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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 196 107 203 it is the complementary color RGB 59 148 52. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 196 107 203. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 196 107 203 shade: RGB 201 107 198, RGB 218 125 217, RGB 235 143 236, RGB 252 161 255 and RGB 255 179 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 196 107 203. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 196 107 203 shade: RGB 196 107 203, RGB 179 89 184, RGB 162 71 165, RGB 145 53 146 and RGB 128 35 127

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 196 107 203 shade: RGB 196 107 203, RGB 203 107 184, RGB 203 107 158, RGB 203 107 133 and RGB 203 107 107

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 196 107 203 shade: RGB 196 107 203, RGB 170 107 203, RGB 144 107 203, RGB 119 107 203 and RGB 107 107 203

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 196 107 203 shade matches the following richer shades: RGB 196 107 203, RGB 210 91 219, RGB 223 75 235 and RGB 237 59 251

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 196 107 203 shade: RGB 196 107 203, RGB 182 123 187, RGB 168 139 171, RGB 155 156 155 and RGB 141 172 138

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 196 107 203 shade: RGB 144 107 203, RGB 169 107 203, RGB 195 107 203, RGB 203 107 185 and RGB 203 107 160

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 196 107 203 shade: RGB 161 59 169, RGB 184 77 192, RGB 196 107 203, RGB 208 138 214 and RGB 220 168 224

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 196 107 203 shade: RGB 196 107 203, RGB 203 118 107 and RGB 107 203 157

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 196 107 203 shade: RGB 196 107 203, RGB 203 195 107 and RGB 107 203 195

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 196 107 203 shade: RGB 196 107 203, RGB 203 118 107, RGB 115 203 107 and RGB 107 192 203

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 196 107 203 shade: RGB 196 107 203, RGB 203 147 107, RGB 115 203 107 and RGB 107 163 203

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 3 / 47 / 0 / 20

HEX #C46BCB

RGB 196 107 203

HSL 295.63, 0.48%, 0.61%

LAB 58.57, 49.5, -35.02

 

Complementary color

CMYK 60 / 0 / 65 / 42

HEX #3B9434

RGB 59 148 52

HSL 115.63, 0.48%, 0.39%

LAB 54.4, -45.76, 41.73

 

CMYK 0 / 47 / 1 / 21

HEX #C96BC6

RGB 201 107 198

HSL 301.91, 0.47%, 0.6%

LAB 58.98, 50.04, -31.49

 

CMYK 0 / 43 / 0 / 15

HEX #DA7DD9

RGB 218 125 217

HSL 300.65, 0.56%, 0.67%

LAB 65.42, 49.34, -32.03

 

CMYK 0 / 39 / 0 / 7

HEX #EB8FEC

RGB 235 143 236

HSL 299.35, 0.71%, 0.74%

LAB 71.8, 48.61, -32.49

 

CMYK 1 / 37 / 0 / 0

HEX #FCA1FF

RGB 252 161 255

HSL 298.09, 1%, 0.82%

LAB 78.11, 47.88, -32.9

 

CMYK 0 / 30 / 0 / 0

HEX #FFB3FF

RGB 255 179 255

HSL 300, 1%, 0.85%

LAB 82.23, 39.48, -26.56

 

CMYK 3 / 47 / 0 / 20

HEX #C46BCB

RGB 196 107 203

HSL 295.63, 0.48%, 0.61%

LAB 58.57, 49.5, -35.02

 

CMYK 3 / 52 / 0 / 28

HEX #B359B8

RGB 179 89 184

HSL 296.84, 0.4%, 0.54%

LAB 52.05, 50.17, -34.48

 

CMYK 2 / 57 / 0 / 35

HEX #A247A5

RGB 162 71 165

HSL 298.09, 0.4%, 0.46%

LAB 45.5, 50.69, -33.79

 

CMYK 1 / 64 / 0 / 43

HEX #913592

RGB 145 53 146

HSL 299.35, 0.47%, 0.39%

LAB 38.97, 50.93, -32.85

 

CMYK 0 / 73 / 1 / 50

HEX #80237F

RGB 128 35 127

HSL 300.65, 0.57%, 0.32%

LAB 32.53, 50.61, -31.49

 

CMYK 3 / 47 / 0 / 20

HEX #C46BCB

RGB 196 107 203

HSL 295.63, 0.48%, 0.61%

LAB 58.57, 49.5, -35.02

 

CMYK 0 / 47 / 9 / 20

HEX #CB6BB8

RGB 203 107 184

HSL 311.88, 0.48%, 0.61%

LAB 58.67, 48.22, -23.96

 

CMYK 0 / 47 / 22 / 20

HEX #CB6B9E

RGB 203 107 158

HSL 328.13, 0.48%, 0.61%

LAB 57.73, 44.14, -10.4

 

CMYK 0 / 47 / 34 / 20

HEX #CB6B85

RGB 203 107 133

HSL 343.75, 0.48%, 0.61%

LAB 56.98, 40.77, 3.04

 

CMYK 0 / 47 / 47 / 20

HEX #CB6B6B

RGB 203 107 107

HSL 0, 0.48%, 0.61%

LAB 56.36, 37.88, 17.32

 

CMYK 3 / 47 / 0 / 20

HEX #C46BCB

RGB 196 107 203

HSL 295.63, 0.48%, 0.61%

LAB 58.57, 49.5, -35.02

 

CMYK 16 / 47 / 0 / 20

HEX #AA6BCB

RGB 170 107 203

HSL 279.38, 0.48%, 0.61%

LAB 55.45, 42.05, -40.12

 

CMYK 29 / 47 / 0 / 20

HEX #906BCB

RGB 144 107 203

HSL 263.13, 0.48%, 0.61%

LAB 52.68, 34.81, -44.69

 

CMYK 41 / 47 / 0 / 20

HEX #776BCB

RGB 119 107 203

HSL 247.5, 0.48%, 0.61%

LAB 50.39, 28.29, -48.47

 

CMYK 47 / 47 / 0 / 20

HEX #6B6BCB

RGB 107 107 203

HSL 240, 0.48%, 0.61%

LAB 49.44, 25.4, -50.04

 

CMYK 3 / 47 / 0 / 20

HEX #C46BCB

RGB 196 107 203

HSL 295.63, 0.48%, 0.61%

LAB 58.57, 49.5, -35.02

 

CMYK 4 / 58 / 0 / 14

HEX #D25BDB

RGB 210 91 219

HSL 295.78, 0.64%, 0.61%

LAB 58.32, 63.81, -44.33

 

CMYK 5 / 68 / 0 / 8

HEX #DF4BEB

RGB 223 75 235

HSL 295.5, 0.8%, 0.61%

LAB 58.71, 75.98, -52.57

 

CMYK 6 / 76 / 0 / 2

HEX #ED3BFB

RGB 237 59 251

HSL 295.63, 0.96%, 0.61%

LAB 59.98, 86.38, -59.34

 

CMYK 3 / 47 / 0 / 20

HEX #C46BCB

RGB 196 107 203

HSL 295.63, 0.48%, 0.61%

LAB 58.57, 49.5, -35.02

 

CMYK 3 / 34 / 0 / 27

HEX #B67BBB

RGB 182 123 187

HSL 295.31, 0.32%, 0.61%

LAB 59.62, 33.62, -24.44

 

CMYK 2 / 19 / 0 / 33

HEX #A88BAB

RGB 168 139 171

HSL 294.38, 0.16%, 0.61%

LAB 61.42, 16.76, -12.73

 

CMYK 1 / 0 / 1 / 39

HEX #9B9C9B

RGB 155 156 155

HSL 120, 0.01%, 0.61%

LAB 64.25, -0.55, 0.39

 

CMYK 18 / 0 / 20 / 33

HEX #8DAC8A

RGB 141 172 138

HSL 114.71, 0.17%, 0.61%

LAB 67.28, -17.31, 14.04

 

CMYK 29 / 47 / 0 / 20

HEX #906BCB

RGB 144 107 203

HSL 263.13, 0.48%, 0.61%

LAB 52.68, 34.81, -44.69

 

CMYK 17 / 47 / 0 / 20

HEX #A96BCB

RGB 169 107 203

HSL 278.75, 0.48%, 0.61%

LAB 55.34, 41.77, -40.31

 

CMYK 4 / 47 / 0 / 20

HEX #C36BCB

RGB 195 107 203

HSL 295, 0.48%, 0.61%

LAB 58.44, 49.22, -35.23

 

CMYK 0 / 47 / 9 / 20

HEX #CB6BB9

RGB 203 107 185

HSL 311.25, 0.48%, 0.61%

LAB 58.71, 48.39, -24.47

 

CMYK 0 / 47 / 21 / 20

HEX #CB6BA0

RGB 203 107 160

HSL 326.88, 0.48%, 0.61%

LAB 57.8, 44.44, -11.46

 

CMYK 5 / 65 / 0 / 34

HEX #A13BA9

RGB 161 59 169

HSL 295.64, 0.48%, 0.45%

LAB 43.61, 56.54, -39.17

 

CMYK 4 / 60 / 0 / 25

HEX #B84DC0

RGB 184 77 192

HSL 295.83, 0.48%, 0.53%

LAB 51.04, 58.63, -40.65

 

CMYK 3 / 47 / 0 / 20

HEX #C46BCB

RGB 196 107 203

HSL 295.63, 0.48%, 0.61%

LAB 58.57, 49.5, -35.02

 

CMYK 3 / 36 / 0 / 16

HEX #D08AD6

RGB 208 138 214

HSL 295.26, 0.48%, 0.69%

LAB 66.86, 38.92, -28.23

 

CMYK 2 / 25 / 0 / 12

HEX #DCA8E0

RGB 220 168 224

HSL 295.71, 0.47%, 0.77%

LAB 75.2, 28.46, -20.86

 

CMYK 3 / 47 / 0 / 20

HEX #C46BCB

RGB 196 107 203

HSL 295.63, 0.48%, 0.61%

LAB 58.57, 49.5, -35.02

 

CMYK 0 / 42 / 47 / 20

HEX #CB766B

RGB 203 118 107

HSL 6.88, 0.48%, 0.61%

LAB 58.71, 32.08, 20.51

 

CMYK 47 / 0 / 23 / 20

HEX #6BCB9D

RGB 107 203 157

HSL 151.25, 0.48%, 0.61%

LAB 75, -39.02, 14.31

 

CMYK 3 / 47 / 0 / 20

HEX #C46BCB

RGB 196 107 203

HSL 295.63, 0.48%, 0.61%

LAB 58.57, 49.5, -35.02

 

CMYK 0 / 4 / 47 / 20

HEX #CBC36B

RGB 203 195 107

HSL 55, 0.48%, 0.61%

LAB 77.75, -9.27, 44.94

 

CMYK 47 / 0 / 4 / 20

HEX #6BCBC3

RGB 107 203 195

HSL 175, 0.48%, 0.61%

LAB 75.93, -30.29, -4.8

 

CMYK 3 / 47 / 0 / 20

HEX #C46BCB

RGB 196 107 203

HSL 295.63, 0.48%, 0.61%

LAB 58.57, 49.5, -35.02

 

CMYK 0 / 42 / 47 / 20

HEX #CB766B

RGB 203 118 107

HSL 6.88, 0.48%, 0.61%

LAB 58.71, 32.08, 20.51

 

CMYK 43 / 0 / 47 / 20

HEX #73CB6B

RGB 115 203 107

HSL 115, 0.48%, 0.61%

LAB 74.46, -45.43, 39.63

 

CMYK 47 / 5 / 0 / 20

HEX #6BC0CB

RGB 107 192 203

HSL 186.88, 0.48%, 0.61%

LAB 72.98, -22.81, -13.53

 

CMYK 3 / 47 / 0 / 20

HEX #C46BCB

RGB 196 107 203

HSL 295.63, 0.48%, 0.61%

LAB 58.57, 49.5, -35.02

 

CMYK 0 / 28 / 47 / 20

HEX #CB936B

RGB 203 147 107

HSL 25, 0.48%, 0.61%

LAB 65.46, 16.32, 29.46

 

CMYK 43 / 0 / 47 / 20

HEX #73CB6B

RGB 115 203 107

HSL 115, 0.48%, 0.61%

LAB 74.46, -45.43, 39.63

 

CMYK 47 / 20 / 0 / 20

HEX #6BA3CB

RGB 107 163 203

HSL 205, 0.48%, 0.61%

LAB 64.67, -7.51, -26.16

 

Description

Color code: RGB 196 107 203 | qconv.com Color code: RGB 196 107 203 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 196 red, 107 green and 203 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
196 107 203 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 3 cyan, 47 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
3% 47% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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