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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 195 75 190 it is the complementary color RGB 60 180 65. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 195 75 190. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 195 75 190 shade: RGB 200 75 185, RGB 217 93 204, RGB 234 111 223, RGB 251 129 242 and RGB 255 147 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 195 75 190. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 195 75 190 shade: RGB 195 75 190, RGB 178 57 171, RGB 161 39 152, RGB 144 21 133 and RGB 127 3 114

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 195 75 190 shade: RGB 195 75 190, RGB 195 75 157, RGB 195 75 125, RGB 195 75 93 and RGB 195 75 75

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 195 75 190 shade: RGB 195 75 190, RGB 167 75 195, RGB 135 75 195, RGB 103 75 195 and RGB 75 75 195

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 195 75 190 shade matches the following richer shades: RGB 195 75 190, RGB 214 55 207, RGB 233 36 225 and RGB 253 17 243

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 195 75 190 shade: RGB 195 75 190, RGB 175 94 172, RGB 156 114 154, RGB 136 133 136 and RGB 117 152 118

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 195 75 190 shade: RGB 135 75 195, RGB 167 75 195, RGB 195 75 191, RGB 195 75 159 and RGB 195 75 127

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 195 75 190 shade: RGB 140 46 136, RGB 171 57 167, RGB 195 75 190, RGB 205 106 201 and RGB 215 137 212

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 195 75 190 shade: RGB 195 75 190, RGB 195 103 75 and RGB 75 195 151

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 195 75 190 shade: RGB 195 75 190, RGB 191 195 75 and RGB 75 191 195

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 195 75 190 shade: RGB 195 75 190, RGB 195 103 75, RGB 75 195 79 and RGB 75 167 195

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 195 75 190 shade: RGB 195 75 190, RGB 195 139 75, RGB 75 195 79 and RGB 75 131 195

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 62 / 3 / 24

HEX #C34BBE

RGB 195 75 190

HSL 302.5, 0.5%, 0.53%

LAB 52.23, 61.93, -37.51

 

Complementary color

CMYK 67 / 0 / 64 / 29

HEX #3CB441

RGB 60 180 65

HSL 122.5, 0.5%, 0.47%

LAB 64.95, -55.86, 47.7

 

CMYK 0 / 63 / 8 / 22

HEX #C84BB9

RGB 200 75 185

HSL 307.2, 0.53%, 0.54%

LAB 52.75, 62.38, -33.76

 

CMYK 0 / 57 / 6 / 15

HEX #D95DCC

RGB 217 93 204

HSL 306.29, 0.62%, 0.61%

LAB 58.92, 62.18, -34.83

 

CMYK 0 / 53 / 5 / 8

HEX #EA6FDF

RGB 234 111 223

HSL 305.37, 0.75%, 0.68%

LAB 65.11, 61.75, -35.69

 

CMYK 0 / 49 / 4 / 2

HEX #FB81F2

RGB 251 129 242

HSL 304.43, 0.94%, 0.75%

LAB 71.3, 61.19, -36.4

 

CMYK 0 / 42 / 0 / 0

HEX #FF93FF

RGB 255 147 255

HSL 300, 1%, 0.79%

LAB 75.67, 55.82, -36.66

 

CMYK 0 / 62 / 3 / 24

HEX #C34BBE

RGB 195 75 190

HSL 302.5, 0.5%, 0.53%

LAB 52.23, 61.93, -37.51

 

CMYK 0 / 68 / 4 / 30

HEX #B239AB

RGB 178 57 171

HSL 303.47, 0.51%, 0.46%

LAB 46.08, 61.78, -36.26

 

CMYK 0 / 76 / 6 / 37

HEX #A12798

RGB 161 39 152

HSL 304.43, 0.61%, 0.39%

LAB 40.07, 61.01, -34.57

 

CMYK 0 / 85 / 8 / 44

HEX #901585

RGB 144 21 133

HSL 305.37, 0.75%, 0.32%

LAB 34.31, 59.23, -32.23

 

CMYK 0 / 98 / 10 / 50

HEX #7F0372

RGB 127 3 114

HSL 306.29, 0.95%, 0.25%

LAB 28.88, 56.13, -29.06

 

CMYK 0 / 62 / 3 / 24

HEX #C34BBE

RGB 195 75 190

HSL 302.5, 0.5%, 0.53%

LAB 52.23, 61.93, -37.51

 

CMYK 0 / 62 / 19 / 24

HEX #C34B9D

RGB 195 75 157

HSL 319, 0.5%, 0.53%

LAB 50.77, 56.78, -20.49

 

CMYK 0 / 62 / 36 / 24

HEX #C34B7D

RGB 195 75 125

HSL 335, 0.5%, 0.53%

LAB 49.64, 52.62, -3.09

 

CMYK 0 / 62 / 52 / 24

HEX #C34B5D

RGB 195 75 93

HSL 351, 0.5%, 0.53%

LAB 48.79, 49.4, 15.04

 

CMYK 0 / 62 / 62 / 24

HEX #C34B4B

RGB 195 75 75

HSL 0, 0.5%, 0.53%

LAB 48.44, 48.03, 25.36

 

CMYK 0 / 62 / 3 / 24

HEX #C34BBE

RGB 195 75 190

HSL 302.5, 0.5%, 0.53%

LAB 52.23, 61.93, -37.51

 

CMYK 14 / 62 / 0 / 24

HEX #A74BC3

RGB 167 75 195

HSL 286, 0.5%, 0.53%

LAB 48.5, 55.89, -46.58

 

CMYK 31 / 62 / 0 / 24

HEX #874BC3

RGB 135 75 195

HSL 270, 0.5%, 0.53%

LAB 44.41, 48.27, -53.35

 

CMYK 47 / 62 / 0 / 24

HEX #674BC3

RGB 103 75 195

HSL 254, 0.5%, 0.53%

LAB 40.99, 41.29, -59.05

 

CMYK 62 / 62 / 0 / 24

HEX #4B4BC3

RGB 75 75 195

HSL 240, 0.5%, 0.53%

LAB 38.67, 36.16, -62.92

 

CMYK 0 / 62 / 3 / 24

HEX #C34BBE

RGB 195 75 190

HSL 302.5, 0.5%, 0.53%

LAB 52.23, 61.93, -37.51

 

CMYK 0 / 74 / 3 / 16

HEX #D637CF

RGB 214 55 207

HSL 302.64, 0.66%, 0.53%

LAB 53.53, 76.12, -45.05

 

CMYK 0 / 85 / 3 / 9

HEX #E924E1

RGB 233 36 225

HSL 302.44, 0.82%, 0.53%

LAB 56.11, 86.87, -51

 

CMYK 0 / 93 / 4 / 1

HEX #FD11F3

RGB 253 17 243

HSL 302.54, 0.98%, 0.53%

LAB 59.67, 95.22, -55.24

 

CMYK 0 / 62 / 3 / 24

HEX #C34BBE

RGB 195 75 190

HSL 302.5, 0.5%, 0.53%

LAB 52.23, 61.93, -37.51

 

CMYK 0 / 46 / 2 / 31

HEX #AF5EAC

RGB 175 94 172

HSL 302.22, 0.34%, 0.53%

LAB 51.95, 44.22, -27.71

 

CMYK 0 / 27 / 1 / 39

HEX #9C729A

RGB 156 114 154

HSL 302.86, 0.18%, 0.53%

LAB 53.42, 23.5, -15.14

 

CMYK 0 / 2 / 0 / 47

HEX #888588

RGB 136 133 136

HSL 300, 0.01%, 0.53%

LAB 55.87, 1.71, -1.22

 

CMYK 23 / 0 / 22 / 40

HEX #759876

RGB 117 152 118

HSL 121.71, 0.15%, 0.53%

LAB 59.48, -19.11, 14.02

 

CMYK 31 / 62 / 0 / 24

HEX #874BC3

RGB 135 75 195

HSL 270, 0.5%, 0.53%

LAB 44.41, 48.27, -53.35

 

CMYK 14 / 62 / 0 / 24

HEX #A74BC3

RGB 167 75 195

HSL 286, 0.5%, 0.53%

LAB 48.5, 55.89, -46.58

 

CMYK 0 / 62 / 2 / 24

HEX #C34BBF

RGB 195 75 191

HSL 302, 0.5%, 0.53%

LAB 52.28, 62.09, -38.01

 

CMYK 0 / 62 / 18 / 24

HEX #C34B9F

RGB 195 75 159

HSL 318, 0.5%, 0.53%

LAB 50.85, 57.07, -21.55

 

CMYK 0 / 62 / 35 / 24

HEX #C34B7F

RGB 195 75 127

HSL 334, 0.5%, 0.53%

LAB 49.7, 52.86, -4.2

 

CMYK 0 / 67 / 3 / 45

HEX #8C2E88

RGB 140 46 136

HSL 302.55, 0.51%, 0.36%

LAB 36.57, 50.84, -30.57

 

CMYK 0 / 67 / 2 / 33

HEX #AB39A7

RGB 171 57 167

HSL 302.11, 0.5%, 0.45%

LAB 44.76, 59.43, -36.05

 

CMYK 0 / 62 / 3 / 24

HEX #C34BBE

RGB 195 75 190

HSL 302.5, 0.5%, 0.53%

LAB 52.23, 61.93, -37.51

 

CMYK 0 / 48 / 2 / 20

HEX #CD6AC9

RGB 205 106 201

HSL 302.42, 0.5%, 0.61%

LAB 59.44, 52.24, -32.44

 

CMYK 0 / 36 / 1 / 16

HEX #D789D4

RGB 215 137 212

HSL 302.31, 0.49%, 0.69%

LAB 67.35, 41.27, -26.3

 

CMYK 0 / 62 / 3 / 24

HEX #C34BBE

RGB 195 75 190

HSL 302.5, 0.5%, 0.53%

LAB 52.23, 61.93, -37.51

 

CMYK 0 / 47 / 62 / 24

HEX #C3674B

RGB 195 103 75

HSL 14, 0.5%, 0.53%

LAB 53.83, 34.18, 32.13

 

CMYK 62 / 0 / 23 / 24

HEX #4BC397

RGB 75 195 151

HSL 158, 0.5%, 0.53%

LAB 71.39, -43.99, 12.31

 

CMYK 0 / 62 / 3 / 24

HEX #C34BBE

RGB 195 75 190

HSL 302.5, 0.5%, 0.53%

LAB 52.23, 61.93, -37.51

 

CMYK 2 / 0 / 62 / 24

HEX #BFC34B

RGB 191 195 75

HSL 62, 0.5%, 0.53%

LAB 76.44, -16.81, 57.97

 

CMYK 62 / 2 / 0 / 24

HEX #4BBFC3

RGB 75 191 195

HSL 182, 0.5%, 0.53%

LAB 71.35, -30.92, -11.73

 

CMYK 0 / 62 / 3 / 24

HEX #C34BBE

RGB 195 75 190

HSL 302.5, 0.5%, 0.53%

LAB 52.23, 61.93, -37.51

 

CMYK 0 / 47 / 62 / 24

HEX #C3674B

RGB 195 103 75

HSL 14, 0.5%, 0.53%

LAB 53.83, 34.18, 32.13

 

CMYK 62 / 0 / 59 / 24

HEX #4BC34F

RGB 75 195 79

HSL 122, 0.5%, 0.53%

LAB 70.24, -56.45, 47.57

 

CMYK 62 / 14 / 0 / 24

HEX #4BA7C3

RGB 75 167 195

HSL 194, 0.5%, 0.53%

LAB 64.22, -18.84, -22.51

 

CMYK 0 / 62 / 3 / 24

HEX #C34BBE

RGB 195 75 190

HSL 302.5, 0.5%, 0.53%

LAB 52.23, 61.93, -37.51

 

CMYK 0 / 29 / 62 / 24

HEX #C38B4B

RGB 195 139 75

HSL 32, 0.5%, 0.53%

LAB 62.15, 14.61, 42.1

 

CMYK 62 / 0 / 59 / 24

HEX #4BC34F

RGB 75 195 79

HSL 122, 0.5%, 0.53%

LAB 70.24, -56.45, 47.57

 

CMYK 62 / 33 / 0 / 24

HEX #4B83C3

RGB 75 131 195

HSL 212, 0.5%, 0.53%

LAB 53.67, 1.32, -38.88

 

Description

Color code: RGB 195 75 190 | qconv.com Color code: RGB 195 75 190 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 195 red, 75 green and 190 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
195 75 190 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 62 magenta, 3 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 62% 3% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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