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Color name
RGB 195 181 59

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 195 181 59 it is the complementary color RGB 60 74 196. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 195 181 59. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 195 181 59 shade: RGB 200 181 54, RGB 217 199 73, RGB 234 217 92, RGB 251 235 111 and RGB 255 253 130

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 195 181 59. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 195 181 59 shade: RGB 195 181 59, RGB 178 163 40, RGB 161 145 21, RGB 144 127 2 and RGB 127 109 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 195 181 59 shade: RGB 196 182 58, RGB 196 145 58, RGB 196 107 58, RGB 196 70 58 and RGB 196 58 58

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 195 181 59 shade: RGB 196 182 58, RGB 173 196 58, RGB 136 196 58, RGB 99 196 58 and RGB 62 196 58

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 195 181 59 shade matches the following richer shades: RGB 196 182 58, RGB 216 198 38 and RGB 237 214 17

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 195 181 59 shade: RGB 196 182 58, RGB 175 165 79, RGB 155 149 99, RGB 134 133 120 and RGB 113 116 141

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 195 181 59 shade: RGB 196 106 58, RGB 196 143 58, RGB 196 180 58, RGB 175 196 58 and RGB 138 196 58

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 195 181 59 shade: RGB 132 123 39, RGB 164 152 49, RGB 196 182 58, RGB 205 193 90 and RGB 215 205 122

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 195 181 59 shade: RGB 195 181 59, RGB 58 196 70 and RGB 125 58 196

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 195 181 59 shade: RGB 195 181 59, RGB 58 196 180 and RGB 180 58 196

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 195 181 59 shade: RGB 195 181 59, RGB 58 196 70, RGB 58 74 196 and RGB 196 58 184

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 195 181 59 shade: RGB 195 181 59, RGB 58 196 111, RGB 58 74 196 and RGB 196 58 143

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 7 / 70 / 24

HEX #C3B53B

RGB 195 181 59

HSL 53.82, 0.54%, 0.5%

LAB 72.87, -8.93, 60.88

 

Complementary color

CMYK 69 / 62 / 0 / 23

HEX #3C4AC4

RGB 60 74 196

HSL 233.82, 0.54%, 0.5%

LAB 37.56, 34.92, -65.35

 

CMYK 0 / 10 / 73 / 22

HEX #C8B536

RGB 200 181 54

HSL 52.19, 0.57%, 0.5%

LAB 73.28, -7.01, 63.31

 

CMYK 0 / 8 / 66 / 15

HEX #D9C749

RGB 217 199 73

HSL 52.5, 0.65%, 0.57%

LAB 79.66, -8.05, 62.84

 

CMYK 0 / 7 / 61 / 8

HEX #EAD95C

RGB 234 217 92

HSL 52.82, 0.77%, 0.64%

LAB 85.95, -8.92, 62.03

 

CMYK 0 / 6 / 56 / 2

HEX #FBEB6F

RGB 251 235 111

HSL 53.14, 0.95%, 0.71%

LAB 92.16, -9.67, 61.04

 

CMYK 0 / 1 / 49 / 0

HEX #FFFD82

RGB 255 253 130

HSL 59.04, 1%, 0.75%

LAB 97.28, -15.4, 58.49

 

CMYK 0 / 7 / 70 / 24

HEX #C3B53B

RGB 195 181 59

HSL 53.82, 0.54%, 0.5%

LAB 72.87, -8.93, 60.88

 

CMYK 0 / 8 / 78 / 30

HEX #B2A328

RGB 178 163 40

HSL 53.48, 0.63%, 0.43%

LAB 66.38, -7.82, 61

 

CMYK 0 / 10 / 87 / 37

HEX #A19115

RGB 161 145 21

HSL 53.14, 0.77%, 0.36%

LAB 59.78, -6.46, 60.13

 

CMYK 0 / 12 / 99 / 44

HEX #907F02

RGB 144 127 2

HSL 52.82, 0.97%, 0.29%

LAB 53.07, -4.85, 57.85

 

CMYK 0 / 14 / 100 / 50

HEX #7F6D00

RGB 127 109 0

HSL 51.5, 1%, 0.25%

LAB 46.24, -2.85, 52.58

 

CMYK 0 / 7 / 70 / 23

HEX #C4B63A

RGB 196 182 58

HSL 53.91, 0.54%, 0.5%

LAB 73.22, -9.07, 61.64

 

CMYK 0 / 26 / 70 / 23

HEX #C4913A

RGB 196 145 58

HSL 37.83, 0.54%, 0.5%

LAB 63.58, 10.7, 51.86

 

CMYK 0 / 45 / 70 / 23

HEX #C46B3A

RGB 196 107 58

HSL 21.3, 0.54%, 0.5%

LAB 54.61, 31.41, 42.24

 

CMYK 0 / 64 / 70 / 23

HEX #C4463A

RGB 196 70 58

HSL 5.22, 0.54%, 0.5%

LAB 47.52, 49.6, 34.2

 

CMYK 0 / 70 / 70 / 23

HEX #C43A3A

RGB 196 58 58

HSL 0, 0.54%, 0.5%

LAB 45.73, 54.48, 32.09

 

CMYK 0 / 7 / 70 / 23

HEX #C4B63A

RGB 196 182 58

HSL 53.91, 0.54%, 0.5%

LAB 73.22, -9.07, 61.64

 

CMYK 12 / 0 / 70 / 23

HEX #ADC43A

RGB 173 196 58

HSL 70, 0.54%, 0.5%

LAB 75.25, -25.81, 63.03

 

CMYK 31 / 0 / 70 / 23

HEX #88C43A

RGB 136 196 58

HSL 86.09, 0.54%, 0.5%

LAB 72.9, -40.31, 59.92

 

CMYK 49 / 0 / 70 / 23

HEX #63C43A

RGB 99 196 58

HSL 102.17, 0.54%, 0.5%

LAB 71.17, -52.63, 57.59

 

CMYK 68 / 0 / 70 / 23

HEX #3EC43A

RGB 62 196 58

HSL 118.26, 0.54%, 0.5%

LAB 70.04, -61.61, 56.07

 

CMYK 0 / 7 / 70 / 23

HEX #C4B63A

RGB 196 182 58

HSL 53.91, 0.54%, 0.5%

LAB 73.22, -9.07, 61.64

 

CMYK 0 / 8 / 82 / 15

HEX #D8C626

RGB 216 198 38

HSL 53.93, 0.7%, 0.5%

LAB 79.11, -9.43, 74.06

 

CMYK 0 / 10 / 93 / 7

HEX #EDD611

RGB 237 214 17

HSL 53.73, 0.87%, 0.5%

LAB 85.07, -8.94, 83.47

 

CMYK 0 / 7 / 70 / 23

HEX #C4B63A

RGB 196 182 58

HSL 53.91, 0.54%, 0.5%

LAB 73.22, -9.07, 61.64

 

CMYK 0 / 6 / 55 / 31

HEX #AFA54F

RGB 175 165 79

HSL 53.75, 0.38%, 0.5%

LAB 66.97, -7.82, 45.22

 

CMYK 0 / 4 / 36 / 39

HEX #9B9563

RGB 155 149 99

HSL 53.57, 0.22%, 0.5%

LAB 61.1, -5.62, 27.23

 

CMYK 0 / 1 / 10 / 47

HEX #868578

RGB 134 133 120

HSL 55.71, 0.06%, 0.5%

LAB 55.28, -2.06, 7.14

RGB 134 133 120

CMYK 20 / 18 / 0 / 45

HEX #71748D

RGB 113 116 141

HSL 233.57, 0.11%, 0.5%

LAB 49.4, 4.49, -13.99

RGB 113 116 141

CMYK 0 / 46 / 70 / 23

HEX #C46A3A

RGB 196 106 58

HSL 20.87, 0.54%, 0.5%

LAB 54.4, 31.95, 42

 

CMYK 0 / 27 / 70 / 23

HEX #C48F3A

RGB 196 143 58

HSL 36.96, 0.54%, 0.5%

LAB 63.08, 11.79, 51.34

 

CMYK 0 / 8 / 70 / 23

HEX #C4B43A

RGB 196 180 58

HSL 53.04, 0.54%, 0.5%

LAB 72.68, -8.03, 61.11

 

CMYK 11 / 0 / 70 / 23

HEX #AFC43A

RGB 175 196 58

HSL 69.13, 0.54%, 0.5%

LAB 75.39, -24.98, 63.22

 

CMYK 30 / 0 / 70 / 23

HEX #8AC43A

RGB 138 196 58

HSL 85.22, 0.54%, 0.5%

LAB 73.02, -39.57, 60.07

 

CMYK 0 / 7 / 70 / 48

HEX #847B27

RGB 132 123 39

HSL 54.19, 0.54%, 0.34%

LAB 50.94, -7.02, 45.09

 

CMYK 0 / 7 / 70 / 36

HEX #A49831

RGB 164 152 49

HSL 53.74, 0.54%, 0.42%

LAB 62.14, -7.77, 53.19

 

CMYK 0 / 7 / 70 / 23

HEX #C4B63A

RGB 196 182 58

HSL 53.91, 0.54%, 0.5%

LAB 73.22, -9.07, 61.64

 

CMYK 0 / 6 / 56 / 20

HEX #CDC15A

RGB 205 193 90

HSL 53.74, 0.53%, 0.58%

LAB 77.2, -8.88, 52.46

 

CMYK 0 / 5 / 43 / 16

HEX #D7CD7A

RGB 215 205 122

HSL 53.55, 0.54%, 0.66%

LAB 81.57, -8.08, 42.45

 

CMYK 0 / 7 / 70 / 24

HEX #C3B53B

RGB 195 181 59

HSL 53.82, 0.54%, 0.5%

LAB 72.87, -8.93, 60.88

 

CMYK 70 / 0 / 64 / 23

HEX #3AC446

RGB 58 196 70

HSL 125.22, 0.54%, 0.5%

LAB 70.05, -61.19, 51.2

 

CMYK 36 / 70 / 0 / 23

HEX #7D3AC4

RGB 125 58 196

HSL 269.13, 0.54%, 0.5%

LAB 40.2, 54.83, -60.8

 

CMYK 0 / 7 / 70 / 24

HEX #C3B53B

RGB 195 181 59

HSL 53.82, 0.54%, 0.5%

LAB 72.87, -8.93, 60.88

 

CMYK 70 / 0 / 8 / 23

HEX #3AC4B4

RGB 58 196 180

HSL 173.04, 0.54%, 0.5%

LAB 72.01, -39.97, -2.6

 

CMYK 8 / 70 / 0 / 23

HEX #B43AC4

RGB 180 58 196

HSL 293.04, 0.54%, 0.5%

LAB 47.9, 66.13, -48

 

CMYK 0 / 7 / 70 / 24

HEX #C3B53B

RGB 195 181 59

HSL 53.82, 0.54%, 0.5%

LAB 72.87, -8.93, 60.88

 

CMYK 70 / 0 / 64 / 23

HEX #3AC446

RGB 58 196 70

HSL 125.22, 0.54%, 0.5%

LAB 70.05, -61.19, 51.2

 

CMYK 70 / 62 / 0 / 23

HEX #3A4AC4

RGB 58 74 196

HSL 233.04, 0.54%, 0.5%

LAB 37.45, 34.66, -65.53

 

CMYK 0 / 70 / 6 / 23

HEX #C43AB8

RGB 196 58 184

HSL 305.22, 0.54%, 0.5%

LAB 49.76, 67.7, -37.9

 

CMYK 0 / 7 / 70 / 24

HEX #C3B53B

RGB 195 181 59

HSL 53.82, 0.54%, 0.5%

LAB 72.87, -8.93, 60.88

 

CMYK 70 / 0 / 43 / 23

HEX #3AC46F

RGB 58 196 111

HSL 143.04, 0.54%, 0.5%

LAB 70.54, -55.46, 32.26

 

CMYK 70 / 62 / 0 / 23

HEX #3A4AC4

RGB 58 74 196

HSL 233.04, 0.54%, 0.5%

LAB 37.45, 34.66, -65.53

 

CMYK 0 / 70 / 27 / 23

HEX #C43A8F

RGB 196 58 143

HSL 323.04, 0.54%, 0.5%

LAB 47.94, 61.93, -16.46

 

Description

Color code: RGB 195 181 59 | qconv.com Color code: RGB 195 181 59 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 195 red, 181 green and 59 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
195 181 59 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 7 magenta, 70 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 7% 70% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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