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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 195 74 155 it is the complementary color RGB 60 181 100. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 195 74 155. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 195 74 155 shade: RGB 200 74 150, RGB 217 92 169, RGB 234 110 188, RGB 251 128 207 and RGB 255 146 226

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 195 74 155. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 195 74 155 shade: RGB 195 74 155, RGB 178 56 136, RGB 161 38 117, RGB 144 20 98 and RGB 127 2 79

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 195 74 155 shade: RGB 195 75 155, RGB 195 75 123, RGB 195 75 90 and RGB 195 75 75

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 195 74 155 shade: RGB 195 75 155, RGB 195 75 187, RGB 170 75 195, RGB 137 75 195 and RGB 105 75 195

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 195 74 155 shade matches the following richer shades: RGB 195 75 155, RGB 214 55 162, RGB 233 36 168 and RGB 253 17 175

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 195 74 155 shade: RGB 195 75 155, RGB 175 94 148, RGB 156 114 142, RGB 136 133 135 and RGB 117 152 129

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 195 74 155 shade: RGB 169 75 195, RGB 195 75 189, RGB 195 75 157, RGB 195 75 125 and RGB 195 75 93

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 195 74 155 shade: RGB 140 46 109, RGB 171 57 133, RGB 195 75 155, RGB 205 106 172 and RGB 215 137 189

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 195 74 155 shade: RGB 195 74 155, RGB 195 137 75 and RGB 75 195 185

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 195 74 155 shade: RGB 195 74 155, RGB 157 195 75 and RGB 75 157 195

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 195 74 155 shade: RGB 195 74 155, RGB 195 137 75, RGB 75 195 113 and RGB 75 133 195

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 195 74 155 shade: RGB 195 74 155, RGB 195 173 75, RGB 75 195 113 and RGB 75 97 195

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 62 / 21 / 24

HEX #C34A9B

RGB 195 74 155

HSL 319.83, 0.5%, 0.53%

LAB 50.53, 56.93, -19.67

 

Complementary color

CMYK 67 / 0 / 45 / 29

HEX #3CB564

RGB 60 181 100

HSL 139.83, 0.5%, 0.47%

LAB 65.69, -51.36, 31.68

 

CMYK 0 / 63 / 25 / 22

HEX #C84A96

RGB 200 74 150

HSL 323.81, 0.53%, 0.54%

LAB 51.13, 57.67, -15.72

 

CMYK 0 / 58 / 22 / 15

HEX #D95CA9

RGB 217 92 169

HSL 323.04, 0.62%, 0.61%

LAB 57.34, 57.34, -17.18

 

CMYK 0 / 53 / 20 / 8

HEX #EA6EBC

RGB 234 110 188

HSL 322.26, 0.75%, 0.67%

LAB 63.57, 56.81, -18.38

 

CMYK 0 / 49 / 18 / 2

HEX #FB80CF

RGB 251 128 207

HSL 321.46, 0.94%, 0.74%

LAB 69.79, 56.17, -19.39

 

CMYK 0 / 43 / 11 / 0

HEX #FF92E2

RGB 255 146 226

HSL 315.96, 1%, 0.79%

LAB 74.39, 51.47, -22.84

 

CMYK 0 / 62 / 21 / 24

HEX #C34A9B

RGB 195 74 155

HSL 319.83, 0.5%, 0.53%

LAB 50.53, 56.93, -19.67

 

CMYK 0 / 69 / 24 / 30

HEX #B23888

RGB 178 56 136

HSL 320.66, 0.52%, 0.46%

LAB 44.33, 56.92, -18

 

CMYK 0 / 76 / 27 / 37

HEX #A12675

RGB 161 38 117

HSL 321.46, 0.62%, 0.39%

LAB 38.28, 56.32, -15.82

 

CMYK 0 / 86 / 32 / 44

HEX #901462

RGB 144 20 98

HSL 322.26, 0.76%, 0.32%

LAB 32.51, 54.71, -12.87

 

CMYK 0 / 98 / 38 / 50

HEX #7F024F

RGB 127 2 79

HSL 323.04, 0.97%, 0.25%

LAB 27.07, 51.83, -8.97

 

CMYK 0 / 62 / 21 / 24

HEX #C34B9B

RGB 195 75 155

HSL 320, 0.5%, 0.53%

LAB 50.69, 56.5, -19.43

 

CMYK 0 / 62 / 37 / 24

HEX #C34B7B

RGB 195 75 123

HSL 336, 0.5%, 0.53%

LAB 49.57, 52.39, -1.98

 

CMYK 0 / 62 / 54 / 24

HEX #C34B5A

RGB 195 75 90

HSL 352.5, 0.5%, 0.53%

LAB 48.73, 49.15, 16.76

 

CMYK 0 / 62 / 62 / 24

HEX #C34B4B

RGB 195 75 75

HSL 0, 0.5%, 0.53%

LAB 48.44, 48.03, 25.36

 

CMYK 0 / 62 / 21 / 24

HEX #C34B9B

RGB 195 75 155

HSL 320, 0.5%, 0.53%

LAB 50.69, 56.5, -19.43

 

CMYK 0 / 62 / 4 / 24

HEX #C34BBB

RGB 195 75 187

HSL 304, 0.5%, 0.53%

LAB 52.09, 61.43, -36

 

CMYK 13 / 62 / 0 / 24

HEX #AA4BC3

RGB 170 75 195

HSL 287.5, 0.5%, 0.53%

LAB 48.91, 56.62, -45.9

 

CMYK 30 / 62 / 0 / 24

HEX #894BC3

RGB 137 75 195

HSL 271, 0.5%, 0.53%

LAB 44.65, 48.73, -52.95

 

CMYK 46 / 62 / 0 / 24

HEX #694BC3

RGB 105 75 195

HSL 255, 0.5%, 0.53%

LAB 41.18, 41.7, -58.73

 

CMYK 0 / 62 / 21 / 24

HEX #C34B9B

RGB 195 75 155

HSL 320, 0.5%, 0.53%

LAB 50.69, 56.5, -19.43

 

CMYK 0 / 74 / 24 / 16

HEX #D637A2

RGB 214 55 162

HSL 319.62, 0.66%, 0.53%

LAB 51.42, 69.86, -22.17

 

CMYK 0 / 85 / 28 / 9

HEX #E924A8

RGB 233 36 168

HSL 319.8, 0.82%, 0.53%

LAB 53.4, 79.59, -22.39

 

CMYK 0 / 93 / 31 / 1

HEX #FD11AF

RGB 253 17 175

HSL 319.83, 0.98%, 0.53%

LAB 56.46, 87.05, -21.46

 

CMYK 0 / 62 / 21 / 24

HEX #C34B9B

RGB 195 75 155

HSL 320, 0.5%, 0.53%

LAB 50.69, 56.5, -19.43

 

CMYK 0 / 46 / 15 / 31

HEX #AF5E94

RGB 175 94 148

HSL 320, 0.34%, 0.53%

LAB 50.99, 40.06, -15.09

 

CMYK 0 / 27 / 9 / 39

HEX #9C728E

RGB 156 114 142

HSL 320, 0.18%, 0.53%

LAB 53.01, 21.23, -8.74

 

CMYK 0 / 2 / 1 / 47

HEX #888587

RGB 136 133 135

HSL 320, 0.01%, 0.53%

LAB 55.85, 1.51, -0.68

 

CMYK 23 / 0 / 15 / 40

HEX #759881

RGB 117 152 129

HSL 140.57, 0.15%, 0.53%

LAB 59.73, -16.99, 8.18

 

CMYK 13 / 62 / 0 / 24

HEX #A94BC3

RGB 169 75 195

HSL 287, 0.5%, 0.53%

LAB 48.77, 56.38, -46.12

 

CMYK 0 / 62 / 3 / 24

HEX #C34BBD

RGB 195 75 189

HSL 303, 0.5%, 0.53%

LAB 52.18, 61.76, -37.01

 

CMYK 0 / 62 / 19 / 24

HEX #C34B9D

RGB 195 75 157

HSL 319, 0.5%, 0.53%

LAB 50.77, 56.78, -20.49

 

CMYK 0 / 62 / 36 / 24

HEX #C34B7D

RGB 195 75 125

HSL 335, 0.5%, 0.53%

LAB 49.64, 52.62, -3.09

 

CMYK 0 / 62 / 52 / 24

HEX #C34B5D

RGB 195 75 93

HSL 351, 0.5%, 0.53%

LAB 48.79, 49.4, 15.04

 

CMYK 0 / 67 / 22 / 45

HEX #8C2E6D

RGB 140 46 109

HSL 319.79, 0.51%, 0.36%

LAB 35.27, 46.5, -15.74

 

CMYK 0 / 67 / 22 / 33

HEX #AB3985

RGB 171 57 133

HSL 320, 0.5%, 0.45%

LAB 43.18, 54.18, -18.05

 

CMYK 0 / 62 / 21 / 24

HEX #C34B9B

RGB 195 75 155

HSL 320, 0.5%, 0.53%

LAB 50.69, 56.5, -19.43

 

CMYK 0 / 48 / 16 / 20

HEX #CD6AAC

RGB 205 106 172

HSL 320, 0.5%, 0.61%

LAB 58.29, 47.41, -17.63

 

CMYK 0 / 36 / 12 / 16

HEX #D789BD

RGB 215 137 189

HSL 320, 0.49%, 0.69%

LAB 66.53, 37.27, -14.7

 

CMYK 0 / 62 / 21 / 24

HEX #C34A9B

RGB 195 74 155

HSL 319.83, 0.5%, 0.53%

LAB 50.53, 56.93, -19.67

 

CMYK 0 / 30 / 62 / 24

HEX #C3894B

RGB 195 137 75

HSL 31, 0.5%, 0.53%

LAB 61.66, 15.71, 41.53

 

CMYK 62 / 0 / 5 / 24

HEX #4BC3B9

RGB 75 195 185

HSL 175, 0.5%, 0.53%

LAB 72.25, -35.56, -4.93

 

CMYK 0 / 62 / 21 / 24

HEX #C34A9B

RGB 195 74 155

HSL 319.83, 0.5%, 0.53%

LAB 50.53, 56.93, -19.67

 

CMYK 19 / 0 / 62 / 24

HEX #9DC34B

RGB 157 195 75

HSL 79, 0.5%, 0.53%

LAB 74, -30.62, 54.61

 

CMYK 62 / 19 / 0 / 24

HEX #4B9DC3

RGB 75 157 195

HSL 199, 0.5%, 0.53%

LAB 61.26, -13.49, -27.05

 

CMYK 0 / 62 / 21 / 24

HEX #C34A9B

RGB 195 74 155

HSL 319.83, 0.5%, 0.53%

LAB 50.53, 56.93, -19.67

 

CMYK 0 / 30 / 62 / 24

HEX #C3894B

RGB 195 137 75

HSL 31, 0.5%, 0.53%

LAB 61.66, 15.71, 41.53

 

CMYK 62 / 0 / 42 / 24

HEX #4BC371

RGB 75 195 113

HSL 139, 0.5%, 0.53%

LAB 70.68, -51.56, 31.49

 

CMYK 62 / 32 / 0 / 24

HEX #4B85C3

RGB 75 133 195

HSL 211, 0.5%, 0.53%

LAB 54.25, 0.14, -37.97

 

CMYK 0 / 62 / 21 / 24

HEX #C34A9B

RGB 195 74 155

HSL 319.83, 0.5%, 0.53%

LAB 50.53, 56.93, -19.67

 

CMYK 0 / 11 / 62 / 24

HEX #C3AD4B

RGB 195 173 75

HSL 49, 0.5%, 0.53%

LAB 70.87, -3.78, 52

 

CMYK 62 / 0 / 42 / 24

HEX #4BC371

RGB 75 195 113

HSL 139, 0.5%, 0.53%

LAB 70.68, -51.56, 31.49

 

CMYK 62 / 50 / 0 / 24

HEX #4B61C3

RGB 75 97 195

HSL 229, 0.5%, 0.53%

LAB 44.21, 22.33, -53.94

 

Description

Color code: RGB 195 74 155 | qconv.com Color code: RGB 195 74 155 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 195 red, 74 green and 155 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
195 74 155 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 62 magenta, 21 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 62% 21% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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