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Color name
RGB 195 72 19

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 195 72 19 it is the complementary color RGB 60 183 236. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 195 72 19. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 195 72 19 shade: RGB 200 72 14, RGB 217 90 33, RGB 234 108 52, RGB 251 126 71 and RGB 255 144 90

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 195 72 19. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 195 72 19 shade: RGB 195 72 19, RGB 178 54 0, RGB 161 36 0, RGB 144 18 0 and RGB 127 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 195 72 19 shade: RGB 194 72 19, RGB 194 24 19 and RGB 194 19 19

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 195 72 19 shade: RGB 194 72 19, RGB 194 119 19, RGB 194 166 19, RGB 175 194 19 and RGB 128 194 19

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 195 72 19 shade matches the following richer shades: RGB 194 72 19 and RGB 212 65 1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 195 72 19 shade: RGB 194 72 19, RGB 177 79 36, RGB 160 85 53, RGB 142 92 71 and RGB 125 99 88

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 195 72 19 shade: RGB 194 19 60, RGB 194 25 19, RGB 194 71 19, RGB 194 118 19 and RGB 194 165 19

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 195 72 19 shade: RGB 119 44 11, RGB 157 58 15, RGB 194 72 19, RGB 232 86 23 and RGB 235 113 60

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 195 72 19 shade: RGB 195 72 19, RGB 107 194 19 and RGB 19 36 194

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 195 72 19 shade: RGB 195 72 19, RGB 19 194 71 and RGB 71 19 194

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 195 72 19 shade: RGB 195 72 19, RGB 107 194 19, RGB 19 142 194 and RGB 107 19 194

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 195 72 19 shade: RGB 195 72 19, RGB 54 194 19, RGB 19 142 194 and RGB 159 19 194

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 63 / 90 / 24

HEX #C34813

RGB 195 72 19

HSL 18.07, 0.82%, 0.42%

LAB 47.34, 47.07, 52.79

 

Complementary color

CMYK 75 / 22 / 0 / 7

HEX #3CB7EC

RGB 60 183 236

HSL 198.07, 0.82%, 0.58%

LAB 70.09, -16.38, -36.05

 

CMYK 0 / 64 / 93 / 22

HEX #C8480E

RGB 200 72 14

HSL 18.71, 0.87%, 0.42%

LAB 48.19, 48.78, 55.35

 

CMYK 0 / 59 / 85 / 15

HEX #D95A21

RGB 217 90 33

HSL 18.59, 0.74%, 0.49%

LAB 54.21, 47.17, 54.55

 

CMYK 0 / 54 / 78 / 8

HEX #EA6C34

RGB 234 108 52

HSL 18.46, 0.81%, 0.56%

LAB 60.31, 45.52, 52.84

 

CMYK 0 / 50 / 72 / 2

HEX #FB7E47

RGB 251 126 71

HSL 18.33, 0.96%, 0.63%

LAB 66.43, 43.91, 50.88

 

CMYK 0 / 44 / 65 / 0

HEX #FF905A

RGB 255 144 90

HSL 19.64, 1%, 0.68%

LAB 70.83, 37.42, 46.48

 

CMYK 0 / 63 / 90 / 24

HEX #C34813

RGB 195 72 19

HSL 18.07, 0.82%, 0.42%

LAB 47.34, 47.07, 52.79

 

CMYK 0 / 70 / 100 / 30

HEX #B23600

RGB 178 54 0

HSL 18.2, 1%, 0.35%

LAB 41.38, 48.47, 53.23

 

CMYK 0 / 78 / 100 / 37

HEX #A12400

RGB 161 36 0

HSL 13.42, 1%, 0.32%

LAB 35.67, 49.44, 48.66

 

CMYK 0 / 88 / 100 / 44

HEX #901200

RGB 144 18 0

HSL 7.5, 1%, 0.28%

LAB 30.31, 49.25, 43.52

 

CMYK 0 / 100 / 100 / 50

HEX #7F0000

RGB 127 0 0

HSL 0, 1%, 0.25%

LAB 25.3, 47.78, 37.76

 

CMYK 0 / 63 / 90 / 24

HEX #C24813

RGB 194 72 19

HSL 18.17, 0.82%, 0.42%

LAB 47.17, 46.71, 52.59

 

CMYK 0 / 88 / 90 / 24

HEX #C21813

RGB 194 24 19

HSL 1.71, 0.82%, 0.42%

LAB 41.48, 62.4, 48.46

 

CMYK 0 / 90 / 90 / 24

HEX #C21313

RGB 194 19 19

HSL 0, 0.82%, 0.42%

LAB 41.19, 63.26, 48.24

 

CMYK 0 / 63 / 90 / 24

HEX #C24813

RGB 194 72 19

HSL 18.17, 0.82%, 0.42%

LAB 47.17, 46.71, 52.59

 

CMYK 0 / 39 / 90 / 24

HEX #C27713

RGB 194 119 19

HSL 34.29, 0.82%, 0.42%

LAB 56.79, 22.7, 59.81

 

CMYK 0 / 14 / 90 / 24

HEX #C2A613

RGB 194 166 19

HSL 50.4, 0.82%, 0.42%

LAB 68.6, -2.88, 68.89

 

CMYK 10 / 0 / 90 / 24

HEX #AFC213

RGB 175 194 19

HSL 66.51, 0.82%, 0.42%

LAB 74.66, -25.42, 72.98

 

CMYK 34 / 0 / 90 / 24

HEX #80C213

RGB 128 194 19

HSL 82.63, 0.82%, 0.42%

LAB 71.7, -44.11, 69.35

 

CMYK 0 / 63 / 90 / 24

HEX #C24813

RGB 194 72 19

HSL 18.17, 0.82%, 0.42%

LAB 47.17, 46.71, 52.59

 

CMYK 0 / 69 / 100 / 17

HEX #D44101

RGB 212 65 1

HSL 18.2, 0.99%, 0.42%

LAB 49.23, 55.63, 60.32

 

CMYK 0 / 63 / 90 / 24

HEX #C24813

RGB 194 72 19

HSL 18.17, 0.82%, 0.42%

LAB 47.17, 46.71, 52.59

 

CMYK 0 / 55 / 80 / 31

HEX #B14F24

RGB 177 79 36

HSL 18.3, 0.66%, 0.42%

LAB 45.73, 37.39, 43.09

 

CMYK 0 / 47 / 67 / 37

HEX #A05535

RGB 160 85 53

HSL 17.94, 0.5%, 0.42%

LAB 44.56, 28.16, 32.1

 

CMYK 0 / 35 / 50 / 44

HEX #8E5C47

RGB 142 92 71

HSL 17.75, 0.33%, 0.42%

LAB 44.03, 18.01, 20.49

 

CMYK 0 / 21 / 30 / 51

HEX #7D6358

RGB 125 99 88

HSL 17.84, 0.17%, 0.42%

LAB 44.22, 8.72, 10.23

 

CMYK 0 / 90 / 69 / 24

HEX #C2133C

RGB 194 19 60

HSL 345.94, 0.82%, 0.42%

LAB 41.63, 64.51, 25.82

 

CMYK 0 / 87 / 90 / 24

HEX #C21913

RGB 194 25 19

HSL 2.06, 0.82%, 0.42%

LAB 41.55, 62.22, 48.5

 

CMYK 0 / 63 / 90 / 24

HEX #C24713

RGB 194 71 19

HSL 17.83, 0.82%, 0.42%

LAB 47, 47.15, 52.46

 

CMYK 0 / 39 / 90 / 24

HEX #C27613

RGB 194 118 19

HSL 33.94, 0.82%, 0.42%

LAB 56.56, 23.25, 59.63

 

CMYK 0 / 15 / 90 / 24

HEX #C2A513

RGB 194 165 19

HSL 50.06, 0.82%, 0.42%

LAB 68.33, -2.35, 68.69

 

CMYK 0 / 63 / 91 / 53

HEX #772C0B

RGB 119 44 11

HSL 18.33, 0.83%, 0.25%

LAB 28.77, 31.24, 35.66

 

CMYK 0 / 63 / 90 / 38

HEX #9D3A0F

RGB 157 58 15

HSL 18.17, 0.83%, 0.34%

LAB 38.25, 39.36, 44.45

 

CMYK 0 / 63 / 90 / 24

HEX #C24813

RGB 194 72 19

HSL 18.17, 0.82%, 0.42%

LAB 47.17, 46.71, 52.59

 

CMYK 0 / 63 / 90 / 9

HEX #E85617

RGB 232 86 23

HSL 18.09, 0.82%, 0.5%

LAB 55.96, 54.12, 60.59

 

CMYK 0 / 52 / 74 / 8

HEX #EB713C

RGB 235 113 60

HSL 18.17, 0.81%, 0.58%

LAB 61.48, 43.77, 50.29

 

CMYK 0 / 63 / 90 / 24

HEX #C34813

RGB 195 72 19

HSL 18.07, 0.82%, 0.42%

LAB 47.34, 47.07, 52.79

 

CMYK 45 / 0 / 90 / 24

HEX #6BC213

RGB 107 194 19

HSL 89.83, 0.82%, 0.42%

LAB 70.7, -51.35, 68.11

 

CMYK 90 / 81 / 0 / 24

HEX #1324C2

RGB 19 36 194

HSL 234.17, 0.82%, 0.42%

LAB 27.56, 53.19, -80.73

 

CMYK 0 / 63 / 90 / 24

HEX #C34813

RGB 195 72 19

HSL 18.07, 0.82%, 0.42%

LAB 47.34, 47.07, 52.79

 

CMYK 90 / 0 / 63 / 24

HEX #13C247

RGB 19 194 71

HSL 137.83, 0.82%, 0.42%

LAB 68.88, -65.05, 49.32

 

CMYK 63 / 90 / 0 / 24

HEX #4713C2

RGB 71 19 194

HSL 257.83, 0.82%, 0.42%

LAB 28.64, 62.31, -78.83

 

CMYK 0 / 63 / 90 / 24

HEX #C34813

RGB 195 72 19

HSL 18.07, 0.82%, 0.42%

LAB 47.34, 47.07, 52.79

 

CMYK 45 / 0 / 90 / 24

HEX #6BC213

RGB 107 194 19

HSL 89.83, 0.82%, 0.42%

LAB 70.7, -51.35, 68.11

 

CMYK 90 / 27 / 0 / 24

HEX #138EC2

RGB 19 142 194

HSL 197.83, 0.82%, 0.42%

LAB 55.46, -12.23, -35.6

 

CMYK 45 / 90 / 0 / 24

HEX #6B13C2

RGB 107 19 194

HSL 270.17, 0.82%, 0.42%

LAB 32.89, 65.54, -71.68

 

CMYK 0 / 63 / 90 / 24

HEX #C34813

RGB 195 72 19

HSL 18.07, 0.82%, 0.42%

LAB 47.34, 47.07, 52.79

 

CMYK 72 / 0 / 90 / 24

HEX #36C213

RGB 54 194 19

HSL 108, 0.82%, 0.42%

LAB 69.05, -64.66, 66.06

 

CMYK 90 / 27 / 0 / 24

HEX #138EC2

RGB 19 142 194

HSL 197.83, 0.82%, 0.42%

LAB 55.46, -12.23, -35.6

 

CMYK 18 / 90 / 0 / 24

HEX #9F13C2

RGB 159 19 194

HSL 288, 0.82%, 0.42%

LAB 40.79, 72.43, -58.45

 

Description

Color code: RGB 195 72 19 | qconv.com Color code: RGB 195 72 19 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 195 red, 72 green and 19 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
195 72 19 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 63 magenta, 90 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 63% 90% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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