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Color name
RGB 195 69 197

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 195 69 197 it is the complementary color RGB 60 186 58. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 195 69 197. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 195 69 197 shade: RGB 200 69 192, RGB 217 87 211, RGB 234 105 230, RGB 251 123 249 and RGB 255 141 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 195 69 197. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 195 69 197 shade: RGB 195 69 197, RGB 178 51 178, RGB 161 33 159, RGB 144 15 140 and RGB 127 0 121

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 195 69 197 shade: RGB 194 68 196, RGB 196 68 163, RGB 196 68 129, RGB 196 68 95 and RGB 196 68 68

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 195 69 197 shade: RGB 194 68 196, RGB 159 68 196, RGB 125 68 196, RGB 91 68 196 and RGB 68 68 196

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 195 69 197 shade matches the following richer shades: RGB 194 68 196, RGB 213 49 216 and RGB 232 29 235

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 195 69 197 shade: RGB 194 68 196, RGB 175 88 176, RGB 155 108 156, RGB 136 128 136 and RGB 117 148 117

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 195 69 197 shade: RGB 126 68 196, RGB 160 68 196, RGB 194 68 196, RGB 196 68 164 and RGB 196 68 130

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 195 69 197 shade: RGB 137 43 138, RGB 168 53 170, RGB 194 68 196, RGB 204 100 206 and RGB 214 131 216

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 195 69 197 shade: RGB 195 69 197, RGB 196 92 68 and RGB 68 196 143

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 195 69 197 shade: RGB 195 69 197, RGB 196 194 68 and RGB 68 196 194

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 195 69 197 shade: RGB 195 69 197, RGB 196 92 68, RGB 71 196 68 and RGB 68 172 196

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 195 69 197 shade: RGB 195 69 197, RGB 196 130 68, RGB 71 196 68 and RGB 68 134 196

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 1 / 65 / 0 / 23

HEX #C345C5

RGB 195 69 197

HSL 299.06, 0.52%, 0.52%

LAB 51.71, 65.53, -42.37

 

Complementary color

CMYK 68 / 0 / 69 / 27

HEX #3CBA3A

RGB 60 186 58

HSL 119.06, 0.52%, 0.48%

LAB 66.81, -58.63, 52.66

 

CMYK 0 / 66 / 4 / 22

HEX #C845C0

RGB 200 69 192

HSL 303.66, 0.54%, 0.53%

LAB 52.22, 65.9, -38.63

 

CMYK 0 / 60 / 3 / 15

HEX #D957D3

RGB 217 87 211

HSL 302.77, 0.63%, 0.6%

LAB 58.29, 65.92, -39.78

 

CMYK 0 / 55 / 2 / 8

HEX #EA69E6

RGB 234 105 230

HSL 301.86, 0.75%, 0.66%

LAB 64.41, 65.64, -40.69

 

CMYK 0 / 51 / 1 / 2

HEX #FB7BF9

RGB 251 123 249

HSL 300.94, 0.94%, 0.73%

LAB 70.54, 65.17, -41.42

 

CMYK 0 / 45 / 0 / 0

HEX #FF8DFF

RGB 255 141 255

HSL 300, 1%, 0.78%

LAB 74.53, 58.77, -38.42

 

CMYK 1 / 65 / 0 / 23

HEX #C345C5

RGB 195 69 197

HSL 299.06, 0.52%, 0.52%

LAB 51.71, 65.53, -42.37

 

CMYK 0 / 71 / 0 / 30

HEX #B233B2

RGB 178 51 178

HSL 300, 0.55%, 0.45%

LAB 45.7, 65.08, -41

 

CMYK 0 / 80 / 1 / 37

HEX #A1219F

RGB 161 33 159

HSL 300.94, 0.66%, 0.38%

LAB 39.86, 63.87, -39.14

 

CMYK 0 / 90 / 3 / 44

HEX #900F8C

RGB 144 15 140

HSL 301.86, 0.81%, 0.31%

LAB 34.32, 61.48, -36.55

 

CMYK 0 / 100 / 5 / 50

HEX #7F0079

RGB 127 0 121

HSL 302.83, 1%, 0.25%

LAB 29.14, 57.68, -33.11

 

CMYK 1 / 65 / 0 / 23

HEX #C244C4

RGB 194 68 196

HSL 299.06, 0.52%, 0.52%

LAB 51.37, 65.52, -42.35

 

CMYK 0 / 65 / 17 / 23

HEX #C444A3

RGB 196 68 163

HSL 315.47, 0.52%, 0.52%

LAB 50.11, 60.83, -25.03

 

CMYK 0 / 65 / 34 / 23

HEX #C44481

RGB 196 68 129

HSL 331.41, 0.52%, 0.52%

LAB 48.83, 56.38, -6.68

 

CMYK 0 / 65 / 52 / 23

HEX #C4445F

RGB 196 68 95

HSL 347.34, 0.52%, 0.52%

LAB 47.87, 52.94, 12.59

 

CMYK 0 / 65 / 65 / 23

HEX #C44444

RGB 196 68 68

HSL 0, 0.52%, 0.52%

LAB 47.35, 51, 28.16

 

CMYK 1 / 65 / 0 / 23

HEX #C244C4

RGB 194 68 196

HSL 299.06, 0.52%, 0.52%

LAB 51.37, 65.52, -42.35

 

CMYK 19 / 65 / 0 / 23

HEX #9F44C4

RGB 159 68 196

HSL 282.66, 0.52%, 0.52%

LAB 46.3, 57.41, -50.73

 

CMYK 36 / 65 / 0 / 23

HEX #7D44C4

RGB 125 68 196

HSL 266.72, 0.52%, 0.52%

LAB 41.97, 49.93, -57.93

 

CMYK 54 / 65 / 0 / 23

HEX #5B44C4

RGB 91 68 196

HSL 250.78, 0.52%, 0.52%

LAB 38.45, 43.34, -63.8

 

CMYK 65 / 65 / 0 / 23

HEX #4444C4

RGB 68 68 196

HSL 240, 0.52%, 0.52%

LAB 36.65, 39.71, -66.82

 

CMYK 1 / 65 / 0 / 23

HEX #C244C4

RGB 194 68 196

HSL 299.06, 0.52%, 0.52%

LAB 51.37, 65.52, -42.35

 

CMYK 1 / 77 / 0 / 15

HEX #D531D8

RGB 213 49 216

HSL 298.92, 0.68%, 0.52%

LAB 53.28, 78.98, -50.6

 

CMYK 1 / 88 / 0 / 8

HEX #E81DEB

RGB 232 29 235

HSL 299.13, 0.84%, 0.52%

LAB 56.12, 89.27, -56.63

 

CMYK 1 / 65 / 0 / 23

HEX #C244C4

RGB 194 68 196

HSL 299.06, 0.52%, 0.52%

LAB 51.37, 65.52, -42.35

 

CMYK 1 / 50 / 0 / 31

HEX #AF58B0

RGB 175 88 176

HSL 299.32, 0.36%, 0.52%

LAB 50.95, 48.04, -31.59

 

CMYK 1 / 31 / 0 / 39

HEX #9B6C9C

RGB 155 108 156

HSL 298.75, 0.2%, 0.52%

LAB 51.94, 26.99, -18.57

 

CMYK 0 / 6 / 0 / 47

HEX #888088

RGB 136 128 136

HSL 300, 0.03%, 0.52%

LAB 54.5, 4.57, -3.24

 

CMYK 21 / 0 / 21 / 42

HEX #759475

RGB 117 148 117

HSL 120, 0.13%, 0.52%

LAB 58.27, -17.2, 12.9

 

CMYK 36 / 65 / 0 / 23

HEX #7E44C4

RGB 126 68 196

HSL 267.19, 0.52%, 0.52%

LAB 42.09, 50.14, -57.73

 

CMYK 18 / 65 / 0 / 23

HEX #A044C4

RGB 160 68 196

HSL 283.13, 0.52%, 0.52%

LAB 46.44, 57.64, -50.5

 

CMYK 1 / 65 / 0 / 23

HEX #C244C4

RGB 194 68 196

HSL 299.06, 0.52%, 0.52%

LAB 51.37, 65.52, -42.35

 

CMYK 0 / 65 / 16 / 23

HEX #C444A4

RGB 196 68 164

HSL 315, 0.52%, 0.52%

LAB 50.16, 60.98, -25.55

 

CMYK 0 / 65 / 34 / 23

HEX #C44482

RGB 196 68 130

HSL 330.94, 0.52%, 0.52%

LAB 48.86, 56.49, -7.23

 

CMYK 1 / 69 / 0 / 46

HEX #892B8A

RGB 137 43 138

HSL 299.37, 0.52%, 0.35%

LAB 35.75, 51.66, -33.12

 

CMYK 1 / 69 / 0 / 33

HEX #A835AA

RGB 168 53 170

HSL 298.97, 0.52%, 0.44%

LAB 43.91, 60.76, -39.22

 

CMYK 1 / 65 / 0 / 23

HEX #C244C4

RGB 194 68 196

HSL 299.06, 0.52%, 0.52%

LAB 51.37, 65.52, -42.35

 

CMYK 1 / 51 / 0 / 19

HEX #CC64CE

RGB 204 100 206

HSL 298.87, 0.52%, 0.6%

LAB 58.42, 55.77, -36.87

 

CMYK 1 / 39 / 0 / 15

HEX #D683D8

RGB 214 131 216

HSL 298.59, 0.52%, 0.68%

LAB 66.13, 44.85, -30.42

 

CMYK 1 / 65 / 0 / 23

HEX #C345C5

RGB 195 69 197

HSL 299.06, 0.52%, 0.52%

LAB 51.71, 65.53, -42.37

 

CMYK 0 / 53 / 65 / 23

HEX #C45C44

RGB 196 92 68

HSL 11.25, 0.52%, 0.52%

LAB 51.62, 39.78, 33.4

 

CMYK 65 / 0 / 27 / 23

HEX #44C48F

RGB 68 196 143

HSL 155.16, 0.52%, 0.52%

LAB 71.35, -47.47, 16.53

 

CMYK 1 / 65 / 0 / 23

HEX #C345C5

RGB 195 69 197

HSL 299.06, 0.52%, 0.52%

LAB 51.71, 65.53, -42.37

 

CMYK 0 / 1 / 65 / 23

HEX #C4C244

RGB 196 194 68

HSL 59.06, 0.52%, 0.52%

LAB 76.52, -14.66, 61.06

 

CMYK 65 / 0 / 1 / 23

HEX #44C4C2

RGB 68 196 194

HSL 179.06, 0.52%, 0.52%

LAB 72.63, -34.69, -9.29

 

CMYK 1 / 65 / 0 / 23

HEX #C345C5

RGB 195 69 197

HSL 299.06, 0.52%, 0.52%

LAB 51.71, 65.53, -42.37

 

CMYK 0 / 53 / 65 / 23

HEX #C45C44

RGB 196 92 68

HSL 11.25, 0.52%, 0.52%

LAB 51.62, 39.78, 33.4

 

CMYK 64 / 0 / 65 / 23

HEX #47C444

RGB 71 196 68

HSL 118.59, 0.52%, 0.52%

LAB 70.34, -58.87, 52.46

 

CMYK 65 / 12 / 0 / 23

HEX #44ACC4

RGB 68 172 196

HSL 191.25, 0.52%, 0.52%

LAB 65.53, -22.33, -21.09

 

CMYK 1 / 65 / 0 / 23

HEX #C345C5

RGB 195 69 197

HSL 299.06, 0.52%, 0.52%

LAB 51.71, 65.53, -42.37

 

CMYK 0 / 34 / 65 / 23

HEX #C48244

RGB 196 130 68

HSL 29.06, 0.52%, 0.52%

LAB 60, 19.51, 43.2

 

CMYK 64 / 0 / 65 / 23

HEX #47C444

RGB 71 196 68

HSL 118.59, 0.52%, 0.52%

LAB 70.34, -58.87, 52.46

 

CMYK 65 / 32 / 0 / 23

HEX #4486C4

RGB 68 134 196

HSL 209.06, 0.52%, 0.52%

LAB 54.31, -1.39, -38.47

 

Description

Color code: RGB 195 69 197 | qconv.com Color code: RGB 195 69 197 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 195 red, 69 green and 197 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
195 69 197 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 1 cyan, 65 magenta, none yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
1% 65% 0% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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