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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 196 3 159 it is the complementary color RGB 59 252 96. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 196 3 159. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 196 3 159 shade: RGB 201 3 154, RGB 218 21 173, RGB 235 39 192, RGB 252 57 211 and RGB 255 75 230

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 196 3 159. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 196 3 159 shade: RGB 196 3 159, RGB 179 0 140, RGB 162 0 121, RGB 145 0 102 and RGB 128 0 83

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 196 3 159 shade: RGB 195 2 158, RGB 195 2 106, RGB 195 2 54 and RGB 195 2 2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 196 3 159 shade: RGB 195 2 158, RGB 180 2 195, RGB 128 2 195, RGB 76 2 195 and RGB 24 2 195

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 196 3 159 shade matches the following richer shades: RGB 195 2 158

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 196 3 159 shade: RGB 195 2 158, RGB 179 19 149, RGB 163 35 139, RGB 147 51 129 and RGB 131 67 119

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 196 3 159 shade: RGB 128 2 195, RGB 179 2 195, RGB 195 2 160, RGB 195 2 109 and RGB 195 2 57

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 196 3 159 shade: RGB 114 1 92, RGB 155 2 125, RGB 195 2 158, RGB 236 3 191 and RGB 251 29 209

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 196 3 159 shade: RGB 196 3 159, RGB 195 76 2 and RGB 2 195 154

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 196 3 159 shade: RGB 196 3 159, RGB 160 195 2 and RGB 2 160 195

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 196 3 159 shade: RGB 196 3 159, RGB 195 76 2, RGB 2 195 38 and RGB 2 121 195

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 196 3 159 shade: RGB 196 3 159, RGB 195 134 2, RGB 2 195 38 and RGB 2 64 195

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 98 / 19 / 23

HEX #C4039F

RGB 196 3 159

HSL 311.5, 0.97%, 0.39%

LAB 44.67, 75.33, -31.13

 

Complementary color

CMYK 77 / 0 / 62 / 1

HEX #3BFC60

RGB 59 252 96

HSL 131.5, 0.97%, 0.61%

LAB 87.68, -76.21, 59.98

 

CMYK 0 / 99 / 23 / 21

HEX #C9039A

RGB 201 3 154

HSL 314.24, 0.97%, 0.4%

LAB 45.38, 75.68, -26.94

 

CMYK 0 / 90 / 21 / 15

HEX #DA15AD

RGB 218 21 173

HSL 313.71, 0.82%, 0.47%

LAB 50.05, 79.48, -30.74

 

CMYK 0 / 83 / 18 / 8

HEX #EB27C0

RGB 235 39 192

HSL 313.16, 0.83%, 0.54%

LAB 54.99, 82.27, -33.88

 

CMYK 0 / 77 / 16 / 1

HEX #FC39D3

RGB 252 57 211

HSL 312.62, 0.97%, 0.61%

LAB 60.18, 84.12, -36.43

 

CMYK 0 / 71 / 10 / 0

HEX #FF4BE6

RGB 255 75 230

HSL 308.33, 1%, 0.65%

LAB 63.35, 82.18, -42.13

 

CMYK 0 / 98 / 19 / 23

HEX #C4039F

RGB 196 3 159

HSL 311.5, 0.97%, 0.39%

LAB 44.67, 75.33, -31.13

 

CMYK 0 / 100 / 22 / 30

HEX #B3008C

RGB 179 0 140

HSL 313.07, 1%, 0.35%

LAB 40.37, 70.05, -26.56

 

CMYK 0 / 100 / 25 / 36

HEX #A20079

RGB 162 0 121

HSL 315.19, 1%, 0.32%

LAB 36.1, 64.41, -21.68

 

CMYK 0 / 100 / 30 / 43

HEX #910066

RGB 145 0 102

HSL 317.79, 1%, 0.28%

LAB 31.76, 58.67, -16.58

 

CMYK 0 / 100 / 35 / 50

HEX #800053

RGB 128 0 83

HSL 321.09, 1%, 0.25%

LAB 27.34, 52.84, -11.22

 

CMYK 0 / 99 / 19 / 24

HEX #C3029E

RGB 195 2 158

HSL 311.5, 0.98%, 0.39%

LAB 44.4, 75.11, -30.97

 

CMYK 0 / 99 / 46 / 24

HEX #C3026A

RGB 195 2 106

HSL 327.67, 0.98%, 0.39%

LAB 42.29, 69.67, -2.25

 

CMYK 0 / 99 / 72 / 24

HEX #C30236

RGB 195 2 54

HSL 343.83, 0.98%, 0.39%

LAB 41.08, 66.43, 28.92

 

CMYK 0 / 99 / 99 / 24

HEX #C30202

RGB 195 2 2

HSL 0, 0.98%, 0.39%

LAB 40.65, 65.28, 54.21

 

CMYK 0 / 99 / 19 / 24

HEX #C3029E

RGB 195 2 158

HSL 311.5, 0.98%, 0.39%

LAB 44.4, 75.11, -30.97

 

CMYK 8 / 99 / 0 / 24

HEX #B402C3

RGB 180 2 195

HSL 295.34, 0.98%, 0.39%

LAB 43.78, 77.75, -54.02

 

CMYK 34 / 99 / 0 / 24

HEX #8002C3

RGB 128 2 195

HSL 279.17, 0.98%, 0.39%

LAB 35.15, 70.72, -68.44

 

CMYK 61 / 99 / 0 / 24

HEX #4C02C3

RGB 76 2 195

HSL 263.01, 0.98%, 0.39%

LAB 28.17, 66.26, -80.2

 

CMYK 88 / 99 / 0 / 24

HEX #1802C3

RGB 24 2 195

HSL 246.84, 0.98%, 0.39%

LAB 24.25, 64.49, -86.83

 

CMYK 0 / 99 / 19 / 24

HEX #C3029E

RGB 195 2 158

HSL 311.5, 0.98%, 0.39%

LAB 44.4, 75.11, -30.97

 

CMYK 0 / 99 / 19 / 24

HEX #C3029E

RGB 195 2 158

HSL 311.5, 0.98%, 0.39%

LAB 44.4, 75.11, -30.97

 

CMYK 0 / 89 / 17 / 30

HEX #B31395

RGB 179 19 149

HSL 311.25, 0.81%, 0.39%

LAB 41.56, 69, -30.19

 

CMYK 0 / 79 / 15 / 36

HEX #A3238B

RGB 163 35 139

HSL 311.25, 0.65%, 0.39%

LAB 39.33, 60.7, -27.8

 

CMYK 0 / 65 / 12 / 42

HEX #933381

RGB 147 51 129

HSL 311.25, 0.48%, 0.39%

LAB 38.12, 49.42, -23.73

 

CMYK 0 / 49 / 9 / 49

HEX #834377

RGB 131 67 119

HSL 311.25, 0.32%, 0.39%

LAB 38.15, 34.97, -17.7

 

CMYK 34 / 99 / 0 / 24

HEX #8002C3

RGB 128 2 195

HSL 279.17, 0.98%, 0.39%

LAB 35.15, 70.72, -68.44

 

CMYK 8 / 99 / 0 / 24

HEX #B302C3

RGB 179 2 195

HSL 295.03, 0.98%, 0.39%

LAB 43.61, 77.59, -54.31

 

CMYK 0 / 99 / 18 / 24

HEX #C302A0

RGB 195 2 160

HSL 310.88, 0.98%, 0.39%

LAB 44.5, 75.36, -32.01

 

CMYK 0 / 99 / 44 / 24

HEX #C3026D

RGB 195 2 109

HSL 326.74, 0.98%, 0.39%

LAB 42.38, 69.93, -3.98

 

CMYK 0 / 99 / 71 / 24

HEX #C30239

RGB 195 2 57

HSL 342.9, 0.98%, 0.39%

LAB 41.12, 66.56, 27.11

 

CMYK 0 / 99 / 19 / 55

HEX #72015C

RGB 114 1 92

HSL 311.68, 0.98%, 0.23%

LAB 24.86, 50.76, -21.26

 

CMYK 0 / 99 / 19 / 39

HEX #9B027D

RGB 155 2 125

HSL 311.76, 0.97%, 0.31%

LAB 34.99, 63.26, -26.03

 

CMYK 0 / 99 / 19 / 24

HEX #C3029E

RGB 195 2 158

HSL 311.5, 0.98%, 0.39%

LAB 44.4, 75.11, -30.97

 

CMYK 0 / 99 / 19 / 7

HEX #EC03BF

RGB 236 3 191

HSL 311.59, 0.97%, 0.47%

LAB 53.66, 86.6, -35.36

 

CMYK 0 / 88 / 17 / 2

HEX #FB1DD1

RGB 251 29 209

HSL 311.35, 0.97%, 0.55%

LAB 58.03, 89.14, -38.68

 

CMYK 0 / 98 / 19 / 23

HEX #C4039F

RGB 196 3 159

HSL 311.5, 0.97%, 0.39%

LAB 44.67, 75.33, -31.13

 

CMYK 0 / 61 / 99 / 24

HEX #C34C02

RGB 195 76 2

HSL 23.01, 0.98%, 0.39%

LAB 47.98, 45.03, 57.78

 

CMYK 99 / 0 / 21 / 24

HEX #02C39A

RGB 2 195 154

HSL 167.25, 0.98%, 0.39%

LAB 70.44, -50.64, 9.19

 

CMYK 0 / 98 / 19 / 23

HEX #C4039F

RGB 196 3 159

HSL 311.5, 0.97%, 0.39%

LAB 44.67, 75.33, -31.13

 

CMYK 18 / 0 / 99 / 24

HEX #A0C302

RGB 160 195 2

HSL 70.88, 0.98%, 0.39%

LAB 73.87, -32.37, 73.93

 

CMYK 99 / 18 / 0 / 24

HEX #02A0C3

RGB 2 160 195

HSL 190.88, 0.98%, 0.39%

LAB 60.87, -22.26, -27.77

 

CMYK 0 / 98 / 19 / 23

HEX #C4039F

RGB 196 3 159

HSL 311.5, 0.97%, 0.39%

LAB 44.67, 75.33, -31.13

 

CMYK 0 / 61 / 99 / 24

HEX #C34C02

RGB 195 76 2

HSL 23.01, 0.98%, 0.39%

LAB 47.98, 45.03, 57.78

 

CMYK 99 / 0 / 81 / 24

HEX #02C326

RGB 2 195 38

HSL 131.19, 0.98%, 0.39%

LAB 68.88, -69.03, 61.38

 

CMYK 99 / 38 / 0 / 24

HEX #0279C3

RGB 2 121 195

HSL 203.01, 0.98%, 0.39%

LAB 49.04, -0.23, -46.32

 

CMYK 0 / 98 / 19 / 23

HEX #C4039F

RGB 196 3 159

HSL 311.5, 0.97%, 0.39%

LAB 44.67, 75.33, -31.13

 

CMYK 0 / 31 / 99 / 24

HEX #C38602

RGB 195 134 2

HSL 41.04, 0.98%, 0.39%

LAB 60.48, 14.68, 65.64

 

CMYK 99 / 0 / 81 / 24

HEX #02C326

RGB 2 195 38

HSL 131.19, 0.98%, 0.39%

LAB 68.88, -69.03, 61.38

 

CMYK 99 / 67 / 0 / 24

HEX #0240C3

RGB 2 64 195

HSL 220.73, 0.98%, 0.39%

LAB 33.18, 36.81, -72.02

 

Description

Color code: RGB 196 3 159 | qconv.com Color code: RGB 196 3 159 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 196 red, 3 green and 159 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
196 3 159 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 98 magenta, 19 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 98% 19% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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