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Color name
RGB 195 183 18

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 195 183 18 it is the complementary color RGB 60 72 237. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 195 183 18. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 195 183 18 shade: RGB 200 183 13, RGB 217 201 32, RGB 234 219 51, RGB 251 237 70 and RGB 255 255 89

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 195 183 18. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 195 183 18 shade: RGB 195 183 18, RGB 178 165 0, RGB 161 147 0, RGB 144 129 0 and RGB 127 111 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 195 183 18 shade: RGB 195 183 18, RGB 195 135 18, RGB 195 88 18, RGB 195 40 18 and RGB 195 18 18

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 195 183 18 shade: RGB 195 183 18, RGB 160 195 18, RGB 112 195 18, RGB 64 195 18 and RGB 18 195 20

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 195 183 18 shade matches the following richer shades: RGB 195 183 18 and RGB 213 198 0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 195 183 18 shade: RGB 195 183 18, RGB 178 168 35, RGB 161 153 52, RGB 144 138 70 and RGB 126 124 87

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 195 183 18 shade: RGB 195 86 18, RGB 195 133 18, RGB 195 181 18, RGB 163 195 18 and RGB 115 195 18

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 195 183 18 shade: RGB 120 113 11, RGB 158 148 14, RGB 195 183 18, RGB 233 219 22 and RGB 236 224 59

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 195 183 18 shade: RGB 195 183 18, RGB 18 195 38 and RGB 110 18 195

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 195 183 18 shade: RGB 195 183 18, RGB 18 195 181 and RGB 181 18 195

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 195 183 18 shade: RGB 195 183 18, RGB 18 195 38, RGB 18 33 195 and RGB 195 18 175

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 195 183 18 shade: RGB 195 183 18, RGB 18 195 92, RGB 18 33 195 and RGB 195 18 121

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 6 / 91 / 24

HEX #C3B712

RGB 195 183 18

HSL 55.93, 0.83%, 0.42%

LAB 73.23, -11.33, 72.69

 

Complementary color

CMYK 75 / 70 / 0 / 7

HEX #3C48ED

RGB 60 72 237

HSL 235.93, 0.83%, 0.58%

LAB 40.75, 50.11, -83.64

 

CMYK 0 / 9 / 94 / 22

HEX #C8B70D

RGB 200 183 13

HSL 54.55, 0.88%, 0.42%

LAB 73.66, -9.21, 73.93

 

CMYK 0 / 7 / 85 / 15

HEX #D9C920

RGB 217 201 32

HSL 54.81, 0.74%, 0.49%

LAB 79.97, -10.68, 76.22

 

CMYK 0 / 6 / 78 / 8

HEX #EADB33

RGB 234 219 51

HSL 55.08, 0.81%, 0.56%

LAB 86.2, -11.95, 77.28

 

CMYK 0 / 6 / 72 / 2

HEX #FBED46

RGB 251 237 70

HSL 55.36, 0.96%, 0.63%

LAB 92.36, -13.04, 77.52

 

CMYK 0 / 0 / 65 / 0

HEX #FFFF59

RGB 255 255 89

HSL 60, 1%, 0.67%

LAB 97.43, -19.21, 75.87

 

CMYK 0 / 6 / 91 / 24

HEX #C3B712

RGB 195 183 18

HSL 55.93, 0.83%, 0.42%

LAB 73.23, -11.33, 72.69

 

CMYK 0 / 7 / 100 / 30

HEX #B2A500

RGB 178 165 0

HSL 55.62, 1%, 0.35%

LAB 66.81, -9.76, 69.54

 

CMYK 0 / 9 / 100 / 37

HEX #A19300

RGB 161 147 0

HSL 54.78, 1%, 0.32%

LAB 60.29, -7.91, 64.14

 

CMYK 0 / 10 / 100 / 44

HEX #908100

RGB 144 129 0

HSL 53.75, 1%, 0.28%

LAB 53.63, -5.99, 58.63

 

CMYK 0 / 13 / 100 / 50

HEX #7F6F00

RGB 127 111 0

HSL 52.44, 1%, 0.25%

LAB 46.82, -3.99, 52.98

 

CMYK 0 / 6 / 91 / 24

HEX #C3B712

RGB 195 183 18

HSL 55.93, 0.83%, 0.42%

LAB 73.23, -11.33, 72.69

 

CMYK 0 / 31 / 91 / 24

HEX #C38712

RGB 195 135 18

HSL 39.66, 0.83%, 0.42%

LAB 60.76, 14.35, 63.11

 

CMYK 0 / 55 / 91 / 24

HEX #C35812

RGB 195 88 18

HSL 23.73, 0.83%, 0.42%

LAB 50.25, 39.47, 55.24

 

CMYK 0 / 79 / 91 / 24

HEX #C32812

RGB 195 40 18

HSL 7.46, 0.83%, 0.42%

LAB 43.01, 58.91, 50.04

 

CMYK 0 / 91 / 91 / 24

HEX #C31212

RGB 195 18 18

HSL 0, 0.83%, 0.42%

LAB 41.34, 63.66, 48.87

 

CMYK 0 / 6 / 91 / 24

HEX #C3B712

RGB 195 183 18

HSL 55.93, 0.83%, 0.42%

LAB 73.23, -11.33, 72.69

 

CMYK 18 / 0 / 91 / 24

HEX #A0C312

RGB 160 195 18

HSL 71.86, 0.83%, 0.42%

LAB 73.9, -32.14, 72.08

 

CMYK 43 / 0 / 91 / 24

HEX #70C312

RGB 112 195 18

HSL 88.14, 0.83%, 0.42%

LAB 71.23, -50.13, 68.8

 

CMYK 67 / 0 / 91 / 24

HEX #40C312

RGB 64 195 18

HSL 104.41, 0.83%, 0.42%

LAB 69.59, -63.13, 66.76

 

CMYK 91 / 0 / 90 / 24

HEX #12C314

RGB 18 195 20

HSL 120.68, 0.83%, 0.42%

LAB 68.9, -69.11, 65.58

 

CMYK 0 / 6 / 91 / 24

HEX #C3B712

RGB 195 183 18

HSL 55.93, 0.83%, 0.42%

LAB 73.23, -11.33, 72.69

 

CMYK 0 / 7 / 100 / 16

HEX #D5C600

RGB 213 198 0

HSL 55.77, 1%, 0.42%

LAB 78.77, -11.34, 79.58

 

CMYK 0 / 6 / 91 / 24

HEX #C3B712

RGB 195 183 18

HSL 55.93, 0.83%, 0.42%

LAB 73.23, -11.33, 72.69

 

CMYK 0 / 6 / 80 / 30

HEX #B2A823

RGB 178 168 35

HSL 55.8, 0.67%, 0.42%

LAB 67.72, -10.62, 63.75

 

CMYK 0 / 5 / 68 / 37

HEX #A19934

RGB 161 153 52

HSL 55.6, 0.51%, 0.42%

LAB 62.17, -9.46, 51.9

 

CMYK 0 / 4 / 51 / 44

HEX #908A46

RGB 144 138 70

HSL 55.14, 0.35%, 0.42%

LAB 56.63, -7.5, 36.87

 

CMYK 0 / 2 / 31 / 51

HEX #7E7C57

RGB 126 124 87

HSL 56.92, 0.18%, 0.42%

LAB 51.31, -5.52, 20.53

 

CMYK 0 / 56 / 91 / 24

HEX #C35612

RGB 195 86 18

HSL 23.05, 0.83%, 0.42%

LAB 49.86, 40.46, 54.96

 

CMYK 0 / 32 / 91 / 24

HEX #C38512

RGB 195 133 18

HSL 38.98, 0.83%, 0.42%

LAB 60.27, 15.45, 62.74

 

CMYK 0 / 7 / 91 / 24

HEX #C3B512

RGB 195 181 18

HSL 55.25, 0.83%, 0.42%

LAB 72.69, -10.3, 72.28

 

CMYK 16 / 0 / 91 / 24

HEX #A3C312

RGB 163 195 18

HSL 70.85, 0.83%, 0.42%

LAB 74.1, -30.91, 72.33

 

CMYK 41 / 0 / 91 / 24

HEX #73C312

RGB 115 195 18

HSL 87.12, 0.83%, 0.42%

LAB 71.36, -49.13, 68.97

 

CMYK 0 / 6 / 91 / 53

HEX #78710B

RGB 120 113 11

HSL 56.15, 0.83%, 0.26%

LAB 46.75, -8.23, 50.23

 

CMYK 0 / 6 / 91 / 38

HEX #9E940E

RGB 158 148 14

HSL 55.83, 0.84%, 0.34%

LAB 60.32, -9.6, 61.89

 

CMYK 0 / 6 / 91 / 24

HEX #C3B712

RGB 195 183 18

HSL 55.93, 0.83%, 0.42%

LAB 73.23, -11.33, 72.69

 

CMYK 0 / 6 / 91 / 9

HEX #E9DB16

RGB 233 219 22

HSL 56.02, 0.83%, 0.5%

LAB 86.03, -13.06, 83.39

 

CMYK 0 / 5 / 75 / 7

HEX #ECE03B

RGB 236 224 59

HSL 55.93, 0.82%, 0.58%

LAB 87.71, -13.3, 76.3

 

CMYK 0 / 6 / 91 / 24

HEX #C3B712

RGB 195 183 18

HSL 55.93, 0.83%, 0.42%

LAB 73.23, -11.33, 72.69

 

CMYK 91 / 0 / 81 / 24

HEX #12C326

RGB 18 195 38

HSL 126.78, 0.83%, 0.42%

LAB 68.97, -68.28, 61.49

 

CMYK 44 / 91 / 0 / 24

HEX #6E12C3

RGB 110 18 195

HSL 271.19, 0.83%, 0.42%

LAB 33.32, 66.3, -71.53

 

CMYK 0 / 6 / 91 / 24

HEX #C3B712

RGB 195 183 18

HSL 55.93, 0.83%, 0.42%

LAB 73.23, -11.33, 72.69

 

CMYK 91 / 0 / 7 / 24

HEX #12C3B5

RGB 18 195 181

HSL 175.25, 0.83%, 0.42%

LAB 71.21, -42.8, -4.39

 

CMYK 7 / 91 / 0 / 24

HEX #B512C3

RGB 181 18 195

HSL 295.25, 0.83%, 0.42%

LAB 44.51, 76.25, -52.83

 

CMYK 0 / 6 / 91 / 24

HEX #C3B712

RGB 195 183 18

HSL 55.93, 0.83%, 0.42%

LAB 73.23, -11.33, 72.69

 

CMYK 91 / 0 / 81 / 24

HEX #12C326

RGB 18 195 38

HSL 126.78, 0.83%, 0.42%

LAB 68.97, -68.28, 61.49

 

CMYK 91 / 83 / 0 / 24

HEX #1221C3

RGB 18 33 195

HSL 234.92, 0.83%, 0.42%

LAB 27.18, 54.9, -81.95

 

CMYK 0 / 91 / 10 / 24

HEX #C312AF

RGB 195 18 175

HSL 306.78, 0.83%, 0.42%

LAB 45.81, 75.73, -38.87

 

CMYK 0 / 6 / 91 / 24

HEX #C3B712

RGB 195 183 18

HSL 55.93, 0.83%, 0.42%

LAB 73.23, -11.33, 72.69

 

CMYK 91 / 0 / 53 / 24

HEX #12C35C

RGB 18 195 92

HSL 145.08, 0.83%, 0.42%

LAB 69.42, -62.62, 40.24

 

CMYK 91 / 83 / 0 / 24

HEX #1221C3

RGB 18 33 195

HSL 234.92, 0.83%, 0.42%

LAB 27.18, 54.9, -81.95

 

CMYK 0 / 91 / 38 / 24

HEX #C31279

RGB 195 18 121

HSL 325.08, 0.83%, 0.42%

LAB 43.38, 69.34, -9.96

 

Description

Color code: RGB 195 183 18 | qconv.com Color code: RGB 195 183 18 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 195 red, 183 green and 18 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
195 183 18 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 6 magenta, 91 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 6% 91% 24% C M Y K

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Provide designers and agencies with accurate color values.

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