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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 195 29 175 it is the complementary color RGB 60 226 80. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 195 29 175. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 195 29 175 shade: RGB 200 29 170, RGB 217 47 189, RGB 234 65 208, RGB 251 83 227 and RGB 255 101 246

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 195 29 175. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 195 29 175 shade: RGB 195 29 175, RGB 178 11 156, RGB 161 0 137, RGB 144 0 118 and RGB 127 0 99

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 195 29 175 shade: RGB 195 29 175, RGB 195 29 130, RGB 195 29 85, RGB 195 29 40 and RGB 195 29 29

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 195 29 175 shade: RGB 195 29 175, RGB 170 29 195, RGB 125 29 195, RGB 80 29 195 and RGB 36 29 195

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 195 29 175 shade matches the following richer shades: RGB 195 29 175 and RGB 213 11 188

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 195 29 175 shade: RGB 195 29 175, RGB 177 47 161, RGB 158 65 147, RGB 140 83 133 and RGB 122 101 120

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 195 29 175 shade: RGB 126 29 195, RGB 170 29 195, RGB 195 29 175, RGB 195 29 131 and RGB 195 29 87

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 195 29 175 shade: RGB 123 18 110, RGB 159 23 143, RGB 195 29 175, RGB 223 42 201 and RGB 228 78 210

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 195 29 175 shade: RGB 195 29 175, RGB 195 81 29 and RGB 29 195 148

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 195 29 175 shade: RGB 195 29 175, RGB 175 195 29 and RGB 29 175 195

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 195 29 175 shade: RGB 195 29 175, RGB 195 81 29, RGB 29 195 48 and RGB 29 142 195

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 195 29 175 shade: RGB 195 29 175, RGB 195 131 29, RGB 29 195 48 and RGB 29 92 195

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 85 / 10 / 24

HEX #C31DAF

RGB 195 29 175

HSL 307.23, 0.74%, 0.44%

LAB 46.41, 73.97, -37.92

 

Complementary color

CMYK 73 / 0 / 65 / 11

HEX #3CE250

RGB 60 226 80

HSL 127.23, 0.74%, 0.56%

LAB 79.58, -69.62, 57.56

 

CMYK 0 / 86 / 15 / 22

HEX #C81DAA

RGB 200 29 170

HSL 310.53, 0.75%, 0.45%

LAB 47.05, 74.28, -33.89

 

CMYK 0 / 78 / 13 / 15

HEX #D92FBD

RGB 217 47 189

HSL 309.88, 0.69%, 0.52%

LAB 52.35, 76.34, -36.5

 

CMYK 0 / 72 / 11 / 8

HEX #EA41D0

RGB 234 65 208

HSL 309.23, 0.8%, 0.59%

LAB 57.87, 77.55, -38.56

 

CMYK 0 / 67 / 10 / 2

HEX #FB53E3

RGB 251 83 227

HSL 308.57, 0.95%, 0.65%

LAB 63.54, 78.16, -40.2

 

CMYK 0 / 60 / 4 / 0

HEX #FF65F6

RGB 255 101 246

HSL 303.51, 1%, 0.7%

LAB 67.44, 75.19, -44.58

 

CMYK 0 / 85 / 10 / 24

HEX #C31DAF

RGB 195 29 175

HSL 307.23, 0.74%, 0.44%

LAB 46.41, 73.97, -37.92

 

CMYK 0 / 94 / 12 / 30

HEX #B20B9C

RGB 178 11 156

HSL 307.9, 0.88%, 0.37%

LAB 41.38, 70.79, -34.72

 

CMYK 0 / 100 / 15 / 37

HEX #A10089

RGB 161 0 137

HSL 308.94, 1%, 0.32%

LAB 36.71, 66.24, -30.71

 

CMYK 0 / 100 / 18 / 44

HEX #900076

RGB 144 0 118

HSL 310.83, 1%, 0.28%

LAB 32.34, 60.46, -25.92

 

CMYK 0 / 100 / 22 / 50

HEX #7F0063

RGB 127 0 99

HSL 313.23, 1%, 0.25%

LAB 27.88, 54.56, -20.95

 

CMYK 0 / 85 / 10 / 24

HEX #C31DAF

RGB 195 29 175

HSL 307.23, 0.74%, 0.44%

LAB 46.41, 73.97, -37.92

 

CMYK 0 / 85 / 33 / 24

HEX #C31D82

RGB 195 29 130

HSL 323.49, 0.74%, 0.44%

LAB 44.37, 68.38, -14.02

 

CMYK 0 / 85 / 56 / 24

HEX #C31D55

RGB 195 29 85

HSL 339.76, 0.74%, 0.44%

LAB 42.97, 64.4, 11.94

 

CMYK 0 / 85 / 79 / 24

HEX #C31D28

RGB 195 29 40

HSL 356.02, 0.74%, 0.44%

LAB 42.21, 62.16, 38.53

 

CMYK 0 / 85 / 85 / 24

HEX #C31D1D

RGB 195 29 29

HSL 0, 0.74%, 0.44%

LAB 42.11, 61.87, 44.36

 

CMYK 0 / 85 / 10 / 24

HEX #C31DAF

RGB 195 29 175

HSL 307.23, 0.74%, 0.44%

LAB 46.41, 73.97, -37.92

 

CMYK 13 / 85 / 0 / 24

HEX #AA1DC3

RGB 170 29 195

HSL 290.96, 0.74%, 0.44%

LAB 43.31, 72.51, -54.87

 

CMYK 36 / 85 / 0 / 24

HEX #7D1DC3

RGB 125 29 195

HSL 274.7, 0.74%, 0.44%

LAB 36.33, 65.51, -66.53

 

CMYK 59 / 85 / 0 / 24

HEX #501DC3

RGB 80 29 195

HSL 258.43, 0.74%, 0.44%

LAB 30.7, 60.22, -75.99

 

CMYK 82 / 85 / 0 / 24

HEX #241DC3

RGB 36 29 195

HSL 242.53, 0.74%, 0.44%

LAB 27.28, 57.24, -81.76

 

CMYK 0 / 85 / 10 / 24

HEX #C31DAF

RGB 195 29 175

HSL 307.23, 0.74%, 0.44%

LAB 46.41, 73.97, -37.92

 

CMYK 0 / 95 / 12 / 16

HEX #D50BBC

RGB 213 11 188

HSL 307.43, 0.9%, 0.44%

LAB 49.52, 81.49, -40.43

 

CMYK 0 / 85 / 10 / 24

HEX #C31DAF

RGB 195 29 175

HSL 307.23, 0.74%, 0.44%

LAB 46.41, 73.97, -37.92

 

CMYK 0 / 73 / 9 / 31

HEX #B12FA1

RGB 177 47 161

HSL 307.38, 0.58%, 0.44%

LAB 44.17, 63.49, -33.35

 

CMYK 0 / 59 / 7 / 38

HEX #9E4193

RGB 158 65 147

HSL 307.1, 0.42%, 0.44%

LAB 43, 49.2, -26.99

 

CMYK 0 / 41 / 5 / 45

HEX #8C5385

RGB 140 83 133

HSL 307.37, 0.26%, 0.44%

LAB 43.44, 31.67, -18.04

 

CMYK 0 / 17 / 2 / 52

HEX #7A6578

RGB 122 101 120

HSL 305.71, 0.09%, 0.44%

LAB 45.36, 11.99, -7.48

 

CMYK 35 / 85 / 0 / 24

HEX #7E1DC3

RGB 126 29 195

HSL 275.06, 0.74%, 0.44%

LAB 36.47, 65.65, -66.29

 

CMYK 13 / 85 / 0 / 24

HEX #AA1DC3

RGB 170 29 195

HSL 290.96, 0.74%, 0.44%

LAB 43.31, 72.51, -54.87

 

CMYK 0 / 85 / 10 / 24

HEX #C31DAF

RGB 195 29 175

HSL 307.23, 0.74%, 0.44%

LAB 46.41, 73.97, -37.92

 

CMYK 0 / 85 / 33 / 24

HEX #C31D83

RGB 195 29 131

HSL 323.13, 0.74%, 0.44%

LAB 44.4, 68.49, -14.57

 

CMYK 0 / 85 / 55 / 24

HEX #C31D57

RGB 195 29 87

HSL 339.04, 0.74%, 0.44%

LAB 43.02, 64.54, 10.75

 

CMYK 0 / 85 / 11 / 52

HEX #7B126E

RGB 123 18 110

HSL 307.43, 0.74%, 0.28%

LAB 28.82, 51.92, -26.64

 

CMYK 0 / 86 / 10 / 38

HEX #9F178F

RGB 159 23 143

HSL 307.06, 0.75%, 0.36%

LAB 37.78, 63.39, -32.73

 

CMYK 0 / 85 / 10 / 24

HEX #C31DAF

RGB 195 29 175

HSL 307.23, 0.74%, 0.44%

LAB 46.41, 73.97, -37.92

 

CMYK 0 / 81 / 10 / 13

HEX #DF2AC9

RGB 223 42 201

HSL 307.29, 0.74%, 0.52%

LAB 53.56, 80.42, -41.47

 

CMYK 0 / 66 / 8 / 11

HEX #E44ED2

RGB 228 78 210

HSL 307.2, 0.74%, 0.6%

LAB 58.6, 72.02, -38.62

 

CMYK 0 / 85 / 10 / 24

HEX #C31DAF

RGB 195 29 175

HSL 307.23, 0.74%, 0.44%

LAB 46.41, 73.97, -37.92

 

CMYK 0 / 58 / 85 / 24

HEX #C3511D

RGB 195 81 29

HSL 18.8, 0.74%, 0.44%

LAB 48.98, 43.12, 50.3

 

CMYK 85 / 0 / 24 / 24

HEX #1DC394

RGB 29 195 148

HSL 163.01, 0.74%, 0.44%

LAB 70.48, -50.82, 12.52

 

CMYK 0 / 85 / 10 / 24

HEX #C31DAF

RGB 195 29 175

HSL 307.23, 0.74%, 0.44%

LAB 46.41, 73.97, -37.92

 

CMYK 10 / 0 / 85 / 24

HEX #AFC31D

RGB 175 195 29

HSL 67.23, 0.74%, 0.44%

LAB 74.97, -25.67, 71.37

 

CMYK 85 / 10 / 0 / 24

HEX #1DAFC3

RGB 29 175 195

HSL 187.23, 0.74%, 0.44%

LAB 65.64, -28.63, -20.43

 

CMYK 0 / 85 / 10 / 24

HEX #C31DAF

RGB 195 29 175

HSL 307.23, 0.74%, 0.44%

LAB 46.41, 73.97, -37.92

 

CMYK 0 / 58 / 85 / 24

HEX #C3511D

RGB 195 81 29

HSL 18.8, 0.74%, 0.44%

LAB 48.98, 43.12, 50.3

 

CMYK 85 / 0 / 75 / 24

HEX #1DC330

RGB 29 195 48

HSL 126.87, 0.74%, 0.44%

LAB 69.12, -66.75, 58.55

 

CMYK 85 / 27 / 0 / 24

HEX #1D8EC3

RGB 29 142 195

HSL 199.16, 0.74%, 0.44%

LAB 55.63, -11.21, -35.89

 

CMYK 0 / 85 / 10 / 24

HEX #C31DAF

RGB 195 29 175

HSL 307.23, 0.74%, 0.44%

LAB 46.41, 73.97, -37.92

 

CMYK 0 / 33 / 85 / 24

HEX #C3831D

RGB 195 131 29

HSL 36.87, 0.74%, 0.44%

LAB 59.82, 16.79, 59.46

 

CMYK 85 / 0 / 75 / 24

HEX #1DC330

RGB 29 195 48

HSL 126.87, 0.74%, 0.44%

LAB 69.12, -66.75, 58.55

 

CMYK 85 / 53 / 0 / 24

HEX #1D5CC3

RGB 29 92 195

HSL 217.23, 0.74%, 0.44%

LAB 40.99, 19.58, -59.24

 

Description

Color code: RGB 195 29 175 | qconv.com Color code: RGB 195 29 175 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 195 red, 29 green and 175 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
195 29 175 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 85 magenta, 10 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 85% 10% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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