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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 196 221 215 it is the complementary color RGB 59 34 40. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 196 221 215. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 196 221 215 shade: RGB 201 221 210, RGB 218 239 229, RGB 235 255 248 and RGB 252 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 196 221 215. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 196 221 215 shade: RGB 196 221 215, RGB 179 203 196, RGB 162 185 177, RGB 145 167 158 and RGB 128 149 139

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 196 221 215 shade: RGB 196 221 215, RGB 196 221 208, RGB 196 221 202, RGB 197 221 196 and RGB 204 221 196

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 196 221 215 shade: RGB 196 221 215, RGB 196 220 221, RGB 196 214 221, RGB 196 207 221 and RGB 196 200 221

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 196 221 215 shade matches the following richer shades: RGB 196 221 215, RGB 189 228 219, RGB 181 236 223, RGB 174 243 227 and RGB 167 251 230

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 196 221 215 shade: RGB 196 221 215, RGB 204 214 211, RGB 211 206 207, RGB 218 199 203 and RGB 226 191 200

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 196 221 215 shade: RGB 196 221 202, RGB 196 221 208, RGB 196 221 215, RGB 196 221 221 and RGB 196 214 221

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 196 221 215 shade: RGB 144 191 180, RGB 170 206 197, RGB 196 221 215, RGB 222 236 233 and RGB 249 251 251

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 196 221 215 shade: RGB 196 221 215, RGB 196 197 221 and RGB 221 205 196

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 196 221 215 shade: RGB 196 221 215, RGB 215 196 221 and RGB 221 215 196

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 196 221 215 shade: RGB 196 221 215, RGB 196 197 221, RGB 221 196 202 and RGB 221 220 196

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 196 221 215 shade: RGB 196 221 215, RGB 202 196 221, RGB 221 196 202 and RGB 215 221 196

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 11 / 0 / 3 / 13

HEX #C4DDD7

RGB 196 221 215

HSL 165.6, 0.27%, 0.82%

LAB 86.18, -9.43, 0.12

 

Complementary color

CMYK 0 / 42 / 32 / 77

HEX #3B2228

RGB 59 34 40

HSL 345.6, 0.27%, 0.18%

LAB 16.64, 12.98, 1.05

 

CMYK 9 / 0 / 5 / 13

HEX #C9DDD2

RGB 201 221 210

HSL 147, 0.23%, 0.83%

LAB 86.4, -8.72, 3.11

 

CMYK 9 / 0 / 4 / 6

HEX #DAEFE5

RGB 218 239 229

HSL 151.43, 0.4%, 0.9%

LAB 92.71, -8.74, 2.46

 

CMYK 8 / 0 / 3 / 0

HEX #EBFFF8

RGB 235 255 248

HSL 159, 1%, 0.96%

LAB 98.42, -7.77, 1.1

 

CMYK 1 / 0 / 0 / 0

HEX #FCFFFF

RGB 252 255 255

HSL 180, 1%, 0.99%

LAB 99.78, -0.98, -0.36

 

CMYK 11 / 0 / 3 / 13

HEX #C4DDD7

RGB 196 221 215

HSL 165.6, 0.27%, 0.82%

LAB 86.18, -9.43, 0.12

 

CMYK 12 / 0 / 3 / 20

HEX #B3CBC4

RGB 179 203 196

HSL 162.5, 0.19%, 0.75%

LAB 79.77, -9.43, 0.74

 

CMYK 12 / 0 / 4 / 27

HEX #A2B9B1

RGB 162 185 177

HSL 159.13, 0.14%, 0.68%

LAB 73.25, -9.45, 1.39

 

CMYK 13 / 0 / 5 / 35

HEX #91A79E

RGB 145 167 158

HSL 155.45, 0.11%, 0.61%

LAB 66.62, -9.48, 2.06

 

CMYK 14 / 0 / 7 / 42

HEX #80958B

RGB 128 149 139

HSL 151.43, 0.09%, 0.54%

LAB 59.84, -9.52, 2.77

 

CMYK 11 / 0 / 3 / 13

HEX #C4DDD7

RGB 196 221 215

HSL 165.6, 0.27%, 0.82%

LAB 86.18, -9.43, 0.12

 

CMYK 11 / 0 / 6 / 13

HEX #C4DDD0

RGB 196 221 208

HSL 148.8, 0.27%, 0.82%

LAB 86.01, -10.76, 3.56

 

CMYK 11 / 0 / 9 / 13

HEX #C4DDCA

RGB 196 221 202

HSL 134.4, 0.27%, 0.82%

LAB 85.86, -11.86, 6.52

 

CMYK 11 / 0 / 11 / 13

HEX #C5DDC4

RGB 197 221 196

HSL 117.6, 0.27%, 0.82%

LAB 85.79, -12.6, 9.58

 

CMYK 8 / 0 / 11 / 13

HEX #CCDDC4

RGB 204 221 196

HSL 100.8, 0.27%, 0.82%

LAB 86.27, -10.2, 10.34

 

CMYK 11 / 0 / 3 / 13

HEX #C4DDD7

RGB 196 221 215

HSL 165.6, 0.27%, 0.82%

LAB 86.18, -9.43, 0.12

 

CMYK 11 / 0 / 0 / 13

HEX #C4DCDD

RGB 196 220 221

HSL 182.4, 0.27%, 0.82%

LAB 86.08, -7.74, -3.2

 

CMYK 11 / 3 / 0 / 13

HEX #C4D6DD

RGB 196 214 221

HSL 196.8, 0.27%, 0.82%

LAB 84.51, -4.64, -5.51

 

CMYK 11 / 6 / 0 / 13

HEX #C4CFDD

RGB 196 207 221

HSL 213.6, 0.27%, 0.82%

LAB 82.69, -0.98, -8.21

 

CMYK 11 / 10 / 0 / 13

HEX #C4C8DD

RGB 196 200 221

HSL 230.4, 0.27%, 0.82%

LAB 80.89, 2.73, -10.89

 

CMYK 11 / 0 / 3 / 13

HEX #C4DDD7

RGB 196 221 215

HSL 165.6, 0.27%, 0.82%

LAB 86.18, -9.43, 0.12

 

CMYK 17 / 0 / 4 / 11

HEX #BDE4DB

RGB 189 228 219

HSL 166.15, 0.42%, 0.82%

LAB 87.69, -14.43, 0.16

 

CMYK 23 / 0 / 6 / 7

HEX #B5ECDF

RGB 181 236 223

HSL 165.82, 0.59%, 0.82%

LAB 89.46, -20.07, 0.59

 

CMYK 28 / 0 / 7 / 5

HEX #AEF3E3

RGB 174 243 227

HSL 166.09, 0.74%, 0.82%

LAB 91.07, -24.72, 0.81

 

CMYK 33 / 0 / 8 / 2

HEX #A7FBE6

RGB 167 251 230

HSL 165, 0.91%, 0.82%

LAB 92.98, -29.87, 1.98

 

CMYK 11 / 0 / 3 / 13

HEX #C4DDD7

RGB 196 221 215

HSL 165.6, 0.27%, 0.82%

LAB 86.18, -9.43, 0.12

 

CMYK 5 / 0 / 1 / 16

HEX #CCD6D3

RGB 204 214 211

HSL 162, 0.11%, 0.82%

LAB 84.81, -3.93, 0.3

 

CMYK 0 / 2 / 2 / 17

HEX #D3CECF

RGB 211 206 207

HSL 348, 0.05%, 0.82%

LAB 83.18, 1.9, 0.11

 

CMYK 0 / 9 / 7 / 15

HEX #DAC7CB

RGB 218 199 203

HSL 347.37, 0.2%, 0.82%

LAB 81.87, 7.33, 0.41

 

CMYK 0 / 15 / 12 / 11

HEX #E2BFC8

RGB 226 191 200

HSL 344.57, 0.38%, 0.82%

LAB 80.52, 13.9, 0.12

 

CMYK 11 / 0 / 9 / 13

HEX #C4DDCA

RGB 196 221 202

HSL 134.4, 0.27%, 0.82%

LAB 85.86, -11.86, 6.52

 

CMYK 11 / 0 / 6 / 13

HEX #C4DDD0

RGB 196 221 208

HSL 148.8, 0.27%, 0.82%

LAB 86.01, -10.76, 3.56

 

CMYK 11 / 0 / 3 / 13

HEX #C4DDD7

RGB 196 221 215

HSL 165.6, 0.27%, 0.82%

LAB 86.18, -9.43, 0.12

 

CMYK 11 / 0 / 0 / 13

HEX #C4DDDD

RGB 196 221 221

HSL 180, 0.27%, 0.82%

LAB 86.34, -8.25, -2.82

 

CMYK 11 / 3 / 0 / 13

HEX #C4D6DD

RGB 196 214 221

HSL 196.8, 0.27%, 0.82%

LAB 84.51, -4.64, -5.51

 

CMYK 25 / 0 / 6 / 25

HEX #90BFB4

RGB 144 191 180

HSL 165.96, 0.27%, 0.66%

LAB 73.86, -17.79, 0.5

 

CMYK 17 / 0 / 4 / 19

HEX #AACEC5

RGB 170 206 197

HSL 165, 0.27%, 0.74%

LAB 80.02, -13.71, 0.5

 

CMYK 11 / 0 / 3 / 13

HEX #C4DDD7

RGB 196 221 215

HSL 165.6, 0.27%, 0.82%

LAB 86.18, -9.43, 0.12

 

CMYK 6 / 0 / 1 / 7

HEX #DEECE9

RGB 222 236 233

HSL 167.14, 0.27%, 0.9%

LAB 92.31, -5.17, -0.16

 

CMYK 1 / 0 / 0 / 2

HEX #F9FBFB

RGB 249 251 251

HSL 180, 0.2%, 0.98%

LAB 98.47, -0.65, -0.24

 

CMYK 11 / 0 / 3 / 13

HEX #C4DDD7

RGB 196 221 215

HSL 165.6, 0.27%, 0.82%

LAB 86.18, -9.43, 0.12

 

CMYK 11 / 11 / 0 / 13

HEX #C4C5DD

RGB 196 197 221

HSL 237.6, 0.27%, 0.82%

LAB 80.12, 4.33, -12.04

 

CMYK 0 / 7 / 11 / 13

HEX #DDCDC4

RGB 221 205 196

HSL 21.6, 0.27%, 0.82%

LAB 83.45, 4.05, 6.47

 

CMYK 11 / 0 / 3 / 13

HEX #C4DDD7

RGB 196 221 215

HSL 165.6, 0.27%, 0.82%

LAB 86.18, -9.43, 0.12

 

CMYK 3 / 11 / 0 / 13

HEX #D7C4DD

RGB 215 196 221

HSL 285.6, 0.27%, 0.82%

LAB 81.37, 11.14, -10.01

 

CMYK 0 / 3 / 11 / 13

HEX #DDD7C4

RGB 221 215 196

HSL 45.6, 0.27%, 0.82%

LAB 85.99, -1.16, 10.1

 

CMYK 11 / 0 / 3 / 13

HEX #C4DDD7

RGB 196 221 215

HSL 165.6, 0.27%, 0.82%

LAB 86.18, -9.43, 0.12

 

CMYK 11 / 11 / 0 / 13

HEX #C4C5DD

RGB 196 197 221

HSL 237.6, 0.27%, 0.82%

LAB 80.12, 4.33, -12.04

 

CMYK 0 / 11 / 9 / 13

HEX #DDC4CA

RGB 221 196 202

HSL 345.6, 0.27%, 0.82%

LAB 81.36, 9.8, 0.22

 

CMYK 0 / 0 / 11 / 13

HEX #DDDCC4

RGB 221 220 196

HSL 57.6, 0.27%, 0.82%

LAB 87.26, -3.74, 11.92

 

CMYK 11 / 0 / 3 / 13

HEX #C4DDD7

RGB 196 221 215

HSL 165.6, 0.27%, 0.82%

LAB 86.18, -9.43, 0.12

 

CMYK 9 / 11 / 0 / 13

HEX #CAC4DD

RGB 202 196 221

HSL 254.4, 0.27%, 0.82%

LAB 80.32, 6.82, -11.68

 

CMYK 0 / 11 / 9 / 13

HEX #DDC4CA

RGB 221 196 202

HSL 345.6, 0.27%, 0.82%

LAB 81.36, 9.8, 0.22

 

CMYK 3 / 0 / 11 / 13

HEX #D7DDC4

RGB 215 221 196

HSL 74.4, 0.27%, 0.82%

LAB 87.07, -6.37, 11.58

 

Description

Color code: RGB 196 221 215 | qconv.com Color code: RGB 196 221 215 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 196 red, 221 green and 215 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
196 221 215 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 11 cyan, none magenta, 3 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
11% 0% 3% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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