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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 195 209 227 it is the complementary color RGB 60 46 28. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 195 209 227. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 195 209 227 shade: RGB 200 209 222, RGB 217 227 241, RGB 234 245 255 and RGB 251 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 195 209 227. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 195 209 227 shade: RGB 195 209 227, RGB 178 191 208, RGB 161 173 189, RGB 144 155 170 and RGB 127 137 151

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 195 209 227 shade: RGB 196 209 227, RGB 196 201 227, RGB 199 196 227, RGB 207 196 227 and RGB 216 196 227

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 195 209 227 shade: RGB 196 209 227, RGB 196 201 227 and RGB 196 196 227

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 195 209 227 shade matches the following richer shades: RGB 196 209 227, RGB 189 208 234, RGB 182 207 241 and RGB 175 207 248

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 195 209 227 shade: RGB 196 209 227, RGB 203 210 220, RGB 210 211 213, RGB 217 212 206 and RGB 224 213 199

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 195 209 227 shade: RGB 196 226 227, RGB 196 218 227, RGB 196 210 227, RGB 196 201 227 and RGB 198 196 227

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 195 209 227 shade: RGB 139 166 200, RGB 167 188 214, RGB 196 209 227, RGB 224 231 240 and RGB 252 252 253

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 195 209 227 shade: RGB 195 209 227, RGB 219 196 227 and RGB 222 227 196

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 195 209 227 shade: RGB 195 209 227, RGB 227 196 210 and RGB 210 227 196

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 195 209 227 shade: RGB 195 209 227, RGB 219 196 227, RGB 227 213 196 and RGB 203 227 196

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 195 209 227 shade: RGB 195 209 227, RGB 227 196 225, RGB 227 213 196 and RGB 196 227 197

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 14 / 8 / 0 / 11

HEX #C3D1E3

RGB 195 209 227

HSL 213.75, 0.36%, 0.83%

LAB 83.31, -1.13, -10.49

 

Complementary color

CMYK 0 / 23 / 53 / 76

HEX #3C2E1C

RGB 60 46 28

HSL 33.75, 0.36%, 0.17%

LAB 20.04, 3.55, 14.01

 

CMYK 10 / 6 / 0 / 13

HEX #C8D1DE

RGB 200 209 222

HSL 215.45, 0.25%, 0.83%

LAB 83.52, -0.53, -7.47

 

CMYK 10 / 6 / 0 / 5

HEX #D9E3F1

RGB 217 227 241

HSL 215, 0.46%, 0.9%

LAB 89.88, -0.66, -7.96

 

CMYK 8 / 4 / 0 / 0

HEX #EAF5FF

RGB 234 245 255

HSL 208.57, 1%, 0.96%

LAB 96, -1.75, -6.05

 

CMYK 2 / 0 / 0 / 0

HEX #FBFFFF

RGB 251 255 255

HSL 180, 1%, 0.99%

LAB 99.71, -1.31, -0.47

 

CMYK 14 / 8 / 0 / 11

HEX #C3D1E3

RGB 195 209 227

HSL 213.75, 0.36%, 0.83%

LAB 83.31, -1.13, -10.49

 

CMYK 14 / 8 / 0 / 18

HEX #B2BFD0

RGB 178 191 208

HSL 214, 0.24%, 0.76%

LAB 76.85, -1, -10.05

 

CMYK 15 / 8 / 0 / 26

HEX #A1ADBD

RGB 161 173 189

HSL 214.29, 0.18%, 0.69%

LAB 70.27, -0.87, -9.6

 

CMYK 15 / 9 / 0 / 33

HEX #909BAA

RGB 144 155 170

HSL 214.62, 0.13%, 0.62%

LAB 63.57, -0.74, -9.15

 

CMYK 16 / 9 / 0 / 41

HEX #7F8997

RGB 127 137 151

HSL 215, 0.1%, 0.55%

LAB 56.72, -0.6, -8.7

 

CMYK 14 / 8 / 0 / 11

HEX #C4D1E3

RGB 196 209 227

HSL 214.84, 0.36%, 0.83%

LAB 83.38, -0.81, -10.38

 

CMYK 14 / 11 / 0 / 11

HEX #C4C9E3

RGB 196 201 227

HSL 230.32, 0.36%, 0.83%

LAB 81.32, 3.43, -13.45

 

CMYK 12 / 14 / 0 / 11

HEX #C7C4E3

RGB 199 196 227

HSL 245.81, 0.36%, 0.83%

LAB 80.27, 7.06, -15

 

CMYK 9 / 14 / 0 / 11

HEX #CFC4E3

RGB 207 196 227

HSL 261.29, 0.36%, 0.83%

LAB 80.9, 9.66, -14

 

CMYK 5 / 14 / 0 / 11

HEX #D8C4E3

RGB 216 196 227

HSL 278.71, 0.36%, 0.83%

LAB 81.63, 12.62, -12.82

 

CMYK 14 / 8 / 0 / 11

HEX #C4D1E3

RGB 196 209 227

HSL 214.84, 0.36%, 0.83%

LAB 83.38, -0.81, -10.38

 

CMYK 14 / 11 / 0 / 11

HEX #C4C9E3

RGB 196 201 227

HSL 230.32, 0.36%, 0.83%

LAB 81.32, 3.43, -13.45

 

CMYK 14 / 14 / 0 / 11

HEX #C4C4E3

RGB 196 196 227

HSL 240, 0.36%, 0.83%

LAB 80.05, 6.1, -15.37

 

CMYK 14 / 8 / 0 / 11

HEX #C4D1E3

RGB 196 209 227

HSL 214.84, 0.36%, 0.83%

LAB 83.38, -0.81, -10.38

 

CMYK 19 / 11 / 0 / 8

HEX #BDD0EA

RGB 189 208 234

HSL 214.67, 0.52%, 0.83%

LAB 82.84, -1, -14.96

 

CMYK 24 / 14 / 0 / 5

HEX #B6CFF1

RGB 182 207 241

HSL 214.58, 0.68%, 0.83%

LAB 82.34, -1.03, -19.5

 

CMYK 29 / 17 / 0 / 3

HEX #AFCFF8

RGB 175 207 248

HSL 213.7, 0.84%, 0.83%

LAB 82.12, -1.44, -23.59

 

CMYK 14 / 8 / 0 / 11

HEX #C4D1E3

RGB 196 209 227

HSL 214.84, 0.36%, 0.83%

LAB 83.38, -0.81, -10.38

 

CMYK 8 / 5 / 0 / 14

HEX #CBD2DC

RGB 203 210 220

HSL 215.29, 0.2%, 0.83%

LAB 83.94, -0.46, -5.76

 

CMYK 1 / 1 / 0 / 16

HEX #D2D3D5

RGB 210 211 213

HSL 220, 0.03%, 0.83%

LAB 84.53, 0.03, -1.12

 

CMYK 0 / 2 / 5 / 15

HEX #D9D4CE

RGB 217 212 206

HSL 32.73, 0.13%, 0.83%

LAB 85.15, 0.66, 3.56

 

CMYK 0 / 5 / 11 / 12

HEX #E0D5C7

RGB 224 213 199

HSL 33.6, 0.29%, 0.83%

LAB 85.79, 1.43, 8.26

 

CMYK 14 / 0 / 0 / 11

HEX #C4E2E3

RGB 196 226 227

HSL 181.94, 0.36%, 0.83%

LAB 87.81, -9.62, -3.82

 

CMYK 14 / 4 / 0 / 11

HEX #C4DAE3

RGB 196 218 227

HSL 197.42, 0.36%, 0.83%

LAB 85.72, -5.5, -6.91

 

CMYK 14 / 7 / 0 / 11

HEX #C4D2E3

RGB 196 210 227

HSL 212.9, 0.36%, 0.83%

LAB 83.64, -1.33, -9.99

 

CMYK 14 / 11 / 0 / 11

HEX #C4C9E3

RGB 196 201 227

HSL 230.32, 0.36%, 0.83%

LAB 81.32, 3.43, -13.45

 

CMYK 13 / 14 / 0 / 11

HEX #C6C4E3

RGB 198 196 227

HSL 243.87, 0.36%, 0.83%

LAB 80.2, 6.74, -15.12

 

CMYK 31 / 17 / 0 / 22

HEX #8BA6C8

RGB 139 166 200

HSL 213.44, 0.36%, 0.66%

LAB 67.23, -1.34, -20.42

 

CMYK 22 / 12 / 0 / 16

HEX #A7BCD6

RGB 167 188 214

HSL 213.19, 0.36%, 0.75%

LAB 75.47, -1.56, -15.44

RGB 167 188 214

CMYK 14 / 8 / 0 / 11

HEX #C4D1E3

RGB 196 209 227

HSL 214.84, 0.36%, 0.83%

LAB 83.38, -0.81, -10.38

RGB 196 209 227

CMYK 7 / 4 / 0 / 6

HEX #E0E7F0

RGB 224 231 240

HSL 213.75, 0.35%, 0.91%

LAB 91.37, -0.65, -5.18

RGB 224 231 240

CMYK 0 / 0 / 0 / 1

HEX #FCFCFD

RGB 252 252 253

HSL 240, 0.2%, 0.99%

LAB 98.99, 0.18, -0.49

RGB 252 252 253

CMYK 14 / 8 / 0 / 11

HEX #C3D1E3

RGB 195 209 227

HSL 213.75, 0.36%, 0.83%

LAB 83.31, -1.13, -10.49

 

CMYK 4 / 14 / 0 / 11

HEX #DBC4E3

RGB 219 196 227

HSL 284.52, 0.36%, 0.83%

LAB 81.88, 13.61, -12.42

 

CMYK 2 / 0 / 14 / 11

HEX #DEE3C4

RGB 222 227 196

HSL 69.68, 0.36%, 0.83%

LAB 89.14, -6.96, 14.58

 

CMYK 14 / 8 / 0 / 11

HEX #C3D1E3

RGB 195 209 227

HSL 213.75, 0.36%, 0.83%

LAB 83.31, -1.13, -10.49

 

CMYK 0 / 14 / 7 / 11

HEX #E3C4D2

RGB 227 196 210

HSL 332.9, 0.36%, 0.83%

LAB 82.09, 13.27, -2.93

 

CMYK 7 / 0 / 14 / 11

HEX #D2E3C4

RGB 210 227 196

HSL 92.9, 0.36%, 0.83%

LAB 88.27, -11.16, 13.23

 

CMYK 14 / 8 / 0 / 11

HEX #C3D1E3

RGB 195 209 227

HSL 213.75, 0.36%, 0.83%

LAB 83.31, -1.13, -10.49

 

CMYK 4 / 14 / 0 / 11

HEX #DBC4E3

RGB 219 196 227

HSL 284.52, 0.36%, 0.83%

LAB 81.88, 13.61, -12.42

 

CMYK 0 / 6 / 14 / 11

HEX #E3D5C4

RGB 227 213 196

HSL 32.9, 0.36%, 0.83%

LAB 85.96, 2.02, 10.13

 

CMYK 11 / 0 / 14 / 11

HEX #CBE3C4

RGB 203 227 196

HSL 106.45, 0.36%, 0.83%

LAB 87.79, -13.58, 12.48

 

CMYK 14 / 8 / 0 / 11

HEX #C3D1E3

RGB 195 209 227

HSL 213.75, 0.36%, 0.83%

LAB 83.31, -1.13, -10.49

 

CMYK 0 / 14 / 1 / 11

HEX #E3C4E1

RGB 227 196 225

HSL 303.87, 0.36%, 0.83%

LAB 82.51, 15.92, -10.34

 

CMYK 0 / 6 / 14 / 11

HEX #E3D5C4

RGB 227 213 196

HSL 32.9, 0.36%, 0.83%

LAB 85.96, 2.02, 10.13

 

CMYK 14 / 0 / 13 / 11

HEX #C4E3C5

RGB 196 227 197

HSL 121.94, 0.36%, 0.83%

LAB 87.34, -15.78, 11.26

 

Description

Color code: RGB 195 209 227 | qconv.com Color code: RGB 195 209 227 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 195 red, 209 green and 227 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
195 209 227 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 14 cyan, 8 magenta, none yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
14% 8% 0% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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