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Color name
RGB 195 23 137

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 195 23 137 it is the complementary color RGB 60 232 118. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 195 23 137. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 195 23 137 shade: RGB 200 23 132, RGB 217 41 151, RGB 234 59 170, RGB 251 77 189 and RGB 255 95 208

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 195 23 137. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 195 23 137 shade: RGB 195 23 137, RGB 178 5 118, RGB 161 0 99, RGB 144 0 80 and RGB 127 0 61

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 195 23 137 shade: RGB 196 23 137, RGB 196 23 91, RGB 196 23 44 and RGB 196 23 23

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 195 23 137 shade: RGB 196 23 137, RGB 196 23 184, RGB 161 23 196, RGB 114 23 196 and RGB 67 23 196

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 195 23 137 shade matches the following richer shades: RGB 196 23 137 and RGB 214 5 143

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 195 23 137 shade: RGB 196 23 137, RGB 178 40 132, RGB 160 58 126, RGB 143 76 120 and RGB 125 93 114

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 195 23 137 shade: RGB 161 23 196, RGB 196 23 184, RGB 196 23 138, RGB 196 23 92 and RGB 196 23 46

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 195 23 137 shade: RGB 122 14 85, RGB 159 18 111, RGB 196 23 137, RGB 228 31 162 and RGB 233 68 177

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 195 23 137 shade: RGB 195 23 137, RGB 196 115 23 and RGB 23 196 184

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 195 23 137 shade: RGB 195 23 137, RGB 138 196 23 and RGB 23 138 196

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 195 23 137 shade: RGB 195 23 137, RGB 196 115 23, RGB 23 196 80 and RGB 23 103 196

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 195 23 137 shade: RGB 195 23 137, RGB 196 167 23, RGB 23 196 80 and RGB 23 51 196

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 88 / 30 / 24

HEX #C31789

RGB 195 23 137

HSL 320.23, 0.79%, 0.43%

LAB 44.26, 70.25, -18.46

 

Complementary color

CMYK 74 / 0 / 49 / 9

HEX #3CE876

RGB 60 232 118

HSL 140.23, 0.79%, 0.57%

LAB 81.83, -66.77, 43.13

 

CMYK 0 / 89 / 34 / 22

HEX #C81784

RGB 200 23 132

HSL 323.05, 0.79%, 0.44%

LAB 45.02, 70.81, -14.16

 

CMYK 0 / 81 / 30 / 15

HEX #D92997

RGB 217 41 151

HSL 322.5, 0.7%, 0.51%

LAB 50.18, 73.09, -17.49

 

CMYK 0 / 75 / 27 / 8

HEX #EA3BAA

RGB 234 59 170

HSL 321.94, 0.81%, 0.57%

LAB 55.61, 74.45, -20.16

 

CMYK 0 / 69 / 25 / 2

HEX #FB4DBD

RGB 251 77 189

HSL 321.38, 0.96%, 0.64%

LAB 61.21, 75.13, -22.31

 

CMYK 0 / 63 / 18 / 0

HEX #FF5FD0

RGB 255 95 208

HSL 317.63, 1%, 0.69%

LAB 64.96, 71.98, -27.29

 

CMYK 0 / 88 / 30 / 24

HEX #C31789

RGB 195 23 137

HSL 320.23, 0.79%, 0.43%

LAB 44.26, 70.25, -18.46

 

CMYK 0 / 97 / 34 / 30

HEX #B20576

RGB 178 5 118

HSL 320.81, 0.95%, 0.36%

LAB 39.38, 66.81, -14.48

 

CMYK 0 / 100 / 39 / 37

HEX #A10063

RGB 161 0 99

HSL 323.11, 1%, 0.32%

LAB 34.96, 61.79, -9.47

 

CMYK 0 / 100 / 44 / 44

HEX #900050

RGB 144 0 80

HSL 326.67, 1%, 0.28%

LAB 30.66, 56.16, -3.88

 

CMYK 0 / 100 / 52 / 50

HEX #7F003D

RGB 127 0 61

HSL 331.18, 1%, 0.25%

LAB 26.3, 50.48, 2.06

 

CMYK 0 / 88 / 30 / 23

HEX #C41789

RGB 196 23 137

HSL 320.46, 0.79%, 0.43%

LAB 44.45, 70.47, -18.15

 

CMYK 0 / 88 / 54 / 23

HEX #C4175B

RGB 196 23 91

HSL 336.42, 0.79%, 0.43%

LAB 42.92, 66.22, 8.12

 

CMYK 0 / 88 / 78 / 23

HEX #C4172C

RGB 196 23 44

HSL 352.72, 0.79%, 0.43%

LAB 42.05, 63.73, 36.12

 

CMYK 0 / 88 / 88 / 23

HEX #C41717

RGB 196 23 23

HSL 0, 0.79%, 0.43%

LAB 41.86, 63.19, 47.15

 

CMYK 0 / 88 / 30 / 23

HEX #C41789

RGB 196 23 137

HSL 320.46, 0.79%, 0.43%

LAB 44.45, 70.47, -18.15

 

CMYK 0 / 88 / 6 / 23

HEX #C417B8

RGB 196 23 184

HSL 304.16, 0.79%, 0.43%

LAB 46.72, 76.47, -42.71

 

CMYK 18 / 88 / 0 / 23

HEX #A117C4

RGB 161 23 196

HSL 287.86, 0.79%, 0.43%

LAB 41.49, 72.41, -58.46

 

CMYK 42 / 88 / 0 / 23

HEX #7217C4

RGB 114 23 196

HSL 271.56, 0.79%, 0.43%

LAB 34.35, 65.86, -70.42

 

CMYK 66 / 88 / 0 / 23

HEX #4317C4

RGB 67 23 196

HSL 255.26, 0.79%, 0.43%

LAB 28.88, 61.39, -79.63

 

CMYK 0 / 88 / 30 / 23

HEX #C41789

RGB 196 23 137

HSL 320.46, 0.79%, 0.43%

LAB 44.45, 70.47, -18.15

 

CMYK 0 / 98 / 33 / 16

HEX #D6058F

RGB 214 5 143

HSL 320.38, 0.95%, 0.43%

LAB 47.48, 76.89, -16.86

 

CMYK 0 / 88 / 30 / 23

HEX #C41789

RGB 196 23 137

HSL 320.46, 0.79%, 0.43%

LAB 44.45, 70.47, -18.15

 

CMYK 0 / 78 / 26 / 30

HEX #B22884

RGB 178 40 132

HSL 320, 0.63%, 0.43%

LAB 42.23, 61.87, -18.79

 

CMYK 0 / 64 / 21 / 37

HEX #A03A7E

RGB 160 58 126

HSL 320, 0.47%, 0.43%

LAB 41.23, 49.62, -16.91

 

CMYK 0 / 47 / 16 / 44

HEX #8F4C78

RGB 143 76 120

HSL 320.6, 0.31%, 0.43%

LAB 41.79, 34.28, -12.6

 

CMYK 0 / 26 / 9 / 51

HEX #7D5D72

RGB 125 93 114

HSL 320.63, 0.15%, 0.43%

LAB 43.37, 16.75, -6.79

 

CMYK 18 / 88 / 0 / 23

HEX #A117C4

RGB 161 23 196

HSL 287.86, 0.79%, 0.43%

LAB 41.49, 72.41, -58.46

 

CMYK 0 / 88 / 6 / 23

HEX #C417B8

RGB 196 23 184

HSL 304.16, 0.79%, 0.43%

LAB 46.72, 76.47, -42.71

 

CMYK 0 / 88 / 30 / 23

HEX #C4178A

RGB 196 23 138

HSL 320.12, 0.79%, 0.43%

LAB 44.49, 70.58, -18.69

 

CMYK 0 / 88 / 53 / 23

HEX #C4175C

RGB 196 23 92

HSL 336.07, 0.79%, 0.43%

LAB 42.95, 66.3, 7.53

 

CMYK 0 / 88 / 77 / 23

HEX #C4172E

RGB 196 23 46

HSL 352.02, 0.79%, 0.43%

LAB 42.07, 63.8, 34.97

 

CMYK 0 / 89 / 30 / 52

HEX #7A0E55

RGB 122 14 85

HSL 320.56, 0.79%, 0.27%

LAB 27.04, 49.13, -13.12

 

CMYK 0 / 89 / 30 / 38

HEX #9F126F

RGB 159 18 111

HSL 320.43, 0.8%, 0.35%

LAB 35.89, 60.15, -15.74

 

CMYK 0 / 88 / 30 / 23

HEX #C41789

RGB 196 23 137

HSL 320.46, 0.79%, 0.43%

LAB 44.45, 70.47, -18.15

 

CMYK 0 / 86 / 29 / 11

HEX #E41FA2

RGB 228 31 162

HSL 320.1, 0.78%, 0.51%

LAB 51.93, 78.76, -21.18

 

CMYK 0 / 71 / 24 / 9

HEX #E944B1

RGB 233 68 177

HSL 320.36, 0.79%, 0.59%

LAB 56.72, 72.21, -22.55

 

CMYK 0 / 88 / 30 / 24

HEX #C31789

RGB 195 23 137

HSL 320.23, 0.79%, 0.43%

LAB 44.26, 70.25, -18.46

 

CMYK 0 / 41 / 88 / 23

HEX #C47317

RGB 196 115 23

HSL 31.91, 0.79%, 0.43%

LAB 56.15, 25.82, 58.33

 

CMYK 88 / 0 / 6 / 23

HEX #17C4B8

RGB 23 196 184

HSL 175.84, 0.79%, 0.43%

LAB 71.64, -42.13, -5.39

 

CMYK 0 / 88 / 30 / 24

HEX #C31789

RGB 195 23 137

HSL 320.23, 0.79%, 0.43%

LAB 44.26, 70.25, -18.46

 

CMYK 30 / 0 / 88 / 23

HEX #8AC417

RGB 138 196 23

HSL 80.12, 0.79%, 0.43%

LAB 72.86, -41.15, 69.84

 

CMYK 88 / 30 / 0 / 23

HEX #178AC4

RGB 23 138 196

HSL 200.12, 0.79%, 0.43%

LAB 54.39, -8.99, -38.41

 

CMYK 0 / 88 / 30 / 24

HEX #C31789

RGB 195 23 137

HSL 320.23, 0.79%, 0.43%

LAB 44.26, 70.25, -18.46

 

CMYK 0 / 41 / 88 / 23

HEX #C47317

RGB 196 115 23

HSL 31.91, 0.79%, 0.43%

LAB 56.15, 25.82, 58.33

 

CMYK 88 / 0 / 59 / 23

HEX #17C450

RGB 23 196 80

HSL 139.77, 0.79%, 0.43%

LAB 69.64, -64.3, 46.18

 

CMYK 88 / 47 / 0 / 23

HEX #1767C4

RGB 23 103 196

HSL 212.25, 0.79%, 0.43%

LAB 44.04, 12.4, -54.89

 

CMYK 0 / 88 / 30 / 24

HEX #C31789

RGB 195 23 137

HSL 320.23, 0.79%, 0.43%

LAB 44.26, 70.25, -18.46

 

CMYK 0 / 15 / 88 / 23

HEX #C4A717

RGB 196 167 23

HSL 49.94, 0.79%, 0.43%

LAB 69.07, -2.44, 68.55

 

CMYK 88 / 0 / 59 / 23

HEX #17C450

RGB 23 196 80

HSL 139.77, 0.79%, 0.43%

LAB 69.64, -64.3, 46.18

 

CMYK 88 / 74 / 0 / 23

HEX #1733C4

RGB 23 51 196

HSL 230.29, 0.79%, 0.43%

LAB 30.72, 45.91, -76.65

 

Description

Color code: RGB 195 23 137 | qconv.com Color code: RGB 195 23 137 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 195 red, 23 green and 137 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
195 23 137 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 88 magenta, 30 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 88% 30% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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