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Color name
RGB 196 140 124

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 196 140 124 it is the complementary color RGB 59 115 131. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 196 140 124. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 196 140 124 shade: RGB 201 140 119, RGB 218 158 138, RGB 235 176 157, RGB 252 194 176 and RGB 255 212 195

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 196 140 124. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 196 140 124 shade: RGB 196 140 124, RGB 179 122 105, RGB 162 104 86, RGB 145 86 67 and RGB 128 68 48

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 196 140 124 shade: RGB 196 140 124 and RGB 196 124 124

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 196 140 124 shade: RGB 196 140 124, RGB 196 160 124, RGB 196 179 124, RGB 194 196 124 and RGB 174 196 124

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 196 140 124 shade matches the following richer shades: RGB 196 140 124, RGB 211 132 109, RGB 227 123 94 and RGB 242 115 78

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 196 140 124 shade: RGB 196 140 124, RGB 181 149 140, RGB 165 157 155, RGB 150 166 170 and RGB 135 174 185

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 196 140 124 shade: RGB 196 124 147, RGB 196 124 128, RGB 196 140 124, RGB 196 159 124 and RGB 196 178 124

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 196 140 124 shade: RGB 164 94 74, RGB 183 115 96, RGB 196 140 124, RGB 209 165 153 and RGB 222 190 181

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 196 140 124 shade: RGB 196 140 124, RGB 166 196 124 and RGB 124 137 196

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 196 140 124 shade: RGB 196 140 124, RGB 124 196 140 and RGB 140 124 196

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 196 140 124 shade: RGB 196 140 124, RGB 166 196 124, RGB 124 180 196 and RGB 154 124 196

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 196 140 124 shade: RGB 196 140 124, RGB 145 196 124, RGB 124 180 196 and RGB 176 124 196

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 29 / 37 / 23

HEX #C48C7C

RGB 196 140 124

HSL 13.33, 0.38%, 0.63%

LAB 63.3, 19.22, 17.01

 

Complementary color

CMYK 55 / 12 / 0 / 49

HEX #3B7383

RGB 59 115 131

HSL 193.33, 0.38%, 0.37%

LAB 45.4, -13.61, -14.45

 

CMYK 0 / 30 / 41 / 21

HEX #C98C77

RGB 201 140 119

HSL 15.37, 0.43%, 0.63%

LAB 63.76, 20.62, 20.53

 

CMYK 0 / 28 / 37 / 15

HEX #DA9E8A

RGB 218 158 138

HSL 15, 0.52%, 0.7%

LAB 70.31, 19.75, 19.27

 

CMYK 0 / 25 / 33 / 8

HEX #EBB09D

RGB 235 176 157

HSL 14.62, 0.66%, 0.77%

LAB 76.77, 18.98, 18.12

 

CMYK 0 / 23 / 30 / 1

HEX #FCC2B0

RGB 252 194 176

HSL 14.21, 0.93%, 0.84%

LAB 83.13, 18.3, 17.06

 

CMYK 0 / 17 / 24 / 0

HEX #FFD4C3

RGB 255 212 195

HSL 17, 1%, 0.88%

LAB 88.11, 12.55, 14.04

 

CMYK 0 / 29 / 37 / 23

HEX #C48C7C

RGB 196 140 124

HSL 13.33, 0.38%, 0.63%

LAB 63.3, 19.22, 17.01

 

CMYK 0 / 32 / 41 / 30

HEX #B37A69

RGB 179 122 105

HSL 13.78, 0.33%, 0.56%

LAB 56.61, 20.12, 18.31

 

CMYK 0 / 36 / 47 / 36

HEX #A26856

RGB 162 104 86

HSL 14.21, 0.31%, 0.49%

LAB 49.8, 21.16, 19.76

 

CMYK 0 / 41 / 54 / 43

HEX #915643

RGB 145 86 67

HSL 14.62, 0.37%, 0.42%

LAB 42.88, 22.37, 21.44

 

CMYK 0 / 47 / 63 / 50

HEX #804430

RGB 128 68 48

HSL 15, 0.45%, 0.35%

LAB 35.86, 23.77, 23.41

 

CMYK 0 / 29 / 37 / 23

HEX #C48C7C

RGB 196 140 124

HSL 13.33, 0.38%, 0.63%

LAB 63.3, 19.22, 17.01

 

CMYK 0 / 37 / 37 / 23

HEX #C47C7C

RGB 196 124 124

HSL 0, 0.38%, 0.63%

LAB 59.53, 28.01, 11.76

 

CMYK 0 / 29 / 37 / 23

HEX #C48C7C

RGB 196 140 124

HSL 13.33, 0.38%, 0.63%

LAB 63.3, 19.22, 17.01

 

CMYK 0 / 18 / 37 / 23

HEX #C4A07C

RGB 196 160 124

HSL 30, 0.38%, 0.63%

LAB 68.27, 8.25, 23.78

 

CMYK 0 / 9 / 37 / 23

HEX #C4B37C

RGB 196 179 124

HSL 45.83, 0.38%, 0.63%

LAB 73.17, -1.96, 30.32

 

CMYK 1 / 0 / 37 / 23

HEX #C2C47C

RGB 194 196 124

HSL 61.67, 0.38%, 0.63%

LAB 77.52, -11.62, 35.94

 

CMYK 11 / 0 / 37 / 23

HEX #AEC47C

RGB 174 196 124

HSL 78.33, 0.38%, 0.63%

LAB 76.03, -19.4, 33.71

 

CMYK 0 / 29 / 37 / 23

HEX #C48C7C

RGB 196 140 124

HSL 13.33, 0.38%, 0.63%

LAB 63.3, 19.22, 17.01

 

CMYK 0 / 37 / 48 / 17

HEX #D3846D

RGB 211 132 109

HSL 13.53, 0.54%, 0.63%

LAB 62.89, 27.9, 25.16

 

CMYK 0 / 46 / 59 / 11

HEX #E37B5E

RGB 227 123 94

HSL 13.08, 0.7%, 0.63%

LAB 62.76, 37.62, 33.71

 

CMYK 0 / 52 / 68 / 5

HEX #F2734E

RGB 242 115 78

HSL 13.54, 0.86%, 0.63%

LAB 63.08, 46.27, 43.21

 

CMYK 0 / 29 / 37 / 23

HEX #C48C7C

RGB 196 140 124

HSL 13.33, 0.38%, 0.63%

LAB 63.3, 19.22, 17.01

 

CMYK 0 / 18 / 23 / 29

HEX #B5958C

RGB 181 149 140

HSL 13.17, 0.22%, 0.63%

LAB 64.33, 10.54, 9.23

 

CMYK 0 / 5 / 6 / 35

HEX #A59D9B

RGB 165 157 155

HSL 12, 0.05%, 0.63%

LAB 65.34, 2.54, 2.08

 

CMYK 12 / 2 / 0 / 33

HEX #96A6AA

RGB 150 166 170

HSL 192, 0.11%, 0.63%

LAB 67.02, -4.77, -3.98

 

CMYK 27 / 6 / 0 / 27

HEX #87AEB9

RGB 135 174 185

HSL 193.2, 0.26%, 0.63%

LAB 68.7, -10.54, -9.93

 

CMYK 0 / 37 / 25 / 23

HEX #C47C93

RGB 196 124 147

HSL 340.83, 0.38%, 0.63%

LAB 60.12, 31.09, -0.61

 

CMYK 0 / 37 / 35 / 23

HEX #C47C80

RGB 196 124 128

HSL 356.67, 0.38%, 0.63%

LAB 59.63, 28.51, 9.6

 

CMYK 0 / 29 / 37 / 23

HEX #C48C7C

RGB 196 140 124

HSL 13.33, 0.38%, 0.63%

LAB 63.3, 19.22, 17.01

 

CMYK 0 / 19 / 37 / 23

HEX #C49F7C

RGB 196 159 124

HSL 29.17, 0.38%, 0.63%

LAB 68.01, 8.8, 23.44

 

CMYK 0 / 9 / 37 / 23

HEX #C4B27C

RGB 196 178 124

HSL 45, 0.38%, 0.63%

LAB 72.91, -1.43, 29.97

 

CMYK 0 / 43 / 55 / 36

HEX #A45E4A

RGB 164 94 74

HSL 13.33, 0.38%, 0.47%

LAB 47.49, 26.45, 23.78

 

CMYK 0 / 37 / 48 / 28

HEX #B77360

RGB 183 115 96

HSL 13.1, 0.38%, 0.55%

LAB 55.25, 24.67, 21.72

 

CMYK 0 / 29 / 37 / 23

HEX #C48C7C

RGB 196 140 124

HSL 13.33, 0.38%, 0.63%

LAB 63.3, 19.22, 17.01

 

CMYK 0 / 21 / 27 / 18

HEX #D1A599

RGB 209 165 153

HSL 12.86, 0.38%, 0.71%

LAB 71.4, 14.43, 12.39

 

CMYK 0 / 14 / 18 / 13

HEX #DEBEB5

RGB 222 190 181

HSL 13.17, 0.38%, 0.79%

LAB 79.44, 9.97, 8.75

 

CMYK 0 / 29 / 37 / 23

HEX #C48C7C

RGB 196 140 124

HSL 13.33, 0.38%, 0.63%

LAB 63.3, 19.22, 17.01

 

CMYK 15 / 0 / 37 / 23

HEX #A6C47C

RGB 166 196 124

HSL 85, 0.38%, 0.63%

LAB 75.48, -22.42, 32.89

 

CMYK 37 / 30 / 0 / 23

HEX #7C89C4

RGB 124 137 196

HSL 229.17, 0.38%, 0.63%

LAB 58.19, 9.79, -32.17

 

CMYK 0 / 29 / 37 / 23

HEX #C48C7C

RGB 196 140 124

HSL 13.33, 0.38%, 0.63%

LAB 63.3, 19.22, 17.01

 

CMYK 37 / 0 / 29 / 23

HEX #7CC48C

RGB 124 196 140

HSL 133.33, 0.38%, 0.63%

LAB 73.32, -34.35, 21.18

 

CMYK 29 / 37 / 0 / 23

HEX #8C7CC4

RGB 140 124 196

HSL 253.33, 0.38%, 0.63%

LAB 56.06, 22.02, -35.4

 

CMYK 0 / 29 / 37 / 23

HEX #C48C7C

RGB 196 140 124

HSL 13.33, 0.38%, 0.63%

LAB 63.3, 19.22, 17.01

 

CMYK 15 / 0 / 37 / 23

HEX #A6C47C

RGB 166 196 124

HSL 85, 0.38%, 0.63%

LAB 75.48, -22.42, 32.89

 

CMYK 37 / 8 / 0 / 23

HEX #7CB4C4

RGB 124 180 196

HSL 193.33, 0.38%, 0.63%

LAB 70.12, -14.18, -13.93

 

CMYK 21 / 37 / 0 / 23

HEX #9A7CC4

RGB 154 124 196

HSL 265, 0.38%, 0.63%

LAB 57.34, 26.19, -33.31

 

CMYK 0 / 29 / 37 / 23

HEX #C48C7C

RGB 196 140 124

HSL 13.33, 0.38%, 0.63%

LAB 63.3, 19.22, 17.01

 

CMYK 26 / 0 / 37 / 23

HEX #91C47C

RGB 145 196 124

HSL 102.5, 0.38%, 0.63%

LAB 74.16, -30.05, 30.92

 

CMYK 37 / 8 / 0 / 23

HEX #7CB4C4

RGB 124 180 196

HSL 193.33, 0.38%, 0.63%

LAB 70.12, -14.18, -13.93

 

CMYK 10 / 37 / 0 / 23

HEX #B07CC4

RGB 176 124 196

HSL 283.33, 0.38%, 0.63%

LAB 59.55, 32.98, -29.7

 

Description

Color code: RGB 196 140 124 | qconv.com Color code: RGB 196 140 124 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 196 red, 140 green and 124 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
196 140 124 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 29 magenta, 37 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 29% 37% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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