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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 195 18 129 it is the complementary color RGB 60 237 126. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 195 18 129. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 195 18 129 shade: RGB 200 18 124, RGB 217 36 143, RGB 234 54 162, RGB 251 72 181 and RGB 255 90 200

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 195 18 129. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 195 18 129 shade: RGB 195 18 129, RGB 178 0 110, RGB 161 0 91, RGB 144 0 72 and RGB 127 0 53

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 195 18 129 shade: RGB 195 18 129, RGB 195 18 81, RGB 195 18 33 and RGB 195 18 18

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 195 18 129 shade: RGB 195 18 129, RGB 195 18 177, RGB 166 18 195, RGB 118 18 195 and RGB 70 18 195

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 195 18 129 shade matches the following richer shades: RGB 195 18 129 and RGB 213 0 134

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 195 18 129 shade: RGB 195 18 129, RGB 178 35 125, RGB 161 52 120, RGB 144 70 116 and RGB 126 87 112

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 195 18 129 shade: RGB 166 18 195, RGB 195 18 178, RGB 195 18 130, RGB 195 18 83 and RGB 195 18 35

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 195 18 129 shade: RGB 120 11 79, RGB 158 14 104, RGB 195 18 129, RGB 233 22 154 and RGB 236 59 170

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 195 18 129 shade: RGB 195 18 129, RGB 195 118 18 and RGB 18 195 190

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 195 18 129 shade: RGB 195 18 129, RGB 130 195 18 and RGB 18 130 195

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 195 18 129 shade: RGB 195 18 129, RGB 195 118 18, RGB 18 195 83 and RGB 18 95 195

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 195 18 129 shade: RGB 195 18 129, RGB 195 172 18, RGB 18 195 83 and RGB 18 41 195

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 91 / 34 / 24

HEX #C31281

RGB 195 18 129

HSL 322.37, 0.83%, 0.42%

LAB 43.68, 70.15, -14.44

 

Complementary color

CMYK 75 / 0 / 47 / 7

HEX #3CED7E

RGB 60 237 126

HSL 142.37, 0.83%, 0.58%

LAB 83.46, -67.24, 41.32

 

CMYK 0 / 91 / 38 / 22

HEX #C8127C

RGB 200 18 124

HSL 325.05, 0.83%, 0.43%

LAB 44.47, 70.74, -10.08

 

CMYK 0 / 83 / 34 / 15

HEX #D9248F

RGB 217 36 143

HSL 324.53, 0.72%, 0.5%

LAB 49.49, 73.35, -13.75

 

CMYK 0 / 77 / 31 / 8

HEX #EA36A2

RGB 234 54 162

HSL 324, 0.81%, 0.56%

LAB 54.8, 74.96, -16.69

 

CMYK 0 / 71 / 28 / 2

HEX #FB48B5

RGB 251 72 181

HSL 323.46, 0.96%, 0.63%

LAB 60.32, 75.85, -19.09

 

CMYK 0 / 65 / 22 / 0

HEX #FF5AC8

RGB 255 90 200

HSL 320, 1%, 0.68%

LAB 63.95, 72.85, -24.32

 

CMYK 0 / 91 / 34 / 24

HEX #C31281

RGB 195 18 129

HSL 322.37, 0.83%, 0.42%

LAB 43.68, 70.15, -14.44

 

CMYK 0 / 100 / 38 / 30

HEX #B2006E

RGB 178 0 110

HSL 322.92, 1%, 0.35%

LAB 38.88, 66.54, -10.21

 

CMYK 0 / 100 / 43 / 37

HEX #A1005B

RGB 161 0 91

HSL 326.09, 1%, 0.32%

LAB 34.67, 61.02, -4.74

 

CMYK 0 / 100 / 50 / 44

HEX #900048

RGB 144 0 72

HSL 330, 1%, 0.28%

LAB 30.39, 55.45, 1.04

 

CMYK 0 / 100 / 58 / 50

HEX #7F0035

RGB 127 0 53

HSL 334.96, 1%, 0.25%

LAB 26.07, 49.86, 7.21

 

CMYK 0 / 91 / 34 / 24

HEX #C31281

RGB 195 18 129

HSL 322.37, 0.83%, 0.42%

LAB 43.68, 70.15, -14.44

 

CMYK 0 / 91 / 58 / 24

HEX #C31251

RGB 195 18 81

HSL 338.64, 0.83%, 0.42%

LAB 42.2, 66.08, 13.39

 

CMYK 0 / 91 / 83 / 24

HEX #C31221

RGB 195 18 33

HSL 354.92, 0.83%, 0.42%

LAB 41.44, 63.95, 41.67

 

CMYK 0 / 91 / 91 / 24

HEX #C31212

RGB 195 18 18

HSL 0, 0.83%, 0.42%

LAB 41.34, 63.66, 48.87

 

CMYK 0 / 91 / 34 / 24

HEX #C31281

RGB 195 18 129

HSL 322.37, 0.83%, 0.42%

LAB 43.68, 70.15, -14.44

 

CMYK 0 / 91 / 9 / 24

HEX #C312B1

RGB 195 18 177

HSL 306.1, 0.83%, 0.42%

LAB 45.92, 76.01, -39.88

 

CMYK 15 / 91 / 0 / 24

HEX #A612C3

RGB 166 18 195

HSL 290.17, 0.83%, 0.42%

LAB 41.97, 73.84, -57.06

 

CMYK 39 / 91 / 0 / 24

HEX #7612C3

RGB 118 18 195

HSL 273.9, 0.83%, 0.42%

LAB 34.45, 67.21, -69.65

 

CMYK 64 / 91 / 0 / 24

HEX #4612C3

RGB 70 18 195

HSL 257.63, 0.83%, 0.42%

LAB 28.58, 62.75, -79.54

 

CMYK 0 / 91 / 34 / 24

HEX #C31281

RGB 195 18 129

HSL 322.37, 0.83%, 0.42%

LAB 43.68, 70.15, -14.44

 

CMYK 0 / 100 / 37 / 16

HEX #D50086

RGB 213 0 134

HSL 322.25, 1%, 0.42%

LAB 46.8, 76.21, -12.44

 

CMYK 0 / 91 / 34 / 24

HEX #C31281

RGB 195 18 129

HSL 322.37, 0.83%, 0.42%

LAB 43.68, 70.15, -14.44

 

CMYK 0 / 80 / 30 / 30

HEX #B2237D

RGB 178 35 125

HSL 322.24, 0.67%, 0.42%

LAB 41.45, 62.42, -15.67

 

CMYK 0 / 68 / 25 / 37

HEX #A13478

RGB 161 52 120

HSL 322.57, 0.51%, 0.42%

LAB 40.23, 51.6, -14.72

 

CMYK 0 / 51 / 19 / 44

HEX #904674

RGB 144 70 116

HSL 322.7, 0.35%, 0.42%

LAB 40.53, 37.21, -12.04

 

CMYK 0 / 31 / 11 / 51

HEX #7E5770

RGB 126 87 112

HSL 321.54, 0.18%, 0.42%

LAB 41.88, 20.34, -7.78

 

CMYK 15 / 91 / 0 / 24

HEX #A612C3

RGB 166 18 195

HSL 290.17, 0.83%, 0.42%

LAB 41.97, 73.84, -57.06

 

CMYK 0 / 91 / 9 / 24

HEX #C312B2

RGB 195 18 178

HSL 305.76, 0.83%, 0.42%

LAB 45.97, 76.15, -40.38

 

CMYK 0 / 91 / 33 / 24

HEX #C31282

RGB 195 18 130

HSL 322.03, 0.83%, 0.42%

LAB 43.72, 70.25, -15

 

CMYK 0 / 91 / 57 / 24

HEX #C31253

RGB 195 18 83

HSL 337.97, 0.83%, 0.42%

LAB 42.25, 66.21, 12.2

 

CMYK 0 / 91 / 82 / 24

HEX #C31223

RGB 195 18 35

HSL 354.24, 0.83%, 0.42%

LAB 41.46, 64.01, 40.59

 

CMYK 0 / 91 / 34 / 53

HEX #780B4F

RGB 120 11 79

HSL 322.57, 0.83%, 0.26%

LAB 26.15, 48.54, -10.51

 

CMYK 0 / 91 / 34 / 38

HEX #9E0E68

RGB 158 14 104

HSL 322.5, 0.84%, 0.34%

LAB 35.17, 59.81, -12.41

 

CMYK 0 / 91 / 34 / 24

HEX #C31281

RGB 195 18 129

HSL 322.37, 0.83%, 0.42%

LAB 43.68, 70.15, -14.44

 

CMYK 0 / 91 / 34 / 9

HEX #E9169A

RGB 233 22 154

HSL 322.46, 0.83%, 0.5%

LAB 52.1, 80.31, -16.09

 

CMYK 0 / 75 / 28 / 7

HEX #EC3BAA

RGB 236 59 170

HSL 322.37, 0.82%, 0.58%

LAB 55.95, 74.93, -19.6

 

CMYK 0 / 91 / 34 / 24

HEX #C31281

RGB 195 18 129

HSL 322.37, 0.83%, 0.42%

LAB 43.68, 70.15, -14.44

 

CMYK 0 / 39 / 91 / 24

HEX #C37612

RGB 195 118 18

HSL 33.9, 0.83%, 0.42%

LAB 56.69, 23.67, 60.03

 

CMYK 91 / 0 / 3 / 24

HEX #12C3BE

RGB 18 195 190

HSL 178.31, 0.83%, 0.42%

LAB 71.47, -40.2, -8.91

 

CMYK 0 / 91 / 34 / 24

HEX #C31281

RGB 195 18 129

HSL 322.37, 0.83%, 0.42%

LAB 43.68, 70.15, -14.44

 

CMYK 33 / 0 / 91 / 24

HEX #82C312

RGB 130 195 18

HSL 82.03, 0.83%, 0.42%

LAB 72.11, -43.83, 69.89

 

CMYK 91 / 33 / 0 / 24

HEX #1282C3

RGB 18 130 195

HSL 202.03, 0.83%, 0.42%

LAB 51.88, -5, -41.81

 

CMYK 0 / 91 / 34 / 24

HEX #C31281

RGB 195 18 129

HSL 322.37, 0.83%, 0.42%

LAB 43.68, 70.15, -14.44

 

CMYK 0 / 39 / 91 / 24

HEX #C37612

RGB 195 118 18

HSL 33.9, 0.83%, 0.42%

LAB 56.69, 23.67, 60.03

 

CMYK 91 / 0 / 57 / 24

HEX #12C353

RGB 18 195 83

HSL 142.03, 0.83%, 0.42%

LAB 69.31, -63.91, 44.4

 

CMYK 91 / 51 / 0 / 24

HEX #125FC3

RGB 18 95 195

HSL 213.9, 0.83%, 0.42%

LAB 41.62, 16.92, -58.23

 

CMYK 0 / 91 / 34 / 24

HEX #C31281

RGB 195 18 129

HSL 322.37, 0.83%, 0.42%

LAB 43.68, 70.15, -14.44

 

CMYK 0 / 12 / 91 / 24

HEX #C3AC12

RGB 195 172 18

HSL 52.2, 0.83%, 0.42%

LAB 70.28, -5.62, 70.41

 

CMYK 91 / 0 / 57 / 24

HEX #12C353

RGB 18 195 83

HSL 142.03, 0.83%, 0.42%

LAB 69.31, -63.91, 44.4

 

CMYK 91 / 79 / 0 / 24

HEX #1229C3

RGB 18 41 195

HSL 232.2, 0.83%, 0.42%

LAB 28.52, 50.95, -79.71

 

Description

Color code: RGB 195 18 129 | qconv.com Color code: RGB 195 18 129 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 195 red, 18 green and 129 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
195 18 129 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 91 magenta, 34 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 91% 34% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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