 71 / 1

HEX #FC5A49

RGB 252 90 73

HSL 5.7, 0.97%, 0.64%

LAB 60.33, 60.71, 43.11

 

CMYK 0 / 58 / 64 / 0

HEX #FF6C5C

RGB 255 108 92

HSL 5.89, 1%, 0.68%

LAB 63.96, 54.97, 37.19

 

CMYK 0 / 82 / 89 / 23

HEX #C42415

RGB 196 36 21

HSL 5.14, 0.81%, 0.43%

LAB 42.84, 60.33, 48.78

 

CMYK 0 / 90 / 99 / 30

HEX #B31202

RGB 179 18 2

HSL 5.42, 0.98%, 0.35%

LAB 37.88, 59.18, 51.01

 

CMYK 0 / 100 / 100 / 36

HEX #A20000

RGB 162 0 0

HSL 0, 1%, 0.32%

LAB 33.31, 57.06, 47.46

 

CMYK 0 / 100 / 100 / 43

HEX #910000

RGB 145 0 0

HSL 0, 1%, 0.28%

LAB 29.46, 52.6, 42.98

 

CMYK 0 / 100 / 100 / 50

HEX #800000

RGB 128 0 0

HSL 0, 1%, 0.25%

LAB 25.53, 48.06, 38.06

 

CMYK 0 / 82 / 90 / 22

HEX #C62414

RGB 198 36 20

HSL 5.39, 0.82%, 0.43%

LAB 43.24, 60.89, 49.67

 

CMYK 0 / 90 / 90 / 22

HEX #C61414

RGB 198 20 20

HSL 0, 0.82%, 0.43%

LAB 42.09, 64.18, 48.84

 

CMYK 0 / 82 / 90 / 22

HEX #C62414

RGB 198 36 20

HSL 5.39, 0.82%, 0.43%

LAB 43.24, 60.89, 49.67

 

CMYK 0 / 58 / 90 / 22

HEX #C65314

RGB 198 83 20

HSL 21.24, 0.82%, 0.43%

LAB 49.79, 43.1, 54.5

 

CMYK 0 / 34 / 90 / 22

HEX #C68314

RGB 198 131 20

HSL 37.42, 0.82%, 0.43%

LAB 60.15, 17.9, 62.35

 

CMYK 0 / 10 / 90 / 22

HEX #C6B314

RGB 198 179 20

HSL 53.6, 0.82%, 0.43%

LAB 72.43, -7.91, 71.85

 

CMYK 15 / 0 / 90 / 22

HEX #A9C614

RGB 169 198 20

HSL 69.78, 0.82%, 0.43%

LAB 75.37, -29.81, 73.21

 

CMYK 0 / 82 / 90 / 22

HEX #C62414

RGB 198 36 20

HSL 5.39, 0.82%, 0.43%

LAB 43.24, 60.89, 49.67

 

CMYK 0 / 90 / 99 / 15

HEX #D81503

RGB 216 21 3

HSL 5.07, 0.97%, 0.43%

LAB 45.83, 68.57, 58.64

 

CMYK 0 / 82 / 90 / 22

HEX #C62414

RGB 198 36 20

HSL 5.39, 0.82%, 0.43%

LAB 43.24, 60.89, 49.67

 

CMYK 0 / 72 / 79 / 29

HEX #B43226

RGB 180 50 38

HSL 5.07, 0.65%, 0.43%

LAB 41.41, 51.47, 37.9

 

CMYK 0 / 60 / 65 / 36

HEX #A24138

RGB 162 65 56

HSL 5.09, 0.49%, 0.43%

LAB 40.81, 39.59, 25.92

 

CMYK 0 / 45 / 49 / 43

HEX #91504A

RGB 145 80 74

HSL 5.07, 0.32%, 0.43%

LAB 41.61, 26.48, 15.53

 

CMYK 0 / 26 / 28 / 50

HEX #7F5E5B

RGB 127 94 91

HSL 5, 0.17%, 0.43%

LAB 43.17, 12.99, 6.97

 

CMYK 0 / 90 / 49 / 22

HEX #C61464

RGB 198 20 100

HSL 333.03, 0.82%, 0.43%

LAB 43.4, 67.88, 3.21

 

CMYK 0 / 90 / 73 / 22

HEX #C61435

RGB 198 20 53

HSL 348.88, 0.82%, 0.43%

LAB 42.4, 65.08, 31.26

 

CMYK 0 / 82 / 90 / 22

HEX #C62314

RGB 198 35 20

HSL 5.06, 0.82%, 0.43%

LAB 43.15, 61.14, 49.61

 

CMYK 0 / 58 / 90 / 22

HEX #C65314

RGB 198 83 20

HSL 21.24, 0.82%, 0.43%

LAB 49.79, 43.1, 54.5

 

CMYK 0 / 34 / 90 / 22

HEX #C68214

RGB 198 130 20

HSL 37.08, 0.82%, 0.43%

LAB 59.91, 18.45, 62.16

 

CMYK 0 / 82 / 90 / 52

HEX #7B160C

RGB 123 22 12

HSL 5.41, 0.82%, 0.26%

LAB 26.19, 41.93, 33.32

 

CMYK 0 / 82 / 90 / 37

HEX #A11D10

RGB 161 29 16

HSL 5.38, 0.82%, 0.35%

LAB 34.99, 51.8, 41.89

 

CMYK 0 / 82 / 90 / 22

HEX #C62414

RGB 198 36 20

HSL 5.39, 0.82%, 0.43%

LAB 43.24, 60.89, 49.67

 

CMYK 0 / 80 / 87 / 9

HEX #E72E1D

RGB 231 46 29

HSL 5.05, 0.81%, 0.51%

LAB 50.72, 67.87, 54.4

 

CMYK 0 / 66 / 72 / 8

HEX #EB5142

RGB 235 81 66

HSL 5.33, 0.81%, 0.59%

LAB 56.03, 58.48, 41.26

 

CMYK 0 / 82 / 89 / 23

HEX #C42415

RGB 196 36 21

HSL 5.14, 0.81%, 0.43%

LAB 42.84, 60.33, 48.78

 

CMYK 25 / 0 / 90 / 22

HEX #94C614

RGB 148 198 20

HSL 76.85, 0.82%, 0.43%

LAB 74.02, -38.26, 71.55

 

CMYK 90 / 61 / 0 / 22

HEX #144DC6

RGB 20 77 198

HSL 220.79, 0.82%, 0.43%

LAB 36.99, 30.09, -67.5

 

CMYK 0 / 82 / 89 / 23

HEX #C42415

RGB 196 36 21

HSL 5.14, 0.81%, 0.43%

LAB 42.84, 60.33, 48.78

 

CMYK 90 / 0 / 82 / 22

HEX #14C623

RGB 20 198 35

HSL 125.06, 0.82%, 0.43%

LAB 69.94, -69.17, 63.22

 

CMYK 82 / 90 / 0 / 22

HEX #2314C6

RGB 35 20 198

HSL 245.06, 0.82%, 0.43%

LAB 26.55, 61.27, -84.75

 

CMYK 0 / 82 / 89 / 23

HEX #C42415

RGB 196 36 21

HSL 5.14, 0.81%, 0.43%

LAB 42.84, 60.33, 48.78

 

CMYK 25 / 0 / 90 / 22

HEX #94C614

RGB 148 198 20

HSL 76.85, 0.82%, 0.43%

LAB 74.02, -38.26, 71.55

 

CMYK 90 / 8 / 0 / 22

HEX #14B7C6

RGB 20 183 198

HSL 185.06, 0.82%, 0.43%

LAB 68.09, -32.09, -18.38

 

CMYK 64 / 90 / 0 / 22

HEX #4714C6

RGB 71 20 198

HSL 257.19, 0.82%, 0.43%

LAB 29.2, 63.05, -80.26

 

CMYK 0 / 82 / 89 / 23

HEX #C42415

RGB 196 36 21

HSL 5.14, 0.81%, 0.43%

LAB 42.84, 60.33, 48.78

 

CMYK 53 / 0 / 90 / 22

HEX #5EC614

RGB 94 198 20

HSL 95.06, 0.82%, 0.43%

LAB 71.43, -56.77, 68.35

 

CMYK 90 / 8 / 0 / 22

HEX #14B7C6

RGB 20 183 198

HSL 185.06, 0.82%, 0.43%

LAB 68.09, -32.09, -18.38

 

CMYK 37 / 90 / 0 / 22

HEX #7C14C6

RGB 124 20 198

HSL 275.06, 0.82%, 0.43%

LAB 35.72, 68.17, -69.28

 

Description

Color code: RGB 196 36 21 | qconv.com Color code: RGB 196 36 21 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 196 red, 36 green and 21 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
196 36 21 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 82 magenta, 89 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 82% 89% 23% C M Y K

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Provide designers and agencies with accurate color values.

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