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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 195 16 91 it is the complementary color RGB 60 239 164. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 195 16 91. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 195 16 91 shade: RGB 200 16 86, RGB 217 34 105, RGB 234 52 124, RGB 251 70 143 and RGB 255 88 162

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 195 16 91. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 195 16 91 shade: RGB 195 16 91, RGB 178 0 72, RGB 161 0 53, RGB 144 0 34 and RGB 127 0 15

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 195 16 91 shade: RGB 193 15 90, RGB 193 15 42 and RGB 193 15 15

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 195 16 91 shade: RGB 193 15 90, RGB 193 15 138, RGB 193 15 186, RGB 152 15 193 and RGB 104 15 193

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 195 16 91 shade matches the following richer shades: RGB 193 15 90

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 195 16 91 shade: RGB 193 15 90, RGB 176 32 92, RGB 159 49 95, RGB 142 66 98 and RGB 125 83 101

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 195 16 91 shade: RGB 193 15 187, RGB 193 15 140, RGB 193 15 92, RGB 193 15 45 and RGB 193 33 15

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 195 16 91 shade: RGB 117 9 54, RGB 155 12 72, RGB 193 15 90, RGB 231 18 107 and RGB 238 52 130

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 195 16 91 shade: RGB 195 16 91, RGB 193 151 15 and RGB 15 163 193

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 195 16 91 shade: RGB 195 16 91, RGB 92 193 15 and RGB 15 92 193

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 195 16 91 shade: RGB 195 16 91, RGB 193 151 15, RGB 15 193 116 and RGB 15 57 193

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 195 16 91 shade: RGB 195 16 91, RGB 181 193 15, RGB 15 193 116 and RGB 27 15 193

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 92 / 53 / 24

HEX #C3105B

RGB 195 16 91

HSL 334.86, 0.85%, 0.41%

LAB 42.35, 67.04, 7.29

 

Complementary color

CMYK 75 / 0 / 31 / 6

HEX #3CEFA4

RGB 60 239 164

HSL 154.86, 0.85%, 0.59%

LAB 84.68, -61.04, 23.88

 

CMYK 0 / 92 / 57 / 22

HEX #C81056

RGB 200 16 86

HSL 337.17, 0.85%, 0.42%

LAB 43.24, 67.89, 11.84

 

CMYK 0 / 84 / 52 / 15

HEX #D92269

RGB 217 34 105

HSL 336.72, 0.73%, 0.49%

LAB 48.15, 70.36, 7.42

 

CMYK 0 / 78 / 47 / 8

HEX #EA347C

RGB 234 52 124

HSL 336.26, 0.81%, 0.56%

LAB 53.39, 71.81, 3.8

 

CMYK 0 / 72 / 43 / 2

HEX #FB468F

RGB 251 70 143

HSL 335.8, 0.96%, 0.63%

LAB 58.86, 72.54, 0.83

 

CMYK 0 / 65 / 36 / 0

HEX #FF58A2

RGB 255 88 162

HSL 333.41, 1%, 0.67%

LAB 62.38, 69.13, -4.97

 

CMYK 0 / 92 / 53 / 24

HEX #C3105B

RGB 195 16 91

HSL 334.86, 0.85%, 0.41%

LAB 42.35, 67.04, 7.29

 

CMYK 0 / 100 / 60 / 30

HEX #B20048

RGB 178 0 72

HSL 335.73, 1%, 0.35%

LAB 37.72, 63.49, 12.43

 

CMYK 0 / 100 / 67 / 37

HEX #A10035

RGB 161 0 53

HSL 340.25, 1%, 0.32%

LAB 33.63, 58.29, 18.7

 

CMYK 0 / 100 / 76 / 44

HEX #900022

RGB 144 0 34

HSL 345.83, 1%, 0.28%

LAB 29.53, 53.13, 25.21

 

CMYK 0 / 100 / 88 / 50

HEX #7F000F

RGB 127 0 15

HSL 352.91, 1%, 0.25%

LAB 25.4, 48.07, 31.44

 

CMYK 0 / 92 / 53 / 24

HEX #C10F5A

RGB 193 15 90

HSL 334.72, 0.86%, 0.41%

LAB 41.87, 66.62, 7.19

 

CMYK 0 / 92 / 78 / 24

HEX #C10F2A

RGB 193 15 42

HSL 350.9, 0.86%, 0.41%

LAB 40.97, 64.11, 35.95

 

CMYK 0 / 92 / 92 / 24

HEX #C10F0F

RGB 193 15 15

HSL 0, 0.86%, 0.41%

LAB 40.76, 63.51, 49.49

 

CMYK 0 / 92 / 53 / 24

HEX #C10F5A

RGB 193 15 90

HSL 334.72, 0.86%, 0.41%

LAB 41.87, 66.62, 7.19

 

CMYK 0 / 92 / 28 / 24

HEX #C10F8A

RGB 193 15 138

HSL 318.54, 0.86%, 0.41%

LAB 43.53, 71.08, -20.23

 

CMYK 0 / 92 / 4 / 24

HEX #C10FBA

RGB 193 15 186

HSL 302.36, 0.86%, 0.41%

LAB 45.94, 77.29, -45.17

 

CMYK 21 / 92 / 0 / 24

HEX #980FC1

RGB 152 15 193

HSL 286.18, 0.86%, 0.41%

LAB 39.36, 71.82, -60.24

 

CMYK 46 / 92 / 0 / 24

HEX #680FC1

RGB 104 15 193

HSL 270, 0.86%, 0.41%

LAB 32.11, 65.82, -72.38

 

CMYK 0 / 92 / 53 / 24

HEX #C10F5A

RGB 193 15 90

HSL 334.72, 0.86%, 0.41%

LAB 41.87, 66.62, 7.19

 

CMYK 0 / 92 / 53 / 24

HEX #C10F5A

RGB 193 15 90

HSL 334.72, 0.86%, 0.41%

LAB 41.87, 66.62, 7.19

 

CMYK 0 / 82 / 48 / 31

HEX #B0205C

RGB 176 32 92

HSL 335, 0.69%, 0.41%

LAB 39.64, 59.3, 2.27

 

CMYK 0 / 69 / 40 / 38

HEX #9F315F

RGB 159 49 95

HSL 334.91, 0.53%, 0.41%

LAB 38.54, 49.16, -1.62

 

CMYK 0 / 54 / 31 / 44

HEX #8E4262

RGB 142 66 98

HSL 334.74, 0.37%, 0.41%

LAB 38.78, 35.94, -3.48

 

CMYK 0 / 34 / 19 / 51

HEX #7D5365

RGB 125 83 101

HSL 334.29, 0.2%, 0.41%

LAB 40.39, 20.38, -3.23

 

CMYK 0 / 92 / 3 / 24

HEX #C10FBB

RGB 193 15 187

HSL 302.02, 0.86%, 0.41%

LAB 46, 77.43, -45.66

 

CMYK 0 / 92 / 27 / 24

HEX #C10F8C

RGB 193 15 140

HSL 317.87, 0.86%, 0.41%

LAB 43.61, 71.31, -21.32

 

CMYK 0 / 92 / 52 / 24

HEX #C10F5C

RGB 193 15 92

HSL 334.04, 0.86%, 0.41%

LAB 41.93, 66.77, 6

 

CMYK 0 / 92 / 77 / 24

HEX #C10F2D

RGB 193 15 45

HSL 349.89, 0.86%, 0.41%

LAB 41.01, 64.21, 34.21

 

CMYK 0 / 83 / 92 / 24

HEX #C1210F

RGB 193 33 15

HSL 6.07, 0.86%, 0.41%

LAB 41.94, 60.13, 50.25

 

CMYK 0 / 92 / 54 / 54

HEX #750936

RGB 117 9 54

HSL 335, 0.86%, 0.25%

LAB 24.46, 45.63, 3.93

 

CMYK 0 / 92 / 54 / 39

HEX #9B0C48

RGB 155 12 72

HSL 334.83, 0.86%, 0.33%

LAB 33.35, 56.4, 5.59

 

CMYK 0 / 92 / 53 / 24

HEX #C10F5A

RGB 193 15 90

HSL 334.72, 0.86%, 0.41%

LAB 41.87, 66.62, 7.19

 

CMYK 0 / 92 / 54 / 9

HEX #E7126B

RGB 231 18 107

HSL 334.93, 0.86%, 0.49%

LAB 50.08, 76.36, 9.3

 

CMYK 0 / 78 / 45 / 7

HEX #EE3482

RGB 238 52 130

HSL 334.84, 0.85%, 0.57%

LAB 54.29, 73.35, 1.59

 

CMYK 0 / 92 / 53 / 24

HEX #C3105B

RGB 195 16 91

HSL 334.86, 0.85%, 0.41%

LAB 42.35, 67.04, 7.29

 

CMYK 0 / 22 / 92 / 24

HEX #C1970F

RGB 193 151 15

HSL 45.84, 0.86%, 0.41%

LAB 64.57, 4.66, 66.48

 

CMYK 92 / 16 / 0 / 24

HEX #0FA3C1

RGB 15 163 193

HSL 190.11, 0.86%, 0.41%

LAB 61.78, -24.04, -25.24

 

CMYK 0 / 92 / 53 / 24

HEX #C3105B

RGB 195 16 91

HSL 334.86, 0.85%, 0.41%

LAB 42.35, 67.04, 7.29

 

CMYK 52 / 0 / 92 / 24

HEX #5CC10F

RGB 92 193 15

HSL 94.04, 0.86%, 0.41%

LAB 69.79, -55.65, 67.73

 

CMYK 92 / 52 / 0 / 24

HEX #0F5CC1

RGB 15 92 193

HSL 214.04, 0.86%, 0.41%

LAB 40.58, 17.95, -58.75

 

CMYK 0 / 92 / 53 / 24

HEX #C3105B

RGB 195 16 91

HSL 334.86, 0.85%, 0.41%

LAB 42.35, 67.04, 7.29

 

CMYK 0 / 22 / 92 / 24

HEX #C1970F

RGB 193 151 15

HSL 45.84, 0.86%, 0.41%

LAB 64.57, 4.66, 66.48

 

CMYK 92 / 0 / 40 / 24

HEX #0FC174

RGB 15 193 116

HSL 154.04, 0.86%, 0.41%

LAB 69.11, -57.94, 27.7

 

CMYK 92 / 70 / 0 / 24

HEX #0F39C1

RGB 15 57 193

HSL 225.84, 0.86%, 0.41%

LAB 31.53, 40.89, -73.57

 

CMYK 0 / 92 / 53 / 24

HEX #C3105B

RGB 195 16 91

HSL 334.86, 0.85%, 0.41%

LAB 42.35, 67.04, 7.29

 

CMYK 6 / 0 / 92 / 24

HEX #B5C10F

RGB 181 193 15

HSL 64.04, 0.86%, 0.41%

LAB 74.82, -22.45, 73.88

 

CMYK 92 / 0 / 40 / 24

HEX #0FC174

RGB 15 193 116

HSL 154.04, 0.86%, 0.41%

LAB 69.11, -57.94, 27.7

 

CMYK 86 / 92 / 0 / 24

HEX #1B0FC1

RGB 27 15 193

HSL 244.04, 0.86%, 0.41%

LAB 25.03, 61.13, -84.34

 

Description

Color code: RGB 195 16 91 | qconv.com Color code: RGB 195 16 91 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 195 red, 16 green and 91 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
195 16 91 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 92 magenta, 53 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 92% 53% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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