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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 196 28 246 it is the complementary color RGB 59 227 9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 196 28 246. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 196 28 246 shade: RGB 201 28 241, RGB 218 46 255, RGB 235 64 255, RGB 252 82 255 and RGB 255 100 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 196 28 246. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 196 28 246 shade: RGB 196 28 246, RGB 179 10 227, RGB 162 0 208, RGB 145 0 189 and RGB 128 0 170

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 196 28 246 shade: RGB 196 29 245, RGB 245 29 236, RGB 245 29 178, RGB 245 29 120 and RGB 245 29 62

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 196 28 246 shade: RGB 196 29 245, RGB 137 29 245, RGB 79 29 245 and RGB 29 29 245

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 196 28 246 shade matches the following richer shades: RGB 196 29 245

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 196 28 246 shade: RGB 196 29 245, RGB 185 48 226, RGB 175 67 207, RGB 165 86 188 and RGB 155 105 169

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 196 28 246 shade: RGB 80 29 245, RGB 137 29 245, RGB 195 29 245, RGB 245 29 238 and RGB 245 29 180

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 196 28 246 shade: RGB 144 7 185, RGB 175 9 224, RGB 196 29 245, RGB 206 69 247 and RGB 216 109 248

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 196 28 246 shade: RGB 196 28 246, RGB 245 29 36 and RGB 29 245 108

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 196 28 246 shade: RGB 196 28 246, RGB 245 195 29 and RGB 29 245 195

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 196 28 246 shade: RGB 196 28 246, RGB 245 29 36, RGB 80 245 29 and RGB 29 245 238

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 196 28 246 shade: RGB 196 28 246, RGB 245 87 29, RGB 80 245 29 and RGB 29 188 245

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 20 / 89 / 0 / 4

HEX #C41CF6

RGB 196 28 246

HSL 286.24, 0.92%, 0.54%

LAB 50.94, 85.56, -71.44

 

Complementary color

CMYK 74 / 0 / 96 / 11

HEX #3BE309

RGB 59 227 9

HSL 106.24, 0.92%, 0.46%

LAB 79.55, -74, 76.03

 

CMYK 17 / 88 / 0 / 5

HEX #C91CF1

RGB 201 28 241

HSL 288.73, 0.88%, 0.53%

LAB 51.38, 85.44, -67.89

 

CMYK 15 / 82 / 0 / 0

HEX #DA2EFF

RGB 218 46 255

HSL 289.38, 1%, 0.59%

LAB 56.17, 86.94, -67.84

 

CMYK 8 / 75 / 0 / 0

HEX #EB40FF

RGB 235 64 255

HSL 293.72, 1%, 0.63%

LAB 60.38, 85.25, -60.92

 

CMYK 1 / 68 / 0 / 0

HEX #FC52FF

RGB 252 82 255

HSL 298.96, 1%, 0.66%

LAB 64.92, 82.98, -53.54

 

CMYK 0 / 61 / 0 / 0

HEX #FF64FF

RGB 255 100 255

HSL 300, 1%, 0.7%

LAB 67.72, 77.03, -49.08

 

CMYK 20 / 89 / 0 / 4

HEX #C41CF6

RGB 196 28 246

HSL 286.24, 0.92%, 0.54%

LAB 50.94, 85.56, -71.44

 

CMYK 21 / 96 / 0 / 11

HEX #B30AE3

RGB 179 10 227

HSL 286.73, 0.92%, 0.46%

LAB 46.11, 82.17, -68.7

 

CMYK 22 / 100 / 0 / 18

HEX #A200D0

RGB 162 0 208

HSL 286.73, 1%, 0.41%

LAB 41.59, 77.53, -65.27

 

CMYK 23 / 100 / 0 / 26

HEX #9100BD

RGB 145 0 189

HSL 286.03, 1%, 0.37%

LAB 37.29, 71.92, -61.3

 

CMYK 25 / 100 / 0 / 33

HEX #8000AA

RGB 128 0 170

HSL 285.18, 1%, 0.33%

LAB 32.9, 66.2, -57.27

 

CMYK 20 / 88 / 0 / 4

HEX #C41DF5

RGB 196 29 245

HSL 286.39, 0.92%, 0.54%

LAB 50.93, 85.23, -70.9

 

CMYK 0 / 88 / 4 / 4

HEX #F51DEC

RGB 245 29 236

HSL 302.5, 0.92%, 0.54%

LAB 58.37, 91.61, -53.48

 

CMYK 0 / 88 / 27 / 4

HEX #F51DB2

RGB 245 29 178

HSL 318.61, 0.92%, 0.54%

LAB 55.59, 84.36, -24.69

 

CMYK 0 / 88 / 51 / 4

HEX #F51D78

RGB 245 29 120

HSL 334.72, 0.92%, 0.54%

LAB 53.65, 79.06, 6.85

 

CMYK 0 / 88 / 75 / 4

HEX #F51D3E

RGB 245 29 62

HSL 350.83, 0.92%, 0.54%

LAB 52.55, 75.95, 40.08

 

CMYK 20 / 88 / 0 / 4

HEX #C41DF5

RGB 196 29 245

HSL 286.39, 0.92%, 0.54%

LAB 50.93, 85.23, -70.9

 

CMYK 44 / 88 / 0 / 4

HEX #891DF5

RGB 137 29 245

HSL 270, 0.92%, 0.54%

LAB 42.44, 77.73, -85.12

 

CMYK 68 / 88 / 0 / 4

HEX #4F1DF5

RGB 79 29 245

HSL 253.89, 0.92%, 0.54%

LAB 36.24, 72.94, -95.58

 

CMYK 88 / 88 / 0 / 4

HEX #1D1DF5

RGB 29 29 245

HSL 240, 0.92%, 0.54%

LAB 33.42, 71.04, -100.35

 

CMYK 20 / 88 / 0 / 4

HEX #C41DF5

RGB 196 29 245

HSL 286.39, 0.92%, 0.54%

LAB 50.93, 85.23, -70.9

 

CMYK 20 / 88 / 0 / 4

HEX #C41DF5

RGB 196 29 245

HSL 286.39, 0.92%, 0.54%

LAB 50.93, 85.23, -70.9

 

CMYK 18 / 79 / 0 / 11

HEX #B930E2

RGB 185 48 226

HSL 286.18, 0.75%, 0.54%

LAB 49.4, 75.78, -62.75

 

CMYK 15 / 68 / 0 / 19

HEX #AF43CF

RGB 175 67 207

HSL 286.29, 0.59%, 0.54%

LAB 49.05, 63.6, -52.55

 

CMYK 12 / 54 / 0 / 26

HEX #A556BC

RGB 165 86 188

HSL 286.47, 0.43%, 0.54%

LAB 49.84, 48.59, -40.4

 

CMYK 8 / 38 / 0 / 34

HEX #9B69A9

RGB 155 105 169

HSL 286.88, 0.27%, 0.54%

LAB 51.77, 31.36, -26.44

 

CMYK 67 / 88 / 0 / 4

HEX #501DF5

RGB 80 29 245

HSL 254.17, 0.92%, 0.54%

LAB 36.32, 73, -95.44

 

CMYK 44 / 88 / 0 / 4

HEX #891DF5

RGB 137 29 245

HSL 270, 0.92%, 0.54%

LAB 42.44, 77.73, -85.12

 

CMYK 20 / 88 / 0 / 4

HEX #C31DF5

RGB 195 29 245

HSL 286.11, 0.92%, 0.54%

LAB 50.77, 85.08, -71.16

 

CMYK 0 / 88 / 3 / 4

HEX #F51DEE

RGB 245 29 238

HSL 301.94, 0.92%, 0.54%

LAB 58.48, 91.89, -54.42

 

CMYK 0 / 88 / 27 / 4

HEX #F51DB4

RGB 245 29 180

HSL 318.06, 0.92%, 0.54%

LAB 55.67, 84.58, -25.72

 

CMYK 22 / 96 / 0 / 27

HEX #9007B9

RGB 144 7 185

HSL 286.18, 0.93%, 0.38%

LAB 37.09, 70.23, -59.28

 

CMYK 22 / 96 / 0 / 12

HEX #AF09E0

RGB 175 9 224

HSL 286.33, 0.92%, 0.46%

LAB 45.21, 81.2, -68.48

 

CMYK 20 / 88 / 0 / 4

HEX #C41DF5

RGB 196 29 245

HSL 286.39, 0.92%, 0.54%

LAB 50.93, 85.23, -70.9

 

CMYK 17 / 72 / 0 / 3

HEX #CE45F7

RGB 206 69 247

HSL 286.18, 0.92%, 0.62%

LAB 56.18, 76.75, -63.46

 

CMYK 13 / 56 / 0 / 3

HEX #D86DF8

RGB 216 109 248

HSL 286.19, 0.91%, 0.7%

LAB 63.6, 62.48, -52.09

 

CMYK 20 / 89 / 0 / 4

HEX #C41CF6

RGB 196 28 246

HSL 286.24, 0.92%, 0.54%

LAB 50.94, 85.56, -71.44

 

CMYK 0 / 88 / 85 / 4

HEX #F51D24

RGB 245 29 36

HSL 358.06, 0.92%, 0.54%

LAB 52.31, 75.25, 53.67

 

CMYK 88 / 0 / 56 / 4

HEX #1DF56C

RGB 29 245 108

HSL 141.94, 0.92%, 0.54%

LAB 85.33, -75.44, 51.97

 

CMYK 20 / 89 / 0 / 4

HEX #C41CF6

RGB 196 28 246

HSL 286.24, 0.92%, 0.54%

LAB 50.94, 85.56, -71.44

 

CMYK 0 / 20 / 88 / 4

HEX #F5C31D

RGB 245 195 29

HSL 46.11, 0.92%, 0.54%

LAB 81.03, 4.37, 78.8

 

CMYK 88 / 0 / 20 / 4

HEX #1DF5C3

RGB 29 245 195

HSL 166.11, 0.92%, 0.54%

LAB 86.75, -59.04, 10.7

 

CMYK 20 / 89 / 0 / 4

HEX #C41CF6

RGB 196 28 246

HSL 286.24, 0.92%, 0.54%

LAB 50.94, 85.56, -71.44

 

CMYK 0 / 88 / 85 / 4

HEX #F51D24

RGB 245 29 36

HSL 358.06, 0.92%, 0.54%

LAB 52.31, 75.25, 53.67

 

CMYK 67 / 0 / 88 / 4

HEX #50F51D

RGB 80 245 29

HSL 105.83, 0.92%, 0.54%

LAB 85.55, -75.36, 78.66

 

CMYK 88 / 0 / 3 / 4

HEX #1DF5EE

RGB 29 245 238

HSL 178.06, 0.92%, 0.54%

LAB 87.84, -47.8, -10.16

 

CMYK 20 / 89 / 0 / 4

HEX #C41CF6

RGB 196 28 246

HSL 286.24, 0.92%, 0.54%

LAB 50.94, 85.56, -71.44

 

CMYK 0 / 64 / 88 / 4

HEX #F5571D

RGB 245 87 29

HSL 16.11, 0.92%, 0.54%

LAB 58.34, 58.25, 61.32

 

CMYK 67 / 0 / 88 / 4

HEX #50F51D

RGB 80 245 29

HSL 105.83, 0.92%, 0.54%

LAB 85.55, -75.36, 78.66

 

CMYK 88 / 23 / 0 / 4

HEX #1DBCF5

RGB 29 188 245

HSL 195.83, 0.92%, 0.54%

LAB 71.43, -18.58, -38.88

 

Description

Color code: RGB 196 28 246 | qconv.com Color code: RGB 196 28 246 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 196 red, 28 green and 246 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
196 28 246 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 20 cyan, 89 magenta, none yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
20% 89% 0% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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