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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 195 97 218 it is the complementary color RGB 60 158 37. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 195 97 218. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 195 97 218 shade: RGB 200 97 213, RGB 217 115 232, RGB 234 133 251, RGB 251 151 255 and RGB 255 169 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 195 97 218. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 195 97 218 shade: RGB 195 97 218, RGB 178 79 199, RGB 161 61 180, RGB 144 43 161 and RGB 127 25 142

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 195 97 218 shade: RGB 195 98 218, RGB 218 98 208, RGB 218 98 176, RGB 218 98 143 and RGB 218 98 111

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 195 97 218 shade: RGB 195 98 218, RGB 162 98 218, RGB 130 98 218, RGB 98 98 218 and RGB 98 98 218

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 195 97 218 shade matches the following richer shades: RGB 195 98 218, RGB 205 82 233 and RGB 214 66 249

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 195 97 218 shade: RGB 195 98 218, RGB 185 113 202, RGB 175 129 186, RGB 166 145 171 and RGB 156 160 155

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 195 97 218 shade: RGB 130 98 218, RGB 162 98 218, RGB 194 98 218, RGB 218 98 210 and RGB 218 98 178

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 195 97 218 shade: RGB 161 44 189, RGB 182 64 210, RGB 195 98 218, RGB 208 131 226 and RGB 220 164 233

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 195 97 218 shade: RGB 195 97 218, RGB 218 98 98 and RGB 98 218 146

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 195 97 218 shade: RGB 195 97 218, RGB 218 194 98 and RGB 98 218 194

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 195 97 218 shade: RGB 195 97 218, RGB 218 98 98, RGB 122 218 98 and RGB 98 218 218

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 195 97 218 shade: RGB 195 97 218, RGB 218 134 98, RGB 122 218 98 and RGB 98 182 218

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 11 / 56 / 0 / 15

HEX #C361DA

RGB 195 97 218

HSL 288.6, 0.62%, 0.62%

LAB 57.28, 57.05, -45.54

 

Complementary color

CMYK 62 / 0 / 77 / 38

HEX #3C9E25

RGB 60 158 37

HSL 108.6, 0.62%, 0.38%

LAB 57.61, -50.57, 51.13

 

CMYK 6 / 54 / 0 / 16

HEX #C861D5

RGB 200 97 213

HSL 293.28, 0.58%, 0.61%

LAB 57.69, 57.4, -42.03

 

CMYK 6 / 50 / 0 / 9

HEX #D973E8

RGB 217 115 232

HSL 292.31, 0.72%, 0.68%

LAB 64.03, 56.81, -42.55

 

CMYK 7 / 47 / 0 / 2

HEX #EA85FB

RGB 234 133 251

HSL 291.36, 0.94%, 0.75%

LAB 70.34, 56.13, -42.97

 

CMYK 2 / 41 / 0 / 0

HEX #FB97FF

RGB 251 151 255

HSL 297.69, 1%, 0.8%

LAB 75.98, 52.67, -36.2

 

CMYK 0 / 34 / 0 / 0

HEX #FFA9FF

RGB 255 169 255

HSL 300, 1%, 0.83%

LAB 80.1, 44.67, -29.82

 

CMYK 11 / 56 / 0 / 15

HEX #C361DA

RGB 195 97 218

HSL 288.6, 0.62%, 0.62%

LAB 57.28, 57.05, -45.54

 

CMYK 11 / 60 / 0 / 22

HEX #B24FC7

RGB 178 79 199

HSL 289.5, 0.52%, 0.55%

LAB 50.9, 57.53, -44.97

 

CMYK 11 / 66 / 0 / 29

HEX #A13DB4

RGB 161 61 180

HSL 290.42, 0.49%, 0.47%

LAB 44.53, 57.75, -44.2

 

CMYK 11 / 73 / 0 / 37

HEX #902BA1

RGB 144 43 161

HSL 291.36, 0.58%, 0.4%

LAB 38.25, 57.47, -43.08

 

CMYK 11 / 82 / 0 / 44

HEX #7F198E

RGB 127 25 142

HSL 292.31, 0.7%, 0.33%

LAB 32.17, 56.32, -41.4

 

CMYK 11 / 55 / 0 / 15

HEX #C362DA

RGB 195 98 218

HSL 288.5, 0.62%, 0.62%

LAB 57.46, 56.57, -45.25

 

CMYK 0 / 55 / 5 / 15

HEX #DA62D0

RGB 218 98 208

HSL 305, 0.62%, 0.62%

LAB 60.06, 60.87, -35.3

 

CMYK 0 / 55 / 19 / 15

HEX #DA62B0

RGB 218 98 176

HSL 321, 0.62%, 0.62%

LAB 58.77, 55.89, -19.04

 

CMYK 0 / 55 / 34 / 15

HEX #DA628F

RGB 218 98 143

HSL 337.5, 0.62%, 0.62%

LAB 57.68, 51.53, -1.53

 

CMYK 0 / 55 / 49 / 15

HEX #DA626F

RGB 218 98 111

HSL 353.5, 0.62%, 0.62%

LAB 56.87, 48.18, 16.04

 

CMYK 11 / 55 / 0 / 15

HEX #C362DA

RGB 195 98 218

HSL 288.5, 0.62%, 0.62%

LAB 57.46, 56.57, -45.25

 

CMYK 26 / 55 / 0 / 15

HEX #A262DA

RGB 162 98 218

HSL 272, 0.62%, 0.62%

LAB 53.47, 48.12, -51.84

 

CMYK 40 / 55 / 0 / 15

HEX #8262DA

RGB 130 98 218

HSL 256, 0.62%, 0.62%

LAB 50.15, 40.4, -57.35

 

CMYK 55 / 55 / 0 / 15

HEX #6262DA

RGB 98 98 218

HSL 240, 0.62%, 0.62%

LAB 47.49, 33.62, -61.77

 

CMYK 55 / 55 / 0 / 15

HEX #6262DA

RGB 98 98 218

HSL 240, 0.62%, 0.62%

LAB 47.49, 33.62, -61.77

 

CMYK 11 / 55 / 0 / 15

HEX #C362DA

RGB 195 98 218

HSL 288.5, 0.62%, 0.62%

LAB 57.46, 56.57, -45.25

 

CMYK 12 / 65 / 0 / 9

HEX #CD52E9

RGB 205 82 233

HSL 288.87, 0.77%, 0.62%

LAB 56.97, 69, -54.38

 

CMYK 14 / 73 / 0 / 2

HEX #D642F9

RGB 214 66 249

HSL 288.52, 0.94%, 0.62%

LAB 57.11, 79.65, -63.02

 

CMYK 11 / 55 / 0 / 15

HEX #C362DA

RGB 195 98 218

HSL 288.5, 0.62%, 0.62%

LAB 57.46, 56.57, -45.25

 

CMYK 8 / 44 / 0 / 21

HEX #B971CA

RGB 185 113 202

HSL 288.54, 0.46%, 0.62%

LAB 58.4, 42.97, -34.81

 

CMYK 6 / 31 / 0 / 27

HEX #AF81BA

RGB 175 129 186

HSL 288.42, 0.29%, 0.62%

LAB 60.21, 27.8, -23.02

 

CMYK 3 / 15 / 0 / 33

HEX #A691AB

RGB 166 145 171

HSL 288.46, 0.13%, 0.62%

LAB 62.76, 12.66, -10.74

 

CMYK 2 / 0 / 3 / 37

HEX #9CA09B

RGB 156 160 155

HSL 108, 0.03%, 0.62%

LAB 65.42, -2.39, 2.09

 

CMYK 40 / 55 / 0 / 15

HEX #8262DA

RGB 130 98 218

HSL 256, 0.62%, 0.62%

LAB 50.15, 40.4, -57.35

 

CMYK 26 / 55 / 0 / 15

HEX #A262DA

RGB 162 98 218

HSL 272, 0.62%, 0.62%

LAB 53.47, 48.12, -51.84

 

CMYK 11 / 55 / 0 / 15

HEX #C262DA

RGB 194 98 218

HSL 288, 0.62%, 0.62%

LAB 57.33, 56.31, -45.46

 

CMYK 0 / 55 / 4 / 15

HEX #DA62D2

RGB 218 98 210

HSL 304, 0.62%, 0.62%

LAB 60.15, 61.2, -36.29

 

CMYK 0 / 55 / 18 / 15

HEX #DA62B2

RGB 218 98 178

HSL 320, 0.62%, 0.62%

LAB 58.84, 56.18, -20.08

 

CMYK 15 / 77 / 0 / 26

HEX #A12CBD

RGB 161 44 189

HSL 288.41, 0.62%, 0.46%

LAB 42.84, 65.8, -52.18

 

CMYK 13 / 70 / 0 / 18

HEX #B640D2

RGB 182 64 210

HSL 288.49, 0.62%, 0.54%

LAB 49.82, 66.87, -52.98

 

CMYK 11 / 55 / 0 / 15

HEX #C362DA

RGB 195 98 218

HSL 288.5, 0.62%, 0.62%

LAB 57.46, 56.57, -45.25

 

CMYK 8 / 42 / 0 / 11

HEX #D083E2

RGB 208 131 226

HSL 288.63, 0.62%, 0.7%

LAB 65.85, 44.96, -36.45

 

CMYK 6 / 30 / 0 / 9

HEX #DCA4E9

RGB 220 164 233

HSL 288.7, 0.61%, 0.78%

LAB 74.6, 32.34, -26.67

 

CMYK 11 / 56 / 0 / 15

HEX #C361DA

RGB 195 97 218

HSL 288.6, 0.62%, 0.62%

LAB 57.28, 57.05, -45.54

 

CMYK 0 / 55 / 55 / 15

HEX #DA6262

RGB 218 98 98

HSL 0, 0.62%, 0.62%

LAB 56.61, 47.07, 23.24

 

CMYK 55 / 0 / 33 / 15

HEX #62DA92

RGB 98 218 146

HSL 144, 0.62%, 0.62%

LAB 78.93, -49.81, 25.49

 

CMYK 11 / 56 / 0 / 15

HEX #C361DA

RGB 195 97 218

HSL 288.6, 0.62%, 0.62%

LAB 57.28, 57.05, -45.54

 

CMYK 0 / 11 / 55 / 15

HEX #DAC262

RGB 218 194 98

HSL 48, 0.62%, 0.62%

LAB 78.68, -3.37, 50.71

 

CMYK 55 / 0 / 11 / 15

HEX #62DAC2

RGB 98 218 194

HSL 168, 0.62%, 0.62%

LAB 79.97, -39.47, 1.62

 

CMYK 11 / 56 / 0 / 15

HEX #C361DA

RGB 195 97 218

HSL 288.6, 0.62%, 0.62%

LAB 57.28, 57.05, -45.54

 

CMYK 0 / 55 / 55 / 15

HEX #DA6262

RGB 218 98 98

HSL 0, 0.62%, 0.62%

LAB 56.61, 47.07, 23.24

 

CMYK 44 / 0 / 55 / 15

HEX #7ADA62

RGB 122 218 98

HSL 108, 0.62%, 0.62%

LAB 79.13, -50.65, 49.69

 

CMYK 55 / 0 / 0 / 15

HEX #62DADA

RGB 98 218 218

HSL 180, 0.62%, 0.62%

LAB 80.63, -33.37, -10.21

 

CMYK 11 / 56 / 0 / 15

HEX #C361DA

RGB 195 97 218

HSL 288.6, 0.62%, 0.62%

LAB 57.28, 57.05, -45.54

 

CMYK 0 / 39 / 55 / 15

HEX #DA8662

RGB 218 134 98

HSL 18, 0.62%, 0.62%

LAB 64.03, 28.62, 32.87

 

CMYK 44 / 0 / 55 / 15

HEX #7ADA62

RGB 122 218 98

HSL 108, 0.62%, 0.62%

LAB 79.13, -50.65, 49.69

 

CMYK 55 / 17 / 0 / 15

HEX #62B6DA

RGB 98 182 218

HSL 198, 0.62%, 0.62%

LAB 70.26, -15.4, -25.89

 

Description

Color code: RGB 195 97 218 | qconv.com Color code: RGB 195 97 218 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 195 red, 97 green and 218 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
195 97 218 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 11 cyan, 56 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
11% 56% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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