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Color name
RGB 196 33 82

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 196 33 82 it is the complementary color RGB 59 222 173. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 196 33 82. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 196 33 82 shade: RGB 201 33 77, RGB 218 51 96, RGB 235 69 115, RGB 252 87 134 and RGB 255 105 153

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 196 33 82. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 196 33 82 shade: RGB 196 33 82, RGB 179 15 63, RGB 162 0 44, RGB 145 0 25 and RGB 128 0 6

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 196 33 82 shade: RGB 196 33 82, RGB 196 33 38 and RGB 196 33 33

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 196 33 82 shade: RGB 196 33 82, RGB 196 33 126, RGB 196 33 170, RGB 178 33 196 and RGB 134 33 196

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 196 33 82 shade matches the following richer shades: RGB 196 33 82 and RGB 214 14 74

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 196 33 82 shade: RGB 196 33 82, RGB 177 51 89, RGB 159 70 97, RGB 140 88 104 and RGB 121 107 111

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 196 33 82 shade: RGB 196 33 171, RGB 196 33 128, RGB 196 33 84, RGB 196 33 41 and RGB 196 68 33

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 196 33 82 shade: RGB 125 21 52, RGB 160 27 67, RGB 196 33 82, RGB 220 50 101 and RGB 226 85 127

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 196 33 82 shade: RGB 196 33 82, RGB 196 177 33 and RGB 33 150 196

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 196 33 82 shade: RGB 196 33 82, RGB 84 196 33 and RGB 33 84 196

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 196 33 82 shade: RGB 196 33 82, RGB 196 177 33, RGB 33 196 144 and RGB 33 52 196

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 196 33 82 shade: RGB 196 33 82, RGB 166 196 33, RGB 33 196 144 and RGB 63 33 196

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 83 / 58 / 23

HEX #C42152

RGB 196 33 82

HSL 341.96, 0.71%, 0.45%

LAB 43.41, 63.57, 14.45

 

Complementary color

CMYK 73 / 0 / 22 / 13

HEX #3BDEAD

RGB 59 222 173

HSL 161.96, 0.71%, 0.55%

LAB 79.72, -52.62, 12.28

 

CMYK 0 / 84 / 62 / 21

HEX #C9214D

RGB 201 33 77

HSL 344.29, 0.72%, 0.46%

LAB 44.29, 64.58, 18.94

 

CMYK 0 / 77 / 56 / 15

HEX #DA3360

RGB 218 51 96

HSL 343.83, 0.69%, 0.53%

LAB 49.64, 65.67, 15.03

 

CMYK 0 / 71 / 51 / 8

HEX #EB4573

RGB 235 69 115

HSL 343.37, 0.81%, 0.6%

LAB 55.23, 66.04, 11.83

 

CMYK 0 / 65 / 47 / 1

HEX #FC5786

RGB 252 87 134

HSL 342.91, 0.96%, 0.66%

LAB 60.99, 65.93, 9.18

 

CMYK 0 / 59 / 40 / 0

HEX #FF6999

RGB 255 105 153

HSL 340.8, 1%, 0.71%

LAB 64.69, 61.23, 3.59

 

CMYK 0 / 83 / 58 / 23

HEX #C42152

RGB 196 33 82

HSL 341.96, 0.71%, 0.45%

LAB 43.41, 63.57, 14.45

 

CMYK 0 / 92 / 65 / 30

HEX #B30F3F

RGB 179 15 63

HSL 342.44, 0.85%, 0.38%

LAB 38.35, 61.43, 19.1

 

CMYK 0 / 100 / 73 / 36

HEX #A2002C

RGB 162 0 44

HSL 343.7, 1%, 0.32%

LAB 33.7, 58.11, 24.67

 

CMYK 0 / 100 / 83 / 43

HEX #910019

RGB 145 0 25

HSL 349.66, 1%, 0.28%

LAB 29.64, 53.08, 31.06

 

CMYK 0 / 100 / 95 / 50

HEX #800006

RGB 128 0 6

HSL 357.19, 1%, 0.25%

LAB 25.57, 48.16, 35.65

 

CMYK 0 / 83 / 58 / 23

HEX #C42152

RGB 196 33 82

HSL 341.96, 0.71%, 0.45%

LAB 43.41, 63.57, 14.45

 

CMYK 0 / 83 / 81 / 23

HEX #C42126

RGB 196 33 38

HSL 358.16, 0.71%, 0.45%

LAB 42.71, 61.47, 40.22

 

CMYK 0 / 83 / 83 / 23

HEX #C42121

RGB 196 33 33

HSL 0, 0.71%, 0.45%

LAB 42.66, 61.33, 42.88

 

CMYK 0 / 83 / 58 / 23

HEX #C42152

RGB 196 33 82

HSL 341.96, 0.71%, 0.45%

LAB 43.41, 63.57, 14.45

 

CMYK 0 / 83 / 36 / 23

HEX #C4217E

RGB 196 33 126

HSL 325.77, 0.71%, 0.45%

LAB 44.7, 67.34, -11.04

 

CMYK 0 / 83 / 13 / 23

HEX #C421AA

RGB 196 33 170

HSL 309.57, 0.71%, 0.45%

LAB 46.61, 72.67, -34.63

 

CMYK 9 / 83 / 0 / 23

HEX #B221C4

RGB 178 33 196

HSL 293.37, 0.71%, 0.45%

LAB 45, 73.18, -52.66

 

CMYK 32 / 83 / 0 / 23

HEX #8621C4

RGB 134 33 196

HSL 277.18, 0.71%, 0.45%

LAB 38.1, 65.9, -64.17

 

CMYK 0 / 83 / 58 / 23

HEX #C42152

RGB 196 33 82

HSL 341.96, 0.71%, 0.45%

LAB 43.41, 63.57, 14.45

 

CMYK 0 / 93 / 65 / 16

HEX #D60E4A

RGB 214 14 74

HSL 342, 0.88%, 0.45%

LAB 45.78, 70.81, 23.24

 

CMYK 0 / 83 / 58 / 23

HEX #C42152

RGB 196 33 82

HSL 341.96, 0.71%, 0.45%

LAB 43.41, 63.57, 14.45

 

CMYK 0 / 71 / 50 / 31

HEX #B13359

RGB 177 51 89

HSL 341.9, 0.55%, 0.45%

LAB 41.9, 53.27, 7.42

 

CMYK 0 / 56 / 39 / 38

HEX #9F4661

RGB 159 70 97

HSL 341.8, 0.39%, 0.45%

LAB 42.18, 39.77, 2.43

 

CMYK 0 / 37 / 26 / 45

HEX #8C5868

RGB 140 88 104

HSL 341.54, 0.23%, 0.45%

LAB 43.59, 23.78, -0.16

 

CMYK 0 / 12 / 8 / 53

HEX #796B6F

RGB 121 107 111

HSL 342.86, 0.06%, 0.45%

LAB 46.62, 6.25, -0.22

 

CMYK 0 / 83 / 13 / 23

HEX #C421AB

RGB 196 33 171

HSL 309.2, 0.71%, 0.45%

LAB 46.66, 72.81, -35.15

 

CMYK 0 / 83 / 35 / 23

HEX #C42180

RGB 196 33 128

HSL 325.03, 0.71%, 0.45%

LAB 44.78, 67.55, -12.15

 

CMYK 0 / 83 / 57 / 23

HEX #C42154

RGB 196 33 84

HSL 341.23, 0.71%, 0.45%

LAB 43.45, 63.7, 13.26

 

CMYK 0 / 83 / 79 / 23

HEX #C42129

RGB 196 33 41

HSL 357.06, 0.71%, 0.45%

LAB 42.74, 61.56, 38.58

 

CMYK 0 / 65 / 83 / 23

HEX #C44421

RGB 196 68 33

HSL 12.88, 0.71%, 0.45%

LAB 46.95, 49.49, 46.81

 

CMYK 0 / 83 / 58 / 51

HEX #7D1534

RGB 125 21 52

HSL 342.12, 0.71%, 0.29%

LAB 27.14, 44.82, 9.32

 

CMYK 0 / 83 / 58 / 37

HEX #A01B43

RGB 160 27 67

HSL 341.95, 0.71%, 0.37%

LAB 35.33, 54.28, 11.78

 

CMYK 0 / 83 / 58 / 23

HEX #C42152

RGB 196 33 82

HSL 341.96, 0.71%, 0.45%

LAB 43.41, 63.57, 14.45

 

CMYK 0 / 77 / 54 / 14

HEX #DC3265

RGB 220 50 101

HSL 342, 0.71%, 0.53%

LAB 50.02, 66.86, 12.57

 

CMYK 0 / 62 / 44 / 11

HEX #E2557F

RGB 226 85 127

HSL 342.13, 0.71%, 0.61%

LAB 56.29, 58.19, 6

 

CMYK 0 / 83 / 58 / 23

HEX #C42152

RGB 196 33 82

HSL 341.96, 0.71%, 0.45%

LAB 43.41, 63.57, 14.45

 

CMYK 0 / 10 / 83 / 23

HEX #C4B121

RGB 196 177 33

HSL 53.01, 0.71%, 0.45%

LAB 71.75, -7.45, 68.4

 

CMYK 83 / 23 / 0 / 23

HEX #2196C4

RGB 33 150 196

HSL 196.93, 0.71%, 0.45%

LAB 58.15, -14.98, -32.52

 

CMYK 0 / 83 / 58 / 23

HEX #C42152

RGB 196 33 82

HSL 341.96, 0.71%, 0.45%

LAB 43.41, 63.57, 14.45

 

CMYK 57 / 0 / 83 / 23

HEX #54C421

RGB 84 196 33

HSL 101.23, 0.71%, 0.45%

LAB 70.51, -58.3, 64.7

 

CMYK 83 / 57 / 0 / 23

HEX #2154C4

RGB 33 84 196

HSL 221.23, 0.71%, 0.45%

LAB 38.98, 25.55, -63.07

 

CMYK 0 / 83 / 58 / 23

HEX #C42152

RGB 196 33 82

HSL 341.96, 0.71%, 0.45%

LAB 43.41, 63.57, 14.45

 

CMYK 0 / 10 / 83 / 23

HEX #C4B121

RGB 196 177 33

HSL 53.01, 0.71%, 0.45%

LAB 71.75, -7.45, 68.4

 

CMYK 83 / 0 / 27 / 23

HEX #21C490

RGB 33 196 144

HSL 160.86, 0.71%, 0.45%

LAB 70.74, -51.83, 15.06

 

CMYK 83 / 73 / 0 / 23

HEX #2134C4

RGB 33 52 196

HSL 233.01, 0.71%, 0.45%

LAB 31.27, 45.83, -75.74

 

CMYK 0 / 83 / 58 / 23

HEX #C42152

RGB 196 33 82

HSL 341.96, 0.71%, 0.45%

LAB 43.41, 63.57, 14.45

 

CMYK 15 / 0 / 83 / 23

HEX #A6C421

RGB 166 196 33

HSL 71.04, 0.71%, 0.45%

LAB 74.63, -29.77, 69.92

 

CMYK 83 / 0 / 27 / 23

HEX #21C490

RGB 33 196 144

HSL 160.86, 0.71%, 0.45%

LAB 70.74, -51.83, 15.06

 

CMYK 68 / 83 / 0 / 23

HEX #3F21C4

RGB 63 33 196

HSL 251.04, 0.71%, 0.45%

LAB 29.74, 57.51, -78.22

 

Description

Color code: RGB 196 33 82 | qconv.com Color code: RGB 196 33 82 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 196 red, 33 green and 82 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
196 33 82 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 83 magenta, 58 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 83% 58% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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