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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 196 243 57 it is the complementary color RGB 59 12 198. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 196 243 57. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 196 243 57 shade: RGB 201 243 52, RGB 218 255 71, RGB 235 255 90, RGB 252 255 109 and RGB 255 255 128

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 196 243 57. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 196 243 57 shade: RGB 196 243 57, RGB 179 225 38, RGB 162 207 19, RGB 145 189 0 and RGB 128 171 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 196 243 57 shade: RGB 196 243 57, RGB 243 240 57, RGB 243 190 57, RGB 243 139 57 and RGB 243 89 57

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 196 243 57 shade: RGB 196 243 57, RGB 146 243 57, RGB 96 243 57, RGB 57 243 68 and RGB 57 243 119

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 196 243 57 shade matches the following richer shades: RGB 196 243 57

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 196 243 57 shade: RGB 196 243 57, RGB 188 226 74, RGB 179 209 91, RGB 171 192 108 and RGB 163 175 125

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 196 243 57 shade: RGB 243 190 57, RGB 243 240 57, RGB 196 243 57, RGB 147 243 57 and RGB 97 243 57

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 196 243 57 shade: RGB 157 206 12, RGB 184 241 18, RGB 196 243 57, RGB 208 245 96 and RGB 219 248 135

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 196 243 57 shade: RGB 196 243 57, RGB 57 243 141 and RGB 215 57 243

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 196 243 57 shade: RGB 196 243 57, RGB 57 196 243 and RGB 243 57 196

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 196 243 57 shade: RGB 196 243 57, RGB 57 243 141, RGB 103 57 243 and RGB 243 57 159

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 196 243 57 shade: RGB 196 243 57, RGB 57 243 196, RGB 103 57 243 and RGB 243 57 103

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 0 / 77 / 5

HEX #C4F339

RGB 196 243 57

HSL 75.16, 0.89%, 0.59%

LAB 89.92, -38.5, 77.88

 

Complementary color

CMYK 70 / 94 / 0 / 22

HEX #3B0CC6

RGB 59 12 198

HSL 255.16, 0.89%, 0.41%

LAB 27.49, 64.26, -83.13

 

CMYK 17 / 0 / 79 / 5

HEX #C9F334

RGB 201 243 52

HSL 73.19, 0.89%, 0.58%

LAB 90.21, -36.77, 79.66

 

CMYK 15 / 0 / 72 / 0

HEX #DAFF47

RGB 218 255 71

HSL 72.07, 1%, 0.64%

LAB 94.69, -34.76, 78.57

 

CMYK 8 / 0 / 65 / 0

HEX #EBFF5A

RGB 235 255 90

HSL 67.27, 1%, 0.68%

LAB 95.96, -27.09, 73.51

 

CMYK 1 / 0 / 57 / 0

HEX #FCFF6D

RGB 252 255 109

HSL 61.23, 1%, 0.71%

LAB 97.36, -19.16, 67.76

 

CMYK 0 / 0 / 50 / 0

HEX #FFFF80

RGB 255 255 128

HSL 60, 1%, 0.75%

LAB 97.77, -16.54, 59.98

 

CMYK 19 / 0 / 77 / 5

HEX #C4F339

RGB 196 243 57

HSL 75.16, 0.89%, 0.59%

LAB 89.92, -38.5, 77.88

 

CMYK 20 / 0 / 83 / 12

HEX #B3E126

RGB 179 225 38

HSL 74.76, 0.76%, 0.52%

LAB 83.74, -37.75, 76.92

 

CMYK 22 / 0 / 91 / 19

HEX #A2CF13

RGB 162 207 19

HSL 74.36, 0.83%, 0.44%

LAB 77.49, -36.82, 74.87

 

CMYK 23 / 0 / 100 / 26

HEX #91BD00

RGB 145 189 0

HSL 73.97, 1%, 0.37%

LAB 71.16, -35.72, 71.66

 

CMYK 25 / 0 / 100 / 33

HEX #80AB00

RGB 128 171 0

HSL 75.09, 1%, 0.34%

LAB 64.74, -34.34, 66.31

 

CMYK 19 / 0 / 77 / 5

HEX #C4F339

RGB 196 243 57

HSL 75.16, 0.89%, 0.59%

LAB 89.92, -38.5, 77.88

 

CMYK 0 / 1 / 77 / 5

HEX #F3F039

RGB 243 240 57

HSL 59.03, 0.89%, 0.59%

LAB 92.43, -18.3, 81.39

 

CMYK 0 / 22 / 77 / 5

HEX #F3BE39

RGB 243 190 57

HSL 42.9, 0.89%, 0.59%

LAB 79.71, 6.89, 69.79

 

CMYK 0 / 43 / 77 / 5

HEX #F38B39

RGB 243 139 57

HSL 26.45, 0.89%, 0.59%

LAB 67.88, 33.63, 58.5

 

CMYK 0 / 63 / 77 / 5

HEX #F35939

RGB 243 89 57

HSL 10.32, 0.89%, 0.59%

LAB 58.5, 57.49, 49.07

 

CMYK 19 / 0 / 77 / 5

HEX #C4F339

RGB 196 243 57

HSL 75.16, 0.89%, 0.59%

LAB 89.92, -38.5, 77.88

 

CMYK 40 / 0 / 77 / 5

HEX #92F339

RGB 146 243 57

HSL 91.29, 0.89%, 0.59%

LAB 87.25, -56.36, 74.42

 

CMYK 60 / 0 / 77 / 5

HEX #60F339

RGB 96 243 57

HSL 107.42, 0.89%, 0.59%

LAB 85.45, -70.18, 72.08

 

CMYK 77 / 0 / 72 / 5

HEX #39F344

RGB 57 243 68

HSL 123.55, 0.89%, 0.59%

LAB 84.68, -76.35, 67.49

 

CMYK 77 / 0 / 51 / 5

HEX #39F377

RGB 57 243 119

HSL 140, 0.89%, 0.59%

LAB 85.15, -70.69, 46.77

 

CMYK 19 / 0 / 77 / 5

HEX #C4F339

RGB 196 243 57

HSL 75.16, 0.89%, 0.59%

LAB 89.92, -38.5, 77.88

 

CMYK 19 / 0 / 77 / 5

HEX #C4F339

RGB 196 243 57

HSL 75.16, 0.89%, 0.59%

LAB 89.92, -38.5, 77.88

 

CMYK 17 / 0 / 67 / 11

HEX #BCE24A

RGB 188 226 74

HSL 75, 0.72%, 0.59%

LAB 84.78, -33.02, 67.04

 

CMYK 14 / 0 / 56 / 18

HEX #B3D15B

RGB 179 209 91

HSL 75.25, 0.56%, 0.59%

LAB 79.58, -27.32, 54.19

 

CMYK 11 / 0 / 44 / 25

HEX #ABC06C

RGB 171 192 108

HSL 75, 0.4%, 0.59%

LAB 74.47, -20.49, 39.84

 

CMYK 7 / 0 / 29 / 31

HEX #A3AF7D

RGB 163 175 125

HSL 74.4, 0.24%, 0.59%

LAB 69.42, -12.77, 24.3

 

CMYK 0 / 22 / 77 / 5

HEX #F3BE39

RGB 243 190 57

HSL 42.9, 0.89%, 0.59%

LAB 79.71, 6.89, 69.79

 

CMYK 0 / 1 / 77 / 5

HEX #F3F039

RGB 243 240 57

HSL 59.03, 0.89%, 0.59%

LAB 92.43, -18.3, 81.39

 

CMYK 19 / 0 / 77 / 5

HEX #C4F339

RGB 196 243 57

HSL 75.16, 0.89%, 0.59%

LAB 89.92, -38.5, 77.88

 

CMYK 40 / 0 / 77 / 5

HEX #93F339

RGB 147 243 57

HSL 90.97, 0.89%, 0.59%

LAB 87.29, -56.03, 74.48

 

CMYK 60 / 0 / 77 / 5

HEX #61F339

RGB 97 243 57

HSL 107.1, 0.89%, 0.59%

LAB 85.47, -69.95, 72.11

 

CMYK 24 / 0 / 94 / 19

HEX #9DCE0C

RGB 157 206 12

HSL 75.15, 0.89%, 0.43%

LAB 76.88, -38.45, 75.15

 

CMYK 24 / 0 / 93 / 5

HEX #B8F112

RGB 184 241 18

HSL 75.34, 0.89%, 0.51%

LAB 88.52, -43.32, 84.35

 

CMYK 19 / 0 / 77 / 5

HEX #C4F339

RGB 196 243 57

HSL 75.16, 0.89%, 0.59%

LAB 89.92, -38.5, 77.88

 

CMYK 15 / 0 / 61 / 4

HEX #D0F560

RGB 208 245 96

HSL 74.9, 0.88%, 0.67%

LAB 91.49, -32.55, 65.83

 

CMYK 12 / 0 / 46 / 3

HEX #DBF887

RGB 219 248 135

HSL 75.4, 0.89%, 0.75%

LAB 93.43, -26.34, 50.9

 

CMYK 19 / 0 / 77 / 5

HEX #C4F339

RGB 196 243 57

HSL 75.16, 0.89%, 0.59%

LAB 89.92, -38.5, 77.88

 

CMYK 77 / 0 / 42 / 5

HEX #39F38D

RGB 57 243 141

HSL 147.1, 0.89%, 0.59%

LAB 85.45, -67.19, 36.52

 

CMYK 12 / 77 / 0 / 5

HEX #D739F3

RGB 215 57 243

HSL 290.97, 0.89%, 0.59%

LAB 55.93, 81.56, -61.56

 

CMYK 19 / 0 / 77 / 5

HEX #C4F339

RGB 196 243 57

HSL 75.16, 0.89%, 0.59%

LAB 89.92, -38.5, 77.88

 

CMYK 77 / 19 / 0 / 5

HEX #39C4F3

RGB 57 196 243

HSL 195.16, 0.89%, 0.59%

LAB 74.07, -21.19, -33.67

 

CMYK 0 / 77 / 19 / 5

HEX #F339C4

RGB 243 57 196

HSL 315.16, 0.89%, 0.59%

LAB 58.01, 80.26, -31.38

 

CMYK 19 / 0 / 77 / 5

HEX #C4F339

RGB 196 243 57

HSL 75.16, 0.89%, 0.59%

LAB 89.92, -38.5, 77.88

 

CMYK 77 / 0 / 42 / 5

HEX #39F38D

RGB 57 243 141

HSL 147.1, 0.89%, 0.59%

LAB 85.45, -67.19, 36.52

 

CMYK 58 / 77 / 0 / 5

HEX #6739F3

RGB 103 57 243

HSL 254.84, 0.89%, 0.59%

LAB 41.66, 64.1, -85.42

 

CMYK 0 / 77 / 35 / 5

HEX #F3399F

RGB 243 57 159

HSL 327.1, 0.89%, 0.59%

LAB 56.57, 75.98, -12.11

 

CMYK 19 / 0 / 77 / 5

HEX #C4F339

RGB 196 243 57

HSL 75.16, 0.89%, 0.59%

LAB 89.92, -38.5, 77.88

 

CMYK 77 / 0 / 19 / 5

HEX #39F3C4

RGB 57 243 196

HSL 164.84, 0.89%, 0.59%

LAB 86.48, -55.82, 9.83

 

CMYK 58 / 77 / 0 / 5

HEX #6739F3

RGB 103 57 243

HSL 254.84, 0.89%, 0.59%

LAB 41.66, 64.1, -85.42

 

CMYK 0 / 77 / 58 / 5

HEX #F33967

RGB 243 57 103

HSL 345.16, 0.89%, 0.59%

LAB 55.03, 71.23, 18.92

 

Description

Color code: RGB 196 243 57 | qconv.com Color code: RGB 196 243 57 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 196 red, 243 green and 57 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
196 243 57 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, none magenta, 77 yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 0% 77% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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