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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 195 168 13 it is the complementary color RGB 60 87 242. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 195 168 13. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 195 168 13 shade: RGB 200 168 8, RGB 217 186 27, RGB 234 204 46, RGB 251 222 65 and RGB 255 240 84

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 195 168 13. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 195 168 13 shade: RGB 195 168 13, RGB 178 150 0, RGB 161 132 0, RGB 144 114 0 and RGB 127 96 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 195 168 13 shade: RGB 196 169 12, RGB 196 119 12, RGB 196 70 12, RGB 196 20 12 and RGB 196 12 12

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 195 168 13 shade: RGB 196 169 12, RGB 174 196 12, RGB 124 196 12, RGB 74 196 12 and RGB 25 196 12

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 195 168 13 shade matches the following richer shades: RGB 196 169 12

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 195 168 13 shade: RGB 196 169 12, RGB 179 157 29, RGB 162 145 46, RGB 145 133 63 and RGB 128 121 80

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 195 168 13 shade: RGB 196 70 12, RGB 196 119 12, RGB 196 168 12, RGB 175 196 12 and RGB 126 196 12

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 195 168 13 shade: RGB 118 102 7, RGB 157 135 10, RGB 196 169 12, RGB 235 202 15 and RGB 241 213 49

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 195 168 13 shade: RGB 195 168 13, RGB 12 196 21 and RGB 95 12 196

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 195 168 13 shade: RGB 195 168 13, RGB 12 196 168 and RGB 168 12 196

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 195 168 13 shade: RGB 195 168 13, RGB 12 196 21, RGB 12 40 196 and RGB 196 12 187

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 195 168 13 shade: RGB 195 168 13, RGB 12 196 76, RGB 12 40 196 and RGB 196 12 132

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 14 / 93 / 24

HEX #C3A80D

RGB 195 168 13

HSL 51.1, 0.88%, 0.41%

LAB 69.21, -3.58, 70.37

 

Complementary color

CMYK 75 / 64 / 0 / 5

HEX #3C57F2

RGB 60 87 242

HSL 231.1, 0.88%, 0.59%

LAB 44.5, 42.92, -80.29

 

CMYK 0 / 16 / 96 / 22

HEX #C8A808

RGB 200 168 8

HSL 50, 0.92%, 0.41%

LAB 69.68, -1.42, 71.57

 

CMYK 0 / 14 / 88 / 15

HEX #D9BA1B

RGB 217 186 27

HSL 50.21, 0.78%, 0.48%

LAB 76.04, -3.1, 74.11

 

CMYK 0 / 13 / 80 / 8

HEX #EACC2E

RGB 234 204 46

HSL 50.43, 0.82%, 0.55%

LAB 82.31, -4.55, 75.29

 

CMYK 0 / 12 / 74 / 2

HEX #FBDE41

RGB 251 222 65

HSL 50.65, 0.96%, 0.62%

LAB 88.51, -5.8, 75.55

 

CMYK 0 / 6 / 67 / 0

HEX #FFF054

RGB 255 240 84

HSL 54.74, 1%, 0.66%

LAB 93.55, -12.21, 73.79

 

CMYK 0 / 14 / 93 / 24

HEX #C3A80D

RGB 195 168 13

HSL 51.1, 0.88%, 0.41%

LAB 69.21, -3.58, 70.37

 

CMYK 0 / 16 / 100 / 30

HEX #B29600

RGB 178 150 0

HSL 50.56, 1%, 0.35%

LAB 62.74, -1.77, 66.64

 

CMYK 0 / 18 / 100 / 37

HEX #A18400

RGB 161 132 0

HSL 49.19, 1%, 0.32%

LAB 56.17, 0.28, 61.21

 

CMYK 0 / 21 / 100 / 44

HEX #907200

RGB 144 114 0

HSL 47.5, 1%, 0.28%

LAB 49.45, 2.43, 55.67

 

CMYK 0 / 24 / 100 / 50

HEX #7F6000

RGB 127 96 0

HSL 45.35, 1%, 0.25%

LAB 42.58, 4.69, 50.01

 

CMYK 0 / 14 / 94 / 23

HEX #C4A90C

RGB 196 169 12

HSL 51.2, 0.88%, 0.41%

LAB 69.57, -3.68, 70.82

 

CMYK 0 / 39 / 94 / 23

HEX #C4770C

RGB 196 119 12

HSL 34.89, 0.88%, 0.41%

LAB 57.03, 23.46, 61.64

 

CMYK 0 / 64 / 94 / 23

HEX #C4460C

RGB 196 70 12

HSL 18.91, 0.88%, 0.41%

LAB 47.16, 48.2, 54.88

 

CMYK 0 / 90 / 94 / 23

HEX #C4140C

RGB 196 20 12

HSL 2.61, 0.88%, 0.41%

LAB 41.63, 63.54, 51.44

 

CMYK 0 / 94 / 94 / 23

HEX #C40C0C

RGB 196 12 12

HSL 0, 0.88%, 0.41%

LAB 41.26, 64.62, 51.22

 

CMYK 0 / 14 / 94 / 23

HEX #C4A90C

RGB 196 169 12

HSL 51.2, 0.88%, 0.41%

LAB 69.57, -3.68, 70.82

 

CMYK 11 / 0 / 94 / 23

HEX #AEC40C

RGB 174 196 12

HSL 67.17, 0.88%, 0.41%

LAB 75.14, -26.91, 74.27

 

CMYK 37 / 0 / 94 / 23

HEX #7CC40C

RGB 124 196 12

HSL 83.48, 0.88%, 0.41%

LAB 72.09, -46.53, 70.56

 

CMYK 62 / 0 / 94 / 23

HEX #4AC40C

RGB 74 196 12

HSL 99.78, 0.88%, 0.41%

LAB 70.15, -61.43, 68.18

 

CMYK 87 / 0 / 94 / 23

HEX #19C40C

RGB 25 196 12

HSL 115.76, 0.88%, 0.41%

LAB 69.26, -69.1, 67.09

 

CMYK 0 / 14 / 94 / 23

HEX #C4A90C

RGB 196 169 12

HSL 51.2, 0.88%, 0.41%

LAB 69.57, -3.68, 70.82

 

CMYK 0 / 14 / 94 / 23

HEX #C4A90C

RGB 196 169 12

HSL 51.2, 0.88%, 0.41%

LAB 69.57, -3.68, 70.82

 

CMYK 0 / 12 / 84 / 30

HEX #B39D1D

RGB 179 157 29

HSL 51.2, 0.72%, 0.41%

LAB 64.79, -4.56, 62.95

 

CMYK 0 / 10 / 72 / 36

HEX #A2912E

RGB 162 145 46

HSL 51.21, 0.56%, 0.41%

LAB 60.01, -5.05, 52.21

 

CMYK 0 / 8 / 57 / 43

HEX #91853F

RGB 145 133 63

HSL 51.22, 0.39%, 0.41%

LAB 55.23, -4.94, 38.81

 

CMYK 0 / 5 / 38 / 50

HEX #807950

RGB 128 121 80

HSL 51.25, 0.23%, 0.41%

LAB 50.5, -3.91, 23.47

 

CMYK 0 / 64 / 94 / 23

HEX #C4460C

RGB 196 70 12

HSL 18.91, 0.88%, 0.41%

LAB 47.16, 48.2, 54.88

 

CMYK 0 / 39 / 94 / 23

HEX #C4770C

RGB 196 119 12

HSL 34.89, 0.88%, 0.41%

LAB 57.03, 23.46, 61.64

 

CMYK 0 / 14 / 94 / 23

HEX #C4A80C

RGB 196 168 12

HSL 50.87, 0.88%, 0.41%

LAB 69.3, -3.15, 70.62

 

CMYK 11 / 0 / 94 / 23

HEX #AFC40C

RGB 175 196 12

HSL 66.85, 0.88%, 0.41%

LAB 75.21, -26.49, 74.36

 

CMYK 36 / 0 / 94 / 23

HEX #7EC40C

RGB 126 196 12

HSL 82.83, 0.88%, 0.41%

LAB 72.19, -45.82, 70.68

 

CMYK 0 / 14 / 94 / 54

HEX #766607

RGB 118 102 7

HSL 51.35, 0.89%, 0.25%

LAB 43.31, -3.03, 48.33

 

CMYK 0 / 14 / 94 / 38

HEX #9D870A

RGB 157 135 10

HSL 51.02, 0.88%, 0.33%

LAB 56.6, -3.07, 59.66

 

CMYK 0 / 14 / 94 / 23

HEX #C4A90C

RGB 196 169 12

HSL 51.2, 0.88%, 0.41%

LAB 69.57, -3.68, 70.82

 

CMYK 0 / 14 / 94 / 8

HEX #EBCA0F

RGB 235 202 15

HSL 51, 0.88%, 0.49%

LAB 81.8, -3.74, 81.19

 

CMYK 0 / 12 / 80 / 5

HEX #F1D531

RGB 241 213 49

HSL 51.25, 0.87%, 0.57%

LAB 85.26, -6.05, 77.25

 

CMYK 0 / 14 / 93 / 24

HEX #C3A80D

RGB 195 168 13

HSL 51.1, 0.88%, 0.41%

LAB 69.21, -3.58, 70.37

 

CMYK 94 / 0 / 89 / 23

HEX #0CC415

RGB 12 196 21

HSL 122.93, 0.88%, 0.41%

LAB 69.19, -69.68, 65.64

 

CMYK 52 / 94 / 0 / 23

HEX #5F0CC4

RGB 95 12 196

HSL 267.07, 0.88%, 0.41%

LAB 31.07, 66.19, -75.91

 

CMYK 0 / 14 / 93 / 24

HEX #C3A80D

RGB 195 168 13

HSL 51.1, 0.88%, 0.41%

LAB 69.21, -3.58, 70.37

 

CMYK 94 / 0 / 14 / 23

HEX #0CC4A8

RGB 12 196 168

HSL 170.87, 0.88%, 0.41%

LAB 71.14, -47.07, 2.59

 

CMYK 14 / 94 / 0 / 23

HEX #A80CC4

RGB 168 12 196

HSL 290.87, 0.88%, 0.41%

LAB 42.11, 75.1, -57.4

 

CMYK 0 / 14 / 93 / 24

HEX #C3A80D

RGB 195 168 13

HSL 51.1, 0.88%, 0.41%

LAB 69.21, -3.58, 70.37

 

CMYK 94 / 0 / 89 / 23

HEX #0CC415

RGB 12 196 21

HSL 122.93, 0.88%, 0.41%

LAB 69.19, -69.68, 65.64

 

CMYK 94 / 80 / 0 / 23

HEX #0C28C4

RGB 12 40 196

HSL 230.87, 0.88%, 0.41%

LAB 28.33, 51.65, -80.63

 

CMYK 0 / 94 / 5 / 23

HEX #C40CBB

RGB 196 12 187

HSL 302.93, 0.88%, 0.41%

LAB 46.43, 78.27, -44.94

 

CMYK 0 / 14 / 93 / 24

HEX #C3A80D

RGB 195 168 13

HSL 51.1, 0.88%, 0.41%

LAB 69.21, -3.58, 70.37

 

CMYK 94 / 0 / 61 / 23

HEX #0CC44C

RGB 12 196 76

HSL 140.87, 0.88%, 0.41%

LAB 69.53, -65.44, 47.84

 

CMYK 94 / 80 / 0 / 23

HEX #0C28C4

RGB 12 40 196

HSL 230.87, 0.88%, 0.41%

LAB 28.33, 51.65, -80.63

 

CMYK 0 / 94 / 33 / 23

HEX #C40C84

RGB 196 12 132

HSL 320.87, 0.88%, 0.41%

LAB 43.75, 71.4, -16.17

 

Description

Color code: RGB 195 168 13 | qconv.com Color code: RGB 195 168 13 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 195 red, 168 green and 13 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
195 168 13 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 14 magenta, 93 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 14% 93% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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