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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 195 200 49 it is the complementary color RGB 60 55 206. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 195 200 49. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 195 200 49 shade: RGB 200 200 44, RGB 217 218 63, RGB 234 236 82, RGB 251 254 101 and RGB 255 255 120

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 195 200 49. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 195 200 49 shade: RGB 195 200 49, RGB 178 182 30, RGB 161 164 11, RGB 144 146 0 and RGB 127 128 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 195 200 49 shade: RGB 196 201 48, RGB 201 165 48, RGB 201 124 48, RGB 201 82 48 and RGB 201 48 48

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 195 200 49 shade: RGB 196 201 48, RGB 155 201 48, RGB 113 201 48, RGB 72 201 48 and RGB 48 201 65

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 195 200 49 shade matches the following richer shades: RGB 196 201 48, RGB 214 221 28 and RGB 233 241 8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 195 200 49 shade: RGB 196 201 48, RGB 177 180 68, RGB 158 160 89, RGB 139 140 109 and RGB 120 120 129

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 195 200 49 shade: RGB 201 122 48, RGB 201 163 48, RGB 198 201 48, RGB 157 201 48 and RGB 117 201 48

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 195 200 49 shade: RGB 131 134 32, RGB 163 167 40, RGB 196 201 48, RGB 207 212 78 and RGB 216 220 112

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 195 200 49 shade: RGB 195 200 49, RGB 48 201 81 and RGB 142 48 201

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 195 200 49 shade: RGB 195 200 49, RGB 48 198 201 and RGB 201 48 198

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 195 200 49 shade: RGB 195 200 49, RGB 48 201 81, RGB 51 48 201 and RGB 201 48 168

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 195 200 49 shade: RGB 195 200 49, RGB 48 201 127, RGB 51 48 201 and RGB 201 48 122

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 3 / 0 / 76 / 22

HEX #C3C831

RGB 195 200 49

HSL 61.99, 0.61%, 0.49%

LAB 77.95, -19.02, 69.24

 

Complementary color

CMYK 71 / 73 / 0 / 19

HEX #3C37CE

RGB 60 55 206

HSL 241.99, 0.61%, 0.51%

LAB 34.29, 49.59, -76.53

 

CMYK 0 / 0 / 78 / 22

HEX #C8C82C

RGB 200 200 44

HSL 60, 0.64%, 0.48%

LAB 78.33, -17.09, 71.23

 

CMYK 0 / 0 / 71 / 15

HEX #D9DA3F

RGB 217 218 63

HSL 60.39, 0.68%, 0.55%

LAB 84.61, -18.08, 71.53

 

CMYK 1 / 0 / 65 / 7

HEX #EAEC52

RGB 234 236 82

HSL 60.78, 0.8%, 0.62%

LAB 90.82, -18.91, 71.24

 

CMYK 1 / 0 / 60 / 0

HEX #FBFE65

RGB 251 254 101

HSL 61.18, 0.99%, 0.7%

LAB 96.96, -19.61, 70.6

 

CMYK 0 / 0 / 53 / 0

HEX #FFFF78

RGB 255 255 120

HSL 60, 1%, 0.74%

LAB 97.69, -17.18, 63.45

 

CMYK 3 / 0 / 76 / 22

HEX #C3C831

RGB 195 200 49

HSL 61.99, 0.61%, 0.49%

LAB 77.95, -19.02, 69.24

 

CMYK 2 / 0 / 84 / 29

HEX #B2B61E

RGB 178 182 30

HSL 61.58, 0.72%, 0.42%

LAB 71.56, -17.96, 68.38

 

CMYK 2 / 0 / 93 / 36

HEX #A1A40B

RGB 161 164 11

HSL 61.18, 0.87%, 0.34%

LAB 65.08, -16.67, 66.18

 

CMYK 1 / 0 / 100 / 43

HEX #909200

RGB 144 146 0

HSL 60.82, 1%, 0.29%

LAB 58.5, -15.14, 62.15

 

CMYK 1 / 0 / 100 / 50

HEX #7F8000

RGB 127 128 0

HSL 60.47, 1%, 0.25%

LAB 51.78, -13.4, 56.57

 

CMYK 2 / 0 / 76 / 21

HEX #C4C930

RGB 196 201 48

HSL 61.96, 0.61%, 0.49%

LAB 78.3, -19.13, 69.9

 

CMYK 0 / 18 / 76 / 21

HEX #C9A530

RGB 201 165 48

HSL 45.88, 0.61%, 0.49%

LAB 69.14, 1.6, 61.58

 

CMYK 0 / 38 / 76 / 21

HEX #C97C30

RGB 201 124 48

HSL 29.8, 0.61%, 0.49%

LAB 59.02, 23.86, 51.82

 

CMYK 0 / 59 / 76 / 21

HEX #C95230

RGB 201 82 48

HSL 13.33, 0.61%, 0.49%

LAB 50.29, 45.51, 42.96

 

CMYK 0 / 76 / 76 / 21

HEX #C93030

RGB 201 48 48

HSL 0, 0.61%, 0.49%

LAB 45.28, 59.08, 37.61

 

CMYK 2 / 0 / 76 / 21

HEX #C4C930

RGB 196 201 48

HSL 61.96, 0.61%, 0.49%

LAB 78.3, -19.13, 69.9

 

CMYK 23 / 0 / 76 / 21

HEX #9BC930

RGB 155 201 48

HSL 78.04, 0.61%, 0.49%

LAB 75.42, -35.9, 66.19

 

CMYK 44 / 0 / 76 / 21

HEX #71C930

RGB 113 201 48

HSL 94.51, 0.61%, 0.49%

LAB 73.22, -50.96, 63.32

 

CMYK 64 / 0 / 76 / 21

HEX #48C930

RGB 72 201 48

HSL 110.59, 0.61%, 0.49%

LAB 71.8, -62.02, 61.46

 

CMYK 76 / 0 / 68 / 21

HEX #30C941

RGB 48 201 65

HSL 126.67, 0.61%, 0.49%

LAB 71.41, -64.91, 54.7

 

CMYK 2 / 0 / 76 / 21

HEX #C4C930

RGB 196 201 48

HSL 61.96, 0.61%, 0.49%

LAB 78.3, -19.13, 69.9

 

CMYK 3 / 0 / 87 / 13

HEX #D6DD1C

RGB 214 221 28

HSL 62.18, 0.78%, 0.49%

LAB 85.04, -21.94, 81.01

 

CMYK 3 / 0 / 97 / 5

HEX #E9F108

RGB 233 241 8

HSL 62.06, 0.94%, 0.49%

LAB 91.8, -23.9, 89.21

 

CMYK 2 / 0 / 76 / 21

HEX #C4C930

RGB 196 201 48

HSL 61.96, 0.61%, 0.49%

LAB 78.3, -19.13, 69.9

 

CMYK 2 / 0 / 62 / 29

HEX #B1B444

RGB 177 180 68

HSL 61.61, 0.45%, 0.49%

LAB 71.15, -15.58, 54.95

 

CMYK 1 / 0 / 44 / 37

HEX #9EA059

RGB 158 160 89

HSL 61.69, 0.29%, 0.49%

LAB 64.27, -11.42, 36.62

 

CMYK 1 / 0 / 22 / 45

HEX #8B8C6D

RGB 139 140 109

HSL 61.94, 0.12%, 0.49%

LAB 57.41, -5.83, 16.49

 

CMYK 7 / 7 / 0 / 49

HEX #787881

RGB 120 120 129

HSL 240, 0.04%, 0.49%

LAB 50.7, 1.87, -4.91

 

CMYK 0 / 39 / 76 / 21

HEX #C97A30

RGB 201 122 48

HSL 29.02, 0.61%, 0.49%

LAB 58.56, 24.95, 51.37

 

CMYK 0 / 19 / 76 / 21

HEX #C9A330

RGB 201 163 48

HSL 45.1, 0.61%, 0.49%

LAB 68.62, 2.67, 61.09

 

CMYK 1 / 0 / 76 / 21

HEX #C6C930

RGB 198 201 48

HSL 61.18, 0.61%, 0.49%

LAB 78.46, -18.29, 70.1

 

CMYK 22 / 0 / 76 / 21

HEX #9DC930

RGB 157 201 48

HSL 77.25, 0.61%, 0.49%

LAB 75.55, -35.11, 66.35

 

CMYK 42 / 0 / 76 / 21

HEX #75C930

RGB 117 201 48

HSL 92.94, 0.61%, 0.49%

LAB 73.4, -49.66, 63.55

 

CMYK 2 / 0 / 76 / 47

HEX #838620

RGB 131 134 32

HSL 61.76, 0.61%, 0.33%

LAB 54.01, -13.84, 50.78

 

CMYK 2 / 0 / 76 / 35

HEX #A3A728

RGB 163 167 40

HSL 61.89, 0.61%, 0.41%

LAB 66.2, -16.5, 60.36

 

CMYK 2 / 0 / 76 / 21

HEX #C4C930

RGB 196 201 48

HSL 61.96, 0.61%, 0.49%

LAB 78.3, -19.13, 69.9

 

CMYK 2 / 0 / 63 / 17

HEX #CFD44E

RGB 207 212 78

HSL 62.24, 0.61%, 0.57%

LAB 82.33, -18.45, 63.35

 

CMYK 2 / 0 / 49 / 14

HEX #D8DC70

RGB 216 220 112

HSL 62.22, 0.61%, 0.65%

LAB 85.48, -16.18, 52.08

 

CMYK 3 / 0 / 76 / 22

HEX #C3C831

RGB 195 200 49

HSL 61.99, 0.61%, 0.49%

LAB 77.95, -19.02, 69.24

 

CMYK 76 / 0 / 60 / 21

HEX #30C951

RGB 48 201 81

HSL 132.94, 0.61%, 0.49%

LAB 71.55, -63.16, 48.03

 

CMYK 29 / 76 / 0 / 21

HEX #8E30C9

RGB 142 48 201

HSL 276.86, 0.61%, 0.49%

LAB 41.35, 63.29, -61.74

 

CMYK 3 / 0 / 76 / 22

HEX #C3C831

RGB 195 200 49

HSL 61.99, 0.61%, 0.49%

LAB 77.95, -19.02, 69.24

 

CMYK 76 / 1 / 0 / 21

HEX #30C6C9

RGB 48 198 201

HSL 181.18, 0.61%, 0.49%

LAB 73.05, -36.14, -12.52

 

CMYK 0 / 76 / 1 / 21

HEX #C930C6

RGB 201 48 198

HSL 301.18, 0.61%, 0.49%

LAB 50.23, 74.07, -45.25

 

CMYK 3 / 0 / 76 / 22

HEX #C3C831

RGB 195 200 49

HSL 61.99, 0.61%, 0.49%

LAB 77.95, -19.02, 69.24

 

CMYK 76 / 0 / 60 / 21

HEX #30C951

RGB 48 201 81

HSL 132.94, 0.61%, 0.49%

LAB 71.55, -63.16, 48.03

 

CMYK 75 / 76 / 0 / 21

HEX #3330C9

RGB 51 48 201

HSL 241.18, 0.61%, 0.49%

LAB 31.89, 50.98, -77.61

 

CMYK 0 / 76 / 16 / 21

HEX #C930A8

RGB 201 48 168

HSL 312.94, 0.61%, 0.49%

LAB 48.71, 69.69, -30.1

 

CMYK 3 / 0 / 76 / 22

HEX #C3C831

RGB 195 200 49

HSL 61.99, 0.61%, 0.49%

LAB 77.95, -19.02, 69.24

 

CMYK 76 / 0 / 37 / 21

HEX #30C97F

RGB 48 201 127

HSL 150.98, 0.61%, 0.49%

LAB 72.18, -55.8, 26.09

 

CMYK 75 / 76 / 0 / 21

HEX #3330C9

RGB 51 48 201

HSL 241.18, 0.61%, 0.49%

LAB 31.89, 50.98, -77.61

 

CMYK 0 / 76 / 39 / 21

HEX #C9307A

RGB 201 48 122

HSL 330.98, 0.61%, 0.49%

LAB 46.89, 64.19, -5.21

 

Description

Color code: RGB 195 200 49 | qconv.com Color code: RGB 195 200 49 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 195 red, 200 green and 49 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
195 200 49 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 3 cyan, none magenta, 76 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
3% 0% 76% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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